BOOK REVIEW: The Good People, by Hannah Kent

BOOK REVIEW: The Good People, by Hannah KentTitle: The Good People by Hannah Kent
Published: September 19th 2017
Genres: Historical
Pages: 464
Format: eBook
Source: Netgalley

Shorlisted for theWalter Scott Prize for Historical Fiction
From the author of Burial Rites, "a literary novel with the pace and tension of a thriller [that] takes us on a frightening journey towards an unspeakable tragedy" (Paula Hawkins, bestselling author of The Girl on the Train)
Hedged in by gossip and joined by their desperation, three women in nineteenth-century Ireland are drawn together in the hope of rescuing a child from a superstitious community, determined to rid itself of the strange and unknowable. Bereft after the loss of her husband, Nora finds herself alone and caring for her young grandson Micheal--a boy whom she recalls as having been a happy and healthy infant but now, in the wake of both his mother's and grandfather's deaths, can neither speak nor walk. Mary, a servant girl from more rural parts, comes to the valley to help Nora just as the rumors are spreading: the talk of unexplained misfortunes and illnesses, and the theory that deformed Micheal is a changeling, a fairy child to blame for the bad luck the valley has endured since his arrival.
Determined to banish the evil in Micheal, Nora and Mary enlist the help of the elderly Nance, a recluse and wanderer once revered by her neighbors for her healing powers, but now condemned as a fraud and a threat by the new priest in town.
As the trio's situation grows more dire, their folkloric practices become increasingly daring--culminating, at last, in a stunning and irreversible act that will put all their lives in danger. Terrifying, thrilling, and wholly original, THE GOOD PEOPLE is a startling examination of absolute belief and superstition taken to their extremes, of the universal yearning to belong, and of love, both tender and harsh.

 Some folk are forced to the edges by their difference. … But ’tis at the edges that they find their power.

I really, really loved Hannah Kent’s Burial Rites, and I read that when it was Waterstones’s pick of the month. I was swept away by the atmospheric writing and the compelling story, so when I head that Hannah Kent was releasing a new book, I requested it and moved that book to the next spot in my reading list. The Good People is a stellar sophomore novel that weaves together the stories of three women who are involved in the horrific treatment of a child whom the women believe is a fairy changeling in a tiny village in Ireland in 1825.

In the beginning of the novel, Nora’s husband Martin dies, leaving her with her daughter’s four year old son Michael who has an unnamed disability in which he cannot speak and cannot fend for himself. Nora finds it difficult to care for the child and her household as a widow with no family on which she can rely, so she hires a girl named Mary to help with the work. When she can’t handle Michael even with Mary’s help, Nora enlists the help of Nance, the local woman trained in the art of natural healing. With the arrival of the new priest in the village, Nance is beginning to be considered a witch and evil and as a result an outcast, but she attempts to cure Michael to prove her skills to herself and to the village. Each “cure” that these women try become increasingly more dangerous until the final act is horrifically devastating.

The Good People is an atmospheric novel that balances the struggles these three women face in a changing society and the risks they must take in order to survive, no matter how dubious those risks are. It is interesting how Kent uses the tropes of the three women (the crone, the mother, and the virgin) to explore the actions and reactions of these women and the actions and reactions of others to these women. Kent also explores how the ideas of poverty and the lack of education in rural areas and ignite a fiery fear toward anyone who is different or toward the unexplainable. The best part of the novel is the last third, when everything culminates in an emotionally charged trial that showcases the growing rift between the old ways of thinking (believing in fairies, believing in changelings, and a reliance on old folklore, old pagan traditions, and old wives’ tales) and the new (following the Christian tradition and following new medical practices).

The only drawback I found to The Good People is the long set up to get to the more thrilling parts of the story. I felt like a third of the novel focuses on the slow development of Nora and Mary’s experiences with Michael, and a third of the novel focuses on Nance and a fairly long account of her life. At the end, I found this knowledge of their lives enriching to the heartrending trial, but before that, I found myself getting a little bit bored and wondering when the story would ever pick up. If you are turned off by a long build up, this might not be the novel for you. But if you are interested in novels about the experiences of women in certain periods of history, the collision between the old ways and the new, and compelling trials, this is one you you’ll want to add to your reading lists as soon as possible.

An advance readers copy was provided to me for review by Little, Brown & Co. and Netgalley. All opinions are my own.

