Waiting on Wednesday is a weekly meme originally hosted by Jill at Breaking the Spine (though it seems as though it’s been a while since she updated that particular blog, so if you know of the current host, if there is one, please let me know) that highlights upcoming releases that we’re impatiently waiting for. This week I’m featuring January-March 2020 review copies that I have either in physical form or digital form that I can’t wait to dive into! And now that it’s the middle of December, I need to get started on some of those January ones! The release dates are listed but are always subject to change.
A Beginning at the End – Mike Chen :: The tagline for this is “How Do You Start Over After the End of the World?” and I’m all for something that supposedly calls back to Station Eleven with post-apocalyptic pandemics and how society picks up the pieces and returns to normalcy after a catastrophe. Releases January 14, 2020
Followers– MeganAngelo :: A book about social media and what happens when good intentions go horribly wrong?? YES. Releases January 14, 2020.
A Queen in Hiding – Sarah Kozloff :: This is the start of a four-book fantasy series and we don’t have to wait long for the sequels! Each of the sequels will be released in subsequent months (January, February, March, and April), so I’m excited for that first off because I always hate the wait for a series I really like. This is a coming of age story with a twist, and so far the early reviews have been looking great! Releases January 21, 2020.
Show Them a Good Time – Nicole Flattery :: A collection of stories by a debut writer that I heard some good buzz about on Twitter, and when I saw it was available for download on Netgalley, I snapped it up! Releases January 28, 2020.
Things in Jars – Jess Kidd :: Victorian London, female sleuths, anatomists, fairy tales? Give me all of those things, please. Releases February 4, 2020.
Daughter from the Dark – Marina & Sergey Dyachenko :: I downloaded Vita Nostra last month as a Kindle deal because I keep seeing it in various places, so when I saw this on the ARC shelf at work, I grabbed it because this is also a stand-alone and seems really interesting. It’s about music and companionship with a magical twist. Releases February 11, 2020.
Foul is Fair – Hannah Capin :: This is described as a Macbeth retelling with hints of Kill Bill and Heathers and all of those things are right up my alley?? This came in my inbox as a one-day download from Netgalley, and I’m so excited to see what this will bring. Releases February 18, 2020.
The Hidden Girl and Other Stories – Ken Liu :: Anything Ken Liu writes is a gift, and this latest collection is sure to be another favorite of mine. Releases Feburary 25, 2020.
The Girl in White Gloves – Kerri Maher :: This is historical fiction about Grace Kelly and her life behind the scenes, and I love Hollywood stories. The cover for this is also GORGEOUS. Releases February 25, 2020.
Beheld – TaraShea Nesbit :: This is about the first murder in Plymouth, Massachusetts not long after the Mayflower landed in the 1600s. Some of the reviews and buzz I’ve seen have said it evokes that period very well. I love a good historical mystery, and I don’t think I’ve seen many set in this era.
Are any of these on your to-read list? What one would you read first?
Top Ten Tuesday is a weekly discussion hosted by That Artsy Reader Girl (and formerly hosted by The Broke and the Bookish), and this week’s topic is the top ten books that surprised you (in a good way or a bad way), and I’m going to go with the more positive route, because usually if books are surprisingly bad, I just stop reading them or choose to forget about them (unless they’re legitimately awful. And that’s pretty rare).
My list will focus on the top ten books that surprised me in 2017, so it’s functioning sort of as a recap for last year’s reading as well, since I was a little lazy and perturbed by the lack of functioning keyboard to have any desire to write anything. Anyway, this list is not in ranking order, but in order from when I read it in the year, from the beginning of 2017 to the end of the year.
The Left Hand of Darkness, by Ursula K. Le Guin. I think I read this many, many years ago when I was much younger and much less aware of what science fiction could do in terms of exploring humanity and culture instead of merely exploring space. Ai, the main character of this book, is at first unsettled by the sense of duality and ambisexuality on Gethen, and this unsettled feeling is a direct exploration of how gender functions in our own society (granted, in 1969, the much-broadcast definitions were a little different than the conversations we’re having today, so some of it feels outdated). However, a lot of it feels so relevant, and it made me think and it made me wonder, and I think that’s what some of the best science fiction should do. “It is yin and yang. Light is the left hand of darkness… how did it go? Light, dark. Fear, courage. Cold, warmth. Female, male. It is yourself, Therem. Both and one. A shadow on snow.”
The Hate U Give, by Angie Thomas. Ever since I got my hands on an ARC from the table at work, I’ve been telling everyone I know to read this book. It’s relevant, it’s nuanced, it’s heart-wrenching. Though often hilarious and heartwarming at times, Thomas’s novel further reveals to us the consistent, prevalent institutional racism and broken criminal justice system in America in which so many people (without consequence!) continue to violate the civil rights of thousands because of the color of their skin. It will break your heart; it will make you angry. Read it. “Sometimes you can do everything right and things will still go wrong. The key is to never stop doing right.”
