BOOK REVIEW: The Address, by Fiona Davis

BOOK REVIEW: The Address, by Fiona DavisTitle: The Address by Fiona Davis
Published by Dutton Books
Published: August 1st 2017
Genres: Historical, Fiction
Pages: 368
Format: eBook
Source: Netgalley
Goodreads

Fiona Davis, author of The Dollhouse, returns with a compelling novel about the thin lines between love and loss, success and ruin, passion and madness, all hidden behind the walls of The Dakota, New York City's most famous residence.

After a failed apprenticeship, working her way up to head housekeeper of a posh London hotel is more than Sara Smythe ever thought she'd make of herself. But when a chance encounter with Theodore Camden, one of the architects of the grand New York apartment house The Dakota, leads to a job offer, her world is suddenly awash in possibility--no mean feat for a servant in 1884. The opportunity to move to America, where a person can rise above one's station. The opportunity to be the female manager of The Dakota, which promises to be the greatest apartment house in the world. And the opportunity to see more of Theo, who understands Sara like no one else . . . and is living in The Dakota with his wife and three young children.

In 1985, Bailey Camden is desperate for new opportunities. Fresh out of rehab, the former party girl and interior designer is homeless, jobless, and penniless. Two generations ago, Bailey's grandfather was the ward of famed architect Theodore Camden. But the absence of a genetic connection means Bailey won't see a dime of the Camden family's substantial estate. Instead, her -cousin- Melinda--Camden's biological great-granddaughter--will inherit almost everything. So when Melinda offers to let Bailey oversee the renovation of her lavish Dakota apartment, Bailey jumps at the chance, despite her dislike of Melinda's vision. The renovation will take away all the character and history of the apartment Theodore Camden himself lived in . . . and died in, after suffering multiple stab wounds by a madwoman named Sara Smythe, a former Dakota employee who had previously spent seven months in an insane asylum on Blackwell's Island.

One hundred years apart, Sara and Bailey are both tempted by and struggle against the golden excess of their respective ages--for Sara, the opulence of a world ruled by the Astors and Vanderbilts; for Bailey, the free-flowing drinks and cocaine in the nightclubs of New York City--and take refuge and solace in the Upper West Side's gilded fortress. But a building with a history as rich--and often tragic--as The Dakota's can't hold its secrets forever, and what Bailey discovers in its basement could turn everything she thought she knew about Theodore Camden--and the woman who killed him--on its head.

With rich historical detail, nuanced characters, and gorgeous prose, Fiona Davis once again delivers a compulsively readable novel that peels back the layers of not only a famed institution, but the lives --and lies--of the beating hearts within.

After reading her second novel, Fiona Davis has become one of my new favorite historical fiction writers. In The Address, Davis expertly weaves two women’s lives and the history of a landmark residence, The Dakota, in New York City. The lives of two women from the 1880s and the 1980s are woven together as the mystery behind The Dakota unfolds. The Address begins in 1985 when Bailey Camden, heir without genetic proof to The Dakota’s architect, is released from rehab and reenters the world, ready to make something of herself. The famed residential hotel, The Dakota, has fallen into disrepair, and Bailey, who is trying to reestablish herself as an interior designer, wants to learn more about the history behind the building. The narrative weaves in and out of Bailey Camden’s discovery of the history of The Dakota while exploring Sara Smythe’s connection with the residence.

For me, Sara Smythe’s part of the story was the most interesting. I have a soft spot for stories about women who rise from the bottom to become more than they ever dreamed of becoming. Sara, when we first meet her, is a hotel manager in England who saves the life of an architect’s daughter. Theodore Camden, the architect, offers her a position at the residential hotel he has built in New York City. The attraction between Sara and Theodore is immediate right from the start, and that relationship develops over the course of the novel. The twists and turns at the end of her story were a little unexpected and thrilled me. It’s revealed at the beginning of the novel that Sara stabbed Theodore, but the true thrill are all of those little events that lead up to that event. However, I felt like Bailey’s desire for a fresh start and her refusal to compromise herself tied the lives of both women and tied the story together, because no matter the hundred years between them and no matter the different social structures, both women faced similar struggles and strove to overcome them.

Overall, this is an enjoyable historical fiction novel. For the first third of it, I felt like the story was weighed down by the amount of research and detail in the set up, but that detail redeems itself when the story does pick up and become difficult to put down. I’ve already hand-sold this and her previous novel, The Dollhouse, to some of my customers looking for new historical fiction recommendations, so if you enjoy fiction about women who overcome their struggles and enjoy historical fiction set in New York City, The Address comes highly recommended!

Thanks to Netgalley and Dutton/Penguin for a review copy! All opinions are my own.

