BOOK REVIEW: The Address, by Fiona Davis

BOOK REVIEW: The Address, by Fiona DavisTitle: The Address by Fiona Davis
Published by Dutton Books
Published: August 1st 2017
Genres: Historical, Fiction
Pages: 368
Format: eBook
Source: Netgalley
Goodreads

Fiona Davis, author of The Dollhouse, returns with a compelling novel about the thin lines between love and loss, success and ruin, passion and madness, all hidden behind the walls of The Dakota, New York City's most famous residence.

After a failed apprenticeship, working her way up to head housekeeper of a posh London hotel is more than Sara Smythe ever thought she'd make of herself. But when a chance encounter with Theodore Camden, one of the architects of the grand New York apartment house The Dakota, leads to a job offer, her world is suddenly awash in possibility--no mean feat for a servant in 1884. The opportunity to move to America, where a person can rise above one's station. The opportunity to be the female manager of The Dakota, which promises to be the greatest apartment house in the world. And the opportunity to see more of Theo, who understands Sara like no one else . . . and is living in The Dakota with his wife and three young children.

In 1985, Bailey Camden is desperate for new opportunities. Fresh out of rehab, the former party girl and interior designer is homeless, jobless, and penniless. Two generations ago, Bailey's grandfather was the ward of famed architect Theodore Camden. But the absence of a genetic connection means Bailey won't see a dime of the Camden family's substantial estate. Instead, her -cousin- Melinda--Camden's biological great-granddaughter--will inherit almost everything. So when Melinda offers to let Bailey oversee the renovation of her lavish Dakota apartment, Bailey jumps at the chance, despite her dislike of Melinda's vision. The renovation will take away all the character and history of the apartment Theodore Camden himself lived in . . . and died in, after suffering multiple stab wounds by a madwoman named Sara Smythe, a former Dakota employee who had previously spent seven months in an insane asylum on Blackwell's Island.

One hundred years apart, Sara and Bailey are both tempted by and struggle against the golden excess of their respective ages--for Sara, the opulence of a world ruled by the Astors and Vanderbilts; for Bailey, the free-flowing drinks and cocaine in the nightclubs of New York City--and take refuge and solace in the Upper West Side's gilded fortress. But a building with a history as rich--and often tragic--as The Dakota's can't hold its secrets forever, and what Bailey discovers in its basement could turn everything she thought she knew about Theodore Camden--and the woman who killed him--on its head.

With rich historical detail, nuanced characters, and gorgeous prose, Fiona Davis once again delivers a compulsively readable novel that peels back the layers of not only a famed institution, but the lives --and lies--of the beating hearts within.

After reading her second novel, Fiona Davis has become one of my new favorite historical fiction writers. In The Address, Davis expertly weaves two women’s lives and the history of a landmark residence, The Dakota, in New York City. The lives of two women from the 1880s and the 1980s are woven together as the mystery behind The Dakota unfolds. The Address begins in 1985 when Bailey Camden, heir without genetic proof to The Dakota’s architect, is released from rehab and reenters the world, ready to make something of herself. The famed residential hotel, The Dakota, has fallen into disrepair, and Bailey, who is trying to reestablish herself as an interior designer, wants to learn more about the history behind the building. The narrative weaves in and out of Bailey Camden’s discovery of the history of The Dakota while exploring Sara Smythe’s connection with the residence.

For me, Sara Smythe’s part of the story was the most interesting. I have a soft spot for stories about women who rise from the bottom to become more than they ever dreamed of becoming. Sara, when we first meet her, is a hotel manager in England who saves the life of an architect’s daughter. Theodore Camden, the architect, offers her a position at the residential hotel he has built in New York City. The attraction between Sara and Theodore is immediate right from the start, and that relationship develops over the course of the novel. The twists and turns at the end of her story were a little unexpected and thrilled me. It’s revealed at the beginning of the novel that Sara stabbed Theodore, but the true thrill are all of those little events that lead up to that event. However, I felt like Bailey’s desire for a fresh start and her refusal to compromise herself tied the lives of both women and tied the story together, because no matter the hundred years between them and no matter the different social structures, both women faced similar struggles and strove to overcome them.

