Title: The English Wife by Lauren Willig
Published by St. Martin's Press
Published: January 9th 2018
Genres: Fiction, Historical
Format: Hardcover, ARC
Source: Purchased, Netgalley
From the New York Times bestselling author, Lauren Willig, comes this scandalous New York Gilded Age novel full of family secrets, affairs, and even murder.
Annabelle and Bayard Van Duyvil live a charmed life: he’s the scion of an old Knickerbocker family, she grew up in a Tudor manor in England, they had a whirlwind romance in London, they have three year old twins on whom they dote, and he’s recreated her family home on the banks of the Hudson and renamed it Illyria. Yes, there are rumors that she’s having an affair with the architect, but rumors are rumors and people will gossip. But then Bayard is found dead with a knife in his chest on the night of their Twelfth Night Ball, Annabelle goes missing, presumed drowned, and the papers go mad. Bay’s sister, Janie, forms an unlikely alliance with a reporter to uncover the truth, convinced that Bay would never have killed his wife, that it must be a third party, but the more she learns about her brother and his wife, the more everything she thought she knew about them starts to unravel. Who were her brother and his wife, really? And why did her brother die with the name George on his lips?
I was looking through my Netgalley queue deciding on my next read, and Lauren Willig’s The English Wife
caught my eye. It was one of those I started reading a long time ago, set it aside for whatever reason, and ended up purchasing a copy of the book for myself because look at that cover? It’s gorgeous. So with it being October and with me being in the mood for some historical fiction, I decided to pick this up again. This took a little bit of time to get into, but by the time I got through the first quarter of the book, I was hooked and I needed to know how the story got to its end. There’s nothing entirely new about the plot or the types of characters and once I was clued into a certain character’s behaviors, I did begin to put together the pieces of the narrative and very nearly guess whodunit
, and that’s completely fine
. It felt both familiar and new, I was entertained, and I loved the insights to and development of each of the four main characters.
One of the things I loved the most about The English Wife was the Gilded Age setting. I’m such a sucker for it, especially when it’s done well, and this novel felt incredibly atmospheric in just the right ways. I don’t think I’ve ever read anything by Willig before, but this certainly makes me want to go back and see what I’ve missed! After being in a reading slump for a while, Willig’s novel was exactly what I needed. Something a little familiar, something a little new, something that reminded me how fun reading could be. I absolutely devoured this within a twenty-four hour period, and it felt like it had been a while since a book was able to captivate me like that from the get-go.
This was a perfect mid-October read, and I’m glad I finally picked it up. If you like historical fiction with a heavier lean on romance, do look into this!
Thank you to Netgalley and St. Martin’s Press for the digital galley! All opinions are my own.
Title: We Are All Good People Here by Susan Rebecca White
Published by Atria Books
Published: August 6th 2019
Genres: Fiction, Historical
From the author of A Place at the Table and A Soft Place to Land, an “intense, complex, and wholly immersive” (Joshilyn Jackson, New York Times bestselling author) multigenerational novel that explores the complex relationship between two very different women and the secrets they bequeath to their daughters.
Eve Whalen, privileged child of an old-money Atlanta family, meets Daniella Gold in the fall of 1962, on their first day at Belmont College. Paired as roommates, the two become fast friends. Daniella, raised in Georgetown by a Jewish father and a Methodist mother, has always felt caught between two worlds. But at Belmont, her bond with Eve allows her to finally experience a sense of belonging. That is, until the girls’ expanding awareness of the South’s systematic injustice forces them to question everything they thought they knew about the world and their places in it.
Eve veers toward radicalism—a choice pragmatic Daniella cannot fathom. After a tragedy, Eve returns to Daniella for help in beginning anew, hoping to shed her past. But the past isn’t so easily buried, as Daniella and Eve discover when their daughters are endangered by secrets meant to stay hidden.
Spanning more than thirty years of American history, from the twilight of Kennedy’s Camelot to the beginning of Bill Clinton’s presidency, We Are All Good People Here is “a captivating…meaningful, resonant story” (Emily Giffin, author of All We Ever Wanted) about two flawed but well-meaning women clinging to a lifelong friendship that is tested by the rushing waters of history and their own good intentions.
