BOOK REVIEW: The Contact Paradox, by Keith Cooper

BOOK REVIEW: The Contact Paradox, by Keith CooperTitle: The Contact Paradox: Challenging our Assumptions in the Search for Extraterrestrial Intelligence by Keith Cooper
Published by Bloomsbury SIGMA
Published: January 21st 2020
Genres: Science
Pages: 336
Format: ARC
Source: Netgalley
Goodreads

Inside the difficult questions about humanity's search for extraterrestrial intelligence.
What will happen if humanity makes contact with another civilization on a different planet? In The Contact Paradox, space journalist Keith Cooper tackles some of the myths and assumptions that underlie SETI--the Search for Extraterrestrial Intelligence.
In 1974 a message was beamed towards the stars by the giant Arecibo telescope in Puerto Rico, a brief blast of radio waves designed to alert extraterrestrial civilizations to our existence. Of course, we don't know if such civilizations really exist. But for the past six decades a small cadre of researchers have been on a quest to find out, as part of SETI, the search for extraterrestrial intelligence.
The silence from the stars is prompting some researchers, inspired by the Arecibo transmission, to transmit more messages into space, in an effort to provoke a response from any civilizations out there that might otherwise be staying quiet. However, the act of transmitting raises troubling questions about the process of contact. We look for qualities such as altruism and intelligence in extraterrestrial life, but what do these mean to humankind? Can we learn something about our own history when we explore what happens when two civilizations come into contact? Finally, do the answers tell us that it is safe to transmit, even though we know nothing about extraterrestrial life, or as Stephen Hawking argued, are we placing humanity in jeopardy by doing so?
In The Contact Paradox, author Keith Cooper looks at how far SETI has come since its modest beginnings, and where it is going, by speaking to the leading names in the field and beyond. SETI forces us to confront our nature in a way that we seldom have before--where did we come from, where are we going, and who are we in the cosmic context of things? This book considers the assumptions that we make in our search for extraterrestrial life, and explores how those assumptions can teach us about ourselves.

I am not a science-minded person and a lot of upper-level math boggles my mind, but I do love reading about science, especially space and astrophysics and what lies beyond our atmosphere. When I had the opportunity to read The Contact Paradox by Keith Cooper, I jumped on it, because I love the idea of examining what it means to achieve contact with extraterrestrials.

I really loved how Cooper presented his argument, circled back around to clarify and reiterate, and also used pop culture and science fiction references to illustrate some of the ideas about which he wrote. It’s not an easy book to read, but it is accessible and is not full of unexplained jargon so that a casual science reader like myself could pick it up, understand the concepts about which he wrote, and enjoy it. I think writing about a very specialized, specific field in a way that makes it accessible to people on the other side of the field is a difficult task, and I thoroughly enjoyed this from beginning to end.

Two quotes (taken from an unfinished copy, so they may be different in the final versions) really stuck to me that I ended up writing them down in my notebook illustrate the concept of the Contact Paradox:

… maybe the civilisations that last are the ones that keep their heads down and out of trouble. On the other hand […], maybe what other civilisations are looking for as evidence that we are stepping up and becoming a good galactic civilisation is a willingness to reach out, and maybe there are implications if we choose not to. This is the dichotomy at the heart of the Contact Paradox. It is a maze of assumptions, cherished beliefs and few facts.

SETI [the Search for Extraterrestrial Intelligence] is not just a search for aliens. It’s also a search for ourselves. We project our hopes and fears, our history and our expectations about the future of humanity onto what we think extraterrestrial civilisations might be like. The stars are a mirror and, when we gaze up at them, if we look closely enough, we see our reflection staring back. Study that reflection and we may learn something about ourselves.

The concept of extraterrestrial life is big in science fiction, and when I taught science fiction, I always liked to include bits like this (not so eloquently put, but I wanted to get my students thinking about what extraterrestrial life in fiction meant). Often times, in fiction, when characters go out exploring within the narrative laid out for them, they’re not always just searching for something else or the other. A lot of the times they’re also searching for themselves and their meaning within the greater context of their world, and the struggle in searching for themselves is that to themselves they must find definition. Who am I? Who are we? Who do I want to be? These and similar questions are also faced in the context of what it means to actually seek out or receive communication and visits from other planets and whether or not that’s possible in our lifetimes or any near-future lifetimes. And if it isn’t possible, then what? Then who are we?

Thank you to Bloomsbury for a gifted digital ARC! All opinions are my own.

