Title: The Bone Witch by Rin Chupeco
Series: The Bone Witch #1
Published by Sourcebooks Fire
Published: March 7th 2017
Genres: Fantasy, Young Adult
The beast raged; it punctured the air with its spite. But the girl was fiercer.
Tea is different from the other witches in her family. Her gift for necromancy makes her a bone witch, who are feared and ostracized in the kingdom. For theirs is a powerful, elemental magic that can reach beyond the boundaries of the living—and of the human.
Great power comes at a price, forcing Tea to leave her homeland to train under the guidance of an older, wiser bone witch. There, Tea puts all of her energy into becoming an asha, learning to control her elemental magic and those beasts who will submit by no other force. And Tea must be strong—stronger than she even believes possible. Because war is brewing in the eight kingdoms, war that will threaten the sovereignty of her homeland…and threaten the very survival of those she loves.
Rin Chupeco’s The Bone Witch
is a fantasy about a girl who accidentally discovers her powers when she brings her brother back to life. She is taken in by a bone witch for training, and her brother, Fox, becomes her zombie familiar of sorts. The story follows Tea’s instruction from age twelve to about age fifteen? We get to see the “coven” in which she is raised and trained, the day-to-day life, the details of the clothes she and the other people wear, glimpses of the food, and all of the minute details that comprise Tea’s education. In a way, this works, but it also drags the story out and often feels like nothing is happening. Most of the action happens in the first quarter of the book and the last quarter of the book, and the rest is mostly world building filler with a few minor conflicts that Tea has while learning how to utilize her powers.
The world building in this story draws heavily from Chinese influences, and this makes it different for me from any of the recent YA fantasy I’ve read. The atmosphere and setting are richly detailed, and everything is described so vividly, and I enjoyed that a lot. I also like that the main character’s magical powers are necromancy. It’s dark, and it’s different from the soft and beautiful magic often reserved for female characters. I like that, and I want to see how that power grows and manifests itself as she ages. Fox is probably my favorite character, because who doesn’t love a sidekick named Fox who is also a zombie and who also has an interesting personality?
After finishing this, I found myself wanting more, more to have happened and more to have been done with the story. The intertwining parts of a bard recounting his experiences with an asha (who is most likely Tea) in the future with the story of Tea in the past is very reminiscent of Rothfuss’s Kvothe in The Name of the Wind, and I feel like this is like the younger end of the spectrum YA sibling to The Kingkiller Chronicles. The world Chupeco created is so grand and so vivid that I just wanted to see more of Tea’s interaction with that world and within that world rather than descriptions of it, and I’m hoping that’s what we’ll get to read in the sequel.
A copy of this book was provided to me by Sourcebooks Fire and Netgalley for review; all opinions are my own.
Title: Caraval by Stephanie Garber
Series: Caraval #1
Published by Flatiron Books
Published: January 31st 2017
Genres: Young Adult, Fantasy
Format: Trade Paper
Hope is a powerful thing. Some say it’s a different breed of magic altogether.
The buzz for Stephanie Garber’s Caraval said it’s perfect for those who like Erin Morgenstern’s The Night Circus and Neil Gaiman in general, but you know, for teen audiences. While it lacks the complexities found in Morgenstern’s and Gaiman’s works, I can see why other people made the connection. It’s magical, and it’s that kind of YA fantasy that’s like candy, all sweet, a little sour, not much by way of depth, so if you’re expecting the kind of depth and complexity that The Night Circus offered, you’ll be disappointed. This is the kind of book I can see myself reading again while at the beach or outside in the summer with a cold drink. I really enjoyed reading this. I struggled for the first fifty or so pages because I think I was expecting a similar kind of world-building that came with The Night Circus or the ominous, lingering darkness found in Gaiman’s works, but once the story really started picking up speed, I couldn’t put this down.
Caraval follows two sisters, Scarlett and Tella, who live with their overbearing, abusive father. They’ve never left their homeland, and Scarlett has especially dreamed of visiting the mythical, traveling Caraval. The invitations are exclusive, but Tella and a mysterious sailor whisk Scarlett away to the oft-dreamed about place. Once there, Scarlett realizes that there is so much more to Caraval that she could imagine and danger is always within reach, that all sorts of risks are involved with games.
The romance and everything seemed to be a whirlwind ride and almost a little too fast-paced, but then I remembered what it was like to have a crush on someone when I was younger, and the rise and fall of that crush seemed to only take a week with a burst of intense emotion between the beginning and the end. In that sense, it almost seems like a warning to the younger crowd – be mindful of your heart, your desires, and your hope, because it might be destructive if you don’t think it through.
I received an advance copy of this book through my work. All opinions are my own.
Title: Carve the Mark by Veronica Roth
Series: Carve the Mark #1
Published by Katherine Tegen Books
Published: January 17th 2017
Genres: Science Fiction, Young Adult
Format: Trade Paper
On a planet where violence and vengeance rule, in a galaxy where some are favored by fate, everyone develops a currentgift, a unique power meant to shape the future. While most benefit from their currentgifts, Akos and Cyra do not—their gifts make them vulnerable to others’ control. Can they reclaim their gifts, their fates, and their lives, and reset the balance of power in this world?
