BOOK REVIEW: The Island of Sea Women, by Lisa See

BOOK REVIEW: The Island of Sea Women, by Lisa SeeTitle: The Island of Sea Women by Lisa See
Published by Scribner
Published: March 5th 2019
Genres: Fiction, Historical
Pages: 384
Format: Trade Paper
Source: Publisher
Goodreads

A new novel from Lisa See, the New York Times bestselling author of The Tea Girl of Hummingbird Lane, about female friendship and family secrets on a small Korean island.

Mi-ja and Young-sook, two girls living on the Korean island of Jeju, are best friends that come from very different backgrounds. When they are old enough, they begin working in the sea with their village’s all-female diving collective, led by Young-sook’s mother. As the girls take up their positions as baby divers, they know they are beginning a life of excitement and responsibility but also danger.

Despite their love for each other, Mi-ja and Young-sook’s differences are impossible to ignore. The Island of Sea Women is an epoch set over many decades, beginning during a period of Japanese colonialism in the 1930s and 1940s, followed by World War II, the Korean War and its aftermath, through the era of cell phones and wet suits for the women divers. Throughout this time, the residents of Jeju find themselves caught between warring empires. Mi-ja is the daughter of a Japanese collaborator, and she will forever be marked by this association. Young-sook was born into a long line of haenyeo and will inherit her mother’s position leading the divers in their village. Little do the two friends know that after surviving hundreds of dives and developing the closest of bonds, forces outside their control will push their friendship to the breaking point.

This beautiful, thoughtful novel illuminates a world turned upside down, one where the women are in charge, engaging in dangerous physical work, and the men take care of the children. A classic Lisa See story—one of women’s friendships and the larger forces that shape them—The Island of Sea Women introduces readers to the fierce and unforgettable female divers of Jeju Island and the dramatic history that shaped their lives.

Lisa See’s new book, out March 5, is a stunning story of two women separated by tragedy. Set mostly on Jeju Island before, during, and after World War II, See explores the strength and tribulations of women in all aspects of their lives — from their work as haenyo (deep sea divers), mothers, daughters, sisters, friends — and brings history to life through the lives of two friends: Young-sook and Mjia.

Told through interweaving timelines, from the more distant past of pre- and post-WWII to the more recent past of 2008, See takes us to Jeju Island through the eyes of Young-sook as she grows up, learns to dive and provide for herself and her family, marries, starts a family of her own, and struggles to survive through WWII and its aftermath. It’s a brutal history, devastating from all angles, that See weaves into the life of Young-Sook, but it’s incredibly empowering and a pleasure to read as the book is a testament to the strength and resilience of women.

I will admit, before reading this, I had very vague knowledge of Korea’s involvement in WWII (as I grow older, I realize how much of my history education stopped around the Industrial Revolution at the turn of the century and didn’t seem to focus much on the World Wars or anything after, and this is something I am actively rectifying!), and I no prior knowledge of Jeju Island, the matriarchal culture, and the haenyo. After reading this and being so intrigued by these women’s lives, I definitely want to read more about it. See’s book Snow Flower and the Secret Fan is one of my favorite books of all time. It’s been several years since I revisited her work, and I’m delighted by the relationship between two women and their families in The Island of Sea Women. I now want to go back and read the books of hers I haven’t read yet because I think See is a master at weaving in the personal, private lives of women with extraordinary circumstances in history.

The Island of Sea Women is already one of my favorite books of 2019, so don’t miss it!

Thank you to Scribner Books for sending me a complimentary advance copy to read and review. All opinions are my own.

2018 Reading Reflections

2018 has come and gone, and I realize now that I never posted my reading goals on the blog for 2018! I wrote them all down in my book bullet journal, but now I kind of wish I had made a post outlining what my yearly goals were. I have a post coming up this week about my goals for 2019! Since January 1 was in the middle of the week, I decided that my 2019 “goal year” would start this week.