BOOK REVIEW: Things in Jars, by Jess Kidd

BOOK REVIEW: Things in Jars, by Jess KiddTitle: Things in Jars by Jess Kidd
Published by Atria Books
Published: February 4, 2020
Genres: Fiction, Historical
Pages: 373
Format: ARC
Source: Publisher
Goodreads

In the dark underbelly of Victorian London, a formidable female sleuth is pulled into the macabre world of fanatical anatomists and crooked surgeons while investigating the kidnapping of an extraordinary child in this gothic mystery—perfect for fans of The Essex Serpent and The Book of Speculation.

Bridie Devine—female detective extraordinaire—is confronted with the most baffling puzzle yet: the kidnapping of Christabel Berwick, secret daughter of Sir Edmund Athelstan Berwick, and a peculiar child whose reputed supernatural powers have captured the unwanted attention of collectors trading curiosities in this age of discovery.

Winding her way through the labyrinthine, sooty streets of Victorian London, Bridie won’t rest until she finds the young girl, even if it means unearthing a past that she’d rather keep buried. Luckily, her search is aided by an enchanting cast of characters, including a seven-foot tall housemaid; a melancholic, tattoo-covered ghost; and an avuncular apothecary. But secrets abound in this foggy underworld where spectacle is king and nothing is quite what it seems.

Blending darkness and light, history and folklore, Things in Jars is a spellbinding Gothic mystery that collapses the boundary between fact and fairy tale to stunning effect and explores what it means to be human in inhumane times.

Here is time held in suspension. Yesterday pickled. Eternity in a jar.

I love a good disturbing, yet still whimsical, historical fiction mystery. Jess Kidd’s Things in Jars is set in the Victorian era, but right away, you notice that something is different. With elements of fairy tales and the obscure, I felt that this world was both familiar and unfamiliar, and I wanted to know more about it. The novel focuses on Bridie Devine, a detective, who is commissioned to find the whereabouts of a strange young girl named Christobel who is not an ordinary child. With the assistance of her extraordinarily tall lady’s maid Cora and a ghost of a prizefighter Ruby, Bridie goes on a trek through the seedy, dirty parts of London to discover the history and whereabouts of Christobel and to discover more about herself.

The narrative shifts back and forth from Bridie’s current time and Bridie’s past interweaving to give us a glimpse of the person she was and how she became the person she is in her present day. Sometimes these narrative shifts can be jarring, but these were seamless, illuminating the current day’s dilemmas and mysteries with the past’s introspection and revelation. The world building was exquisitely described. There were times I felt like I was right there as invisible eyes watching everything unfold. The characters were so fascinating and multifaceted that I wanted to learn more about them in more books, especially Cora. She was such a fantastic character to me at seven feet tall and truly herself. And I was left completely heartbroken at the end with Ruby and his final words to Bridie. I’m not giving anything away, because it’s such a perfect ending for this story, closing off bits and pieces, and opening up the door to more, making me hope for future installments in this world, however they might come along.

If you’re in the mood for a good, dark, entertaining historical mystery, do look into this one. It was one of my favorite reads in January!

Thank you to Atria Books for a gifted ARC! All opinions are my own.

Little List of Reviews #9: Non-Fiction Library Reads

I have finally finished the graphics for the new blog style, and I’m really happy with them! It’s been since 2018 since I really updated anything on here, and I’m going to be focusing more on content pages here in the upcoming weeks. Sometimes a small refresh is all you need to get some blogging inspiration!

Today’s Little List of Reviews features three reads I checked out from my new-to-me library, two of which I didn’t particularly like, and one that I did!

Little List of Reviews #9: Non-Fiction Library ReadsTitle: On Nineteen Eighty-Four: The Story of George Orwell’s Masterpiece by D.J. Taylor
Published by Harry N. Abrams
Published: October 22nd 2019
Genres: Non-Fiction
Pages: 256
Format: Hardcover
Source: Library
Goodreads

From the author of the definitive biography of George Orwell, a captivating account of the origin and enduring power of his landmark dystopian novel 
Since its publication nearly 70 years ago, George Orwell’s 1984 has been regarded as one of the most influential novels of the modern age. Politicians have testified to its influence on their intellectual identities, rock musicians have made records about it, TV viewers watch a reality show named for it, and a White House spokesperson tells of “alternative facts.” The world we live in is often described as an Orwellian one, awash in inescapable surveillance and invasions of privacy. 
On 1984 dives deep into Orwell’s life to chart his earlier writings and key moments in his youth, such as his years at a boarding school, whose strict and charismatic headmaster shaped the idea of Big Brother. Taylor tells the story of the writing of the book, taking readers to the Scottish island of Jura, where Orwell, newly famous thanks to Animal Farm but coping with personal tragedy and rapidly declining health, struggled to finish 1984. Published during the cold war—a term Orwell coined—Taylor elucidates the environmental influences on the book. Then he examines 1984’s post-publication life, including its role as a tool to understand our language, politics, and government.
In a current climate where truth, surveillance, censorship, and critical thinking are contentious, Orwell’s work is necessary. Written with resonant and reflective analysis, On 1984 is both brilliant and remarkably timely. 

