Title: Death by Shakespeare: Snakebites, Stabbings and Broken Hearts by Kathryn Harkup
Published by Bloomsbury SIGMA
Published: May 5, 2020
Genres: Non-Fiction, History, Science
Buy: Bookshop(afflilate link)
An in-depth look at the science behind the creative methods Shakespeare used to kill off his characters.
In Death By Shakespeare, Kathryn Harkup, best-selling author of A is for Arsenic and expert on the more gruesome side of science, turns her expertise to Shakespeare and the creative methods he used to kill off his characters. Is death by snakebite really as serene as Cleopatra made it seem? How did Juliet appear dead for 72 hours only to be revived in perfect health? Can you really kill someone by pouring poison in their ear? How long would it take before Lady Macbeth died from lack of sleep? Readers will find out exactly how all the iconic death scenes that have thrilled audiences for centuries would play out in real life.
In the Bard's day death was a part of everyday life. Plague, pestilence and public executions were a common occurrence, and the chances of seeing a dead or dying body on the way home from the theater was a fairly likely scenario. Death is one of the major themes that reoccurs constantly throughout Shakespeare's canon, and he certainly didn't shy away from portraying the bloody reality of death on the stage. He didn't have to invent gruesome or novel ways to kill off his characters when everyday experience provided plenty of inspiration.
Shakespeare's era was also a time of huge scientific advance. The human body, its construction and how it was affected by disease came under scrutiny, overturning more than a thousand years of received Greek wisdom, and Shakespeare himself hinted at these new scientific discoveries and medical advances in his writing, such as circulation of the blood and treatments for syphilis.
Shakespeare found 74 different ways to kill off his characters, and audiences today still enjoy the same reactions--shock, sadness, fear--that they did over 400 years ago when these plays were first performed. But how realistic are these deaths, and did Shakespeare have the science to back them up?
I love reading books that provide some kind of external context about other books or works — whether it’s historical context, criticism, and, in the case of Kathryn Harkup’s Death by Shakespeare
, scientific context. Death by Shakespeare
explores the many deaths in Shakespeare’s plays and provides insightful looks into how contemporaries handled disease and death, and Harkup explores these topics with clarity, empathy, and humor. Shakespeare’s body of work can be daunting and difficult for modern readers, but Harkup presents her research in an engaging way that is entertaining and in reach.
I loved the intersections of contemporary and modern medicine, as well as the examinations of how the deaths in the plays were (or weren’t) performed on stage. Death today seems so far removed from our society, yet in Shakespeare’s day, death was actively part of every day life. This was also something weird to read at this present time with the coronavirus pandemic because I’m confronted by death daily and still so far removed from it because no one I know has contracted it, but Shakespeare and his contemporaries confronted death in all its causes in such close proximity that it was difficult to ignore, even in his own work. The thing I loved most about Death by Shakespeare is the connection of the historical and everyday life with the science because it made everything feel so much more real. Like death, history seems something so far removed from us that we sometimes forget that history is populated by people living lives with emotional scope and depth as people live today, so in a way, putting Shakespeare’s plays into context like, along with any contextual criticism, this brings the humanity of these plays to the surface.
This is something that would be beneficial to anyone reading and studying Shakespeare as it provides an engaging and accessible look into the reasons why Shakespeare likely used certain kinds of poisons, murders, and avenues of death in his work. Personally, I know having this historical/literary/scientific context when I was taking my Shakespeare course in undergrad would have added so much to my enjoyment and understanding of the plays, but I’m glad to have read it now!
Many thanks to Bloomsbury Publishing for sending me an early copy to review! All opinions are my own.
Today’s Little List of Reviews features three reads from Netgalley that I’ve had on my Kindle for a long time and have needed to review for a while. Thank you to Netgalley
Title: The Girl in White Gloves by Kerri Maher
Published by Berkley
Published: February 25th 2020
Genres: Fiction, Historical
Buy: Bookshop(afflilate link)
A life in snapshots…
Grace knows what people see. She’s the Cinderella story. An icon of glamor and elegance frozen in dazzling Technicolor. The picture of perfection. The girl in white gloves.
