BOOK REVIEW: Dark Matter, by Blake Crouch

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BOOK REVIEW: Dark Matter, by Blake CrouchTitle: Dark Matter by Blake Crouch
Published by Crown Publishing
Published: July 26th 2016
Genres: Science Fiction
Pages: 342
Format: Hardcover
Source: Blogging for Books
Goodreads

“Are you happy with your life?” Those are the last words Jason Dessen hears before the masked abductor knocks him unconscious. Before he awakens to find himself strapped to a gurney, surrounded by strangers in hazmat suits. Before a man Jason’s never met smiles down at him and says, “Welcome back, my friend.”
In this world he’s woken up to, Jason’s life is not the one he knows. His wife is not his wife. His son was never born. And Jason is not an ordinary college physics professor but a celebrated genius who has achieved something remarkable--something impossible.
Is it this world or the other that’s the dream? And even if the home he remembers is real, how can Jason possibly make it back to the family he loves? The answers lie in a journey more wondrous and horrifying than anything he could’ve imagined—one that will force him to confront the darkest parts of himself even as he battles a terrifying, seemingly unbeatable foe.

 I suppose we’re both just trying to come to terms with how horrifying infinity really is.

Dark Matter is a wild ride through alternate realities and the realities we create for ourselves. It’s a fast-paced thriller that will keep you guessing about the twists and turns until the very end.

Jason lives a comfortable, happy life, but from the beginning we see that he’s consistently plagued with the question what if. What if he didn’t marry his wife and settle down with a kid? What if he won a prestigious prize instead of his friend? What if he continued on his research instead of losing funding because he decided to focus on his family? Jason confronts those what-ifs when he’s abducted and pushed into a different reality. In the first reality that is different from his own, he sees what his world could have been if he decided to focus on his work rather than focus on his family, and in the midst of trying to get back to his “home” reality, Jason realizes that his other self has stepped into his role and taken over his alternate self’s what-ifs.

It’s bendy, it will probably make you think what just happened many times until everything comes to a head and you have to read to the very end. It raises the questions of reality, that realities can be created together and shared together, and that our futures are created every nanosecond along the way. If you aren’t careful, your split selves may come back for you. And ultimately it’s a romance in the sense that Jason realizes that life isn’t worth truly living unless he’s with his Daniela, no matter how many versions of her he meets along the way back home.

I really enjoyed this. It’s an exciting, breezy read that makes me hope that there will be a mini-series or a movie of this, because it would be so cool to see some of the scenes played out on screen.

Thank you to Crown Publishing and Blogging for Books for a review copy!

BOOK REVIEW: The Book of Esther, by Emily Barton

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BOOK REVIEW: The Book of Esther, by Emily BartonTitle: The Book of Esther by Emily Barton
Published by Tim Duggan Books
Published: June 14th 2016
Genres: Fiction, Magical Realism
Pages: 432
Format: Hardcover
Source: Blogging for Books
Goodreads

What if an empire of Jewish warriors that really existed in the Middle Ages had never fallen—and was the only thing standing between Hitler and his conquest of Russia? 
Eastern Europe, August 1942. The Khazar kaganate, an isolated nation of Turkic warrior Jews, lies between the Pontus Euxinus (the Black Sea) and the Khazar Sea (the Caspian). It also happens to lie between a belligerent nation to the west that the Khazars call Germania—and a city the rest of the world calls Stalingrad.
After years of Jewish refugees streaming across the border from Europa, fleeing the war, Germania launches its siege of Khazaria. Only Esther, the daughter of the nation’s chief policy adviser, sees the ominous implications of Germania's disregard for Jewish lives. Only she realizes that this isn’t just another war but an existential threat. After witnessing the enemy warplanes’ first foray into sovereign Khazar territory, Esther knows she must fight for her country. But as the elder daughter in a traditional home, her urgent question is how.
Before daybreak one fateful morning, she embarks on a perilous journey across the open steppe. She seeks a fabled village of Kabbalists who may hold the key to her destiny: their rumored ability to change her into a man so that she may convince her entire nation to join in the fight for its very existence against an enemy like none Khazaria has ever faced before.The Book of Esther is a profound saga of war, technology, mysticism, power, and faith. This novel—simultaneously a steampunk Joan of Arc and a genre-bending tale of a counterfactual Jewish state by a writer who invents worlds “out of Calvino or Borges” (The New Yorker)—is a stunning achievement. Reminiscent of Michael Chabon’s The Yiddish Policemen’s Union and Philip Roth’s The Plot Against America, The Book of Esther reaffirms Barton’s place as one of her generation’s most gifted storytellers.