The Stars are Legion, by Kameron Hurley. I read this book a year ago, and I haven’t been able to stop thinking about it since. It’s sci-fi just how I like it. It’s gross, it’s visceral, and it’s an angry yell into the void of space. I mean, don’t you want to read about asexual ships that give birth to whatever the ship needs, cannibalistic women who eat their deformed young, and womb/uterus/placenta references (with all of the associated fluids) all over the place? Yes, you do. I don’t want to reveal too much about the plot or the characters because half of the enjoyment of this is getting to discover that for yourself. Just read it. ASAP. “When you understand what the world is, you have two choices: Become a part of that world and perpetuate that system forever and ever, unto the next generation. Or fight it, and break it, and build something new. The former is safer, and easier. The latter is scarier, because who is to say what you build will be any better?”
The Paper Menagerie, by Ken Liu. The thing I liked most about this collection of stories, aside from Liu’s deft skill at writing and blending several different genres, is that so many of the stories focus on the idea of storytelling and what that means for us as people and as a society. In the collection, you’ll read about the ways in which species across the universe record their stories for the present and the future (“The Bookmaking Habits of Select Species”), the ways in which society tells us stories to keep us controlled and how difficult it is to break the illusions (“Perfect Match”), the literal power of words (“The Literomancer”), and the literal preservation of memory to be “read” and its upsides and pitfalls (“Simulacrum”). “Time’s arrow is the loss of fidelity in compression. A sketch, not a photograph. A memory is a re-creation, precious because it is both more and less than the original.”
Moby-Dick, by Herman Melville. Moby-Dick functions best for you, dear reader, when you are familiar with the history of the novel. I think I read this at a pertinent time in my life. Had I read it before I learned the history of the narrative, the novel, the American novel, religion and its function in the American novel, the personal life of Melville (and by extension Hawthorne), and postmodernism (and one can argue whether or not this novel is considered postmodern, but it’s different than anything else I’ve read from the time period and knowing how postmodernism works in a literary setting adds to my own consumption and enjoyment of the novel on some level because its lucidity is very much like James Joyce’s style), I probably wouldn’t have appreciated it as much as I do now. It’s a hefty novel, a undertaking, but it’s so incredibly worth it. It’s a love story, and you will wonder whether or not you are chasing your own white whale. “There are certain queer times and occasions in this strange mixed affair we call life when a man takes this whole universe for a vast practical joke, though the wit thereof he but dimly discerns, and more than suspects that the joke is at nobody’s expense but his own.”
The Whole Art of Detection, by Lyndsay Faye. I am so particular about my Sherlock Holmes pastiches. It’s so difficult to capture the essence of Doyle’s original stories while simultaneously making it new, and Faye does this with exemplary flair. All of these stories feel at once rooted in time and timeless, and Faye manages this with her effortless, captivating writing. If you’re a fan of Sherlock Holmes in any capacity and love a good historical mystery, read this right away. Dust and Shadow, a mystery in which Holmes and Watson discover the true identity of Jack the Ripper, is just as engaging. “In the broad light of day, I could not give his tale nearly so much credence as I had granted it when sitting rapt before a midnight fireplace whilst the tempest without erased the natural world.”
Borne, by Jeff VanderMeer. This is one of those cerebral post-apocalyptic dystopian novels that will linger with you long after you finish it. This standalone novel from the author of the Southern Reach trilogy explores how humans abuse science and nature for technological or monetary gain, and Borne shows us the aftermath of that greed. The novel also explores what it means to be a person, what it means to love and then to let go of love, what it means to live and then to die, and what it means when one finds beauty in the midst of so much chaos. VanderMeer manages to pack so much description, emotion, and longing into such a short novel, and it’s a novel that will make you reread passages and sentences again and again because of their beauty and complexity. The companion novella, The Strange Bird, is just as compelling. “He was born, but I had borne him.”
Wake of Vultures, by Lila Bowen. This is a supernatural Western, and it’s AMAZING. This follows Nettie Lonesome, a half-black half-Comanche young woman, who sets out to discover herself, her identity, and her place in the world only to discover that there are monsters lurking everywhere. This is steeped in Native American folklore with a hefty dash of that Old West mythology. Nettie is resilient, disguises herself up as a man and takes on a new name or two in order to get what she wants out of life, and begins to use her skills for the betterment of herself and others once she realizes she has the capacity to do so. It’s also a fantastic story with so many twists and turns, and you won’t be able to put it down, because I certainly couldn’t. I can’t wait to read the rest of this series. “Your heart is not a rock that stands unchanging. It’s like water. It flows, it moves, it allows neither boulders nor canyons to stand in its way. It hardens and softens and expands to fill new spaces. You are still becoming yourself. And you have a lot to learn.”