BOOK REVIEW: Bannerless, by Carrie Vaughn

BOOK REVIEW: Bannerless, by Carrie VaughnTitle: Bannerless by Carrie Vaughn
Series: Bannerless Saga #1
Published by Mariner Books
Published: July 11th 2017
Genres: Science Fiction, Mystery
Pages: 352
Format: eBook
Source: Netgalley

A mysterious murder in a dystopian future leads a novice investigator to question what she’s learned about the foundation of her population-controlled society.

Decades after economic and environmental collapse destroys much of civilization in the United States, the Coast Road region isn’t just surviving but thriving by some accounts, building something new on the ruins of what came before. A culture of population control has developed in which people, organized into households, must earn the children they bear by proving they can take care of them and are awarded symbolic banners to demonstrate this privilege. In the meantime, birth control is mandatory.  Enid of Haven is an Investigator, called on to mediate disputes and examine transgressions against the community. She’s young for the job and hasn't yet handled a serious case. Now, though, a suspicious death requires her attention. The victim was an outcast, but might someone have taken dislike a step further and murdered him?  In a world defined by the disasters that happened a century before, the past is always present. But this investigation may reveal the cracks in Enid’s world and make her question what she really stands for.

What happens when you mix a post-apocalyptic dystopian with a bit of detective fiction? You’ll get Carrie Vaughn’s Bannerless. I really enjoy traditional, structural genre stories mixed with a fantastic setting, and this one didn’t disappoint. Bannerless takes place about a hundred years after a series of events destroy society. It’s a little like taking a peek into our future if we aren’t careful about our relationships with other countries and if we aren’t careful with our planet. Instead of being another post-apocalyptic dystopian novel, Vaughn uses this vision of the future as a twist in her traditional mystery and that twist adds a dimension to the story that I found really enjoyable.

In this futuristic world, the population has dwindled, birth control is mandatory, and people live in tight-knit communities in which everyone knows everyone else’s business. People group together in family units called houses, and they work together to provide enough materials for themselves and for their families, and once their quotas are met or consistently exceeded, these families can apply to get a banner which allows that household to have a baby.

Enid of Haven is an Investigator, a role that combines the roles of police, detective, and judge. Crime doesn’t really exist in this future world, and most of it ends up being bannerless pregnancies or unauthorized food and material production to try to game the system. She is called up with her partner to investigate a suspicious death of a bannerless person in a neighboring community, and she is forced to confront someone with her past as she and her partner Tomas figure out the mystery. I also really enjoyed Enid’s self-discovery as she investigates the suspicious death. She goes from being a little insecure of herself as an individual to growing more and more confident in herself, and to me, that’s entirely relatable. Told in alternating chapters of Enid’s past and present, Bannerless explores a future in which our very society is regulated on the local level and how our actions, even with good intentions, can be devastating for entire families.

If you enjoy traditional mysteries, dystopian futures as imagined in books like Station Eleven, and speculative fiction, you’ll probably enjoy this one! It’s short, yet well-crafted and well-paced. And I’ve just read she’s working on another post-apocalyptic murder mystery, so I’m hoping that the next one will continue following Enid’s investigations!

This book was provided to me for review by Netgalley and Mariner Books. All opinions are my own.

BOOK REVIEW: The Alchemists of Loom, by Elise Kova

BOOK REVIEW: The Alchemists of Loom, by Elise KovaTitle: The Alchemists of Loom by Elise Kova
Series: Loom Saga #1
Published by Keymaster Press
Published: January 10th 2017
Genres: Fantasy
Pages: 395
Format: eBook
Source: Netgalley

Her vengeance. His vision.

Ari lost everything she once loved when the Five Guilds’ resistance fell to the Dragon King. Now, she uses her unparalleled gift for clockwork machinery in tandem with notoriously unscrupulous morals to contribute to a thriving underground organ market. There isn’t a place on Loom that is secure from the engineer turned thief, and her magical talents are sold to the highest bidder as long as the job defies their Dragon oppressors.

Cvareh would do anything to see his sister usurp the Dragon King and sit on the throne. His family’s house has endured the shame of being the lowest rung in the Dragons’ society for far too long. The Alchemist Guild, down on Loom, may just hold the key to putting his kin in power, if Cvareh can get to them before the Dragon King’s assassins.

When Ari stumbles upon a wounded Cvareh, she sees an opportunity to slaughter an enemy and make a profit off his corpse. But the Dragon sees an opportunity to navigate Loom with the best person to get him where he wants to go.