I am Esther, and like my namesake before me, I will save the Jewish people.

Emily Barton’s The Book of Esther is an anomaly. Take Joan of Arc, dieselpunk, magical realism, let it simmer with Judaism, and you’ve got a very distilled essence of what this book contains. It doesn’t fit neatly into a genre, and it’s a little chaotic, but it’s worth reading for so many reasons.

The Book of Esther follows the journey of a young Jewish woman named Esther, who takes it upon herself to follow her calling even though she is initially hesitant, even though she faces opposition from her family and her village, and even though she knows her journey will be a difficult one. This novel explores the roles of women in Jewish society, and it shows the strength it takes to overcome the captivity women sometimes face in traditional roles. Barton also challenges the divide of male and female roles in Jewish/traditional society by having Esther go on a journey to transform herself into a male, because she knows that only in a male form will she be accepted and taken seriously by her society. Esther also meets a scholar who has transitioned from female to male by faith in the Hashem (in effort to keep this review as spoiler free as possible, I won’t name names!), and I loved how Barton weaves this into the story and celebrates his identity, especially his identity in his faith. Barton allows Esther to be naive regarding this scholar, and both characters grow and learn about identity and what it means to be oneself through each other. However, Esther learns along the way that no matter what the mystics have whispered, she cannot be anyone but herself. By the end of the novel, instead of encouraging every woman to follow her radical lead, Esther quietly encourages those she meets to be themselves, whoever and whatever they are and choose to be.

There are some things to keep in mind about the novel that might deter or confuse some readers. This novel requires some sort of knowledge of Judaism and Jewish history to fully appreciate because it explores the magical parts of creation and Jewish and Kabbalist mysticism. Having prior knowledge will help in the beginning of the novel when some ideas and concepts are glossed over because it is presumed the reader has prior knowledge. This novel is religious, but it’s not out to convert the reader to a particular belief or reinforce in readers that a particular belief is “correct.” This novel has a love triangle, but it’s not key or essential to Esther’s story.

All in all, The Book of Esther is a must read if you enjoy magical realism infused with a Jewish Joan of Arc, dieselpunk with mechanical horses, and a feminist journey of identity. I enjoyed it immensely, and I still think about it frequently because Esther has inspired me to keep questioning everything because she questions everything. Through that questioning, Esther learns a lot about herself and her identity. She told throughout the entire novel that she can’t do this or that because she’s a girl. Instead of giving up, she follows her heart and does it anyway. And you know what? People listen.

I received a free review copy from Blogging for Books. All opinions are my own.

BOOK REVIEW: The Vegetarian, by Han Kang

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BOOK REVIEW: The Vegetarian, by Han KangTitle: The Vegetarian by Han Kang, Deborah Smith
Published by Hogarth
Published: February 2nd 2016
Genres: Fiction
Pages: 188
Format: Hardcover
Source: Borrowed
Buy: Bookshop(afflilate link)
Goodreads

Before the nightmare, Yeong-hye and her husband lived an ordinary life. But when splintering, blood-soaked images start haunting her thoughts, Yeong-hye decides to purge her mind and renounce eating meat. In a country where societal mores are strictly obeyed, Yeong-hye's decision to embrace a more “plant-like” existence is a shocking act of subversion. And as her passive rebellion manifests in ever more extreme and frightening forms, scandal, abuse, and estrangement begin to send Yeong-hye spiraling deep into the spaces of her fantasy. In a complete metamorphosis of both mind and body, her now dangerous endeavor will take Yeong-hye—impossibly, ecstatically, tragically—far from her once-known self altogether.   A disturbing, yet beautifully composed narrative told in three parts, The Vegetarian is an allegorical novel about modern day South Korea, but also a story of obsession, choice, and our faltering attempts to understand others, from one imprisoned body to another.