The Seven Husbands of Evelyn Hugo, by Taylor Jenkins Reid. I really didn’t know what to expect from this when I received it as part of BookSparks’s summer reading challenge, but I didn’t expect to read a heartfelt story of a woman of color navigating that man’s world called Hollywood. It was such a breezy, gossipy (but deep) read, and it’s about Evelyn Hugo coming clean about her life and owning up to her flaws and essentially wanting to become real after being put on a pedestal her entire life. It’s about coming to terms with the reality that behind someone’s “perfect life” is a person who struggles with themselves and their daily lives just as much as the rest of us. I don’t really cry at books, but this one got me teary-eyed more than once, and that’s saying something. “They are just husbands. I am Evelyn Hugo. And anyway, I think once people know the truth, they will be much more interested in my wife.”
The Black Tides of Heaven, by JY Yang. I have so many feelings about this book (and this series), and all of them are good. SO GOOD. If you like -punk genres, you need to read this. If you like stories exploring identity and gender and what it means to be a person, you need to read this. If you just like engaging fantasy, you need to read this. In Yang’s Protectorate, gender is chosen (or not) by the person and sexuality is fluid, and it’s such an amazing exploration on those subjects. It made me feel less alone on the subject of presentation, and I think it’s one of those books that will make other people feel less alone on so many fronts. The second part is just as moving, and I am eagerly awaiting the third. “The saying goes, ‘The black tides of heaven direct the courses of human lives’. To which a wise teacher said, ‘But as with all the waters, one can swim against the tide.'”
After compiling this, a majority of the books have a similar theme: identity, discovery, and what it means to be yourself, and for me, 2017 was a lot of that, so it’s interesting to note that the books I read last year that have stuck with me reflect that theme as well.
Top Ten Tuesday is a weekly meme thing hosted by The Broke and the Bookish. This week’s theme is best reads (so far) of 2017! As of writing this post, I’ve read 65 books this year, and here are the ten that I think absolutely shone. Some were released this year, but not all of them! These are also not in any kind of order!
The Princess Diarist, by Carrie Fisher. I think, like a lot of people, I regret not having read any of Carrie Fisher’s writing before her death. This memoir is one of the funniest memoirs I’ve read in a while, and she writes with an openness and a frankness I someday aspire to have.
Norse Mythology, by Neil Gaiman. It’s Gaiman. It’s Norse mythology.
The Bear and the Nightingale, by Katherine Arden. A really lovely, atmospheric fairy tale with bits of Russian and Western fairy tale essences woven in. I’m really excited for the followup because so much excitement of the story seemed to happen in the last third.
Moby-Dick; or The Whale, by Herman Melville. Uh, if you would have told me a couple of years ago that Moby-Dick would become one of my top favorite novels of all time, I might have laughed in your face. But seriously, my dudes. This is a classic case of learning about the history surrounding a novel and then diving into it, because it makes the experience all the richer. I devoured this monstrous beast of a novel in mere days. DAYS.
The Hate U Give, by Angie Thomas. So heartbreaking, so touching, so relevant. I’ve been telling everyone to read this book.
The Stars are Legion, by Kameron Hurley. I pitch this to people who are looking for new science fiction to read like this: Do you like military-esque, dramatic sci-fi? Do you like weird sci-fi? Do you like gross sci-fi? How do you feel about womb-punk? (What? they often ask.) I respond with a: this book is like a birth-is-war and war-is-birth kind of thing. I generally get one of two responses: I’M SOLD OMG and YOU READ SOME WEIRD SHIT, MEG. Read it, now.
The Paper Menagerie and Other Stories, by Ken Liu. THIS JUST WON A LOCUS AWARD and has a lot of other accolades. The stories range from fantasy to sci-fi and are all well written and full of life. It’s just a good anthology, period.
The Whole Art of Detection, by Lyndsay Faye. I don’t think I can stop babbling about this or thinking about this collection of Sherlock Holmes pastiches. They’re just so well done and evoke Doyle’s atmosphere so well while at the same time being fresh and modern. I’ll read anything Faye writes, and she’ll always be at the top of my recommendations lists.
Borne, by Jeff VanderMeer. Flying bears? A blobby, morphing person-thing? Examinations on what it means to be a person? Yes, yes, yes. This feels like an Atwood extension that’s thoroughly VanderMeer’s stuff. If you’ve read his Southern Reach trilogy and liked it, why haven’t you picked this up yet? It’s dystopian, but it’s not an in-your-face one. Everything is centralized, and the characters are so well developed.
Wake of Vultures, by Lila Bowen. THIS ONE CAME OUT OF NOWHERE?? I’ve seen lots of writers I like mention this and blurb for it, so when it was a Kindle daily deal, I bought it. I didn’t start reading it until a bit later, and it was everything I needed at that moment: a protagonist dealing with gender identity and expression, the old west, MONSTERS and creepy things, AH so many things that I’ll get into in a proper review soon.
THIS CONCLUDES THE TEN. I’m thinking I’ll do a ten best for the second half of the year and then do a final post narrowing those twenty down to the overall best ten of 2017!