Title: Tender Is the Flesh by Agustina Bazterrica, Sarah Moses
Published by Scribner
Published: August 4th 2020
Genres: Fiction, Horror
Format: Trade Paper
Buy: Bookshop(afflilate link)
Working at the local processing plant, Marcos is in the business of slaughtering humans —though no one calls them that anymore. His wife has left him, his father is sinking into dementia, and Marcos tries not to think too hard about how he makes a living. After all, it happened so quickly. First, it was reported that an infectious virus has made all animal meat poisonous to humans. Then governments initiated the “Transition.” Now, eating human meat—“special meat”—is legal. Marcos tries to stick to numbers, consignments, processing.
Then one day he’s given a gift: a live specimen of the finest quality. Though he’s aware that any form of personal contact is forbidden on pain of death, little by little he starts to treat her like a human being. And soon, he becomes tortured by what has been lost—and what might still be saved.
I finished this book almost two months ago, and I still think about it at least once a week. I read a lot
, so it’s rare that a book will stick with me for so long because my brain just jumps to the next thing because yay distractibility, but Tender is the Flesh
is going to stick with me for a while.
Essentially, animal flesh becomes inedible, and the government enters the “Transition” in which “special meat” is processed for consumption. “Special meat” is human meat, and Bazterrica holds nothing back in the description of that transition. Marcos, the main character, is a processor at one of these processing plants, and the first third of the novel is him methodically trying to distance himself from what he is participating in.
When he’s given a live female specimen, though… that’s when everything turns upside down. While he begins to treat this female specimen with a sort of kindness and gentleness, the violence of everything else, including of Marcos’ own doing, amplifies, and the novel turns more gruesome and brutal as it devolves into how brutal people (especially men) can be to one another when it comes to power and control.
This was a book I could not put down because I needed to know what happened next, how this would all resolve, and the last page of this novel is one of the most chilling conclusions I have ever read.
Title: One Writer's Beginnings by Eudora Welty, Natasha Trethewey
Published by Scribner
Published: November 3rd 2020
Buy: Bookshop(afflilate link)
Featuring a new introduction, this updated edition of the New York Times bestselling classic by Pulitzer Prize and National Book Award–winning author and one of the most revered figures in American letters is “profound and priceless as guidance for anyone who aspires to write” (Los Angeles Times).
Born in 1909 in Jackson, Mississippi, Eudora Welty shares details of her upbringing that show us how her family and her surroundings contributed to the shaping not only of her personality but of her writing as well. Everyday sights, sounds, and objects resonate with the emotions of recollection: the striking clocks, the Victrola, her orphaned father’s coverless little book saved since boyhood, the tall mountains of the West Virginia back country that became a metaphor for her mother’s sturdy independence, Eudora’s earliest box camera that suspended a moment forever and taught her that every feeling awaits a gesture.
In her vivid descriptions of growing up in the South—of the interplay between black and white, between town and countryside, between dedicated schoolteachers and the children they taught—she recreates the vanished world of her youth with the same subtlety and insight that mark her fiction, capturing “the mysterious transfiguring gift by which dream, memory, and experience become art” (Los Angeles Times Book Review).
Part memoir, part exploration of the seeds of creativity, this unique distillation of a writer’s beginnings offers a rare glimpse into the Mississippi childhood that made Eudora Welty the acclaimed and important writer she would become.
I don’t even remember requesting this from Scribner, but when it showed up on my doorstep, One Writer’s Beginnings
made me feel entirely delighted. I saved it for a day off so I could dedicate the entire day to reading it, and I’m glad I took the time with it. I’ve only read one of Welty’s stories for my American Lit class in college, but this makes me want to visit everything she’s written. Her perception of the world just speaks to me on so many different levels. Welty’s description of her life in Mississippi has an undercurrent of truth to it that’s difficult to ignore and easy to be enchanted by. I was fascinated by her recollections of the 1918 pandemic and how certain things then correlated with today. It seems at times so strange that this was only one hundred years ago, and not many things are different.
What I loved the most about this memoir were Welty’s recollections of her reading life and how her reading life developed her writing life. The passages in which she says she yearned to listen to a story reminded me of my own childhood where I felt like I was hungry to just know everything about my family’s life. It’s always somewhat of a shock to discover who your parents and extended family were and are outside of the familiarity with which you grew up, that your parents and aunts and uncles and grandparents were and are people with minds of their own outside of their roles in your life, and that upon looking back you are able to pick out the narrative threads in the past that lead people to become who they are in the present. Fiction helps bring these threads together, though people are by no means mere stories in themselves.
This slim memoir is by no means short. I found myself getting lost in the recollections and explorations Welty puts forth in each of the three sections. I wanted more, but I was satisfied with what I was given; and Welty’s memoir made me consider my own history and my own relationship with words and writing.