Overall, this is an enjoyable historical fiction novel. For the first third of it, I felt like the story was weighed down by the amount of research and detail in the set up, but that detail redeems itself when the story does pick up and become difficult to put down. I’ve already hand-sold this and her previous novel, The Dollhouse, to some of my customers looking for new historical fiction recommendations, so if you enjoy fiction about women who overcome their struggles and enjoy historical fiction set in New York City, The Address comes highly recommended!

Thanks to Netgalley and Dutton/Penguin for a review copy! All opinions are my own.

BOOK REVIEW: The Good People, by Hannah Kent

BOOK REVIEW: The Good People, by Hannah KentTitle: The Good People by Hannah Kent
Published: September 19th 2017
Genres: Historical
Pages: 464
Format: eBook
Source: Netgalley
Goodreads

Shorlisted for theWalter Scott Prize for Historical Fiction
From the author of Burial Rites, "a literary novel with the pace and tension of a thriller [that] takes us on a frightening journey towards an unspeakable tragedy" (Paula Hawkins, bestselling author of The Girl on the Train)
Hedged in by gossip and joined by their desperation, three women in nineteenth-century Ireland are drawn together in the hope of rescuing a child from a superstitious community, determined to rid itself of the strange and unknowable. Bereft after the loss of her husband, Nora finds herself alone and caring for her young grandson Micheal--a boy whom she recalls as having been a happy and healthy infant but now, in the wake of both his mother's and grandfather's deaths, can neither speak nor walk. Mary, a servant girl from more rural parts, comes to the valley to help Nora just as the rumors are spreading: the talk of unexplained misfortunes and illnesses, and the theory that deformed Micheal is a changeling, a fairy child to blame for the bad luck the valley has endured since his arrival.
Determined to banish the evil in Micheal, Nora and Mary enlist the help of the elderly Nance, a recluse and wanderer once revered by her neighbors for her healing powers, but now condemned as a fraud and a threat by the new priest in town.
As the trio's situation grows more dire, their folkloric practices become increasingly daring--culminating, at last, in a stunning and irreversible act that will put all their lives in danger. Terrifying, thrilling, and wholly original, THE GOOD PEOPLE is a startling examination of absolute belief and superstition taken to their extremes, of the universal yearning to belong, and of love, both tender and harsh.

 Some folk are forced to the edges by their difference. … But ’tis at the edges that they find their power.

I really, really loved Hannah Kent’s Burial Rites, and I read that when it was Waterstones’s pick of the month. I was swept away by the atmospheric writing and the compelling story, so when I head that Hannah Kent was releasing a new book, I requested it and moved that book to the next spot in my reading list. The Good People is a stellar sophomore novel that weaves together the stories of three women who are involved in the horrific treatment of a child whom the women believe is a fairy changeling in a tiny village in Ireland in 1825.

In the beginning of the novel, Nora’s husband Martin dies, leaving her with her daughter’s four year old son Michael who has an unnamed disability in which he cannot speak and cannot fend for himself. Nora finds it difficult to care for the child and her household as a widow with no family on which she can rely, so she hires a girl named Mary to help with the work. When she can’t handle Michael even with Mary’s help, Nora enlists the help of Nance, the local woman trained in the art of natural healing. With the arrival of the new priest in the village, Nance is beginning to be considered a witch and evil and as a result an outcast, but she attempts to cure Michael to prove her skills to herself and to the village. Each “cure” that these women try become increasingly more dangerous until the final act is horrifically devastating.

The Good People is an atmospheric novel that balances the struggles these three women face in a changing society and the risks they must take in order to survive, no matter how dubious those risks are. It is interesting how Kent uses the tropes of the three women (the crone, the mother, and the virgin) to explore the actions and reactions of these women and the actions and reactions of others to these women. Kent also explores how the ideas of poverty and the lack of education in rural areas and ignite a fiery fear toward anyone who is different or toward the unexplainable. The best part of the novel is the last third, when everything culminates in an emotionally charged trial that showcases the growing rift between the old ways of thinking (believing in fairies, believing in changelings, and a reliance on old folklore, old pagan traditions, and old wives’ tales) and the new (following the Christian tradition and following new medical practices).

