FIRST LINES FRIDAY: The Good Soldier, by Ford Madox Ford

Hello, Friday! First Lines Friday is a feature on my blog in which I post the first lines from a book I am interested in reading, either a new release or a backlist title! For the next several Fridays, I will be featuring titles I am going to hopefully read as part of my 12 Decades/12 Months/12 Books challenge (#12decades12books). After watching the adaptation of Parade’s End and reading one of the books in the quartet, I’ve been slowly acquiring Ford Madox Ford’s works. The Good Soldier caught my eye with a phrase on the back: ‘This is the saddest story I have ever heard.’

This is the saddest story I have ever heard. We had known the Ashburnhams for nine seasons of town of Nauheim with an extreme intimacy — or, rather, with an acquaintanceship as loose and easy and yet as close as a good glove’s with your hand. My wife and I knew Captain and Mrs. Ashburnham as well as it was possible to know anybody, and yet, in another sense, we knew nothing at all about them. This is, I believe, a state of things only possible with English people of whom, till today, when I sit down to puzzle out what I know of this sad affair, I knew nothing whatever. Six months ago I had never been to England, and, certainly, I had never sounded the depths of an English heart. I had known the shallows.

I don’t mean to say that we were not acquainted with many English people. Living, as we perforce lived, in Europe, and being, as we perforce were, leisured Americans, which is as much as to say that we were un-American, we were thrown very much into the society of the nicer English. Paris, you see, was our home. Somewhere between Nice and Bordighera provided yearly winter quarters for us, and Nauheim always received us from July to September. You will gather from this statement that one of us had, as the saying is, a ‘heart’, and, from the statement that my wife is dead, that she was the sufferer.

What do you think? What have you read of Ford Madox Ford?

FIRST LINES FRIDAY: Shirley, by Charlotte Bronte

Hello, Friday! First Lines Friday is a feature on my blog in which I post the first lines from a book I am interested in reading, either a new release or a backlist title! For the next several Fridays, I will be featuring titles I am going to hopefully read as part of my 12 Decades/12 Months/12 Books challenge (#12decades12books). I have been slowly making my way through reading all of the works by the Bronte sisters, and Charlotte Bronte’s Shirley is the one I’ve chosen for this year. It’s something I would also like to read in conjunction with Elizabeth Gaskell’s North & South, due to the similar subject matter of northern England’s mills in the early 19th century.

Of late years, an abundant shower of curates has fallen upon the north of England: they lie very thick on the hills; every parish has one or more of them; they are young enough to be very active, and ought to be doing a great deal of good. But not of late years are we about to speak; we are going back to the beginning of this century: late years — present years are dusty, sun-burnt, hot, arid; we will evade the noon, forget it in siesta, pass the mid-day in slumber, and dream of dawn.

If you think, from this prelude, that anything like a romance is preparing for you, reader, you were never more mistaken. Do you anticipate sentiment, and poetry, and reverie? Do you expect passion, and stimulus, and melodrama? Calm your expectations; reduce them to a lowly standard. Something real, cool, and solid, lies before you; something unromantic as Monday morning, when all who have work wake with the consciousness that they must rise and betake themselves thereto. It is not positively affirmed that you shall not have a taste of the exciting, perhaps toward the middle and close of the meal, but it is resolved that the first dish set upon the table shall be one that a Catholic — ay, even an Anglo-Catholic — might eat on Good Friday in Passion Week: it shall be cold lentils and vinegar without oil; it shall be unleavened bread with bitter herbs, and no roast lamb.

Which is your favorite book by the Bronte sisters?

FIRST LINES FRIDAY: The Jungle Books, by Rudyard Kipling

Hello, Friday! First Lines Friday is a feature on my blog in which I post the first lines from a book I am interested in reading, either a new release or a backlist title! For the next several Fridays, I will be featuring titles I am going to hopefully read as part of my 12 Decades/12 Months/12 Books challenge (#12decades12books). I read The Jungle Books in 2013 for my master’s thesis to compare parts of it and its significance to Neil Gaiman’s The Graveyard Book, but I want to revisit it as a more mature and aware reader!

It was seven o’clock of a very warm evening in the Seeonee hills when Father Wolf woke up from his day’s rest, scratched himself, yawned, and spread out his paws one after the other to get rid of the sleepy feeling in their tips. Mother Wolf lay with her big gray nose dropped across her four tumbling, squealing cubs, and the moon shone into the mouth of the cave where they all lived. ‘Augrh!’ said Father Wolf, ‘it is time to hunt again’; and he was going to spring down hill when a little shadow with a bushy tail crossed the threshold and whined: ‘Good luck go with you, O Chief of the Wolves; and good luck and strong teeth go with the noble children, that they may never forget the hungry in this world.’

It was the jackal — Tabaqui, the Dish-licker — and the wolves of India despise Tabaqui because he runs about making mischief, and telling tales, and eating rags and pieces of leather from the village rubbish-heaps. But they are afraid of him too, because Tabaqui, more than anyone else in the jungle, is apt to go mad, and then he forgets that he was ever afraid of anyone, and runs through the forest biting everything in his way. Even the tiger runs and rides when little Tabaqui goes mad, for madness is the most disgraceful thing that can overtake a wild creature. We call it hydrophobia, but they call it dewanee — the madness — and run.

