BOOK REVIEW: The Address, by Fiona Davis

BOOK REVIEW: The Address, by Fiona DavisTitle: The Address by Fiona Davis
Published by Dutton Books
Published: August 1st 2017
Genres: Historical, Fiction
Pages: 368
Format: eBook
Source: Netgalley
Goodreads

Fiona Davis, author of The Dollhouse, returns with a compelling novel about the thin lines between love and loss, success and ruin, passion and madness, all hidden behind the walls of The Dakota, New York City's most famous residence.

After a failed apprenticeship, working her way up to head housekeeper of a posh London hotel is more than Sara Smythe ever thought she'd make of herself. But when a chance encounter with Theodore Camden, one of the architects of the grand New York apartment house The Dakota, leads to a job offer, her world is suddenly awash in possibility--no mean feat for a servant in 1884. The opportunity to move to America, where a person can rise above one's station. The opportunity to be the female manager of The Dakota, which promises to be the greatest apartment house in the world. And the opportunity to see more of Theo, who understands Sara like no one else . . . and is living in The Dakota with his wife and three young children.

In 1985, Bailey Camden is desperate for new opportunities. Fresh out of rehab, the former party girl and interior designer is homeless, jobless, and penniless. Two generations ago, Bailey's grandfather was the ward of famed architect Theodore Camden. But the absence of a genetic connection means Bailey won't see a dime of the Camden family's substantial estate. Instead, her -cousin- Melinda--Camden's biological great-granddaughter--will inherit almost everything. So when Melinda offers to let Bailey oversee the renovation of her lavish Dakota apartment, Bailey jumps at the chance, despite her dislike of Melinda's vision. The renovation will take away all the character and history of the apartment Theodore Camden himself lived in . . . and died in, after suffering multiple stab wounds by a madwoman named Sara Smythe, a former Dakota employee who had previously spent seven months in an insane asylum on Blackwell's Island.

One hundred years apart, Sara and Bailey are both tempted by and struggle against the golden excess of their respective ages--for Sara, the opulence of a world ruled by the Astors and Vanderbilts; for Bailey, the free-flowing drinks and cocaine in the nightclubs of New York City--and take refuge and solace in the Upper West Side's gilded fortress. But a building with a history as rich--and often tragic--as The Dakota's can't hold its secrets forever, and what Bailey discovers in its basement could turn everything she thought she knew about Theodore Camden--and the woman who killed him--on its head.

With rich historical detail, nuanced characters, and gorgeous prose, Fiona Davis once again delivers a compulsively readable novel that peels back the layers of not only a famed institution, but the lives --and lies--of the beating hearts within.

After reading her second novel, Fiona Davis has become one of my new favorite historical fiction writers. In The Address, Davis expertly weaves two women’s lives and the history of a landmark residence, The Dakota, in New York City. The lives of two women from the 1880s and the 1980s are woven together as the mystery behind The Dakota unfolds. The Address begins in 1985 when Bailey Camden, heir without genetic proof to The Dakota’s architect, is released from rehab and reenters the world, ready to make something of herself. The famed residential hotel, The Dakota, has fallen into disrepair, and Bailey, who is trying to reestablish herself as an interior designer, wants to learn more about the history behind the building. The narrative weaves in and out of Bailey Camden’s discovery of the history of The Dakota while exploring Sara Smythe’s connection with the residence.

For me, Sara Smythe’s part of the story was the most interesting. I have a soft spot for stories about women who rise from the bottom to become more than they ever dreamed of becoming. Sara, when we first meet her, is a hotel manager in England who saves the life of an architect’s daughter. Theodore Camden, the architect, offers her a position at the residential hotel he has built in New York City. The attraction between Sara and Theodore is immediate right from the start, and that relationship develops over the course of the novel. The twists and turns at the end of her story were a little unexpected and thrilled me. It’s revealed at the beginning of the novel that Sara stabbed Theodore, but the true thrill are all of those little events that lead up to that event. However, I felt like Bailey’s desire for a fresh start and her refusal to compromise herself tied the lives of both women and tied the story together, because no matter the hundred years between them and no matter the different social structures, both women faced similar struggles and strove to overcome them.