Cyra is the sister of the brutal tyrant who rules the Shotet people. Cyra’s currentgift gives her pain and power—something her brother exploits, using her to torture his enemies. But Cyra is much more than just a blade in her brother’s hand: she is resilient, quick on her feet, and smarter than he knows.
Akos is from the peace-loving nation of Thuvhe, and his loyalty to his family is limitless. Though protected by his unusual currentgift, once Akos and his brother are captured by enemy Shotet soldiers, Akos is desperate to get his brother out alive—no matter what the cost. When Akos is thrust into Cyra’s world, the enmity between their countries and families seems insurmountable. They must decide to help each other to survive—or to destroy one another.
So, I should preface this with a few key points. I work for a bookstore and received an ARC of this book through my job. All opinions are my own. This review is not an attack on the author, the publisher, or anyone else. I am also white, and I am aware this affects my position to call something out as racist. I find that it’s helpful to raise awareness of problematic representation in the media we consume.
In regards to advance copies being sent out to reviewers, I’ve noticed in a lot of Goodreads reviews that the bloggers state either at the beginning or the end of their review that HarperTeen (HT from here on out) sponsored these reviews. Further research led me to discovering that HT paid this set of bloggers to review Carve the Mark. This behavior from a publisher is unsettling. Generally speaking, if one is going to be paid for reviewing something, one will not review the thing unfavorably (and if one reviews unfavorably, that reviewer runs the risk of tarnishing the relationship with said publisher). This behavior by the publisher is akin to self-published authors paying readers to post positive reviews of the work in order to boost sales. That’s what I feel like HT is doing. Perhaps HT was aware of the problematic material in the book and decided to garner a set of positive reviews to boost sales before the book’s official release. I feel as if that money could have been better used to assist Roth in adjusting some of the problematic ideas presented in the book.
I stopped reading at page 66. I was simultaneously bored and unsettled by the book and set it aside. This being said, I do not know how the book ends or develops, and I honestly don’t care. Here are the main things I found problematic within those first 66 pages:
- The Thuve and the Shotet. The Thuve are presented as a lighter skinned race who are passive. Akos, one of the main characters, views the Shotet as a brutal and fierce race of people (the Shotet killed Akos’s grandmother). The first time the readers are introduced to the Shotet, the Shotet arrive to Akos’s family farm and brutally murder his father.
- The Shotet language is described as harsh and gutteral by Akos compared to his own softer sounding language (who discovers he has the ability to speak other languages without prior conscious knowledge of them). This view of languages is similar to the comparisons of the “music” of Romance (white) languages (French, Italian, Spanish) to the “harsh, guttural” (black) languages of the African continent.
- While the Shotet are described has having varying tones of skin, Cyra’s mother is described as having hair curly enough for fingers to be trapped in the curls while Cyra’s is not as curly as that. Um. Okay.
- Cyra’s brother Ryz forcibly trades one of his memories for one of Cyra’s. Cyra obviously struggles against it and can’t fight it, and you know what? That’s rape. Forcing someone to take something mentally (and inevitably physically) is an act of rape. Cyra was raped by her own brother. As a result of that rape, Cyra’s power manifests itself as pain. Literally. Pain. By page 66, Cyra cannot touch other people without feeling pain, and other people cannot touch her without feeling pain.
- Later, Cyra’s mother asks the doctor “You’re saying this gift is my daughter’s fault? That she wants to be this way?” And the doctor (male) says, “Cyra, the gift comes from you. If you change, the gift will, too.” So a man is telling a woman that her rape and her pain from that rape is her own fault and that she can change it at will. Yep. That’s a blatant reinforcement of rape culture.
- The religion of the Shotet draws heavily from Islamic ideology. Some of the religious leaders are called clerics, and some of the practices reinforce the negative views the West has on Muslim culture. We need to move past these harmful stereotypes.
- While I enjoyed the Divergent trilogy well enough for what it is (even if it’s a blatant knockoff of The Hunger Games and Harry Potter, it is also somewhat original in its ending), Carve the Mark is a lazy reimagining of the Star Wars and X-Men universes. It tries to be unique and diverse, but the glaring insensitivity within the first sixty pages result in its failing.
I was excited for this because there aren’t too many science fiction novels lately for the YA audience. However, the problems in the novel fail its readers by relying on outdated, racist tropes that should be a thing of the past in 2017. Science fiction is about creating new worlds, exploring new ideas, and finding some kernel of society to examine. Carve the Mark does none of this. Instead of drawing on redundant, harmful tropes, science fiction should offer the author and the readers the ability to create something new, to flip tropes and reinvent them. It seems as if the editors failed to notice or didn’t care, knowing that they’d have a cash-grab with the popular name attached; or it seems as if Roth is privileged enough to be unaware of the damage she has caused with these themes. Maybe it’s a combination of both.