D.J. Taylor’s On Nineteen Eighty-Four is a short look at the history surrounding George Orwell’s Nineteen Eighty-Four. While I initially found the premise interesting, the content of it actually fell irritatingly short, refusing to address or acknowledge Wikileaks, Snowden, Assange, a lot of the current surveillance issues, and choose instead to focus on the current president/administration and literally no one else? Yes, the current administration is frustrating and obviously a driving factor behind this book, but you have to include what comes before it that also contributed to the environment in which we exist.

Little List of Reviews #9: Non-Fiction Library ReadsTitle: How to Watch a Movie by David Thomson
Published by Knopf
Published: November 3rd 2015
Genres: Non-Fiction
Pages: 242
Format: Hardcover
Source: Library
Goodreads

From one of the most admired critics of our time, brilliant insights into the act of watching movies and an enlightening discussion about how to derive more from any film experience.
Since first publishing his landmark Biographical Dictionary of Film in 1975 (recently released in its sixth edition), David Thomson has been one of our most trusted authorities on all things cinema. Now, he offers his most inventive exploration of the medium yet: guiding us through each element of the viewing experience, considering the significance of everything from what we see and hear on screen--actors, shots, cuts, dialogue, music--to the specifics of how, where, and with whom we do the viewing. With customary candor and wit, Thomson delivers keen analyses of a range of films from classics such as Psychoand Citizen Kane to contemporary fare such as 12 Years a Slave and All Is Lost, revealing how to more deeply appreciate both the artistry and (yes) manipulation of film, and how watching movies approaches something like watching life itself. Discerning, funny, and utterly unique, How to Watch a Movie is a welcome twist of the classic proverb: Give a movie fan a film, she'll be entertained for an hour or two; teach a movie fan to watch, his experience will be enriched forever.
From the Hardcover edition.

I have been more and more interested in film as a medium due to a friend of mine, so lately I’ve been doing a little research into books I can get my hands on, and How To Watch a Movie caught my eye with the description and promises of revealing “how to watch a movie.” However, what’s on the tin doesn’t describe the actual contents of the book: a long, meandering blabbering of some guy’s experiences with movies he watched as a kid with little to nothing else? It read like some old guy’s self-important film subreddit posts.

Little List of Reviews #9: Non-Fiction Library ReadsTitle: Astro Poets: Your Guides to the Zodiac by Alex Dimitrov, Dorothea Lasky
Published by Flatiron Books
Published: October 29th 2019
Genres: Non-Fiction
Pages: 336
Format: Hardcover
Source: Library
Goodreads

From the online phenomenons the Astro Poets comes the first great astrology primer of the 21st century.
Full of insight, advice and humor for every sign in the zodiac, the Astro Poets' unique brand of astrological flavor has made them Twitter sensations. Their long-awaited first book is in the grand tradition of Linda Goodman's Sun Signs, but made for the world we live in today.
In these pages the Astro Poets help you see what's written in the stars and use it to navigate your friendships, your career, and your very complicated love life. If you've ever wondered why your Gemini friend won't let you get a word in edge-wise at drinks, you've come to the right place. When will that Scorpio texting "u up?" at 2AM finally take the next step in your relationship? (Hint: they won't). Both the perfect introduction to the twelve signs for the astrological novice, and a resource to return to for those who already know why their Cancer boyfriend cries during commercials but need help with their new whacky Libra boss, this is the astrology book must-have for the twenty-first century and beyond.

I love the Astro Poets twitter and find their day-to-day tweets hilarious and their weekly predictions interesting and heart-felt. The book is a great companion to their twitter and filled with much of the same insight and humor that I had hoped for. I borrowed this from the library and I’m glad I did, because it is one of those read & flip through once sort of books.

2020 Reading + Blogging Goals

I can’t believe it’s 2020. Every time I write the date down, I’m in a little disbelief. But here we are! It’s a new year and a new decade!

