BOOK REVIEW: The School for Good Mothers, by Jessamine Chan

BOOK REVIEW: The School for Good Mothers, by Jessamine ChanTitle: The School for Good Mothers by Jessamine Chan
Published by Simon & Schuster
Published: January 4th 2022
Genres: Fiction, Dystopia
Pages: 336
Format: ARC
Source: Edelweiss, Publisher
Buy: Bookshop(afflilate link)
Goodreads

In this taut and explosive debut novel, one lapse in judgement lands a young mother in a government reform program where custody of her child hangs in the balance.

Frida Liu is struggling. She doesn’t have a career worthy of her Chinese immigrant parents’ sacrifices. She can’t persuade her husband, Gust, to give up his wellness-obsessed younger mistress. Only with Harriet, their cherubic daughter, does Frida finally attain the perfection expected of her. Harriet may be all she has, but she is just enough.

Until Frida has a very bad day.

The state has its eyes on mothers like Frida. The ones who check their phones, letting their children get injured on the playground; who let their children walk home alone. Because of one moment of poor judgment, a host of government officials will now determine if Frida is a candidate for a Big Brother-like institution that measures the success or failure of a mother’s devotion.

Faced with the possibility of losing Harriet, Frida must prove that a bad mother can be redeemed. That she can learn to be good.

A searing page-turner that is also a transgressive novel of ideas about the perils of “perfect” upper-middle class parenting; the violence enacted upon women by both the state and, at times, one another; the systems that separate families; and the boundlessness of love, The School for Good Mothers introduces, in Frida, an everywoman for the ages. Using dark wit to explore the pains and joys of the deepest ties that bind us, Chan has written a modern literary classic.

Chan’s The School for Good Mothers is a reflection on the government’s hold on social services, children, and women’s bodies/lives. In a similar vein of Margaret Atwood’s The Handmaid’s Tale, the events in this book teeter on our society’s imminent future, serving as both a criticism and a warning. 

Frida’s marriage has crumbled at the birth of her daughter, her ex-husband leaving her for another woman, and she is struggling coming to terms with her new life as a mother and an ex-wife. She leaves her daughter home alone for a couple of hours, to go to work, to escape the tedious and difficult reality, and she finds herself entangled with Child Protective Services as a result of her misjudgment. 

She knew it was wrong to leave her child behind, knew it was not the best choice, and she hopes for some sympathy in her break in good judgment when the agency reviews her case. Frida is told that there is a new program being offered for reform for these “bad mothers,” and she is sent off to a reform school just outside the city with other mothers who have also made bad judgments for their children (ranging from relatively mild to extreme).

These schooled mothers are now under constant observation and evaluation with childlike animatronic dolls that record the mothers’ every move. Privileges are taken away if the mothers don’t adhere to strict rules and performances. The surveillance has an undercurrent of violence that is difficult to ignore, especially in contrast to the school for fathers that is seemingly much more relaxed.

The concept of a “perfect mother” can be incredibly damaging to anyone trying to live up to societal expectations, and especially to those with depression, anxiety, or other mental health issues that can interfere with day to day life, activities, and care. Lapses in judgment can happen to any of us, but how is a year’s worth of strict instruction and surveillance a better course of action than compassion and resources for parents navigating the raising of children? How are we to consider motherhood today, especially considering the shift of raising children from being a family/community task to being the task of a nuclear, “traditional” family with the figurehead being the mother? How are we to consider the “ideal motherhood” that’s rooted in heteronormative Western whiteness in contrast to the way in which other cultures view motherhood, parenthood, and the raising of a family?

Written in a clinical, stark style that fully showcases the horror simmering underneath the surface of the perception of perfect motherhood, The School for Good Mothers is a chilling, disturbing read that begs a second consideration of what it means to be a mother, what’s expected of mothers, and how we perceive motherhood in our society.

Review copy from Simon & Schuster via Edelweiss, thank you!

BOOK REVIEW: Tender is the Flesh, by Agustina Bazterrica (trans. Sarah Moses)

BOOK REVIEW: Tender is the Flesh, by Agustina Bazterrica (trans. Sarah Moses)Title: Tender Is the Flesh by Agustina Bazterrica, Sarah Moses
Published by Scribner
Published: August 4th 2020
Genres: Fiction, Horror
Pages: 211
Format: Trade Paper
Source: Library
Buy: Bookshop(afflilate link)
Goodreads

Working at the local processing plant, Marcos is in the business of slaughtering humans —though no one calls them that anymore. His wife has left him, his father is sinking into dementia, and Marcos tries not to think too hard about how he makes a living. After all, it happened so quickly. First, it was reported that an infectious virus has made all animal meat poisonous to humans. Then governments initiated the “Transition.” Now, eating human meat—“special meat”—is legal. Marcos tries to stick to numbers, consignments, processing.