Han Kang’s The Vegetarian is a slim novel that is packed with things and ideas that leave the reader thinking long after the book is closed. While I found the characters and the varying points of view interesting, I found that something was missing. Something that feels lost in translation. I think it’s incredibly impressive that Deborah Smith studied Korean for seven years and then translated this book, but I think that her limits definitely showed in her translation. Some parts of it felt clunky, and some parts of it felt skimmed over. What I felt was lacking was a cultural significance as to why the members of Yeong-hye’s family found her vegetarianism so fundamentally shocking.

But most of all, I liked the different insights from other people in Yeong-hye’s life. I thought it showcased the difficulties one woman faced in the midst of a very personal decision. Her decision was never taken seriously, no matter what her reasons were for making it. Yeong-hye lost everything because of her fastidious decision to become a vegetarian, and her decision affected her entire family, essentially cracking the family’s foundation.

It’s a short novel, and it’s certainly worth reading if you enjoy reading prize-winners, international/translated fiction, and fiction about the lives of women in the aftermath of the choices they make.

BOOK REVIEW: Eleanor, by Jason Gurley

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BOOK REVIEW: Eleanor, by Jason GurleyTitle: Eleanor by Jason Gurley
Published by Crown
Published: January 12th 2016
Genres: Magical Realism
Pages: 384
Format: Hardcover
Source: Library
Buy: Bookshop(afflilate link)
Goodreads

Eleanor and Esmerelda are identical twins with a secret language all their own, inseparable until a terrible accident claims Esme’s life. Eleanor’s family is left in tatters: her mother retreats inward, seeking comfort in bottles; her father reluctantly abandons ship. Eleanor is forced to grow up more quickly than a child should, and becomes the target of her mother’s growing rage.   Years pass, and Eleanor’s painful reality begins to unravel in strange ways. The first time it happens, she walks through a school doorway, and finds herself in a cornfield, beneath wide blue skies. When she stumbles back into her own world, time has flown by without her. Again and again, against her will, she falls out of her world and into other, stranger ones, leaving behind empty rooms and worried loved ones.    One fateful day, Eleanor leaps from a cliff and is torn from her world altogether. She meets a mysterious stranger, Mea, who reveals to Eleanor the weight of her family’s loss. To save her broken parents, and rescue herself, Eleanor must learn how deep the well of her mother’s grief and her father’s heartbreak truly goes. Esmerelda’s death was not the only tragic loss in her family’s fragmented history, and unless Eleanor can master her strange new abilities, it may not be the last.

Eleanor opens with a woman named Eleanor, trapped in her home life as a mother and desiring to go swim in the ocean. At the end of the prologue, Eleanor, stripped to nakedness, walks into the ocean and never returns. Agnes, her daughter, feels the loss of her mother for the rest of her life. When she has twins, Agnes names one of her daughters Esmeralda while her husband names the second daughter Eleanor. It becomes obvious as the novel progresses that the children each parent names are their individual favorites. The young Eleanor beings to realize this after a horrific accident kills her twin sister. After her parents’ divorce, Eleanor stays with Agnes. Agnes, in her grief, falls into an alcoholic spiral as she cannot handle seeing Eleanor everyday because her surviving daughter is the exact image of Esmeralda and a reminder of her own mother’s death and disappearance.

Eleanor cannot live up to her mother’s expectations, and that knowledge affects her relationship with her mother and her father. As she ages, strange things begin happening to her. Eleanor falls out of time, disappearing into the space beyond time. Sometimes she is gone for seconds or minutes, sometimes she is gone for much longer. When she is in this space beyond (or between??) time, Eleanor meets an entity that we as readers know has been watching Eleanor for a long time. Eleanor is given the option to change everything, a decision with which she struggles but eventually accepts.