BOOK REVIEW: The Good People, by Hannah Kent

BOOK REVIEW: The Good People, by Hannah KentTitle: The Good People by Hannah Kent
Published: September 19th 2017
Genres: Historical
Pages: 464
Format: eBook
Source: Netgalley
Goodreads

Shorlisted for theWalter Scott Prize for Historical Fiction
From the author of Burial Rites, "a literary novel with the pace and tension of a thriller [that] takes us on a frightening journey towards an unspeakable tragedy" (Paula Hawkins, bestselling author of The Girl on the Train)
Hedged in by gossip and joined by their desperation, three women in nineteenth-century Ireland are drawn together in the hope of rescuing a child from a superstitious community, determined to rid itself of the strange and unknowable. Bereft after the loss of her husband, Nora finds herself alone and caring for her young grandson Micheal--a boy whom she recalls as having been a happy and healthy infant but now, in the wake of both his mother's and grandfather's deaths, can neither speak nor walk. Mary, a servant girl from more rural parts, comes to the valley to help Nora just as the rumors are spreading: the talk of unexplained misfortunes and illnesses, and the theory that deformed Micheal is a changeling, a fairy child to blame for the bad luck the valley has endured since his arrival.
Determined to banish the evil in Micheal, Nora and Mary enlist the help of the elderly Nance, a recluse and wanderer once revered by her neighbors for her healing powers, but now condemned as a fraud and a threat by the new priest in town.
As the trio's situation grows more dire, their folkloric practices become increasingly daring--culminating, at last, in a stunning and irreversible act that will put all their lives in danger. Terrifying, thrilling, and wholly original, THE GOOD PEOPLE is a startling examination of absolute belief and superstition taken to their extremes, of the universal yearning to belong, and of love, both tender and harsh.

 Some folk are forced to the edges by their difference. … But ’tis at the edges that they find their power.

I really, really loved Hannah Kent’s Burial Rites, and I read that when it was Waterstones’s pick of the month. I was swept away by the atmospheric writing and the compelling story, so when I head that Hannah Kent was releasing a new book, I requested it and moved that book to the next spot in my reading list. The Good People is a stellar sophomore novel that weaves together the stories of three women who are involved in the horrific treatment of a child whom the women believe is a fairy changeling in a tiny village in Ireland in 1825.

In the beginning of the novel, Nora’s husband Martin dies, leaving her with her daughter’s four year old son Michael who has an unnamed disability in which he cannot speak and cannot fend for himself. Nora finds it difficult to care for the child and her household as a widow with no family on which she can rely, so she hires a girl named Mary to help with the work. When she can’t handle Michael even with Mary’s help, Nora enlists the help of Nance, the local woman trained in the art of natural healing. With the arrival of the new priest in the village, Nance is beginning to be considered a witch and evil and as a result an outcast, but she attempts to cure Michael to prove her skills to herself and to the village. Each “cure” that these women try become increasingly more dangerous until the final act is horrifically devastating.

The Good People is an atmospheric novel that balances the struggles these three women face in a changing society and the risks they must take in order to survive, no matter how dubious those risks are. It is interesting how Kent uses the tropes of the three women (the crone, the mother, and the virgin) to explore the actions and reactions of these women and the actions and reactions of others to these women. Kent also explores how the ideas of poverty and the lack of education in rural areas and ignite a fiery fear toward anyone who is different or toward the unexplainable. The best part of the novel is the last third, when everything culminates in an emotionally charged trial that showcases the growing rift between the old ways of thinking (believing in fairies, believing in changelings, and a reliance on old folklore, old pagan traditions, and old wives’ tales) and the new (following the Christian tradition and following new medical practices).

The only drawback I found to The Good People is the long set up to get to the more thrilling parts of the story. I felt like a third of the novel focuses on the slow development of Nora and Mary’s experiences with Michael, and a third of the novel focuses on Nance and a fairly long account of her life. At the end, I found this knowledge of their lives enriching to the heartrending trial, but before that, I found myself getting a little bit bored and wondering when the story would ever pick up. If you are turned off by a long build up, this might not be the novel for you. But if you are interested in novels about the experiences of women in certain periods of history, the collision between the old ways and the new, and compelling trials, this is one you you’ll want to add to your reading lists as soon as possible.

An advance readers copy was provided to me for review by Little, Brown & Co. and Netgalley. All opinions are my own.

BOOK REVIEW: Sleeping Giants, by Sylvain Neuvel

BOOK REVIEW: Sleeping Giants, by Sylvain NeuvelTitle: Sleeping Giants by Sylvain Neuvel
Series: Themis Files #1
Published by Del Rey
Published: April 26th 2016
Genres: Science Fiction
Pages: 304
Format: Hardcover
Source: Purchased
Goodreads

A girl named Rose is riding her new bike near her home in Deadwood, South Dakota, when she falls through the earth. She wakes up at the bottom of a square hole, its walls glowing with intricate carvings. But the firemen who come to save her peer down upon something even stranger: a little girl in the palm of a giant metal hand.

