BOOK REVIEW: This Savage Song, by Victoria Schwab

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BOOK REVIEW: This Savage Song, by Victoria SchwabTitle: This Savage Song by Victoria Schwab
Series: Monsters of Verity #1
Published by Greenwillow Books
Published: July 5th 2016
Genres: Young Adult, Fantasy
Pages: 427
Format: Hardcover
Source: Purchased
Goodreads

There’s no such thing as safe.
Kate Harker wants to be as ruthless as her father. After five years and six boarding schools, she’s finally going home to prove that she can be.
August Flynn wants to be human. But he isn’t. He’s a monster, one that can steal souls with a song. He’s one of the three most powerful monsters in a city overrun with them. His own father’s secret weapon.
Their city is divided.
Their city is crumbling.
Kate and August are the only two who see both sides, the only two who could do something.
But how do you decide to be a hero or a villain when it’s hard to tell which is which?

 You wanted to feel alive, right? It doesn’t matter if you’re monster or human. Living hurts.

I really enjoyed this book. Victoria Schwab has quickly risen to be one of those authors that I’ll auto-buy anything she writes. This Savage Song is set in a post-apocalyptic North America in which humans and monsters are separated by a literal divide. August and his siblings are monsters who use musical abilities to wreak havoc against their enemies, and Kate and her father are humans who are on the opposing side of monsters. August is sent across the border to get to know Kate, and instead of becoming enemies, the two become friends.

There are things I didn’t really enjoy but I know, in the end, are acceptable and understandable in the grand scheme of the narrative. The first fifth of this book was a little slow for me (and I wondered if I was going to even like it, but then it got unputdownable) and Kate is very similar to other main female characters in Schwab’s other novels (her snark seems almost forced and goes against her character for a bit of the novel). I think for a world that’s unfamiliar it’s good to have a little bit of a build-up with a slower beginning, and it’s perfectly understandable to have a signature sort of character.

The idea of August’s weapon music through his violin is amazing, and I can’t wait to see how that develops in the sequel. I also really enjoyed that the two main characters weren’t romantic in any way. I find that refreshing in the sense that so many books geared for YA audiences seem overly focused on romance instead of friendship, and friendship is a very important aspect of anyone’s life. The horror aspect of the monsters gave me the shivers and added a depth to the terror rising throughout.

It’s not an entirely new type of story in the world of YA fantasy, but it bends expectations and thrilled me while reading it, and it earns a solid recommendation from me.

BOOK REVIEW: The Whale: A Love Story, by Mark Beauregard

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BOOK REVIEW: The Whale: A Love Story, by Mark BeauregardTitle: The Whale: A Love Story by Mark Beauregard
Published by Viking
Published: June 14th 2016
Genres: Fiction
Pages: 288
Format: Hardcover
Source: Library
Goodreads

A rich and captivating novel set amid the witty, high-spirited literary society of 1850s New England, offering a new window on Herman Melville’s emotionally charged relationship with Nathaniel Hawthorne and how it transformed his masterpiece, Moby-Dick   In the summer of 1850, Herman Melville finds himself hounded by creditors and afraid his writing career might be coming to an end—his last three novels have been commercial failures and the critics have turned against him. In despair, Melville takes his family for a vacation to his cousin’s farm in the Berkshires, where he meets Nathaniel Hawthorne at a picnic—and his life turns upside down.  The Whale chronicles the fervent love affair that grows out of that serendipitous afternoon. Already in debt, Melville recklessly borrows money to purchase a local farm in order to remain near Hawthorne, his newfound muse. The two develop a deep connection marked by tensions and estrangements, and feelings both shared and suppressed.   Melville dedicated Moby-Dick to Hawthorne, and Mark Beauregard’s novel fills in the story behind that dedication with historical accuracy and exquisite emotional precision, reflecting his nuanced reading of the real letters and journals of Melville, Hawthorne, Oliver Wendell Holmes, and others. An exuberant tale of longing and passion, The Whale captures not only a transformative relationship—long the subject of speculation—between two of our most enduring authors, but also their exhilarating moment in history, when a community of high-spirited and ambitious writers was creating truly American literature for the first time.