What do you think of The Jungle Books and any of its adaptations?

BOOK REVIEW: Branwell, by Douglas A. Martin

BOOK REVIEW: Branwell, by Douglas A. MartinTitle: Branwell: A Novel of the Brontë Brother by Douglas A. Martin, Darcey Steinke
Published by Soft Skull
Published: July 7th 2020
Genres: Fiction
Pages: 256
Format: Trade Paper
Source: Publisher
Goodreads

For readers of Michael Cunningham's The Hours and Madeline Miller's Song of Achilles, this genre-bending exploration of the tragic figure of Branwell Brontë and the dismal, dazzling landscape that inspired his sisters to greatness is now available in a new edition with an introduction by Darcey Steinke.
Branwell Brontë―brother of Charlotte, Emily, and Anne―has a childhood marked by tragedy and the weight of expectations. After the early deaths of his mother and a beloved older sister, he is kept away from school and tutored at home by his father, a curate, who rests all his ambitions for his children on his only son. Branwell grows up isolated in his family’s parsonage on the moors, learning Latin and Greek, being trained in painting, and collaborating on endless stories and poems with his sisters.
Yet while his sisters go on to write Wuthering Heights, Jane Eyre, and Agnes Grey, Branwell wanders from job to job, growing increasingly dependent on alcohol and opium and failing to become a great poet or artist.
With rich, suggestive sentences “perfectly fitted to this famously imaginative, headstrong family” (Publishers Weekly), Branwell is a portrait of childhood dreams, thwarted desire, the confinements of gender―and an homage to the landscape and milieu that inspired some of the most revolutionary works of English literature.

Douglas A. Martin’s Branwell is a queer interpretation of Branwell Bronte’s life, and an interpretation that I found both thought-provoking and stylistic. Martin imagines a Branwell struggling to live up to the expectations he felt as the ‘man of the house’ and ultimately failing on several levels. I think to get the full scope of the novel, the reader must be familiar with the Bronte history and lore, especially knowing that Charlotte destroyed so much of their family’s personal writings and letters after their deaths. It raises the question of what Charlotte was hiding or protecting, and Martin’s novel explores an answer to the question of Branwell. Based on my own research, this novel takes liberties with the life of Branwell, though I feel these liberties were tied in with Martin’s own experiences through revelations in the introduction to this book. I ultimately found the sexual content of this novel disturbing, and the barn scene at the end soured my reading experience because the implied bestiality ended up being all I could think about as it seemed out of place in the context and scope of things.

I do find it interesting to me to have received this almost alongside another title about Branwell’s life and I am looking forward to reading that one as well, and Martin’s seems to be in stark contrast thematically and stylistically to the other book about the affair of “unspeakable acts” Branwell had in his lifetime, as the affair has been referred to as a screen for homosexual activity. If you are interested in queer interpretations of literary figures and stylistic writing, based in fact or toying with it, this may pique your interest, but do be aware of the heavy subject matter.

Many thanks to Soft Skull Press for sending me a complimentary copy to review! All opinions are my own.

FIRST LINES FRIDAY: The Call of the Wild, White Fang, and Other Stories, by Jack London

Hello, Friday! First Lines Friday is a feature on my blog in which I post the first lines from a book I am interested in reading, either a new release or a backlist title! For the next several Fridays, I will be featuring titles I am going to hopefully read as part of my 12 Decades/12 Months/12 Books challenge (#12decades12books). I think I read The Call of the Wild forever ago before I really started recording my books in an accurate and timely manner, but I have certainly read and taught several of Jack London’s short stories when I was an adjunct professor. When I saw this edition of The Call of the Wild, White Fang, and Other Stories, I knew I had to get it so I could revisit Jack London’s writing. This selection is from The Call of the Wild.

Buck did not read the newspapers, or he would have known that trouble was brewing, not alone for himself, but for every tide-water dog, strong of muscle and with warm, long hair, from Puget Sound to San Diego. Because men, groping in the Arctic darkness, had found a yellow metal, and because steamship and transportation companies were booming the find, thousands of men were rushing into the Northland. These men wanted dogs, and the dogs they wanted were heavy dogs, with strong muscles by which to toil, and furry coats to protect them from the frost.

Buck lived at a big house in the sun-kissed Santa Clara Valley. Judge Miller’s place, it was called. It stood back from the road, half hidden among the trees, through which glimpses could be caught of the wide cool veranda that ran around its four sides. The house was approached by gravelled driveways which wound about through wide-spreading lawns and under the interlacing boughs of tall poplars. At the rear things were on even a more spacious scale than at the front. There were great stables, where a dozen grooms and boys held forth, rows of vine-clad servants’ cottages, an endless and orderly array of outhouses, long grape arbors, green pastures, orchards, and berry patches. Then there was the pumping plant for the artesian well, and the big cement tank where Judge Miller’s boys took their morning plunge and kept cool in the hot afternoon.

And over this great demesne Buck ruled.

Which Jack London story is your favorite?