Seventeen years later, the mystery of the bizarre artifact remains unsolved—its origins, architects, and purpose unknown. Its carbon dating defies belief; military reports are redacted; theories are floated, then rejected.

But some can never stop searching for answers.

Rose Franklin is now a highly trained physicist leading a top secret team to crack the hand’s code. And along with her colleagues, she is being interviewed by a nameless interrogator whose power and purview are as enigmatic as the provenance of the relic. What’s clear is that Rose and her compatriots are on the edge of unraveling history’s most perplexing discovery—and figuring out what it portends for humanity. But once the pieces of the puzzle are in place, will the result prove to be an instrument of lasting peace or a weapon of mass destruction?

An inventive debut in the tradition of World War Z and The Martian, told in interviews, journal entries, transcripts, and news articles, Sleeping Giants is a thriller fueled by a quest for truth—and a fight for control of earthshaking power.

 If you fall in love with someone, there’s a good chance the person won’t love you back. Hatred, though, is usually mutual. If you despise someone, it’s pretty much a given they’re also not your biggest fan.

Sylvain Neuvel’s Sleeping Giants is the story of a girl named Rose who falls into a pit in the middle of the earth in South Dakota, and when she wakes up, she discovers a piece that’s part of a very large robot. Told through a series of interviews, we see from different perspectives the discovery of more of those robot parts and the dawning realization that there is no possible way that humans built this thing. The question remains – who did? Where did this robot’s creators originate? Why was Earth chosen as a destination point for this machine? Are there more?

I enjoyed the style of this book. It reads quickly, and I was constantly turning the pages to see what happened next. The biggest frustration, and it seems relatively minor in the grand scheme of things, in reading stories through the eyes of interviews, articles, and detached narratives are that we’re forced to piece together what happens behind the scenes and who these characters are in relation to the story at hand. When the interviews jump ahead in time by months or years or whatever, I was left wanting to know more about the in-between times, which isn’t a bad thing in the end, because the jumps kept the story moving forward and I don’t think anyone wants a 700+ book of interviews detailing every exact thing. I just enjoyed Neuvel’s world-building so much that I wanted that extra stuff. I’ve got the sequel ready to go, so I’m hoping for more greatness!

It’s billed as something for fans of The Martian, but I think it’s more in line with Pacific Rim and any other machina science fiction. For a debut novel, I was impressed with Neuvel’s scope in his world-building, detail, and character development. It’s a solid novel that feels like it’s been written by someone who has been doing this sort of writing for a long time. I really enjoyed it, and I think it’s a thrilling read for people who love science fiction and for people who love a good thriller.

BOOK REVIEW: Bannerless, by Carrie Vaughn

BOOK REVIEW: Bannerless, by Carrie VaughnTitle: Bannerless by Carrie Vaughn
Series: Bannerless Saga #1
Published by Mariner Books
Published: July 11th 2017
Genres: Science Fiction, Mystery
Pages: 352
Format: eBook
Source: Netgalley
Goodreads

A mysterious murder in a dystopian future leads a novice investigator to question what she’s learned about the foundation of her population-controlled society.

Decades after economic and environmental collapse destroys much of civilization in the United States, the Coast Road region isn’t just surviving but thriving by some accounts, building something new on the ruins of what came before. A culture of population control has developed in which people, organized into households, must earn the children they bear by proving they can take care of them and are awarded symbolic banners to demonstrate this privilege. In the meantime, birth control is mandatory.  Enid of Haven is an Investigator, called on to mediate disputes and examine transgressions against the community. She’s young for the job and hasn't yet handled a serious case. Now, though, a suspicious death requires her attention. The victim was an outcast, but might someone have taken dislike a step further and murdered him?  In a world defined by the disasters that happened a century before, the past is always present. But this investigation may reveal the cracks in Enid’s world and make her question what she really stands for.

What happens when you mix a post-apocalyptic dystopian with a bit of detective fiction? You’ll get Carrie Vaughn’s Bannerless. I really enjoy traditional, structural genre stories mixed with a fantastic setting, and this one didn’t disappoint. Bannerless takes place about a hundred years after a series of events destroy society. It’s a little like taking a peek into our future if we aren’t careful about our relationships with other countries and if we aren’t careful with our planet. Instead of being another post-apocalyptic dystopian novel, Vaughn uses this vision of the future as a twist in her traditional mystery and that twist adds a dimension to the story that I found really enjoyable.