I love reading fictional works about author’s lives, I can’t help it. It’s like literary gossip magazines, and I eat it like candy. Aside from knowing a little bit about Nathaniel Hawthorne’s life due to early American literature courses and my own delving for the science fiction course I taught this semester, I had basically no clue about Hawthorne’s relationship with Herman Melville. Mallory’s review at Goodreads pretty much sums up my reaction to the novel in the end: “Never in my WHOLE LIFE did I expect to be breathlessly swept along like if they don’t kiss I am going to die over Herman Melville and Nathaniel Hawthorne, but here we are.”

The most incredible thing about the novel is that in the novel Herman Melville’s letters to Hawthorne are like 98% real. Obviously with historical fiction, liberties are taken and there are about two letters that have been added to or fabricated, but the rest of Melville’s passion in any capacity for Hawthorne is clearly evident. Most, if not all, of Hawthorne’s letters to Melville don’t exist anymore, but Beauregard does an excellent job of filling in the gaps.

Until this novel, I thought of Hawthorne and Melville as part of those stuffy early American authors that lead stuffy lives and wrote convoluted, dense novels, but now more than ever I want to read Moby Dick and Hawthorne’s major novels that he wrote before, during, and after this brief period of their lives. It’s magical, and sometimes historical context means everything.

BOOK REVIEW: The Girl in the Castle, by Santa Montefiore

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BOOK REVIEW: The Girl in the Castle, by Santa MontefioreTitle: The Girl in the Castle by Santa Montefiore
Published by William Morrow Paperbacks
Published: September 27th 2016
Genres: Fiction, Historical
Pages: 576
Format: Trade Paper
Source: Library
Goodreads

International sensation Santa Montefiore presents the first book in a trilogy that follows three Irish women through the decades of the twentieth century—perfect for fans of Kate Morton and Hazel Gaynor.
Born on the ninth day of the ninth month in the year 1900, Kitty Deverill is special as her grandmother has always told her. Built on the stunning green hills of West Cork, Ireland, Castle Deverill is Kitty’s beloved home, where many generations of Deverills have also resided. Although she’s Anglo-Irish, Kitty’s heart completely belongs to the wild countryside of the Emerald Isle, and her devotion to her Irish-Catholic friends Bridie Doyle, the daughter of the castle’s cook, and Jack O’Leary, the vet’s son, is unmatched—even if Jack is always reminding her that she isn’t fully Irish. Still, Jack and Kitty can’t help falling in love although they both know their union faces the greatest obstacles since they are from different worlds.
Bridie cherishes her friendship with Kitty, who makes her feel more like her equal than a servant. Yet she can’t help dreaming of someday having all the wealth and glamour Kitty’s station in life affords her. But when she discovers a secret that Kitty has been keeping from her, Bridie finds herself growing resentful toward the girl in the castle who seems to have it all.
When the Irish revolt to throw over British rule in Southern Ireland, Jack enlists to fight. Worried for her safety, Jack warns Kitty to keep her distance, but she refuses and throws herself into the cause for Irish liberty, running messages and ammunition between the rebels. But as Kitty soon discovers, her allegiance to her family and her friends will be tested—and when Castle Deverill comes under attack, the only home and life she’s ever known are threatened.
A powerful story of love, loyalty, and friendship, The Girl in the Castle is an exquisitely written novel set against the magical, captivating landscape of Ireland.

 The Girl in the Castle is about the lives of women around an estate in Ireland. It’s the first in a trilogy that spans before, during, and just after World War I and the Irish War of Independence. It’s expansive and well-detailed historical fiction, but I found it typical of the genre. There’s romance, war, and rape. I am so incredibly tired of rape being used as a plot device to make us feel pity for that character. While I understand it can be used as a plot device to explore certain aspects of how women and men are treated in society, I really hate when it’s used to just add “flavor” to a narrative as I feel like it’s used here.

Aside from that, it’s a well-structured historical novel that kept me interested. It has a wide variety of characters from all backgrounds, and Montefiore explores nearly all aspects of the characters and compels you to care for the protagonists in some way. Montefiore also weaves historical significance of both the Irish War for Independence and World War I throughout the narrative, showing how both wars affect each of the characters and the fate of the estate.

Sometimes I felt as if there were too many characters to follow, and I hope there are fewer in the second and third novel. Often times what happens with several characters to follow in any series is that the storylines blur and individual voices are hard to differentiate.

