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BOOK REVIEW: Captain Moxley and the Embers of the Empire, by Dan Hanks

- Meg

BOOK REVIEW: Captain Moxley and the Embers of the Empire, by Dan HanksTitle: Captain Moxley and the Embers of the Empire by Dan Hanks
Published by Angry Robot
Published: September 8th 2020
Genres: Historical, Fantasy, Fiction
Pages: 380
Format: Mass Market
Source: Publisher
Buy: Bookshop(afflilate link)
Goodreads

An ex-Spitfire pilot is dragged into a race against a shadowy government agency to unlock the secrets of the lost empire of Atlantis...

In post-war 1952, the good guys are supposed to have won. But not everything is as it seems when ex-Spitfire pilot Captain Samantha Moxley is dragged into a fight against the shadowy US government agency she used to work for. Now, with former Nazis and otherworldly monsters on her trail, Captain Moxley is forced into protecting her archaeologist sister in a race to retrieve two ancient keys that will unlock the secrets of a long-lost empire - to ensure a civilisation-destroying weapon doesn't fall into the wrong hands. But what will she have to sacrifice to save the world?

It felt like those in the west had a talent for skipping straight out of one war and into another, as though they had a lust for it, while the locals would be left to clean it up when they had gone. More and more, the glorious ideas of “Empire” were revealed to be nothing more than fancy dressing when you saw the realities of those who came to suffer beneath its polished boots, blinkered ambition, and secret agendas.

Dan Hanks’s Captain Moxley and the Embers of the Empire is a action-packed adventure that reminded me a lot of a cross between Marvel’s Captain America and the Indiana Jones universe with a dash of The Mummy and National Treasure. Captain Moxley is a take-no-shit heroine who races to protect her sister from a shady section of the United States government involving Nazis, genetically modified beings, and aliens? Yes, this novel is incredibly pulpy and uses a lot of familiar tropes to the genre, but it’s a page-turner with a lot of heart and a lot of insight that made me want to see where Captain Moxley was headed.

One of the things I liked the most about this was that Hanks does explore colonialism and the “empire” in archeological history and what that means for everyone involved. It’s an important conversation to have when we consider how many, if not all, of the artifacts of our museums come from colonialist “exploration.” I loved the dynamic between Samantha and her sister Jessica, and I thought the balance of being a protective sibling while also learning to let the other make choices because she’s her own person was well done. I also loved the genderbent characters and how those flips toyed with the genre’s tropes and expectations. Even though I took my time reading it (thirty minutes for lunch only leaves for bite-sized reading sprints), I found it easy to follow and compulsively readable with a lot of fun surprises throughout. It’s pulp fiction at its best and pulls in so much of what I like reading in genre fiction and making it new, too.

This book feels like an action-adventure film or even a video game, and once you’ve strapped yourself in, you’re in for a ride. There are a few anachronisms, mostly in the use of language, but in the scope of the novel, it’s not entirely noticeable at all in the midst of it all. Because it’s so cinematic, I think these anachronisms are to be expected. But if that sort of thing bothers you, then it’s something to be aware of!

I really hope to see more from Hanks and this world he’s created with Captain Moxley, and this ends with a set-up for a sequel, so I hope there’s one coming out in the future! I’d love to see how Captain Moxley continues to handle her relationship with her sister and the discovery/exploration of Atlantis and everything else that has come with finding those amulets and the Hall of Records.

Thank you to Angry Robot for sending me a complimentary copy of this book to review and feature! All opinions are my own.

BOOK REVIEW: Branwell, by Douglas A. Martin

- Meg

BOOK REVIEW: Branwell, by Douglas A. MartinTitle: Branwell: A Novel of the Brontë Brother by Douglas A. Martin, Darcey Steinke
Published by Soft Skull
Published: July 7th 2020
Genres: Fiction
Pages: 256
Format: Trade Paper
Source: Publisher
Goodreads