These are the goals I wanted to reach in 2018:

  • Read 12 Star Wars books
  • Read 12 Star Trek books
  • Read 12 classics
  • Read 12 nonfiction books
  • Read 12 science fiction books
  • Read the first 80 Penguin Little Black Classics
  • Read 180 books total for the year

Here are the end results of those goals:

  • Read 4/12 Star Wars books
  • Read 0/12 Star Trek books
  • Read 8/12 classics (every 10 LBCs I read counted as one “classic”)
  • Read 12/12 nonfiction books
  • Read 8/12 science fiction books
  • Read 80/80 Penguin Little Black Classics
  • Read 180/180 books for the year

Overall, I think I did a really great job, and if I could redo the year, I’d make more of an effort to read more classics and nix the Star Trek list all together. And possibly reading all 80 of Penguin’s Little Black Classics. I’m going to do a post reviewing the entire box set, but honestly, I don’t think the entire box set is worth it unless you like having them look pretty in bookish photos or on your shelf. All that time I spent stressing over reaching a monthly quota of reading those Little Black Classics stressed me out and often put me off reading. I also realized that consistently being part of big marketing campaigns took a toll on my reading as well. I loved being part of them and wished I could have chosen more specific titles to feature and review, but ultimately, I felt like my blog and Instagram became advertising channels, and I know I lost a lot of engagement that way because who wants to deal with someone advertising at you all the time?? I’m not a hustler by nature, and it was draining and demotivating me more than I realized.

On the flip side, I did get to work with some amazing publishers and imprints, I read a lot of books out of my usual zone (a post on my attitude toward romance as a genre coming soon too!), and I learned a lot about myself, my reading styles and habits, my social media output and expectations, and the world. 2018 was definitely a year of turbulence and change socially and politically, and I have such good vibes already going into 2019.

What goals did you have for 2018? Did you reach them?

BOOK REVIEW: The Winter of the Witch, by Katherine Arden

BOOK REVIEW: The Winter of the Witch, by Katherine ArdenTitle: The Winter of the Witch by Katherine Arden
Series: Winternight Trilogy #3
Published by Del Rey Books
Published: January 8th 2019
Genres: Fantasy
Pages: 372
Format: eBook
Source: Netgalley
Goodreads

Following their adventures in The Bear and the Nightingale and The Girl in the Tower, Vasya and Morozko return in this stunning conclusion to the bestselling Winternight Trilogy, battling enemies mortal and magical to save both Russias, the seen and the unseen.

Reviewers called Katherine Arden’s novels The Bear and the Nightingale and The Girl in the Tower “lyrical,” “emotionally stirring,” and “utterly bewitching.” The Winternight Trilogy introduced an unforgettable heroine, Vasilisa Petrovna, a girl determined to forge her own path in a world that would rather lock her away. Her gifts and her courage have drawn the attention of Morozko, the winter-king, but it is too soon to know if this connection will prove a blessing or a curse.

Now Moscow has been struck by disaster. Its people are searching for answers—and for someone to blame. Vasya finds herself alone, beset on all sides. The Grand Prince is in a rage, choosing allies that will lead him on a path to war and ruin. A wicked demon returns, stronger than ever and determined to spread chaos. Caught at the center of the conflict is Vasya, who finds the fate of two worlds resting on her shoulders. Her destiny uncertain, Vasya will uncover surprising truths about herself and her history as she desperately tries to save Russia, Morozko, and the magical world she treasures. But she may not be able to save them all.

“I am a witch,’’ said Vasya. Blood was running down her hand now, spoiling her grip. “I have plucked snowdrops at Midwinter, died at my own choosing, and wept for a nightingale. Now I am beyond prophecy.” She caught his knife on the crosspiece of hers, hilt to hilt. “I have crossed three times nine realms to find you, my lord. And I find you at play, forgetful.”

Katherine Arden’s Winternight Trilogy have been some of my favorite fantasy books in recent years, and I find myself recommending them to friends and readers everywhere because of their world building, their characters, and the fairy tale qualities upon which each book explores. The first book, The Bear and the Nightingale, has a slower start that builds into a magnificent, magical Russian setting. The second book, The Girl in the Tower, continues Vasya’s story and sets up for the satisfying conclusion in The Winter of the Witch.

I loved the intersection of fantasy and Russian history, the strength of the female characters, the quiet scenes interspersed with the highly emotional or violent scenes. I thoroughly enjoyed the relationship between Vasya and Morozov, because their dynamic is a deep, dark, frisson. The scenes between Vasya and Morozov are intense and beautifully written, and I wish there was more about him, too. Vasya by herself, this time, seemed to be a little distanced from the character in the first two books, but I also wonder that it’s because she has been through so much that she’s in dissonance from herself, too.

Overall, I was highly satisfied with the story, and I think it’s rare that the third book in a trilogy holds up and is even better than the first two installments. It’s an excellent meld of fantasy and history and how a single person can unite a country, for better or worse.