The only drawback I found to The Good People is the long set up to get to the more thrilling parts of the story. I felt like a third of the novel focuses on the slow development of Nora and Mary’s experiences with Michael, and a third of the novel focuses on Nance and a fairly long account of her life. At the end, I found this knowledge of their lives enriching to the heartrending trial, but before that, I found myself getting a little bit bored and wondering when the story would ever pick up. If you are turned off by a long build up, this might not be the novel for you. But if you are interested in novels about the experiences of women in certain periods of history, the collision between the old ways and the new, and compelling trials, this is one you you’ll want to add to your reading lists as soon as possible.

An advance readers copy was provided to me for review by Little, Brown & Co. and Netgalley. All opinions are my own.

BOOK REVIEW: Goodnight From London, by Jennifer Robson

BOOK REVIEW: Goodnight From London, by Jennifer RobsonTitle: Goodnight from London by Jennifer Robson
Published by William Morrow Paperbacks
Published: May 2nd 2017
Genres: Historical, Fiction
Pages: 400
Format: Trade Paper
Source: Book Sparks
Goodreads

From USA Today bestselling author Jennifer Robson—author of Moonlight Over Paris and Somewhere in France—comes a lush historical novel that tells the fascinating story of Ruby Sutton, an ambitious American journalist who moves to London in 1940 to report on the Second World War, and to start a new life an ocean away from her past.

In the summer of 1940, ambitious young American journalist Ruby Sutton gets her big break: the chance to report on the European war as a staff writer for Picture Weekly newsmagazine in London. She jumps at the chance, for it's an opportunity not only to prove herself, but also to start fresh in a city and country that know nothing of her humble origins. But life in besieged Britain tests Ruby in ways she never imagined.

Although most of Ruby's new colleagues welcome her, a few resent her presence, not only as an American but also as a woman. She is just beginning to find her feet, to feel at home in a country that is so familiar yet so foreign, when the bombs begin to fall.

As the nightly horror of the Blitz stretches unbroken into weeks and months, Ruby must set aside her determination to remain an objective observer. When she loses everything but her life, and must depend upon the kindness of strangers, she learns for the first time the depth and measure of true friendship—and what it is to love a man who is burdened by secrets that aren’t his to share.

Goodnight from London, inspired in part by the wartime experiences of the author’s own grandmother, is a captivating, heartfelt, and historically immersive story that readers are sure to embrace.

 

 

 

 

In Goodnight From London, Ruby Sutton is an American journalist who moves to London from New York in 1940 to report on the war as a staff writer for publications in both cities. In a series of vignettes, we see Ruby through her struggles and growth in her new job as a foreigner and as a woman. Goodnight From London is a captivating story about a young woman finding her own ground in the midst of war.

Even though the novel was told in little glimpses of her every day life, I felt like I really connected with Ruby Sutton as she navigated her way through a foreign city besieged by war, raid sirens, air strikes, destruction, rationed food, and as she found a determined, resilient hope in the people she met. For me, one of the best parts about this book is the development of her work and personal relationships. None of them felt forced, and each of them felt genuine, especially for that era. Ruby is an orphan of sorts and never really knew what it was like to have people who cared for her, and in the midst of the terror that was WWII, finding people who had been through hell but still were able to show their humor, their love, and their friendship was such an eyeopener for Ruby. We see her adjust, sometimes awkwardly, to the generosity of those around her. As a reader, I wanted to see her succeed, to see her overcome her fears and reservations, and to fall in love with that mysterious Bennett.

While not as grim and heavy as some other WWII novels I have read, I enjoyed that the setting and the struggles felt realistic. Robson’s writing style is effortless and crisp, and the writing made it clear that she has done her research. If you like historical fiction that isn’t so heavy and dark and heroines you can root for, I think you’ll enjoy reading Goodnight From London.

A copy of this book was sent to me for review by Book Sparks and the publisher. All opinions are my own.

BOOK REVIEW: Duels & Deception, by Cindy Anstey

BOOK REVIEW: Duels & Deception, by Cindy AnsteyTitle: Duels and Deception by Cindy Anstey
Published by Swoon Reads
Published: April 11th 2017
Genres: Young Adult, Historical, Fiction
Pages: 368
Format: eBook
Source: Netgalley
Goodreads

Miss Lydia Whitfield, heiress to the family fortune, has her future entirely planned out. She will run the family estate until she marries the man of her late father's choosing, and then she will spend the rest of her days as a devoted wife. Confident in those arrangements, Lydia has tasked her young law clerk, Mr. Robert Newton, to begin drawing up the marriage contracts. Everything is going according to plan.