For readers of Michael Cunningham's The Hours and Madeline Miller's Song of Achilles, this genre-bending exploration of the tragic figure of Branwell Brontë and the dismal, dazzling landscape that inspired his sisters to greatness is now available in a new edition with an introduction by Darcey Steinke.
Branwell Brontë―brother of Charlotte, Emily, and Anne―has a childhood marked by tragedy and the weight of expectations. After the early deaths of his mother and a beloved older sister, he is kept away from school and tutored at home by his father, a curate, who rests all his ambitions for his children on his only son. Branwell grows up isolated in his family’s parsonage on the moors, learning Latin and Greek, being trained in painting, and collaborating on endless stories and poems with his sisters.
Yet while his sisters go on to write Wuthering Heights, Jane Eyre, and Agnes Grey, Branwell wanders from job to job, growing increasingly dependent on alcohol and opium and failing to become a great poet or artist.
With rich, suggestive sentences “perfectly fitted to this famously imaginative, headstrong family” (Publishers Weekly), Branwell is a portrait of childhood dreams, thwarted desire, the confinements of gender―and an homage to the landscape and milieu that inspired some of the most revolutionary works of English literature.

 Douglas A. Martin’s Branwell is a queer interpretation of Branwell Bronte’s life, and an interpretation that I found both thought-provoking and stylistic. Martin imagines a Branwell struggling to live up to the expectations he felt as the ‘man of the house’ and ultimately failing on several levels. I think to get the full scope of the novel, the reader must be familiar with the Bronte history and lore, especially knowing that Charlotte destroyed so much of their family’s personal writings and letters after their deaths. It raises the question of what Charlotte was hiding or protecting, and Martin’s novel explores an answer to the question of Branwell. Based on my own research, this novel takes liberties with the life of Branwell, though I feel these liberties were tied in with Martin’s own experiences through revelations in the introduction to this book. I ultimately found the sexual content of this novel disturbing, and the barn scene at the end soured my reading experience because the implied bestiality ended up being all I could think about as it seemed out of place in the context and scope of things.

I do find it interesting to me to have received this almost alongside another title about Branwell’s life and I am looking forward to reading that one as well, and Martin’s seems to be in stark contrast thematically and stylistically to the other book about the affair of “unspeakable acts” Branwell had in his lifetime, as the affair has been referred to as a screen for homosexual activity. If you are interested in queer interpretations of literary figures and stylistic writing, based in fact or toying with it, this may pique your interest, but do be aware of the heavy subject matter.

Many thanks to Soft Skull Press for sending me a complimentary copy to review! All opinions are my own.

BOOK REVIEW: Head Over Heels, by Hannah Orenstein

- Meg

BOOK REVIEW: Head Over Heels, by Hannah OrensteinTitle: Head Over Heels by Hannah Orenstein
Published by Atria Books
Published: June 23, 2020
Genres: Romance
Pages: 336
Format: ARC
Source: Publisher
Buy: Bookshop(afflilate link)
Goodreads

The past seven years have been hard on Avery Abrams: After training her entire life to make the Olympic gymnastics team, a disastrous performance ended her athletic career for good. Her best friend and teammate, Jasmine, went on to become an Olympic champion, then committed the ultimate betrayal by marrying their emotionally abusive coach, Dimitri.
Now, reeling from a breakup with her football star boyfriend, Avery returns to her Massachusetts hometown, where new coach Ryan asks her to help him train a promising young gymnast with Olympic aspirations. Despite her misgivings and worries about the memories it will evoke, Avery agrees. Back in the gym, she’s surprised to find sparks flying with Ryan. But when a shocking scandal in the gymnastics world breaks, it has shattering effects not only for the sport but also for Avery and her old friend Jasmine.

I have loved every single one of Hannah Orenstein’s books since her debut Playing With Matches, and I have it on good authority that I will love every single book she’ll write, too. Head Over Heels follows the (now-alternate universe) trajectory of Avery, a former gymnast with the Olympics in view, becoming a coach to an up-and-coming gymnast when Avery moves back to her hometown after a breakup and a need to start fresh in some way. However, when Avery returns home, she feels like she’s living in the shadow of her former life. Reconnecting with her past and reconciling the future that never was, Avery has to confront everything she has tried to leave behind — her childhood friend who ended up going to the Olympics and doing everything she dreamed of doing, her parents, her former coach, her former crush, and all of the intricacies and difficulties associated with what she has tried to leave behind.