Overall, this is an enjoyable historical fiction novel. For the first third of it, I felt like the story was weighed down by the amount of research and detail in the set up, but that detail redeems itself when the story does pick up and become difficult to put down. I’ve already hand-sold this and her previous novel, The Dollhouse, to some of my customers looking for new historical fiction recommendations, so if you enjoy fiction about women who overcome their struggles and enjoy historical fiction set in New York City, The Address comes highly recommended!

Thanks to Netgalley and Dutton/Penguin for a review copy! All opinions are my own.

BOOK REVIEW: The Good People, by Hannah Kent

BOOK REVIEW: The Good People, by Hannah KentTitle: The Good People by Hannah Kent
Published: September 19th 2017
Genres: Historical
Pages: 464
Format: eBook
Source: Netgalley
Goodreads

Shorlisted for theWalter Scott Prize for Historical Fiction
From the author of Burial Rites, "a literary novel with the pace and tension of a thriller [that] takes us on a frightening journey towards an unspeakable tragedy" (Paula Hawkins, bestselling author of The Girl on the Train)
Hedged in by gossip and joined by their desperation, three women in nineteenth-century Ireland are drawn together in the hope of rescuing a child from a superstitious community, determined to rid itself of the strange and unknowable. Bereft after the loss of her husband, Nora finds herself alone and caring for her young grandson Micheal--a boy whom she recalls as having been a happy and healthy infant but now, in the wake of both his mother's and grandfather's deaths, can neither speak nor walk. Mary, a servant girl from more rural parts, comes to the valley to help Nora just as the rumors are spreading: the talk of unexplained misfortunes and illnesses, and the theory that deformed Micheal is a changeling, a fairy child to blame for the bad luck the valley has endured since his arrival.
Determined to banish the evil in Micheal, Nora and Mary enlist the help of the elderly Nance, a recluse and wanderer once revered by her neighbors for her healing powers, but now condemned as a fraud and a threat by the new priest in town.
As the trio's situation grows more dire, their folkloric practices become increasingly daring--culminating, at last, in a stunning and irreversible act that will put all their lives in danger. Terrifying, thrilling, and wholly original, THE GOOD PEOPLE is a startling examination of absolute belief and superstition taken to their extremes, of the universal yearning to belong, and of love, both tender and harsh.

 Some folk are forced to the edges by their difference. … But ’tis at the edges that they find their power.

I really, really loved Hannah Kent’s Burial Rites, and I read that when it was Waterstones’s pick of the month. I was swept away by the atmospheric writing and the compelling story, so when I head that Hannah Kent was releasing a new book, I requested it and moved that book to the next spot in my reading list. The Good People is a stellar sophomore novel that weaves together the stories of three women who are involved in the horrific treatment of a child whom the women believe is a fairy changeling in a tiny village in Ireland in 1825.

In the beginning of the novel, Nora’s husband Martin dies, leaving her with her daughter’s four year old son Michael who has an unnamed disability in which he cannot speak and cannot fend for himself. Nora finds it difficult to care for the child and her household as a widow with no family on which she can rely, so she hires a girl named Mary to help with the work. When she can’t handle Michael even with Mary’s help, Nora enlists the help of Nance, the local woman trained in the art of natural healing. With the arrival of the new priest in the village, Nance is beginning to be considered a witch and evil and as a result an outcast, but she attempts to cure Michael to prove her skills to herself and to the village. Each “cure” that these women try become increasingly more dangerous until the final act is horrifically devastating.

The Good People is an atmospheric novel that balances the struggles these three women face in a changing society and the risks they must take in order to survive, no matter how dubious those risks are. It is interesting how Kent uses the tropes of the three women (the crone, the mother, and the virgin) to explore the actions and reactions of these women and the actions and reactions of others to these women. Kent also explores how the ideas of poverty and the lack of education in rural areas and ignite a fiery fear toward anyone who is different or toward the unexplainable. The best part of the novel is the last third, when everything culminates in an emotionally charged trial that showcases the growing rift between the old ways of thinking (believing in fairies, believing in changelings, and a reliance on old folklore, old pagan traditions, and old wives’ tales) and the new (following the Christian tradition and following new medical practices).