A woman in living color…
But behind the lens, beyond the panoramic views of glistening Mediterranean azure, she knows the truth. The sacrifices it takes for an unappreciated girl from Philadelphia to defy her family and become the reigning queen of the screen. The heartbreaking reasons she trades Hollywood for a crown. The loneliness of being a princess in a fairy tale kingdom that is all too real. Hardest of all for her adoring fans and loyal subjects to comprehend, is the harsh reality that to be the most envied woman in the world does not mean she is the happiest. Starved for affection and purpose, facing a labyrinth of romantic and social expectations with more twists and turns than Monaco’s infamous winding roads, Grace must find her own way to fulfillment. But what she risks--her art, her family, her marriage—she may never get back.
The first half of this was so good, nuanced and detailed with a lot of sparking humor. I love fiction about Hollywood and the behind the scenes glimpses it gives, but this book fell apart halfway through for me. The characterization of Grace Kelly did a complete turnaround and felt unrecognizable from the character introduced to us in the beginning. Tonally, the book felt like a completely separate title halfway through, and it left me a little disappointed.
Title: Peter Watts Is An Angry Sentient Tumor: Revenge Fantasies and Essays by Peter Watts
Published by Tachyon Publications
Published: November 12 2019
Buy: Bookshop(afflilate link)
“A brilliant bastard.” —Cory Doctorow“Comfort, of course, is the last thing that Watts wants to give.” —New York Review of Science Fiction
Which of the following is true?
-Peter Watts is banned from the U.S.-Watts almost died from flesh-eating bacteria.-A schizophrenic man living in Watts's backyard almost set his house on fire. -Watts was raised by Baptists who really sucked at giving presents.-Peter Watts said to read this book. Or else.
“Watts, undoubtedly, is a genius.” ―Medium
In more than fifty unpredictable essays and revenge fantasies, Peter Watts — Hugo Award-winning author, former marine biologist, and angry sentient tumor — is the savage dystopian optimist whom you can’t look away from. Even when you probably should.
I didn’t really know anything about Peter Watts before reading this collection of his writing/blog posts, and the resulting collection in an acerbic, entertaining look into a myriad of subjects. It was a lot to take in all at once, so I picked at this over the course of several months. I loved his perspective on a lot of things, so if you like essays about literally anything, definitely take a look at this.
Title: Show Them a Good Time by Nicole Flattery
Published by Bloomsbury Publishing
Published: January 28th 2020
Buy: Bookshop(afflilate link)
A blisteringly original and wickedly funny collection of stories about the strange worlds that women inhabit and the parts that they must play.
A sense of otherworldly menace is at work in the fiction of Nicole Flattery, but the threats are all too familiar. SHOW THEM A GOOD TIME tells the stories of women slotted away into restrictive roles: the celebrity's girlfriend, the widower's second wife, the lecherous professor's student, the corporate employee. And yet, the genius of Flattery's characters is to blithely demolish the boundaries of these limited and limiting social types with immense complexity and caustic intelligence. Nicole Flattery's women are too ferociously mordant, too painfully funny to remain in their places.
In this fiercely original and blazingly brilliant debut, Flattery likewise deconstructs the conventions of genre to serve up strange realities: In Not the End Yet, Flattery probes the hilarious and wrenching ambivalence of Internet dating as the apocalypse nears; in Sweet Talk, the mysterious disappearance of a number of local women sets the scene for a young girl to confront the dangerous uncertainties of her own sexuality; in this collection's center piece, Abortion, A Love Story, two college students in a dystopian campus reconfigure the perilous stories of their bodies in a fraught academic culture to offer a subversive, alarming, and wickedly funny play that takes over their own offstage lives. And yet, however surreal or richly imagined the setting, Flattery always shows us these strange worlds from startlingly unexpected angles, through an unforgettable cast of brutally honest, darkly hilarious women and girls.