Of course the greatest confluence of all is that which makes up the human memory — the individual human memory. My own is the treasure most dearly regarded by me, in my life and in my work as a writer. Here time, also, is subject to confluence. The memory is a living thing — it too is in transit. But during its moment, all that is remember joins and lives — the old and the young, the past and the present, the living and the dead.
As you have seen, I am a writer who came of a sheltered life. A sheltered life can be a daring life as well. For all serious daring starts from within.
This would make a wonderful gift for a reader, and I’m so pleased to have had the chance to experience it myself.
Thank you to Scribner for sending me a complimentary copy for review! All opinions are my own.
Title: Savage Appetites: Four True Stories of Women, Crime, and Obsession by Rachel Monroe
Published by Scribner
Published: August 20th 2019
Genres: Cultural Studies
A provocative and original investigation of our cultural fascination with crime, linking four archetypes—Detective, Victim, Attorney, Killer—to four true stories about women driven by obsession.
In this illuminating exploration of women, violence, and obsession, Rachel Monroe interrogates the appeal of true crime through four narratives of fixation. In the 1940s, a bored heiress began creating dollhouse crime scenes depicting murders, suicides, and accidental deaths. Known as the “Mother of Forensic Science,” she revolutionized the field of what was then called legal medicine. In the aftermath of the Manson Family murders, a young woman moved into Sharon Tate’s guesthouse and, over the next two decades, entwined herself with the Tate family. In the mid-nineties, a landscape architect in Brooklyn fell in love with a convicted murderer, the supposed ringleader of the West Memphis Three, through an intense series of letters. After they married, she devoted her life to getting him freed from death row. And in 2015, a teenager deeply involved in the online fandom for the Columbine killers planned a mass shooting of her own.
Each woman, Monroe argues, represents and identifies with a particular archetype that provides an entryway into true crime. Through these four cases, she traces the history of American crime through the growth of forensic science, the evolving role of victims, the Satanic Panic, the rise of online detectives, and the long shadow of the Columbine shooting. In a combination of personal narrative, reportage, and a sociological examination of violence and media in the twentieth and twenty-first century, Savage Appetites scrupulously explores empathy, justice, and the persistent appeal of violence.
Rachel Monroe’s Savage Appetites
explores the cultural phenomenon of true crime and how women tend to be drawn to the “genre” even though women are more likely to be victims in true crime “stories.” This was an examination of our society’s fascination with true crime and how that fascination has grown over the years through four case studies. In Savage Appetites
, Monroe takes those fascinations of women with true crime and separates them into four general archetypes – detective, victim, attorney, killer.
Through each of these archetypes, Monroe combines thorough research with her own anecdotes to explore what exactly it is that makes true crime so fascinating not only for women but for all of us. While her writing flowed easily and I enjoyed learning what she tied in with her archetypes, I felt that it all fell flat because some of the attitudes were a little negatively skewed toward the women featured in the archetypes. It’s uncomfortable to read unnecessary criticism against women in a book about women, but because I’m not well-read in true crime, maybe that’s something delved into a little more? I’m not sure. For me, when someone is offering cultural insight and criticism, I do want there to be more about what we as a society could do to be better or how it ultimately affects our society to be so interested in an ultimately violent “genre.” What happens when true crime begins being viewed as fiction rather than something that happened to real people? Do we become more desensitized to the violence because we’re beginning to assume it’s fiction and therefore can’t happen to us?
Even though true crime has certainly morphed into a genre, I was hoping for more in Savage Appetites about the implications of calling true crime a genre and ultimately why we’re becoming more and more fascinated with true crime. One more chapter tying the four archetypes together and exploring a result or conclusion would have made me like this a little bit more!
Thank you to Scribner for sending me a complimentary copy to review. All opinions are my own.
Title: Ask Again, Yes by Mary Beth Keane
Published by Scribner
Published: May 28th 2019
A profoundly moving novel about two neighboring families in a suburban town, the friendship between their children, a tragedy that reverberates over four decades, and the power of forgiveness.
Francis Gleeson and Brian Stanhope are two NYPD rookies assigned to the same Bronx precinct in 1973. They aren’t close friends on the job, but end up living next door to each other outside the city. What goes on behind closed doors in both houses—the loneliness of Francis’s wife, Lena, and the instability of Brian’s wife, Anne, sets the stage for the stunning events to come.
Ask Again, Yes by award-winning author Mary Beth Keane, is a beautifully moving exploration of the friendship and love that blossoms between Francis’s youngest daughter, Kate, and Brian’s son, Peter, who are born six months apart. In the spring of Kate and Peter’s eighth grade year a violent event divides the neighbors, the Stanhopes are forced to move away, and the children are forbidden to have any further contact.