Susan Rebecca White’s We Are All Good People Here
follows the lives of two women – Daniella and Eve – and their daughters, spanning from the 1960s to the late 1980s. Throughout these three decades, Daniella and Eve face changes in their personal lives and in the world around them, and even though they try to be good people, their actions often have consequences for which they weren’t prepared. Daniella veers toward social reform and justice while Eve becomes a sometimes-violent radical, and the paths each of them take strain their relationship throughout the rest of their lives culminating in a revelation to each of their daughters that changes how they each view one another.
White’s writing in this book is incredible. It starts off rather naive, reflecting the views and experiences of the characters, and eventually morphing into something complex and heady. White doesn’t shy away from the difficult aspects of the Civil Rights Movement in the 60s, the Vietnam riots in the 70s, and the racial tensions throughout each of the decades in which these women live. The descriptions of the era are spot on, and I could often vividly imagine the rooms in which these women walked and the clothes they wore to the tensions and struggles of each setting. The character’s voices are unique, honest, and at times flawed, and each of the women feel so real and I felt as if I got to know each of them very well.
The novel was a reflection on the past as well as a reflection of our current time of unrest and upheaval. I read it in about two sittings because I absolutely had to know how it ended, and it’s a perfect end of summer read. However, if you are affected and prefer not to read about animal violence, there is a violent scene involving a cat that was unsettling.
Thank you to Atria for sending me a complimentary copy to review! All opinions are my own!
Title: The Dragon Lady by Louisa Treger
Published by Bloomsbury Publishing PLC
Published: August 13th 2019
Genres: Fiction, Historical
'A daring blend of romance, crime and history, and an intelligent exposé of the inherent injustice and consequences of all forms of oppression' Tsitsi Dangarembga, Nervous Conditions
Opening with the shooting of Lady Virginia 'Ginie' Courtauld in her tranquil garden in 1950s Rhodesia, The Dragon Lady tells Ginie's extraordinary story, so called for the exotic tattoo snaking up her leg. From the glamorous Italian Riviera before the Great War to the Art Deco glory of Eltham Palace in the thirties, and from the secluded Scottish Highlands to segregated Rhodesia in the fifties, the narrative spans enormous cultural and social change. Lady Virginia Courtauld was a boundary-breaking, colourful and unconventional person who rejected the submissive role women were expected to play.
Ostracised by society for being a foreign divorcée at the time of Edward VIII and Mrs Simpson, Ginie and her second husband ,Stephen Courtauld, leave the confines of post-war Britain to forge a new life in Rhodesia, only to find that being progressive liberals during segregation proves mortally dangerous. Many people had reason to dislike Ginie, but who had reason enough to pull the trigger?
Deeply evocative of time and place, The Dragon Lady subtly blends fact and fiction to paint the portrait of an extraordinary woman in an era of great social and cultural change.
Louisa Treger’s The Dragon Lady
is about the Ginie Courtald’s life as the “lady with the dragon tattoo.” Set in Rhodesia, current day Zimbabwe, in the early 20th century, Ginie and her husband Stephen find themselves to be find themselves to be relative social outcasts as they each think and behave differently than society deems acceptable. Ginie has a dragon tattooed the length of her body and creates varying stories about her tattoo, and she is also a divorcee with an annulled marriage that further adds to the speculation about her private life. Stephen is an advocate for the arts and advocates for improved treatment of the native population.
Even though as mentioned in the afterword that not many details about the Courtald’s life are known, Treger’s dedication to research and evoking the atmosphere of the era brought this novel and its characters to life. She touches on the claustrophobic racial tensions, the glitz and glamour of high society, and the struggles between wanting to be one’s own self and wanting to fit in with everyone else. Ginie is bright, vivacious, and carries a wonderful depth; and the rest of the characters add such dimension and life to the story.
When I started reading this, I was in the mood for some historical fiction that flowed and The Dragon Lady delivered. I fell into the story and got lost in it, and I came out of it wanting to know more about Rhodesia/Zimbabwe history.
Many thanks to Bloomsbury Publishing for an advance copy! All opinions are my own.
It’s been a while since I’ve done a little list of reviews! I tend to do this when I only have a few thoughts about a book, it didn’t excite me much, or a myriad of other reasons. Sometimes I also just like to get reviews done and get them off my to-do list! I also am the sort of person who sometimes prefers the shorter review. Give me thoughts, not the plot! These are all super backlist books for me because I’ve had them on my shelves forever.