Then one day he’s given a gift: a live specimen of the finest quality. Though he’s aware that any form of personal contact is forbidden on pain of death, little by little he starts to treat her like a human being. And soon, he becomes tortured by what has been lost—and what might still be saved.

I finished this book almost two months ago, and I still think about it at least once a week. I read a lot, so it’s rare that a book will stick with me for so long because my brain just jumps to the next thing because yay distractibility, but Tender is the Flesh is going to stick with me for a while.

Essentially, animal flesh becomes inedible, and the government enters the “Transition” in which “special meat” is processed for consumption. “Special meat” is human meat, and Bazterrica holds nothing back in the description of that transition. Marcos, the main character, is a processor at one of these processing plants, and the first third of the novel is him methodically trying to distance himself from what he is participating in.

When he’s given a live female specimen, though… that’s when everything turns upside down. While he begins to treat this female specimen with a sort of kindness and gentleness, the violence of everything else, including of Marcos’ own doing, amplifies, and the novel turns more gruesome and brutal as it devolves into how brutal people (especially men) can be to one another when it comes to power and control.

This was a book I could not put down because I needed to know what happened next, how this would all resolve, and the last page of this novel is one of the most chilling conclusions I have ever read.

BOOK REVIEW: A Spindle Splintered, by Alix E. Harrow

BOOK REVIEW: A Spindle Splintered, by Alix E. HarrowTitle: A Spindle Splintered by Alix E. Harrow
Series: Fractured Fables #1
Published by Tordotcom
Published: October 5th 2021
Genres: Fantasy
Pages: 128
Format: ARC
Source: Publisher, Work
Buy: Bookshop(afflilate link)
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USA Today bestselling author Alix E. Harrow's A Spindle Splintered brings her patented charm to a new version of a classic story.

It's Zinnia Gray's twenty-first birthday, which is extra-special because it's the last birthday she'll ever have. When she was young, an industrial accident left Zinnia with a rare condition. Not much is known about her illness, just that no one has lived past twenty-one.

Her best friend Charm is intent on making Zinnia's last birthday special with a full sleeping beauty experience, complete with a tower and a spinning wheel. But when Zinnia pricks her finger, something strange and unexpected happens, and she finds herself falling through worlds, with another sleeping beauty, just as desperate to escape her fate.

Alix E. Harrow’s A Spindle Splintered has been touted as fairy tales meets Into the Spider-Verse, and I can’t agree more with the comps. For all its historical and narrative weirdness, Sleeping Beauty is one of my favorite fairy tales. I love the Disney animated version, I fell in love with Robin McKinley’s Spindle’s End, and I got my hands on as many retellings of Sleeping Beauty in any length and form.

The first of a novella duology, A Spindle Splintered follows Zinnia Gray, a young woman born with a fatal condition due to an industrial accident, who finds comfort in the stories of Sleeping Beauty. She, too, thinks of herself as cursed, and falling asleep, only to wake to true love, is just the sort of comfort she needs at a time where her own world is figuratively and literally breaking down

Charm, Zinnia’s best friend, throws a Sleeping Beauty-themed party on her twenty-first birthday, and Zinnia touches a spindle that sends her to a medieval fairy tale world in which she meets Briar Rose, the traditional titular character in a Sleeping Beauty story with which we’re all familiar. From there, the story takes off on its multiverse bent, exploring and shattering tropes and genre expectations that turns the entire concept of a multiverse fairy tale world into a page-turning read. I loved the nods to the fairy tale retelling writers I grew up with, and all of the nods to fairy tale tropes in general.

If you enjoy fairy tales and their retellings, A Spindle Splintered needs to be on your TBRs.

BOOK REVIEW: Malice, by Heather Walter

BOOK REVIEW: Malice, by Heather WalterTitle: Malice by Heather Walter
Series: Malice Duology #1
Published by Del Rey Books
Published: April 13th 2021
Genres: Fantasy
Pages: 470
Format: Hardcover
Source: Purchased
Buy: Bookshop(afflilate link)
Goodreads

A princess isn’t supposed to fall for an evil sorceress. But in this darkly magical retelling of “Sleeping Beauty,” true love is more than a simple fairy tale.

Once upon a time, there was a wicked fairy who, in an act of vengeance, cursed a line of princesses to die. A curse that could only be broken by true love’s kiss.

You’ve heard this before, haven’t you? The handsome prince. The happily-ever-after.

Utter nonsense.

Let me tell you, no one in Briar actually cares about what happens to its princesses. Not the way they care about their jewels and elaborate parties and charm-granting elixirs. I thought I didn’t care, either.

Until I met her.

Princess Aurora. The last heir to Briar’s throne. Kind. Gracious. The future queen her realm needs. One who isn’t bothered that I am Alyce, the Dark Grace, abhorred and feared for the mysterious dark magic that runs in my veins. Humiliated and shamed by the same nobles who pay me to bottle hexes and then brand me a monster. Aurora says I should be proud of my gifts. That she . . . cares for me. Even though it was a power like mine that was responsible for her curse.