But Kate and Peter find a way back to each other, and their relationship is tested by the echoes from their past. Ask Again, Yes reveals how the events of childhood look different when reexamined from the distance of adulthood—villains lose their menace, and those who appeared innocent seem less so. Kate and Peter’s love story is marked by tenderness, generosity, and grace.
Sometimes when I go into a book I just know
it’s going to be one of those
hit books of the summer. Ask Again, Yes
is such a compelling character portrait of what happens when the lives of two families are entwined and changed from the beginnings of their children’s lives until the end.
Aside from the synopsis on the back and a little bit of early buzz from people I follow on social media, I didn’t know what to expect when I started this, and there’s a pivotal scene in the book that had me left in a little shock. I mean, I kind of knew it was coming, but the pacing of that scene was absolute perfection. The novel mostly follows what happened after in each of the character’s lives, after the Gleesons and Stanhopes recover; through the rest of high school, college, and beyond for their children, Kate and Peter; and how one reconciles the past with the present and future.
Keane handles mental illness, everyday violence, and love, forgiveness, and hope found within these characters with profound tenderness and empathy. This isn’t a sentimental novel, but it will certainly make you feel things throughout it all. Especially at the end.
Once I dug into this, I read it in about a day and a half. I had to know how things resolved, what happened to the characters, and to bask in the clear, fresh prose. If you enjoyed the tone of Celeste Ng’s Little Fires Everywhere, consider this your next read.
Many thanks to Scribner for sending me a copy of this to review! All opinions are my own.
Title: Stay Up with Hugo Best by Erin Somers
Published by Scribner
Published: April 2nd 2019
An incredibly timely, terrifically witty and moving debut about a young writer's assistant on a late night comedy show and what transpires when she accepts an invitation from its enigmatic host to spend a long weekend at his mansion in Connecticut.
June Bloom is a broke, cynical twenty-nine-year-old writer's assistant on the late-night comedy show, Stay Up with Hugo Best. Hugo Best is in his sixties, a beloved icon of TV and humor, and a notorious womanizer. After he unexpectedly retires and a party is held for his now unemployed staff, June ends up at a dive bar for an open-mic night and prepares for the sad return to the anonymous comedian lifestyle. What she’s not prepared for is a run-in with Hugo at that dive bar. Nor for the invitation that swiftly follows: Hugo asks June to come to his mansion in Greenwich for the long Memorial Day weekend. “No funny business,” he insists.
June, in need of a job and money, confident she can handle herself, but secretly harboring the remains of a childhood crush on the charming older comedian and former role model, accepts. The exact terms of the visit are never spelled out, but June is realistic and clear-eyed enough to guess. Even so, as the weekend unfolds and the enigmatic Hugo gradually reveals himself, their dynamic proves to be much more complicated and less predictable than she expected.
At once hilarious and poignant, brilliantly incisive and terrifically propulsive, Stay Up with Hugo Best is an incredibly timely exploration of sexual politics in the #MeToo age, and the unforgettable story of one young woman’s poignant stumbling into adulthood.
June Bloom, a twenty-nine year old writing assistant for a late night comedy show called “Stay Up with Hugo Best,” finds herself unemployed after Hugo Best suddenly announces his retirement from late-night television. Stay Up with Hugo Best is a wry look into late night television that is a little reminiscent of NBC’s 30 Rock’s flavor in the sense that it gives you that behind-the-scenes glimpse into the aftermath of what happens once a popular late-night comedy show ends.
As a suddenly-unemployed almost thirty year old, June has to figure out what she wants to do and where she’s going now that her current career trajectory has come to a halt. Hugo Best has to reconcile his past, present, and future, scandals and all. Their two lines entangle more once Hugo invites June to spend some time with him at his mansion.
The lines entangle more the closer Hugo and June become, and it’s a timely look at the #metoo movement as June struggles to balance what she wants and she believes in while observing the men in her life and Hugo’s life take what they want with essentially no consequences.
Over the four days she spends with him, June realizes the realities behind the fame she had obsessed over and the costs of such extravagance, and once she leaves, she’s neither fully satisfied or sure where her life will go next, but the weekend at Hugo Best’s mansion certainly signaled a shift in her perception.
Although all of the characters were unlikable at times, Somers’ debut novel is a sly look into our obsessions with fame, television, and the sordid details behind the scenes. I felt June was a little too passive for the career she wanted to be in, but in a way it works for this sort of novel. Overall, Last Night with Hugo Best is a solid debut novel and worth checking out if you enjoy late-night television and behind-the-scenes glimpses into famous lives.
Thank you to Scribner for sending me a complimentary copy to review! All opinions are my own.