Until Lydia—and Robert along with her—is kidnapped. Someone is after her fortune and won't hesitate to destroy her reputation to get it. With Robert's help, Lydia strives to keep her family's good name intact and expose whoever is behind the devious plot. But as their investigation delves deeper and their affections for each other grow, Lydia starts to wonder whether her carefully planned future is in fact what she truly wants…

She quite enjoyed the intensity of the stranger’s gaze whenever their eyes met, and her sudden shortness of breath was not in the least alarming.

Cindy Anstey’s Duels & Deceptions is incredibly adorable, and that’s not a word I really use to describe YA fiction. Not lately, anyway. I think this book suffered one of those cute, but wrong moment kind of reads. It also didn’t have the same pacing that her first book had, so I didn’t feel as swept away in the cute Regency romantic adventure of it all like I was with the first. However, it is incredibly rare to find a YA romance that’s cute, fluffy, and ultimately free of sex? Like, it’s exactly what you might expect from a fluffy romance – breathlessness, lingering glances, fluttery hearts, etcetera. I’m also a sucker for the slow burn stuff, and this is full of that longing.

Anstey plays with the idea of what’s appropriate in Regency society, and most of the tension and drama in the novel comes from an incident in which Lydia and Robert are kidnapped. The two main characters are already aware of each other and already feel something toward each other but haven’t quite figured out what that feeling might be. The story was a bit slow from the kidnapping until the final, somewhat predictable reveal of some bribery and of who arranged for the kidnapping, but it wasn’t a terrible sort of slow. I think, like I mentioned before, I was expecting more of that constant feeling of adventure and excitement like I got from her other book to be present in this novel, especially with the word duels in the title!

If you like cute, fluffy historical romances and are in the mood for a few giggles, Duels & Deceptions might be right up your alley. I’ll certainly be recommending it to readers who are ready to bridge from the children’s section but aren’t quite ready for the heavy-handed drama, tension, and sex often found in the pages of some YA romance!

A copy of this book was provided to me for review by the publisher and Netgalley. All opinions are my own.

BOOK REVIEW: The Wages of Sin, by Kaite Welsh

BOOK REVIEW: The Wages of Sin, by Kaite WelshTitle: The Wages of Sin by Kaite Welsh
Series: Sarah Gilchrist #1
Published by Pegasus Books
Published: March 7th 2017
Genres: Fiction, Historical
Pages: 400
Format: eBook
Source: Netgalley
Goodreads

 I knew how the world worked; I knew it could be cruel, and I was not content to let it remain so.

Give me all of the historical fiction about flawed women doing things that society says they shouldn’t do!!! Kaite Welsh’s The Wages of Sin is about a woman named Sarah Gilchrist who “ruined” herself with the involvement with a man who took advantage of her. She moves in with her aunt and uncle to start anew, and she enrolls at the University of Edinburgh in the first year it allows female students. The plot goes back and forth between her past and her present and it’s a little slow moving, but I enjoyed that. I felt like Welsh easily incorporated the day-to-day life of this first class of female medical students to show the reader the kind of resistance those students felt in their everyday experiences. It also explores the victim-blaming and -shaming rhetoric that women still face regarding their sexuality and their choices and how it can be damning to assume anything about anyone without knowing the other person’s full story.

While reading this, I felt like this story also highlights the injustices and prejudices women face today in all sorts of sciences and male-dominated fields across the board. Sometimes it was troubling to read because I’ve even experienced similar things. However, that’s what I like most about good historical fiction. It illuminates the problems of the past and present. I like reading historical fiction for an escape from the present like so many others, but I also like reading historical fiction because of the explorations and struggles people have faced throughout history. It’s reflective and contemplative, and it’s always a joy to have a relatable heroine telling us her story.

I’m going to be thinking about The Wages of Sin for a while, and I’m pleased to know that there will be more of Sarah’s story, because most of this novel felt like a set up for so much more. I think I’d be disappointed to know that was the end, because it ended with so much hope and promise. I can’t wait for the next one! If you’re a fan of Deanna Raybourn’s Veronica Speedwell series or enjoy reading feminist historical fiction, I think you’ll like Sarah Gilchrist and her adventures.

Thank you to Pegasus Books and Netgalley for a review copy!