But with less than a year until that curse will kill her, any future I might see with Aurora is swiftly disintegrating—and she can’t stand to kiss yet another insipid prince. I want to help her. If my power began her curse, perhaps it’s what can lift it. Perhaps, together, we could forge a new world.

Nonsense again.

Because we all know how this story ends, don’t we? Aurora is the beautiful princess. And I—

I am the villain.

Sleeping Beauty is probably one of my favorite fairy tales, especially when the tropes are explored and subverted, and the second I heard about Malice I knew I needed to read this. It was everything I hoped for!

Malice deftly weaves the familiar and the new, setting up the familiar Sleeping Beauty tropes while fleshing out the fantasy world in which Alyce and Aurora live because the history, politics, and landscape add so much to the story. Alyce is a Dark Grace, assisting the palace and its courtiers with her skills, when she meets Aurora and her world begins to shift. Alyce’s struggle with her true self and wanting to fit in add so much depth, and I loved that her identity scared even herself. It ties in so much with the feeling of being queer, that society tends to tell us we’re wrong for being who we are or that it’s evil. This is the first half of a duology, so there’s a lot left to be discovered in Alyce’s true self and how much of a villain she becomes later on, but I hope that it’s explored more and that she learns more about her own history.

The romance between Alyce and Aurora is so layered, and I hope there’s a lot more buildup and exploration of their romance in the second book. So much of this first one felt like an introduction to the world and these characters that the last third of the book felt rushed, so I hope the second one develops more specifically with the characters now that we have this world set up for us to explore. Aurora is nothing like what we often expect from Sleeping Beauty retellings – a quiet, almost simple girl who has one set of desires and nothing else – because this Aurora is feisty, willing to fight for what she believes in, and questions everything. She also surprises Alyce by saying that she wants to be just like her, something Alyce never thought she’d hear anyone say. The romance in this feels natural and right, never forced (though sometimes a little insta-love, but it is a fairy tale after all), and it’s all I want out of a sapphic romance – fantasy with both fluff and depth.

Overall, I enjoyed this so much, from the characters to the worldbuilding, and I’m looking forward to the sequel and anything else Walter releases in the future!

BOOK REVIEW: Siri, Who Am I?, by Sam Tschida

BOOK REVIEW: Siri, Who Am I?, by Sam TschidaTitle: Siri, Who Am I? by Sam Tschida
Published by Quirk Books
Published: January 12th 2021
Genres: Fiction
Pages: 343
Format: ARC
Source: Netgalley, Publisher
Goodreads

Mia might look like a Millennial but she was born yesterday. Emerging from a coma with short-term amnesia after an accident, Mia can't remember her own name until the Siri assistant on her iPhone provides it. Based on her cool hairstyle (undercut with glamorous waves), dress (Prada), and signature lipstick (Chanel), she senses she's wealthy, but the only way to know for sure is to retrace her steps once she leaves the hospital. Using Instagram and Uber, she arrives at the pink duplex she calls home in posts but finds Max, a cute, off-duty postdoc supplementing his income with a house-sitting gig. He tells her the house belongs to JP, a billionaire with a chocolate empire. A few texts later, JP confirms her wildest dreams: they're in love, Mia is living the good life, and he'll be back that weekend.

But as Mia and Max work backward through her Instagram and across Los Angeles to learn more about her, they discover a surprising truth behind her perfect Instagram feed, and evidence that her head wound was no accident. Who was Mia before she woke up in that hospital? And is it too late for her to rewrite her story?

The description of this book sounded really interesting to me, so I requested it and got approved for it via Netgalley, and then it took forever for me to start reading and continue reading. It wasn’t what I expected it to be. The writing is bright and quippy, and I’ll be interested to see what Tschida does next, but the execution of the concept seemed to fall apart in the second half of the book because the concept is #ambitious to say the least.

What I liked most about it is that it is a commentary and satire of modern millennial culture and the social media use within famous/rich circles. It pokes fun at food bloggers, influencers, and high society in Los Angeles, and that glimpse into the glossy pages of a gossip magazine is what kept me reading through til the end. However, the characterizations started off strong but by the middle of the book seemed too contrived and so much felt contrived and convoluted to fill the space created by the concept. Ultimately though, I think this story would work better in a visual medium and would make a super cute movie! I just don’t think it worked for me in written form because it took almost a month for me to finish this, mostly because I was dragging my feet every time I thought about reading it. The best part about it for me was Mia’s self-discovery once she figured out that her behavior before the accident was nothing like she was once she woke back up and the reconciliations she had to do with herself and the people around her once she decided to take her life in a different direction.

This might be for you if you really enjoy Instagram culture and celebrity gossip magazines! Thank you to Quirk Books for a review copy! All opinions are my own.