One thing that Orenstein does really well in each of her books is a balance between that perfect rom-com fluff and an engaging amount of emotional and thematic depth. To me, the characters and their reactions and responses to the world in which they live seem true and well-balanced. The settings in which these characters exist and the world created for them feels like something I could watch on a big, cinematic screen and in which I could get lost for a few hours. I don’t know the first thing about gymnastics aside from a casual viewing here and there whenever the Olympics are on television, but Orenstein makes you care and makes you want to know more, and it’s obvious this is a subject dear to her heart. She tackles the heavier subjects and the #metoo movement within the gymnastics sphere incredibly well and with a lot of grace, and that’s something I think is difficult to achieve.

This is a well-rounded contemporary romance that kept me hooked from the first page, so if you’re looking for a bright summer romance with a lot of heart, check out Head Over Heels, and then read the rest of Orenstein’s fiction if you haven’t yet!

Many thanks to Atria for sending me an advance reader’s copy; all opinions are my own!

BOOK REVIEW: Death by Shakespeare, by Kathryn Harkup

- Meg

BOOK REVIEW: Death by Shakespeare, by Kathryn HarkupTitle: Death by Shakespeare: Snakebites, Stabbings and Broken Hearts by Kathryn Harkup
Published by Bloomsbury SIGMA
Published: May 5, 2020
Genres: Non-Fiction, History, Science
Pages: 368
Format: Hardcover
Source: Publisher
Buy: Bookshop(afflilate link)
Goodreads

An in-depth look at the science behind the creative methods Shakespeare used to kill off his characters.

In Death By Shakespeare, Kathryn Harkup, best-selling author of A is for Arsenic and expert on the more gruesome side of science, turns her expertise to Shakespeare and the creative methods he used to kill off his characters. Is death by snakebite really as serene as Cleopatra made it seem? How did Juliet appear dead for 72 hours only to be revived in perfect health? Can you really kill someone by pouring poison in their ear? How long would it take before Lady Macbeth died from lack of sleep? Readers will find out exactly how all the iconic death scenes that have thrilled audiences for centuries would play out in real life.

In the Bard's day death was a part of everyday life. Plague, pestilence and public executions were a common occurrence, and the chances of seeing a dead or dying body on the way home from the theater was a fairly likely scenario. Death is one of the major themes that reoccurs constantly throughout Shakespeare's canon, and he certainly didn't shy away from portraying the bloody reality of death on the stage. He didn't have to invent gruesome or novel ways to kill off his characters when everyday experience provided plenty of inspiration.

Shakespeare's era was also a time of huge scientific advance. The human body, its construction and how it was affected by disease came under scrutiny, overturning more than a thousand years of received Greek wisdom, and Shakespeare himself hinted at these new scientific discoveries and medical advances in his writing, such as circulation of the blood and treatments for syphilis.

Shakespeare found 74 different ways to kill off his characters, and audiences today still enjoy the same reactions--shock, sadness, fear--that they did over 400 years ago when these plays were first performed. But how realistic are these deaths, and did Shakespeare have the science to back them up?

 I love reading books that provide some kind of external context about other books or works — whether it’s historical context, criticism, and, in the case of Kathryn Harkup’s Death by Shakespeare, scientific context. Death by Shakespeare explores the many deaths in Shakespeare’s plays and provides insightful looks into how contemporaries handled disease and death, and Harkup explores these topics with clarity, empathy, and humor. Shakespeare’s body of work can be daunting and difficult for modern readers, but Harkup presents her research in an engaging way that is entertaining and in reach.

I loved the intersections of contemporary and modern medicine, as well as the examinations of how the deaths in the plays were (or weren’t) performed on stage. Death today seems so far removed from our society, yet in Shakespeare’s day, death was actively part of every day life. This was also something weird to read at this present time with the coronavirus pandemic because I’m confronted by death daily and still so far removed from it because no one I know has contracted it, but Shakespeare and his contemporaries confronted death in all its causes in such close proximity that it was difficult to ignore, even in his own work. The thing I loved most about Death by Shakespeare is the connection of the historical and everyday life with the science because it made everything feel so much more real. Like death, history seems something so far removed from us that we sometimes forget that history is populated by people living lives with emotional scope and depth as people live today, so in a way, putting Shakespeare’s plays into context like, along with any contextual criticism, this brings the humanity of these plays to the surface.

