Title: To Capture What We Cannot Keep by Beatrice Colin
Published by Flatiron Books
Published: November 29th 2016
Genres: Fiction, Historical
Set against the backdrop of Paris during la belle époque
, Beatrice Colin’s To Capture What We Cannot Keep
explores the intertwining lives of two Scottish siblings and their chaperone with Émile Nouguier and Gustave Eiffel during the construction of the Eiffel Tower. This novel is a perfect winter read. It’s a bit sad and melancholy, but it’s got a lot of heart and warmth throughout. Caitriona and Émile’s relationship develops against all odds due to their differences in social status. Émile is expected to marry well and into money, but he falls in love with a woman who is beneath his status and invisible in polite society. Caitriona is a widow who takes the job of chaperoning Alice Arrol and, effectively, Alice’s brother Jamie as they finish themselves in a Grand Tour. Caitriona and Émile meet briefly in a hot air balloon and cannot stop thinking about each other after Caitriona leaves Paris.
While Alice and Jamie seemed underdeveloped (and Jamie seemed to be referred to by his last name that led to some confusion for awhile), Caitriona and Émile captured me from the beginning, and I couldn’t wait to see where the story took them. Alice and Jamie return to Paris to partake in secret relationships of their own while Caitriona’s relationship develops with Émile.
The background details shone and helped illustrate the emotions and thoughts of the characters. It’s good to know about this era before reading it, or to know about the customs and secret languages of men and women during the mid- to late- 1800s, because there is so much telling in the details. In the last quarter of the book, Caitriona’s chaperoning took a different turn as she seemed to stop chaperoning entirely, even when not actively engaged with Émile. Without giving away spoilers, Jamie was left to do his own thing with little to know consequence, and even Alice’s stumble had a neat resolution that usually does not end up so well for women. I think we learn a little too late about Caitriona’s history with her husband, and some of the more disturbing details seemed to be another thing to take me out of the story for a moment to think about why those details were revealed so late in the novel.
All in all, this is a lovely novel that would read well with a cup of hot cocoa and a snowfall in the depth of winter. If you enjoy reading historical fiction about women in Paris with a little bit of romance sprinkled in, add this to your reading list.
Title: Slipping: Stories, Essays, & Other Writing by Lauren Beukes
Published by Tachyon Publications
Published: November 29th 2016
Genres: Fiction, Science Fiction
You might think of a city as a map, all knotted up in the bondage of grid lines by town planners. But really, it’s a language—alive, untidy, ungrammatical. The meaning of things rearranges, so the scramble of the docks turns hipster cool while the faded glamor of the inner city gives way to tenement blocks rotting from the inside. It develops its own accent, its own slang. And sometimes it drops a sentence. Sometimes the sentence finds you. And won’t shut up. – from “Ghost Girl”
In her edgy, satiric debut collection, award-winning South African journalist and author Lauren Beukes (The Shining Girls, Moxyland) never holds back. Nothing is simple and everything is perilous when humans are involved: corruption, greed, and even love (of a sort).
A permanent corporate branding gives a young woman enhanced physical abilities and a nearly-constant highRecruits lifted out of poverty find a far worse fate collecting biohazardous plants on an inhospitable worldThe only adult survivor of the apocalypse decides he will be the savior of teenagers; the teenagers are not amused.
From Johannesburg to outer space, these previously uncollected tales are a compelling, dark, and slippery ride.
I’ve had Beukes’s The Shining Girls on my shelf forever. It was on a lot of lists the year it was released, and I found a paperback of that book in a used bookstore, I bought it… and haven’t gotten around to reading it yet. Story of my life. Anyhow, when given the opportunity to read Beukes’s short works, I jumped at the chance. I love short story collections because I feel that short story collections allow the reader to see the wide range of an author’s talent.
Beukes’s writing is acerbic, sharp, and intuitive, and I was drawn in immediately to many of her stories. Slipping is a collection of stories written over about ten years for various other publications, and I would have really liked to have some background information before or after the stories to know when and why each of these stories were written.