He offers her the one thing Ari can’t refuse: A wish of her greatest desire, if she brings him to the Alchemists of Loom.

 Don’t let the shadows of the past smother the possibility for a bright future.

Elise Kova’s The Alchemists of Loom follows Ari after the five guilds fall to the Dragon King. She meets Cvareh, who is wounded, and she thinks she can kill him off as some kind of revenge, but she decides not to when she learns he can grant her the boon she wants if she takes him to the Alchemists of Loom.

Premise of this is amazing and right up my alley, but something about it fell short for me. Most of it has to do with the fact that we’re thrown in media res without much explanation or world building. We’re just supposed to piece it together with the help of a glossary in the back (which one might not know about if one’s reading a digital copy) or through hints made throughout the story. I don’t mind it if a world is built as sort of an unfolding, but this was like opening up a single folded sheet of paper. You open it and it’s all there like glitter and you’re supposed to keep it all together while trying not to let it spill everywhere. It took me to get about halfway through the book until I felt familiar enough with the world and the characters and the rest of the details to start enjoying the book. I kept reading only because I wanted to know what Cvareh would do.

This book falls under the steampunk fantasy variety and features an indistinct world in which everything happens. There are five guilds with distinct practices, a Dragon king (and I was a little bit disappointed to discover they weren’t actually dragons), shady characters, some light romance that felt entirely forced (oh yes the main girl and the main guy argue all the time and clash all the time so of course they’ll automatically like each other).

Ari reminded me a lot of Celaena in Maas’s Throne of Glass series before she became Aelin, and Ari in this novel is a well-known criminal with an intent to restore Loom to its former glory before the Dragons took over. Her motive is unclear though, and I don’t really find a connection or sympathy to a character who has a mission. She is unyielding to that mission, but she has no clear motive for what she does, just that things must be made right. Okay? But why? Her sidekick/lover/girlfriend/??? Florence is more interesting and believable than Ari. Cvareh is the trickster sort of character who seems to flip flop between wanting to save himself, work for the Dragons, or help Ari, and the most interesting twists of the story seem to come from his actions.

The story’s action moves at a brisk pace, and I enjoyed that about the book. I just wish I had a bit more of Ari’s backstory to connect her motive with her actions and reactions because a lot of Ari’s life and relationships read completely unclear. I am going to see what the reviews are for the second one to gauge reactions to what happens next before I pick it up, but I hope it focuses more on Cvareh’s side of things!

Overall, it’s an enjoyable fantasy if someone’s ready to take a step up from “YA” fantasy and try something new.

A review copy of this book was provided to me for review by Netgalley and the publisher. All opinions are my own.

BOOK REVIEW: The Madwoman Upstairs, by Catherine Lowell

BOOK REVIEW: The Madwoman Upstairs, by Catherine LowellTitle: The Madwoman Upstairs by Catherine Lowell
Published by Touchstone
Published: November 22nd 2016
Genres: Fiction
Pages: 368
Format: Trade Paper
Source: Publisher

In Catherine Lowell’s smart and original debut novel—“an enjoyable academic romp that successfully combines romance and intrigue” (Publishers Weekly)—the only remaining descendant of the Brontë family embarks on a modern-day literary treasure hunt to find the family’s long-rumored secret estate, using only the clues her father left behind and the Brontës’ own novels.
Samantha Whipple is used to stirring up speculation wherever she goes. Since her eccentric father’s untimely death, she is the presumed heir to a long-rumored trove of diaries, paintings, letters, and early novel drafts passed down from the Brontë family—a hidden fortune never revealed to anyone outside of the family, but endlessly speculated about by Brontë scholars and fanatics. Samantha, however, has never seen this alleged estate and for all she knows, it’s just as fictional as Jane Eyre or Wuthering Heights.
But everything changes when Samantha enrolls at Oxford University and long lost objects from the past begin rematerializing in her life, beginning with an old novel annotated in her father’s handwriting. With the help of a handsome but inscrutable professor, Samantha plunges into a vast literary mystery and an untold family legacy, one that can only be solved by decoding the clues hidden within the Brontës’ own works.
A fast-paced adventure from start to finish, The Madwoman Upstairs is a smart and original novel and a moving exploration of what happens when the greatest truth is, in fact, fiction.

 This was not an office. It was a small library, two stories high, with thin ladders and impractical balconies and an expensive ceiling featuring a gaggle of naked Greeks. It was the sort of library you’d marry a man for.