Title: The Manual of Detection by Jedediah Berry
Published by Penguin Books
Published: January 26th 2010
Genres: Fiction, Fantasy
Format: Trade Paper
"This debut novel weaves the kind of mannered fantasy that might result if Wes Anderson were to adapt Kafka." --The New Yorker
Reminiscent of imaginative fiction from Jorge Luis Borges to Jasper Fforde yet dazzlingly original, The Manual of Detection marks the debut of a prodigious young talent. Charles Unwin toils as a clerk at a huge, imperious detective agency located in an unnamed city always slick with rain. When Travis Sivart, the agency's most illustrious detective, is murdered, Unwin is suddenly promoted and must embark on an utterly bizarre quest for the missing investigator that leads him into the darkest corners of his soaking, somnolent city. What ensues is a noir fantasy of exquisite craftsmanship, as taut as it is mind- blowing, that draws readers into a dream world that will change what they think about how they think.
One of my professors used this book in one of her mysteries English courses and since I had already graduated, I really wanted to read it after she spoke about it with me over lunch. However, it sat on my shelves for almost three years until I finally picked it up in one of my “I’m going to choose some books I’ve been meaning to read since forever and actually sit down and read them” phases. (If you’re curious, I picked four and have since read three!) I appreciated this for what it does. I hesitate to call it magical realism because that’s Latin American in its roots, so it’s probably more along the lines of fabulism. The Manual of Detection
plays with the mystery genre and all its tropes and twists them up and around. I enjoyed it while I was reading it and I read it in a day, but I ultimately found something weirdly lacking with it.
Title: The Witches: Salem, 1692 by Stacy Schiff
Published: October 27th 2015
Genres: History, Non-Fiction
Format: Trade Paper
Pulitzer Prize winner Stacy Schiff, author of the #1 bestseller Cleopatra, provides an electrifying, fresh view of the Salem witch trials.
The panic began early in 1692, over an exceptionally raw Massachusetts winter, when a minister's niece began to writhe and roar. It spread quickly, confounding the most educated men and prominent politicians in the colony. Neighbors accused neighbors, husbands accused wives, parents and children one another. It ended less than a year later, but not before nineteen men and women had been hanged and an elderly man crushed to death.
Speaking loudly and emphatically, adolescent girls stood at the center of the crisis. Along with suffrage and Prohibition, the Salem witch trials represent one of the few moments when women played the central role in American history. Drawing masterfully on the archives, Stacy Schiff introduces us to the strains on a Puritan adolescent's life and to the authorities whose delicate agendas were at risk. She illuminates the demands of a rigorous faith, the vulnerability of settlements adrift from the mother country, perched--at a politically tumultuous time--on the edge of what a visitor termed a "remote, rocky, barren, bushy, wild-woody wilderness." With devastating clarity, the textures and tension of colonial life emerge; hidden patterns subtly, startlingly detach themselves from the darkness. Schiff brings early American anxieties to the fore to align them brilliantly with our own. In an era of religious provocations, crowdsourcing, and invisible enemies, this enthralling story makes more sense than ever.
The Witches is Schiff's riveting account of a seminal episode, a primal American mystery unveiled--in crackling detail and lyrical prose--by one of our most acclaimed historians.
is one dense book, in content and in pages. I grabbed this off the ARC shelf at work forever ago because I enjoy reading about the Salem Witch Trials, but as usual life and other books got in the way. Now that I’m seriously weeding my shelves and my ARCs, I told myself I had to read this one now or let it go. I read the first few chapters and got sucked in to the bizarreness of it all, but it’s very dense and difficult to read at times from a technical standpoint because it almost expects you to have a solid knowledge of Puritan American history. I do find the parallels fascinating though because so much of it is still in practice today in regards to the treatment of women.
Title: The Girl from the Savoy by Hazel Gaynor
Published by William Morrow Paperbacks
Published: June 7th 2016
Genres: Fiction, Historical
Presenting a dazzling new historical novel … The Girl From The Savoy is as sparkling as champagne and as thrilling as the era itself.
Sometimes life gives you cotton stockings. Sometimes it gives you a Chanel gown …
Dolly Lane is a dreamer; a downtrodden maid who longs to dance on the London stage, but her life has been fractured by the Great War. Memories of the soldier she loved, of secret shame and profound loss, by turns pull her back and spur her on to make a better life.