My favorite stories were “Princess,” “Exhibitionist,” “Ghost Girl,” and “Dial Tone.” Each of these stories made me whisper what after I finished reading them. Beukes’s writing is at the same time subtle and straightforward. She does not shy away from difficult or terrifying imagery, and she makes you think about why she uses that imagery to explore some weird aspect of human life. Many of her stories cross the genre line between fiction and science fiction, and while a lot of it seems weird at times, it’s also so eerily recognizable. Beukes’s writing asks us why we consider “commonplace” and “everyday” as commonplace and ordinary, because isn’t life weird?
Thank you to Netgalley and Tachyon Publications for a review copy!
Title: The Mortifications by Derek Palacio
Published by Tim Duggan Books
Published: October 4th 2016
Source: Blogging for Books
The sin is in the knowing. The sin Christ confronts in the desert is the knowledge that his body is useless and, dangerously, how easily he can dismiss it. He will see how tiny a thing he is doing. He will know how small he is as a human being, how little he can change the world as a lump of flesh. The moment he knows, he can and will and should let it all fall away. He will enact the right of a God on Earth; he will make food from stone. He will shake water from the clouds. He will walk into a city and take it.
Derek Palacio’s stunning, mythic novel marks the arrival of a fresh voice and a new chapter in the history of 21st century Cuban-American literature.
In 1980, a rural Cuban family is torn apart during the Mariel Boatlift. Uxbal Encarnación—father, husband, political insurgent—refuses to leave behind the revolutionary ideals and lush tomato farms of his sun-soaked homeland. His wife Soledad takes young Isabel and Ulises hostage and flees with them to America, leaving behind Uxbal for the promise of a better life. But instead of settling with fellow Cuban immigrants in Miami’s familiar heat, Soledad pushes further north into the stark, wintry landscape of Hartford, Connecticut. There, in the long shadow of their estranged patriarch, now just a distant memory, the exiled mother and her children begin a process of growth and transformation.
Each struggles and flourishes in their own way: Isabel, spiritually hungry and desperate for higher purpose, finds herself tethered to death and the dying in uncanny ways. Ulises is bookish and awkwardly tall, like his father, whose memory haunts and shapes the boy's thoughts and desires. Presiding over them both is Soledad. Once consumed by her love for her husband, she begins a tempestuous new relationship with a Dutch tobacco farmer. But just as the Encarnacións begin to cultivate their strange new way of life, Cuba calls them back. Uxbal is alive, and waiting.
Breathtaking, soulful, and profound, The Mortifications is an intoxicating family saga and a timely, urgent expression of longing for one's true homeland.
Derek Palacio’s debut novel The Mortifications follows a Cuban family in the 1980s. Soledad Encarnación and her two children, twins Ulises and Isabel, leave behind a husband and father to escape the revolutions of Fidel Castro’s Cuba. Like many novels of families, this one has its share of interesting characters who all represent some aspect of humanity. Soledad is a mother trying to do the best thing for her children, Isabel finds solace and meaning in religion, Ulises finds himself through the classics and agriculture, and Henri becomes the stand-in father figure.
While I found the first half of the book incredibly engaging, I found the last half stretching for believability and substance. Palacio is a talented writer. However, I found some of the metaphors and similes and symbolism reaching a little too far at times. When I see a character named Ulises, I almost expect a Cuban expression of something resembling Homer’s The Odyssey. At first, the novel did feel like it would go in that direction, and it did, a little bit, with Ulises becoming fascinated by classics during a recovery period. I almost wonder, as I’ve seen similar things before in post-MBA debut novels, if this is a rite of passage, a stuffing of everything you’ve learned into one novel whether or not it actually works. I felt that there were also too many characters for how short this is. I think following one or two of the characters and their immigration experience (and even their return home) would have made for a richer novel.
However, I did enjoy reading this, and I will recommend it to people interested in immigrant experiences and Cuban-American experiences.
Thank you to Crown Publishing/Blogging for Books for providing me with a copy in exchange for a review. All opinions are my own.