After the roller coaster of the last several years with the Black Lives Matter movement, the systematic oppression of Muslims, and the discussions I have had and read, I’m finding myself more and more sensitive to the plights of those who are oppressed. I want to give those people a voice rather than reinforce harmful views. Instead of purchasing or reading this, I recommend finding, like many others have suggested, an own voices/diverse work. My personal recommendation is N.K. Jemisin’s The Fifth Season.
Title: This Savage Song by Victoria Schwab
Series: Monsters of Verity #1
Published by Greenwillow Books
Published: July 5th 2016
Genres: Young Adult, Fantasy
You wanted to feel alive, right? It doesn’t matter if you’re monster or human. Living hurts.
There’s no such thing as safe.
Kate Harker wants to be as ruthless as her father. After five years and six boarding schools, she’s finally going home to prove that she can be.
August Flynn wants to be human. But he isn’t. He’s a monster, one that can steal souls with a song. He’s one of the three most powerful monsters in a city overrun with them. His own father’s secret weapon.
Their city is divided.
Their city is crumbling.
Kate and August are the only two who see both sides, the only two who could do something.
But how do you decide to be a hero or a villain when it’s hard to tell which is which?
I really enjoyed this book. Victoria Schwab has quickly risen to be one of those authors that I’ll auto-buy anything she writes. This Savage Song is set in a post-apocalyptic North America in which humans and monsters are separated by a literal divide. August and his siblings are monsters who use musical abilities to wreak havoc against their enemies, and Kate and her father are humans who are on the opposing side of monsters. August is sent across the border to get to know Kate, and instead of becoming enemies, the two become friends.
There are things I didn’t really enjoy but I know, in the end, are acceptable and understandable in the grand scheme of the narrative. The first fifth of this book was a little slow for me (and I wondered if I was going to even like it, but then it got unputdownable) and Kate is very similar to other main female characters in Schwab’s other novels (her snark seems almost forced and goes against her character for a bit of the novel). I think for a world that’s unfamiliar it’s good to have a little bit of a build-up with a slower beginning, and it’s perfectly understandable to have a signature sort of character.
The idea of August’s weapon music through his violin is amazing, and I can’t wait to see how that develops in the sequel. I also really enjoyed that the two main characters weren’t romantic in any way. I find that refreshing in the sense that so many books geared for YA audiences seem overly focused on romance instead of friendship, and friendship is a very important aspect of anyone’s life. The horror aspect of the monsters gave me the shivers and added a depth to the terror rising throughout.
It’s not an entirely new type of story in the world of YA fantasy, but it bends expectations and thrilled me while reading it, and it earns a solid recommendation from me.
Title: Miss Peregrine’s Home for Peculiar Children by Ransom Riggs
Series: Miss Peregrine’s Peculiar Children #1
Published by Quirk
Published: June 7th 2011
Genres: Young Adult
We cling to our fairy tales until the price for believing in them becomes too high.
A mysterious island. An abandoned orphanage. A strange collection of curious photographs.
A horrific family tragedy sets sixteen-year-old Jacob journeying to a remote island off the coast of Wales, where he discovers the crumbling ruins of Miss Peregrine’s Home for Peculiar Children. As Jacob explores its abandoned bedrooms and hallways, it becomes clear that the children were more than just peculiar. They may have been dangerous. They may have been quarantined on a deserted island for good reason. And somehow—impossible though it seems—they may still be alive.
A spine-tingling fantasy illustrated with haunting vintage photography, Miss Peregrine's Home for Peculiar Children will delight adults, teens, and anyone who relishes an adventure in the shadows.
Ransom Riggs’ Miss Peregrine’s Home For Peculiar Children is one of those odd books that I liked but also didn’t like. It’s difficult to explain, and the only thing I can come up with is that I like the premise and I like the atmosphere created, but I found the characters and a lot of the writing to fall flat. I couldn’t put it down while I was reading it, but after I finished the book, I just felt sort of ehh.
It’s pretty much a meh execution of a really excellent idea. I was expecting something scarier, but it wasn’t all that scary. The writing most of the time felt juvenile, and I feel like I might have liked this book had it been shelved in the children’s section rather than in Teen/YA. I have expectations of depth of writing when books are categorized in certain sections, and this being shelved in the YA section most of the time is misleading in terms of the depth of the story.
The best parts about this book are the weirdly manipulated photographs that add more to the story than just the words (which shouldn’t be the case, but it is) and Miss Peregrine herself. I like the idea of time loops and that the children are stuck in them forever, and I wish that idea was developed a little bit more in this book (and maybe it is in the following books!).
I wish the book had a different narrator. Jacob seemed bland and boring, and I’m over the whiny rich boy narrators because I felt he had no depth and no change in character, but I do understand the bland character as a narrator as it allows the reader to self-insert and connect with the story more (which is not the greatest tactic in grabbing your reader’s interest).
I may eventually pick up the rest of the series (or borrow them from the library) because while I enjoyed this story for what it was, the executed concept fell flat and didn’t totally wow me enough to rush out and read the next two.