When she finds employment as a chambermaid at London’s grandest hotel, The Savoy, Dolly takes a step closer to the glittering lives of the Bright Young Things who thrive on champagne, jazz and rebellion. Right now, she must exist on the fringes of power, wealth and glamor—she must remain invisible and unimportant.
But her fortunes take an unexpected turn when she responds to a struggling songwriter’s advertisement for a ‘muse’ and finds herself thrust into London’s exhilarating theatre scene and into the lives of celebrated actress, Loretta May, and her brother, Perry. Loretta and Perry may have the life Dolly aspires to, but they too are searching for something.
Now, at the precipice of the life she has and the one she longs for, the girl from The Savoy must make difficult choices: between two men; between two classes, between everything she knows and everything she dreams of. A brighter future is tantalizingly close—but can a girl like Dolly ever truly leave her past behind?
I love historical fiction, the Jazz Age, and Hazel Gaynor’s writing, but this story took a while to gain momentum and really pique my interest. I mostly read it on my phone in slow times while out of the house, so I took a little while longer to read this than I do other books. The voices were charming, life at the Savoy and in London were richly described, but the ways in which the characters intertwined with each other just seemed a bit too
Title: Park Avenue Summer by Renee Rosen
Published by Berkley
Published: April 30th 2019
Genres: Fiction, Historical
Mad Men meets The Devil Wears Prada as Renée Rosen draws readers into the glamour of 1965 New York City and Cosmopolitan Magazine, where a brazen new Editor-in-Chief--Helen Gurley Brown--shocks America by daring to talk to women about all things off limits...
New York City is filled with opportunities for single girls like Alice Weiss who leaves her small Midwestern town to chase her big city dreams and unexpectedly lands the job of a lifetime working for Helen Gurley Brown, the first female Editor-in-Chief of a then failing Cosmopolitan Magazine.
Nothing could have prepared Alice for the world she enters as editors and writers resign on the spot, refusing to work for the woman who wrote the scandalous bestseller, Sex and the Single Girl. While confidential memos, article ideas, and cover designs keep finding their way into the wrong hands, someone tries to pull Alice into this scheme to sabotage her boss. But Alice remains loyal and becomes all the more determined to help Helen succeed. As pressure mounts at the magazine and Alice struggles to make her way in New York, she quickly learns that in Helen Gurley Brown's world, a woman can demand to have it all.
Any description about a book that begins with Mad Men
and The Devil Wears Prada
immediately grabs my attention. Renée Rosen’s Park Avenue Summer
lived up to all of my expectations and more. Set in 1965, Park Avenue Summer
follows the summer of Alice Weiss, a young woman headed to New York City to do good to her mother’s memory and to have a fresh start. Alice lands a job at Cosmopolitan
with the help of her aunt on her mother’s side, and working for Helen Gurley Brown, who wrote Sex and the Single Girl,
opens a lot of doors personally and professionally.
One of the things I liked most about this was the attention to detail, Rosen’s ability to bring the past to life and make it fresh and modern, and Alice’s growth from a relatively naive Midwestern girl to a confident woman. Helen Gurley Brown’s take-no-shit attitude helped launch Cosmopolitan from the society magazine it was before to the vibrant, in-your-face magazine we still recognize today. I always tend to forget how much the 1960s shifted public perception of a lot of ideas and behaviors we take for granted today, and Rosen’s story of the fictional Alice Weiss and the very real Helen Gurley Brown makes me want to read more about the history of Cosmopolitan and the publishing industry of New York in the 1960s. Rosen thankfully gives a list of recommended reading at the end of this book that will be incredibly helpful in starting my own research.
I also loved the portrait of New York City Rosen painted in her novel. Rosen captures the cutthroat reality of the city while also maintaining that the city is full of dreams just within your reach if you’re willing to make the effort. NYC is a magical place for me, and I love seeing that balance portrayed so well in fiction. I love stories about women coming into their own, stories about the publishing industry in all its forms, and, of course, stories about New York City, and Renée Rosen’s Park Avenue Summer was the perfect blend of all three. Be sure to check this one out at the end of the month!
Thank you Berkley for sending me an advance digital copy to read and review! All opinions are my own.