Like the stories of Mary Gaitskill, Miranda July, Lorrie Moore, Joy Williams, and Ottessa Moshfegh, SHOW THEM A GOOD TIME is the work of a profoundly resonant and revelatory literary voice – at once spiky, humane, achingly hilarious-- that is sure to echo through the literary culture for decades to come.
I like reading collections of short stories to break up longer books or when my attention span is fried, so I was happy to read a collection of a new-to-me author. This collection played with the subversion of gender roles and explored the contrasts of women in society. My favorite story of the collection is ‘Show Them a Good Time,’ but the rest began feeling samey and repetitive after a while. This is probably best read one story at a time rather than a few here and there.
Title: Savage Appetites: Four True Stories of Women, Crime, and Obsession by Rachel Monroe
Published by Scribner
Published: August 20th 2019
Genres: Cultural Studies
A provocative and original investigation of our cultural fascination with crime, linking four archetypes—Detective, Victim, Attorney, Killer—to four true stories about women driven by obsession.
In this illuminating exploration of women, violence, and obsession, Rachel Monroe interrogates the appeal of true crime through four narratives of fixation. In the 1940s, a bored heiress began creating dollhouse crime scenes depicting murders, suicides, and accidental deaths. Known as the “Mother of Forensic Science,” she revolutionized the field of what was then called legal medicine. In the aftermath of the Manson Family murders, a young woman moved into Sharon Tate’s guesthouse and, over the next two decades, entwined herself with the Tate family. In the mid-nineties, a landscape architect in Brooklyn fell in love with a convicted murderer, the supposed ringleader of the West Memphis Three, through an intense series of letters. After they married, she devoted her life to getting him freed from death row. And in 2015, a teenager deeply involved in the online fandom for the Columbine killers planned a mass shooting of her own.
Each woman, Monroe argues, represents and identifies with a particular archetype that provides an entryway into true crime. Through these four cases, she traces the history of American crime through the growth of forensic science, the evolving role of victims, the Satanic Panic, the rise of online detectives, and the long shadow of the Columbine shooting. In a combination of personal narrative, reportage, and a sociological examination of violence and media in the twentieth and twenty-first century, Savage Appetites scrupulously explores empathy, justice, and the persistent appeal of violence.
Rachel Monroe’s Savage Appetites
explores the cultural phenomenon of true crime and how women tend to be drawn to the “genre” even though women are more likely to be victims in true crime “stories.” This was an examination of our society’s fascination with true crime and how that fascination has grown over the years through four case studies. In Savage Appetites
, Monroe takes those fascinations of women with true crime and separates them into four general archetypes – detective, victim, attorney, killer.
Through each of these archetypes, Monroe combines thorough research with her own anecdotes to explore what exactly it is that makes true crime so fascinating not only for women but for all of us. While her writing flowed easily and I enjoyed learning what she tied in with her archetypes, I felt that it all fell flat because some of the attitudes were a little negatively skewed toward the women featured in the archetypes. It’s uncomfortable to read unnecessary criticism against women in a book about women, but because I’m not well-read in true crime, maybe that’s something delved into a little more? I’m not sure. For me, when someone is offering cultural insight and criticism, I do want there to be more about what we as a society could do to be better or how it ultimately affects our society to be so interested in an ultimately violent “genre.” What happens when true crime begins being viewed as fiction rather than something that happened to real people? Do we become more desensitized to the violence because we’re beginning to assume it’s fiction and therefore can’t happen to us?
Even though true crime has certainly morphed into a genre, I was hoping for more in Savage Appetites about the implications of calling true crime a genre and ultimately why we’re becoming more and more fascinated with true crime. One more chapter tying the four archetypes together and exploring a result or conclusion would have made me like this a little bit more!
Thank you to Scribner for sending me a complimentary copy to review. All opinions are my own.