Thank you to Netgalley and Del Rey Books for a review copy! All opinions are my own.

Favorite Reads of 2018

A little late in posting, but here are some of my favorite reads of 2018! I’ve been in such a reading and blogging slump even though I had such high hopes to do more (having a technical error that was 99% my fault just totally wiped my motivation because I worked so hard on some posts only to realize they hadn’t posted because I didn’t actually hit “schedule,” UGH). ANYWAY. A new month starts tomorrow. I am going to make the effort to do better. January is just a weird month for me, and I think I just need to start my “new year’s resolutions” in February instead.

I read a lot of different things than my “usuals” in 2018 (and I have a post for that coming soon), but here are some of the standouts of the 180 books I read last year!

TORDOTCOM NOVELLAS! Especially the following:

  • The Only Harmless Great Thing – Brooke Bolander
  • The Descent of Monsters – JY Yang
  • River of Teeth – Sarah Gailey
  • Every Heart a Doorway – Seanan McGuire
  • The Armored Saint – Myke Cole

tor.com have released some of the best reads I’ve ever had the pleasure of reading, and I can’t wait for what else they put out! If you’re in the mood for a shorter, but highly engaging and imaginative read in the speculative fiction vein, definitely check out the above titles and the rest of their offerings!

2019 RELEASES!

  • Daisy Jones & the Six – Taylor Jenkins Reid
  • The Wolf in the Whale – Jordanna Max Brodsky

Taylor Jenkins Reid’s The Seven Husbands of Evelyn Hugo was one of my favorite reads of 2017, and I was so excited to receive an advance reader’s copy of Daisy Jones & the Six. It’s going to be a big spring read. The Wolf in the Whale was one of the most immersive historical fantasies I’ve read in quite some time, and I couldn’t put it down.

2018 RELEASES!

  • Hull Metal Girls – Emily Shrutskie
  • Playing With Matches – Hannah Orenstein
  • Space Opera – Catherynne M. Valente
  • The Poppy War – R.F. Kuang
  • The Calculating Stars – Mary Robinette Kowal
  • The Fated Sky – Mary Robinette Kowal
  • A Knife in the Fog – Bradley Harper

I didn’t seem to read as much YA last year as I’ve done in previous years (even though I bought a lot, but that’s neither here nor there >.>), but Emily Shrutskie’s Hull Metal Girls was one of the best sci-fi YA titles I’ve read in years, and I found myself wanting so much more once I had finished reading it. I ventured more into the romance genre in 2018 (also more on that later!) and I really loved Playing With Matches by Hannah Orenstein, and I can’t wait for her next one! Catherynne M. Valente’s Space Opera was the most fun sci-fi read of 2018 because it’s a mash of Eurovision and Douglas Adams and all sorts of goodness. R.F. Kuang’s The Poppy War is the start to what looks to be an amazing fantasy series, and I was blown away that it’s a DEBUT because it’s just that well-written. If you like space and women in space programs and alternate histories and haven’t read Mary Robinette Kowal’s The Lady Astronauts yet, what are you waiting for? Bradley Harper wrote an incredibly engaging historical mystery with Margaret Harkness, Arthur Conan Doyle, and Jack the Ripper, and it’s another one of those incredible debuts! I can’t wait for the next installment!

BACKLIST!

  • The Refrigerator Monologues – Catherynne M. Valente
  • Villette – Charlotte Bronte
  • To All the Boys I’ve Loved Before series – Jenny Han
  • Eve’s Hollywood – Eve Babitz

I really just want to read everything Valente has ever written, and The Refrigerator Monologues is an homage to all of those female characters fridged in superhero comics (and apparently it’s going to be made into a mini series by Amazon!!). I wanted to read more classics last year, and aside from the 80 Little Black Classics that Penguin Classics put out a few years ago, the one that stuck with me the most was Charlotte Bronte’s Villette. Jenny Han’s To All the Boys I’ve Loved Before series had been on my radar since its initial release, but the Netflix movie kicked my want to read them into high gear and I enjoyed them all. I read Eve Babitz’s Eve’s Hollywood after finding the book at Strand in NYC, and I fell in love with her. I’m making it my mission to read more of her work in the upcoming months.

What were your favorite reads of 2018?