The only drawback I found to The Good People is the long set up to get to the more thrilling parts of the story. I felt like a third of the novel focuses on the slow development of Nora and Mary’s experiences with Michael, and a third of the novel focuses on Nance and a fairly long account of her life. At the end, I found this knowledge of their lives enriching to the heartrending trial, but before that, I found myself getting a little bit bored and wondering when the story would ever pick up. If you are turned off by a long build up, this might not be the novel for you. But if you are interested in novels about the experiences of women in certain periods of history, the collision between the old ways and the new, and compelling trials, this is one you you’ll want to add to your reading lists as soon as possible.

An advance readers copy was provided to me for review by Little, Brown & Co. and Netgalley. All opinions are my own.

BOOK REVIEW: The Dark Net, by Benjamin Percy

BOOK REVIEW: The Dark Net, by Benjamin PercyTitle: The Dark Net by Benjamin Percy
Published by Houghton Mifflin Harcourt
Published: August 1st 2017
Genres: Horror, Thriller
Pages: 272
Format: eBook
Source: Netgalley
Goodreads

Hell on earth is only one click of a mouse away…

The Dark Net is real. An anonymous and often criminal arena that exists in the secret far reaches of the Web, some use it to manage Bitcoins, pirate movies and music, or traffic in drugs and stolen goods. And now an ancient darkness is gathering there as well. This force is threatening to spread virally into the real world unless it can be stopped by members of a ragtag crew:

Twelve-year-old Hannah -- who has been fitted with the Mirage, a high-tech visual prosthetic to combat her blindness-- wonders why she sees shadows surrounding some people.

Lela, a technophobic journalist, has stumbled upon a story nobody wants her to uncover.

Mike Juniper, a one-time child evangelist who suffers from personal and literal demons, has an arsenal of weapons stored in the basement of the homeless shelter he runs.

And Derek, a hacker with a cause, believes himself a soldier of the Internet, part of a cyber army akin to Anonymous.

They have no idea what the Dark Net really contains.

Set in present-day Portland, The Dark Net is a cracked-mirror version of the digital nightmare we already live in, a timely and wildly imaginative techno-thriller about the evil that lurks in real and virtual spaces, and the power of a united few to fight back

Holy hell, what did I just read?? Twelve year old Hannah has been fitted with a device called Mirage that’s very Geordi La Forge, and when she sees through it, she can detect auras around certain people that she wasn’t able to see before. From that moment forward, the story just gets weirder and weirder. Hannah’s technophobic aunt, Lela, is a reporter who is always chasing after the next story. Lela once interviewed a guy named Mike Juniper for a lead, and Mike Juniper is a former child evangelist who has a host of weapons in his homeless shelter’s basement to ward off attacks from demons. The demons of the near future don’t possess people like they used to. Everything, including possession, has gone digital.

Benjamin Percy’s The Dark Net is a demonic techno-thriller that makes you think about all of the information we willingly or inadvertently give to the all-knowing Internet. With the widespread hackings of consumer data over the last few years, with our constant life updates and thoughts on various social media platforms, one has to wonder what’s being done with all of that information. We’re being reduced from DNA to ones and zeroes. Our lives, our life data, is collected, traded, and sold by users of the dark net, and ultimately is used against us in the end.

I don’t want to give too much of the plot away, but I thought that the dark net used in demonic practices and zombie apocalypses was a fascinating twist. It’s not something you often think about in our digitally infatuated age. It’s not something we can escape at this point, so how are you going go guard your data, your privacy, and quite literally your life? The Dark Net is a creepy thriller that riffs on horror and zombie tropes, and it’ll make you think twice about the information age.

Thank you to Houghton Mifflin Harcourt and Netgalley for a review copy! All opinions are my own.