Catherine Lowell’s The Madwoman Upstairs has been on my radar for a while, and when BookSparks sent me a copy of this book and a lovely Penguin English Classics edition of Jane Eyre to celebrate Charlotte Brontë’s birthday, I was super excited to finally read it. I mean, how could I not? It’s about the last descendant of the Brontë family and the discoveries and revelations the main character has along the way.

The Madwoman Upstairs is literally a literary treat to me. In some ways, it reminded me of a light-hearted, quirky version of A.S. Byatt’s Possession, and I adored reading it. The narrator has such a great voice, and I thought Lowell captured the voice of a young, headstrong, stubborn woman thrown headfirst into a world she has been trying to avoid since her father’s death. But as it happens, it’s entirely difficult to leave the past in the past, and inevitably it will come back to you.

Generally, when one thinks of the Brontë family, one might think of Charlotte or Emily before thinking of Anne, so I liked the twist of Anne being more of the focus of this treasure hunt Samantha Whipple goes on after receiving a strange little bookmark from her father’s papers. The Madwoman Upstairs is very much a fun campus novel with twists of romantic comedy and literary intrigue, and it was an enjoyable read from start to finish!

I received a copy of this book from Book Sparks and the publisher for review. All opinions are my own.

BOOK REVIEW: Goodnight From London, by Jennifer Robson

BOOK REVIEW: Goodnight From London, by Jennifer RobsonTitle: Goodnight from London by Jennifer Robson
Published by William Morrow Paperbacks
Published: May 2nd 2017
Genres: Historical, Fiction
Pages: 400
Format: Trade Paper
Source: Book Sparks

From USA Today bestselling author Jennifer Robson—author of Moonlight Over Paris and Somewhere in France—comes a lush historical novel that tells the fascinating story of Ruby Sutton, an ambitious American journalist who moves to London in 1940 to report on the Second World War, and to start a new life an ocean away from her past.

In the summer of 1940, ambitious young American journalist Ruby Sutton gets her big break: the chance to report on the European war as a staff writer for Picture Weekly newsmagazine in London. She jumps at the chance, for it's an opportunity not only to prove herself, but also to start fresh in a city and country that know nothing of her humble origins. But life in besieged Britain tests Ruby in ways she never imagined.

Although most of Ruby's new colleagues welcome her, a few resent her presence, not only as an American but also as a woman. She is just beginning to find her feet, to feel at home in a country that is so familiar yet so foreign, when the bombs begin to fall.

As the nightly horror of the Blitz stretches unbroken into weeks and months, Ruby must set aside her determination to remain an objective observer. When she loses everything but her life, and must depend upon the kindness of strangers, she learns for the first time the depth and measure of true friendship—and what it is to love a man who is burdened by secrets that aren’t his to share.

Goodnight from London, inspired in part by the wartime experiences of the author’s own grandmother, is a captivating, heartfelt, and historically immersive story that readers are sure to embrace.





In Goodnight From London, Ruby Sutton is an American journalist who moves to London from New York in 1940 to report on the war as a staff writer for publications in both cities. In a series of vignettes, we see Ruby through her struggles and growth in her new job as a foreigner and as a woman. Goodnight From London is a captivating story about a young woman finding her own ground in the midst of war.

Even though the novel was told in little glimpses of her every day life, I felt like I really connected with Ruby Sutton as she navigated her way through a foreign city besieged by war, raid sirens, air strikes, destruction, rationed food, and as she found a determined, resilient hope in the people she met. For me, one of the best parts about this book is the development of her work and personal relationships. None of them felt forced, and each of them felt genuine, especially for that era. Ruby is an orphan of sorts and never really knew what it was like to have people who cared for her, and in the midst of the terror that was WWII, finding people who had been through hell but still were able to show their humor, their love, and their friendship was such an eyeopener for Ruby. We see her adjust, sometimes awkwardly, to the generosity of those around her. As a reader, I wanted to see her succeed, to see her overcome her fears and reservations, and to fall in love with that mysterious Bennett.

While not as grim and heavy as some other WWII novels I have read, I enjoyed that the setting and the struggles felt realistic. Robson’s writing style is effortless and crisp, and the writing made it clear that she has done her research. If you like historical fiction that isn’t so heavy and dark and heroines you can root for, I think you’ll enjoy reading Goodnight From London.

A copy of this book was sent to me for review by Book Sparks and the publisher. All opinions are my own.