BOOK REVIEW: Hollywood’s Eve, by Lili Anolik

BOOK REVIEW: Hollywood’s Eve, by Lili AnolikTitle: Hollywood's Eve: Eve Babitz and the Secret History of L.A. by Lili Anolik
Published by Scribner
Published: January 8th 2019
Genres: Biography
Pages: 288
Format: Hardcover
Source: Publisher
Goodreads

Los Angeles in the 1960s and 70s was the pop culture capital of the world—a movie factory, a music factory, a dream factory. Eve Babitz was the ultimate factory girl, a pure product of LA.

The goddaughter of Igor Stravinsky and a graduate of Hollywood High, Babitz posed in 1963, at age twenty, playing chess with the French artist Marcel Duchamp. She was naked; he was not. The photograph, cheesecake with a Dadaist twist, made her an instant icon of art and sex. Babitz spent the rest of the decade rocking and rolling on the Sunset Strip, honing her notoriety. There were the album covers she designed: for Buffalo Springfield and the Byrds, to name but a few. There were the men she seduced: Jim Morrison, Ed Ruscha, Harrison Ford, to name but a very few.

Then, at nearly thirty, her It girl days numbered, Babitz was discovered—as a writer—by Joan Didion. She would go on to produce seven books, usually billed as novels or short story collections, always autobiographies and confessionals. Under-known and under-read during her career, she’s since experienced a breakthrough. Now in her mid-seventies, she’s on the cusp of literary stardom and recognition as an essential—as the essential—LA writer. Her prose achieves that American ideal: art that stays loose, maintains its cool, and is so sheerly enjoyable as to be mistaken for simple entertainment.

For Babitz, life was slow days, fast company until a freak fire in the 90s turned her into a recluse, living in a condo in West Hollywood, where Lili Anolik tracked her down in 2012. Anolik’s elegant and provocative new book is equal parts biography and detective story. It is also on dangerously intimate terms with its subject: artist, writer, muse, and one-woman zeitgeist, Eve Babitz.

It seems like two summers ago, everyone on Bookstagram and on book Twitter was talking about Eve Babitz. The more I read about her from the people I followed, the more I wanted to know who she was through her writing. I purchased Sex & Rage in the fall of 2017 (and, shamefully, still haven’t read it), and I bought Eve’s Hollywood this past fall at Strand Bookstore in New York City while I was there visiting a friend. I read Eve’s Hollywood from the end of November to December last year, and I simultaneously wanted to devour that book in a day and savor it over all time. I finally understood why everyone was talking about Eve Babitz (again).

Babitz is an enigma. She’ll make you fall in love with her Los Angeles, and she’ll make you fall in love with her, all while keeping you at an arm’s length so you can’t help but want to listen to everything she has to say. Lili Anolik’s fascination with Eve Babitz, her life, and writing, turned into a Vanity Fair article that was later expanded into Hollywood’s Eve. I read Anolik’s Hollywood’s Eve in a single sitting. I picked it up, read a few chapters, and did what I had to do for the day quickly so that I could spend the rest of my afternoon completely engrossed in Anolik’s discovery, research, and eventual personal connection with Babitz.

I really enjoyed Anolik’s emulation of Babitz’s style, mixing in personal experience with the subject at hand. I find for certain biographies, this style works well, because a writer is able to add in personal anecdotes about people and places that would seem out of place in a more “formal” biography. I learned a lot about Hollywood in the 60s and 70s through Eve’s Hollywood and Hollywood’s Eve that I’ve not really seen or read discussed anywhere else — like the bits about the Didions and Harrison Ford. Sometimes for me, who has only recently begun to dive into the behind-the-scenes stories of a Hollywood that’s gone, it’s a little jaw-dropping to see so many well-known faces know having those connections back then. That knowledge adds so much depth to the writing and film I’ll consume from that point forward, you know?

Eve Babitz is not often likeable, but she is an incredible observer and writer. I thoroughly enjoyed the small part Anolik included that contrasted Eve with her sister Mirandi because it added so much more understanding to Eve as a person. Over the years I’ve read a lot more about and by “difficult” women, women who sometimes behave in ways that men do and the men are praised for it (or have their actions conveniently brushed aside) while the women are villainized or shamed for it? And why? Because they’re women? I’m still confronting that within myself and realizing the best thing I can do is listen, absorb, and pay attention. And maybe be more like Babitz myself.

Thank you to Scribner for sending me a copy of Hollywood’s Eve to review! All opinions are my own.