Every year, I set a goal for 100 books, and I’m continuing my 6×12 challenges (six thematic challenges of twelve books) with the #20in20books and #theunreadshelfproject challenges I’m doing on Instagram! What I want to do more of this year is read what’s actually on my shelf, because I’ve consistently bought books thanks to working at a bookstore, but I keep reading everything else and some of the stuff I have been excited for just languishes. I also want to finish reading series because I am the absolute worst at reading the first book and buying the rest and never finishing it? I don’t know if it’s some weird little anxiety relating to things ending or if it’s because I am also ultimately a lazy reader, but I want to change this.

The thematic challenges for the year are:

  • Science Fiction
  • Penguin Classics
  • NYRB Classics (I keep giving myself this challenge and failing, but 2020 is my YEAR)
  • Books About Books (I miss being in school and reading criticism, so this is my attempt to get back into it)
  • History
  • Middle Grade (Like the YA challenge I gave myself last year because I didn’t read enough, I’m going the Middle Grade route this year)

The twenty titles I picked for #20in20books are:

All the Birds in the Sky – Charlie Jane Anders
Mansfield Park – Jane Austen
The Idiot – Elif Batuman
Enchantress from the Stars – Sylvia Louise Engdahl
An Illusion of Thieves – Cate Glass
The Strange Case of the Alchemist’s Daughter – Theodora Goss
Into the Drowning Deep – Mira Grant
The Queens of Innis Lear – Tessa Gratton
The House of Seven Gables – Nathaniel Hawthorne
Nooks & Crannies – Jessica Lawson
The Dispossessed – Ursula K. Le Guin
Jade City – Fonda Lee
Ninefox Gambit – Yoon Ha Lee
Middlegame – Seanan McGuire
Torn – Rowena Miller
The Last Painting of Sara de Vos – Dominic Smith
The City Stained Red – Sam Sykes
Creatures of Will & Temper – Molly Tanzer
A Study in Scarlet Women – Sherry Thomas
Deathless – Catherynne M. Valente

I wanted to pick a wide variety of titles, things that I’ve been wanting to read for a while, and things that I know I’ll enjoy reading for various reasons. They’re all fiction, and some of them will work for the various challenges I’ve given myself, too! I will be making separate pages for these challenges this week, so it’s easier for me to track them digitally!

For the blog, I want to revamp the theme, update it now that this one is a couple years old, and really do some in depth information updating, because some of this is so outdated now. I want this to also serve as a functional archive for challenges and whatever else I do, but I need to figure out what I want to add here and how to organize it.

What reading goals have you set for yourself in 2020?

2019 Wrap Up

The holiday season in retail is so draining, and I’m finally here to do a little recap of my reading in 2019!

I set out with my usual yearly goal of 100 books and read 110! Most of them were self-chosen this year rather than a higher majority of review copies, and I found myself enjoying my reading a bit more than I did the year before, which is good! I have been a little more selective in the review copies I choose/receive/download because I know I only have so much time in which to read. I also set out with six mini-challenges to accompany those 100 books, and I did… okay, overall. I wanted to do a whole year of Hugo/Nebula award winners with its own instagram page and everything, but some personal stuff began happening a few months into the year and I moved from the east coast to Colorado, and needless to say, with my books packed up in boxes and the stress of moving left me no choice but to abandon that and possibly pick it up again on a smaller scale in the future. I really loved the idea, the concept, and the graphics I created for it, but I also realized how much work it is to maintain momentum for a yearly challenge with monthly lists included, so I have gained a lot more respect for those who manage to do this month after month, year after year.

So, here are the results for those challenges:

  • 12 Hugo/Nebula winners: 2/12
  • 12 Romance: 12/12 (easy, fun reads, and over the last two years my perspective has changed on the genre a LOT)
  • NYRB Classics: 1/12 (lol, I do this every year and always fail, why? I love these editions)
  • Classics (in general): 4/12 (I also do this every year and manage to fail. I have SO MANY classics on my shelves??)
  • Historical Fiction: 9/12
  • YA: 12/12 (In 2018, I bought a lot of YA but didn’t read enough of it, and I succeeded at this one in 2019!)

If I’m going to give myself a grade, I got 67% on this personal assignment, whoops.

Overall, though, I’m happy with the number of books I read. I had a few months throughout the year where I read less than average (I try to go for nine or ten books a month), but life happens and I still hit my goal.

I’m still working on a new design for the blog because I’m getting a little tired and uninspired by this one, so keep your eyes peeled for some blog updates in the near future, especially with information and challenges and maybe becoming more organized. I’m also working on a favorite reads of 2019 post (this is more difficult than I anticipated!) and a 2020 goals + challenges post!

What were your favorite reads in 2019?