Title: Code Girls: The Untold Story of the American Women Code Breakers of World War II by Liza Mundy
Published by Hachette Books
Published: October 2nd 2018
Genres: History, Non-Fiction
Format: Trade Paper
Recruited by the U.S. Army and Navy from small towns and elite colleges, more than ten thousand women served as codebreakers during World War II. While their brothers and boyfriends took up arms, these women moved to Washington and learned the meticulous work of code-breaking. Their efforts shortened the war, saved countless lives, and gave them access to careers previously denied to them. A strict vow of secrecy nearly erased their efforts from history; now, through dazzling research and interviews with surviving code girls, bestselling author Liza Mundy brings to life this riveting and vital story of American courage, service, and scientific accomplishment.
When I think of code breaking in World War II, I think of Alan Turning, British spies, and the Enigma machine. The history I was familiar with growing up didn’t mention much about American code breaking, let alone no mention of women’s involvement in code breaking during World War II.
Liza Mundy explores women who joined both the Army (WAC) and Navy (WAVES) to aid the war effort in code breaking. She focuses mostly on two women named Dot and Crow, but also includes other notable women who contributed. Mundy draws on her own research and interviews she conducted with these women, and I felt like I could read countless pages about the lives of these women and the risks they took.
It is both inspiring and frustrating to realize how much work these women did to aid the war effort and how little credit they have received in our history books. Now knowing that the work these women did to break codes entirely shifted the American’s trajectory during World War II, I want everyone who is interested in women’s history and war history to read this. It further goes to show that the paths taken in wartime are never black and white, never just a boy’s club, and never as straight as some would like to assume. War is complicated, and these women sometimes had to break codes containing information that lead to the direct harm of people they knew without being able to put a stop to the attacks. Mundy showcases the strength and resilience of these women in then-unheard of situations.
This comes highly recommended from me, so if you are interested in women’s history and World War II history, add this to your TBRs immediately.
Thank you to Hachette for sending me a complimentary copy for review. All opinions are my own.
Title: A Moonless, Starless Sky: Ordinary Women and Men Fighting Extremism in Africa by Alexis Okeowo
Published by Hachette Books
Published: October 3rd 2017
Genres: Cultural Studies
Format: Trade Paper
In the tradition of Behind the Beautiful Forevers and Nothing to Envy, this is a masterful, humane work of literary journalism by New Yorker staff writer Alexis Okeowo--a vivid narrative of Africans, many of them women, who are courageously resisting their continent's wave of fundamentalism.
In A Moonless, Starless Sky Okeowo weaves together four narratives that form a powerful tapestry of modern Africa: a young couple, kidnap victims of Joseph Kony's LRA; a Mauritanian waging a lonely campaign against modern-day slavery; a women's basketball team flourishing amid war-torn Somalia; and a vigilante who takes up arms against the extremist group Boko Haram. This debut book by one of America's most acclaimed young journalists illuminates the inner lives of ordinary people doing the extraordinary--lives that are too often hidden, underreported, or ignored by the rest of the world.
Alexis Okeowo’s A Moonless, Starless Sky
writes about the lives of four individuals in Nigeria, Somalia, Mauritania and Uganda who are resisting against the extremisms they each face. Okeowo, a first generation Nigerian-American, manages to deftly weave hope and inspiration in her solemn, yet conversational, exploration of the bravery and courage these four individuals face in abject terror.
The four narratives are about an LRA child soldier and the girl forced to marry him, a man and his fight against slavery in modern Mauritania, a group fighting Boko Haram, and a Somalian young woman’s struggle for the right to continue playing basketball. While each of the stories were eye-opening to read, the story about the Somalian young woman finding friendship, companionship, and fulfillment in playing basketball tugged at my heart-strings the most. To us here in the US, something so commonplace as playing basketball doesn’t register as a forbidden activity for anyone, but for her, it was a forbidden activity, because she is Muslim, because she is female. Her struggle to pursue her dreams resonated with me so much.
Okeowo writes the lives of each of these individuals with clarity, empathy, and respect; she writes their stories with unflinching insight to their struggles and triumphs. This book will certainly raise awareness to events happening beyond our media’s reach and inspire people to take action. It’s an absolute must read.
Many thanks to Hachette for sending me a copy of this book to review! All opinions are my own.