In this futuristic world, the population has dwindled, birth control is mandatory, and people live in tight-knit communities in which everyone knows everyone else’s business. People group together in family units called houses, and they work together to provide enough materials for themselves and for their families, and once their quotas are met or consistently exceeded, these families can apply to get a banner which allows that household to have a baby.

Enid of Haven is an Investigator, a role that combines the roles of police, detective, and judge. Crime doesn’t really exist in this future world, and most of it ends up being bannerless pregnancies or unauthorized food and material production to try to game the system. She is called up with her partner to investigate a suspicious death of a bannerless person in a neighboring community, and she is forced to confront someone with her past as she and her partner Tomas figure out the mystery. I also really enjoyed Enid’s self-discovery as she investigates the suspicious death. She goes from being a little insecure of herself as an individual to growing more and more confident in herself, and to me, that’s entirely relatable. Told in alternating chapters of Enid’s past and present, Bannerless explores a future in which our very society is regulated on the local level and how our actions, even with good intentions, can be devastating for entire families.

If you enjoy traditional mysteries, dystopian futures as imagined in books like Station Eleven, and speculative fiction, you’ll probably enjoy this one! It’s short, yet well-crafted and well-paced. And I’ve just read she’s working on another post-apocalyptic murder mystery, so I’m hoping that the next one will continue following Enid’s investigations!

This book was provided to me for review by Netgalley and Mariner Books. All opinions are my own.

BOOK REVIEW: Stars are Legion, by Kameron Hurley

BOOK REVIEW: Stars are Legion, by Kameron HurleyTitle: The Stars Are Legion by Kameron Hurley
Published by Saga Press
Published: February 7th 2017
Genres: Science Fiction
Pages: 380
Format: Hardcover
Source: Purchased
Goodreads

Set within a system of decaying world-ships travelling through deep space, this breakout novel of epic science fiction follows a pair of sisters who must wrest control of their war-torn legion of worlds—and may have to destroy everything they know in order to survive.

On the outer rim of the universe, a galactic war has been waged for centuries upon hundreds of world-ships. But these worlds will continue to die through decay and constant war unless a desperate plan succeeds.

Anat, leader of the Katazyrna world-ship and the most fearsome raiding force on the Outer Rim, wants peace. To do so she offers the hand of her daughter, Jayd, to her rival. Jayd has dreamed about leading her mother’s armies to victory her whole life—but she has a unique ability, and that makes her leverage, not a leader. As Anat convinces her to spend the rest of her life wed to her family’s greatest enemy, it is up to Jayd’s sister Zan—with no stomach for war—to lead the cast off warriors she has banded together to victory and rescue Jayd. But the war does not go at all as planned…

In the tradition of The Fall of Hyperion and Dune, The Stars are Legion is an epic and thrilling tale about familial love, revenge, and war as imagined by one of the genre’s most imaginative new writers.

 When you understand what the world is, you have two choices: Become a part of that world and perpetuate that system forever and ever, unto the next generation. Or fight it, and break it, and build something new. The former is safer, and easier. The latter is scarier, because who is to say what you build will be any better?

I read this book in March, and I haven’t been able to stop thinking about it or recommending it since. Kameron Hurley’s The Stars are Legion is on its way to becoming (if it’s not already there) one of those must-read science fiction books if you’re into even the barest sliver of science fiction. Science fiction often explores that question of “what if” and reflects on current aspects of life that are problematic in some way. Today, women’s bodies are policed. They are often told they cannot choose for themselves when and how to reproduce, and if a woman is control of her sexuality, she is seen as a threat. I sell this as a “politically charged womb-punk space opera that will thrill you and make you rage, oh, and there are no male characters in this at all.” Most of the time, I get a look like “… what?” My roommate even thinks that me liking this book so much is weird, but this book, at least for me, speaks of certain aspects of an experience that is difficult to convey to someone who doesn’t have a body part that has been consistently policed by men in positions of power.

Aside from this being an amazing space opera, The Stars are Legion has a cast of brutally unlikable characters, blood and gore up the wazoo, and feels like it could have come right out of that wave of sff that was written in the late 1960s and early 1970s. The characters are unlikable and cruel and you can’t trust anyone, but you’ll be rooting for them in the end. The Stars are Legion is a an angry, visceral yell into the void of space, and the world within the covers is just an expanse waiting for you to live in it for a while, get pumped up, and want to go kick some ass in the real world.

I mean, don’t you want to read about asexual ships that give birth to whatever the ship needs, cannibalistic women who eat their deformed young, and womb/uterus/placenta references (with all of the associated fluids) all over the place? Yes, you do. I don’t want to reveal too much about the plot or the characters because half of the enjoyment of this is getting to discover that for yourself. Just read it. ASAP. The hardcover is out now, the ebook is h*ckin cheap, and the paperback is out in November.