I won’t spoil it, but the option of a resent and the whispery, time-free monsters that human language cannot define is so similar atmospherically to Neil Gaiman’s The Ocean at the End of the Lane. If you liked that novel, I totally recommend this one, and if you enjoy magical realism, I wholeheartedly recommend this one. It’s lyrical, magical, and a little bit heartbreaking. It’s a read that will keep you thinking about what happens and what could happen long after you read the final page.

BOOK REVIEW: Passenger, by Alexandra Bracken

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BOOK REVIEW: Passenger, by Alexandra BrackenTitle: Passenger by Alexandra Bracken
Series: Passenger #1
Published by Disney-Hyperion
Published: January 5th, 2016
Genres: Young Adult, Fantasy
Pages: 486
Format: eBook, Hardcover
Source: Netgalley, Library
Buy: Bookshop(afflilate link)
Goodreads

Passage, n.i. A brief section of music composed of a series of notes and flourishes.ii. A journey by water; a voyage.iii. The transition from one place to another, across space and time.

In one devastating night, violin prodigy Etta Spencer loses everything she knows and loves. Thrust into an unfamiliar world by a stranger with a dangerous agenda, Etta is certain of only one thing: she has traveled not just miles but years from home. And she’s inherited a legacy she knows nothing about from a family whose existence she’s never heard of. Until now.

Nicholas Carter is content with his life at sea, free from the Ironwoods—a powerful family in the colonies—and the servitude he’s known at their hands. But with the arrival of an unusual passenger on his ship comes the insistent pull of the past that he can’t escape and the family that won’t let him go so easily. Now the Ironwoods are searching for a stolen object of untold value, one they believe only Etta, Nicholas’ passenger, can find. In order to protect her, he must ensure she brings it back to them— whether she wants to or not.

Together, Etta and Nicholas embark on a perilous journey across centuries and continents, piecing together clues left behind by the traveler who will do anything to keep the object out of the Ironwoods’ grasp. But as they get closer to the truth of their search, and the deadly game the Ironwoods are play­ing, treacherous forces threaten to sep­arate Etta not only from Nicholas but from her path home . . . forever.

We protect ourselves by playing the roles fit for the year we’re in.

Let’s just get this out of the way: I love time travel novels. I’m a huge sucker for them, and I always have been. Had this been released when about ten or fifteen years ago when I was at the age to which this is marketed (god, I’M SO OLD), I would have been all over this and would have given it a thousand and one stars. It still gets a solid rating from me, which comes as a positive thing after reading so many disappointing novels lately.

Etta, on the night of her big violin performance, is transported back in time onto a ship captained by Nicholas, a black pirate of sorts. Obviously there’s a romance brewing between the two, and even though it felt a little forced sometimes, I’m hoping it develops more in the next novel. It wasn’t necessarily an instant romance sort of thing, but the relationship seemed to progress quickly over a span of pages (even if those pages spanned several days). The romance progression felt typical for a YA novel, and that’s completely all right by me!

What I enjoyed most was the commentary on society then and now. Sophia, the other female time traveler whose original time is in the 1920s, says this really amazing thing to Etta about a hundred pages in:

So cling to your rights, your beliefs, your future – but know that none of them will help you here. You haven’t been forced to survive in the same way as the centuries of women who came before you. You know nothing of the impossibly small weapons we must use to carve out knowledge and power.

If I had read that ages ago, I think I would have shifted my thinking much earlier than it did, so I’m really pleased that Bracken is bringing to light the difficulties women have been facing for centuries to a young, modern audience. Not that her audience isn’t aware of it, but I’ve noticed lately in the classes I teach that some of the young women believe that they’ve always had the rights and advantages they have now, and I have to explain to them that within the last thirty or forty years we’ve progressed so much and that we still have so much to work for.

This is a super enjoyable romance-y time travel (with some logic!) novel that’s sure to appeal to fans of Sarah J. Maas, Susan Dennard, and Marissa Meyer.

I received a copy from Netgalley for my honest review.