This is something that would be beneficial to anyone reading and studying Shakespeare as it provides an engaging and accessible look into the reasons why Shakespeare likely used certain kinds of poisons, murders, and avenues of death in his work. Personally, I know having this historical/literary/scientific context when I was taking my Shakespeare course in undergrad would have added so much to my enjoyment and understanding of the plays, but I’m glad to have read it now!

Many thanks to Bloomsbury Publishing for sending me an early copy to review! All opinions are my own.

BOOK REVIEW: Sin Eaters, by Megan Campisi

- Meg

BOOK REVIEW: Sin Eaters, by Megan CampisiTitle: Sin Eater by Megan Campisi
Published by Atria Books
Published: April 7th 2020
Genres: Fiction, Historical
Pages: 304
Format: ARC
Source: Publisher
Goodreads

The Handmaid’s Tale meets Alice in Wonderland in this gripping and imaginative historical novel about a shunned orphan girl in 16th century England who is ensnared in a deadly royal plot and must turn her subjugation into her power.

The Sin Eater walks among us, unseen, unheard Sins of our flesh become sins of Hers Following Her to the grave, unseen, unheard The Sin Eater Walks Among Us.

For the crime of stealing bread, fourteen-year-old May receives a life sentence: she must become a Sin Eater—a shunned woman, brutally marked, whose fate is to hear the final confessions of the dying, eat ritual foods symbolizing their sins as a funeral rite, and thereby shoulder their transgressions to grant their souls access to heaven.

Orphaned and friendless, apprenticed to an older Sin Eater who cannot speak to her, May must make her way in a dangerous and cruel world she barely understands. When a deer heart appears on the coffin of a royal governess who did not confess to the dreadful sin it represents, the older Sin Eater refuses to eat it. She is taken to prison, tortured, and killed. To avenge her death, May must find out who placed the deer heart on the coffin and why.

“A keenly researched feminist arc of unexpected abundance, reckoning, intellect, and ferocious survival” (Maria Dahvana Headley, author of The Mere Wife) Sin Eater is “a dark, rich story replete with humor, unforgettable characters, and arcane mysteries. It casts a spell on your heart and mind until the final page” (Jennie Melamed, author of Gather the Daughters).

The Unseen is now seen. The Unheard is now heard. The sins of your flesh become the sins of mine to be borne to my grave in silence. Speak.

Megan Campisi’s Sin Eater defies genre. It is historical fiction, but not completely; it’s fantasy/fabulist¹, but not completely. This indefinite quality adds to its appeal. Sin-eaters did exist, but sin-eaters still remain more in folkloric history in which not much is widely known about them and their practices. Campisi brings an alternate speculative look at Elizabethan England that is rich and detailed, and I wanted more from the world she created. The comp titles listed with this are wide and varied, and for the most part I don’t know if they particularly fit, aside from Margaret Atwood’s The Handmaid’s Tale in the sense that this is a character study of a young woman in a society that prefers she stay in her place and not question anything. If anything, my comp would be The Handmaid’s Tale meets Parasite in an alternate Tudor England as this is very much about class, violent deception, and the fear that rules institutionalized religion.

May Owens, the fourteen year old girl sentenced to become a Sin Eater after stealing food, is the perfect set of eyes through which to experience this world, because like her, we are unfamiliar with a lot of the customs outside of our immediate recognition. May’s isolation and loneliness are present on the page, along with her discomfort and estrangement at her own acceptance of her life’s chosen path. When she delves into the mystery surrounding her mentor’s death, May discovers that the court for which she is performing the sin eating is rife with manipulative and deceptive people, and nobody can be trusted but herself, and even then she’s not entirely sure she can trust herself.

This is an excellent intrigue of a novel, grim and gruesome with a lot of heart, and it’s a contender to be one of my favorite reads of the year.

Thank you to Atria Books for a review copy! All opinions are my own.

¹ I’ve begun using “fabulist” for something that isn’t quite “real” and not quite “fantasy” in terms of genre, as “magical realism” is a style specific to Latin American literature.