BOOK REVIEW: The Alchemists of Loom, by Elise Kova

BOOK REVIEW: The Alchemists of Loom, by Elise KovaTitle: The Alchemists of Loom by Elise Kova
Series: Loom Saga #1
Published by Keymaster Press
Published: January 10th 2017
Genres: Fantasy
Pages: 395
Format: eBook
Source: Netgalley
Goodreads

Her vengeance. His vision.

Ari lost everything she once loved when the Five Guilds’ resistance fell to the Dragon King. Now, she uses her unparalleled gift for clockwork machinery in tandem with notoriously unscrupulous morals to contribute to a thriving underground organ market. There isn’t a place on Loom that is secure from the engineer turned thief, and her magical talents are sold to the highest bidder as long as the job defies their Dragon oppressors.

Cvareh would do anything to see his sister usurp the Dragon King and sit on the throne. His family’s house has endured the shame of being the lowest rung in the Dragons’ society for far too long. The Alchemist Guild, down on Loom, may just hold the key to putting his kin in power, if Cvareh can get to them before the Dragon King’s assassins.

When Ari stumbles upon a wounded Cvareh, she sees an opportunity to slaughter an enemy and make a profit off his corpse. But the Dragon sees an opportunity to navigate Loom with the best person to get him where he wants to go.

He offers her the one thing Ari can’t refuse: A wish of her greatest desire, if she brings him to the Alchemists of Loom.

 Don’t let the shadows of the past smother the possibility for a bright future.

Elise Kova’s The Alchemists of Loom follows Ari after the five guilds fall to the Dragon King. She meets Cvareh, who is wounded, and she thinks she can kill him off as some kind of revenge, but she decides not to when she learns he can grant her the boon she wants if she takes him to the Alchemists of Loom.

Premise of this is amazing and right up my alley, but something about it fell short for me. Most of it has to do with the fact that we’re thrown in media res without much explanation or world building. We’re just supposed to piece it together with the help of a glossary in the back (which one might not know about if one’s reading a digital copy) or through hints made throughout the story. I don’t mind it if a world is built as sort of an unfolding, but this was like opening up a single folded sheet of paper. You open it and it’s all there like glitter and you’re supposed to keep it all together while trying not to let it spill everywhere. It took me to get about halfway through the book until I felt familiar enough with the world and the characters and the rest of the details to start enjoying the book. I kept reading only because I wanted to know what Cvareh would do.

This book falls under the steampunk fantasy variety and features an indistinct world in which everything happens. There are five guilds with distinct practices, a Dragon king (and I was a little bit disappointed to discover they weren’t actually dragons), shady characters, some light romance that felt entirely forced (oh yes the main girl and the main guy argue all the time and clash all the time so of course they’ll automatically like each other).

Ari reminded me a lot of Celaena in Maas’s Throne of Glass series before she became Aelin, and Ari in this novel is a well-known criminal with an intent to restore Loom to its former glory before the Dragons took over. Her motive is unclear though, and I don’t really find a connection or sympathy to a character who has a mission. She is unyielding to that mission, but she has no clear motive for what she does, just that things must be made right. Okay? But why? Her sidekick/lover/girlfriend/??? Florence is more interesting and believable than Ari. Cvareh is the trickster sort of character who seems to flip flop between wanting to save himself, work for the Dragons, or help Ari, and the most interesting twists of the story seem to come from his actions.

The story’s action moves at a brisk pace, and I enjoyed that about the book. I just wish I had a bit more of Ari’s backstory to connect her motive with her actions and reactions because a lot of Ari’s life and relationships read completely unclear. I am going to see what the reviews are for the second one to gauge reactions to what happens next before I pick it up, but I hope it focuses more on Cvareh’s side of things!

Overall, it’s an enjoyable fantasy if someone’s ready to take a step up from “YA” fantasy and try something new.

A review copy of this book was provided to me for review by Netgalley and the publisher. All opinions are my own.