It’s a novel that was reminiscent of Downton Abbey, and if you’re in the mood for something more after finishing that show, this is the start of an expansive trilogy. I am looking forward to reading the next one!

BOOK REVIEW: The Girl on the Train, by Paula Hawkins

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BOOK REVIEW: The Girl on the Train, by Paula HawkinsTitle: The Girl on the Train by Paula Hawkins
Published by Riverhead Books
Published: January 13th 2015
Genres: Fiction, Thriller
Pages: 336
Format: Trade Paper
Source: Work
Goodreads

The debut psychological thriller that will forever change the way you look at other people's lives.
EVERY DAY THE SAMERachel takes the same commuter train every morning and night. Every day she rattles down the track, flashes past a stretch of cozy suburban homes, and stops at the signal that allows her to daily watch the same couple breakfasting on their deck. She’s even started to feel like she knows them. Jess and Jason, she calls them. Their life—as she sees it—is perfect. Not unlike the life she recently lost.
UNTIL TODAYAnd then she sees something shocking. It’s only a minute until the train moves on, but it’s enough. Now everything’s changed. Unable to keep it to herself, Rachel goes to the police. But is she really as unreliable as they say? Soon she is deeply entangled not only in the investigation but in the lives of everyone involved. Has she done more harm than good?

 I once read a book by a former alcoholic where she described giving oral sex to two different men, men she’d just met in a restaurant on a busy London high street. I read it and I thought, I’m not that bad. This is where the bar is set.

I’ve had an ARC of this thanks to one of my jobs for almost two years, and I decided to finally get around to reading it before the film was released. I still haven’t seen the film yet, but I will eventually once it’s released on DVD as it’s not currently showing in any local theaters. This thriller doesn’t bring anything new or revolutionary to the genre as it follows a similar “Girl” novel twist following the rise in popularity of Gone Girl, but it is a heck of a page-turner.

The Girl on the Train follows the life of Rachel, a divorced and unemployed woman who takes the same train every day. Rachel sees the same couple almost every day and imagines a life for them. This imaginary life becomes another one of her escapes until something terrible happens and she gets herself involved.

Hawkins’s The Girl on the Train follows the lives of three women during a criminal investigation and the intertwining of those three lives with each of the other women. Each of three women are varied and complex and that adds a dimension to the novel that I didn’t expect.

The story is rather predictable in the end, especially as it’s called the “next Gone Girl,” but Hawkins’s writing style is engaging and I couldn’t put it down until I finished it!

(This book was provided for reading consideration as a perk of my job, and the freebie does not impact or influence my review in any way.)

FIRST CHAPTER, FIRST PARAGRAPH: The Mortifications, by Derek Palacio

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First Chapter, First Paragraph Tuesday is hosted by Bibliophile By the Sea!

Derek Palacio’s The Mortifications follows a rural Cuban family in the 1980s torn apart during the Mariel Boatlift. Uxbal Encarnación—father, husband, political insurgent—refuses to leave behind the revolutionary ideals and lush tomato farms of his sun-soaked homeland. His wife Soledad takes young Isabel and Ulises hostage and flees with them to America, leaving behind Uxbal for the promise of a better life. But instead of settling with fellow Cuban immigrants in Miami’s familiar heat, Soledad pushes further north into the stark, wintry landscape of Hartford, Connecticut. There, in the long shadow of their estranged patriarch, now just a distant memory, the exiled mother and her children begin a process of growth and transformation.

Ulises Encarnación did not believe in fate. This may have been a by-product of the sailor’s name of his father, Uxbal, had given him and the fact that Ulises detested ocean horizons – they were impermanent and appeared like waterfalls over which one could cascade into death. More likely his disbelief was a consequence of how Ulises was taken from Cuba as a young boy by his mother, Soledad, as a member of the now-infamous 1980 Mariel Boatlift. Uxbal had wanted the family to stay despite their poverty. They did have a sturdy house with a garden, tomatoes when others didn’t, but Soledad saw in Ulises a mind for school, and she worried about the state of young, pensive boys in Cuba. Bookworms were considered faggots, and though she did not think her son a homosexual, the state might, and she cringed at the thought of him in prison, or worse, at a rehabilitation camp.

Have you read this? What did you think about it?