Little List of Reviews #6: Short Fiction

It’s time for another little list of reviews! This time I’m focusing on some short fiction that I’ve read recently, from a classic, to science fiction, to a modern fairy tale.

Little List of Reviews #6: Short FictionTitle: Exit West by Mohsin Hamid
Published by Riverhead
Published: March 7th 2017
Genres: Fiction
Pages: 231
Format: Hardcover
Source: Borrowed, Work
Goodreads

In a country teetering on the brink of civil war, two young people meet—sensual, fiercely independent Nadia and gentle, restrained Saeed. They embark on a furtive love affair and are soon cloistered in a premature intimacy by the unrest roiling their city. When it explodes, turning familiar streets into a patchwork of checkpoints and bomb blasts, they begin to hear whispers about doors—doors that can whisk people far away, if perilously and for a price. As the violence escalates, Nadia and Saeed decide that they no longer have a choice. Leaving their homeland and their old lives behind, they find a door and step through.

Exit West follows these characters as they emerge into an alien and uncertain future, struggling to hold on to each other, to their past, to the very sense of who they are. Profoundly intimate and powerfully inventive, it tells an unforgettable story of love, loyalty, and courage that is both completely of our time and for all time.

 Exit West seemed to be all over the place once it was released, and with everyone I knew talking about it and a lot of people at work buying it, I thought I should give it a go because it sounded timely and relevant to today. Mohsin Hamid’s lyrical writing draws you into a world that ultimately you as a reader only catch glimpses of the heartache, the fear, and the love each of the two main characters experience for themselves and with each other. In a style that bends time and space to fit the journey, the two main characters escape what is a war-torn country in the Middle East, and we follow them as they make their way westward. It is all at once a tale that speaks of the plight and routes refugees take from Syria and other nearby places and a tale that speaks to the ultimately human journey to adulthood and discovering oneself. It is a story of discovering what it means to have an identity and of holding onto love when it’s necessary and learning to let go when it’s time to let go, no matter how unprepared you might be for the end.

 

Little List of Reviews #6: Short FictionTitle: We Have Always Lived in the Castle by Shirley Jackson
Published by Penguin Modern Classics
Published: October 1st 2009
Genres: Fiction
Pages: 158
Format: Trade Paper
Source: Purchased
Goodreads

 We Have Always Lived in the Castle is a Gothic novella about the Blackwood family home and the lengths Merricat, the youngest Blackwood, goes to in order to preserve their way of life. Throughout the book, you get the sort of foreboding feeling that something is not quite right about Merricat’s behavior, especially when cousin Charles comes to visit, and while the story plays into a lot of the Gothic genre’s tropes, it doesn’t fail to thrill. It’s an exacting commentary on the preservation of oneself and one’s family in the midst of change, either in the house or in the world beyond. It asks the question what does identity mean? The meaning of identity is not generally answerable in itself but in the implications and complications that arise in the midst of everything else. Why else would Merricat say she put “death in their food and watch them die?”

 

Little List of Reviews #6: Short FictionTitle: We Who Are About To... by Joanna Russ
Published by Penguin
Published: January 1st 1970
Genres: Science Fiction
Pages: 128
Format: Trade Paper
Source: Purchased
Goodreads

When I saw the covers of the Penguin Worlds science fiction classics collection, I knew I had to get them all. Not only for the covers but for the selections as well. One of my areas of research is science fiction because I feel like it’s an underrepresented genre in the grand scheme of the great literary canon, and Joanna Russ’s We Who Are About To… is a masterful novella about the agency a woman has, doesn’t have, and should have over her own body. Instead of conforming to the little civilization her companions decide to form in the wake of a spaceship crashing on a relatively unknown planet, the narrator decides to learn how to die when all hope is lost. Reading this book today feels very trope-y and cliché at times, but it’s important to put this in the context of the genre today. It plays with those tropes, gives a woman agency over her own life instead of submitting her body to be a vessel for reproduction, and shows us the very humanity in deciding on whether or not to live or die when you know there’s ultimately no hope for rescue or survival anyway.