WRAP UP: January 2020

January felt like a weird month, a long month that felt like several years nested into the days, and just… L O N G. But I also didn’t get as much reading done as I would have hoped (even though eight books is a respectable number), or anything really, and honestly I’m okay with that. January and the pressure of performing in the first month of the new year is too much sometimes, and I think, especially for me who is currently working in retail, I need that time and space to give myself permission to do nothing at all and just unwind from the stress of the holidays.

I also started off the month with a disappointing read, so I think that threw off my whole reading excitement for a while. I’ve also been really into reading literary criticism/books about books and history, and I have a feeling this trend is going to continue for a while. But I also know I have a tendency to get stuck on certain subjects and genres, so I’ll see where it goes!

In January, I read:

  • On Nineteen Eighty-Four, by D.J. Taylor (1.5/5 stars)
  • Tyrant: Shakespeare on Politics, by Stephen Greenblatt (5/5 stars)
  • Things in Jars, by Jess Kidd (4.5/5 stars)
  • A Beginning at the End, by Mike Chen (4/5 stars)
  • Astro Poets: Your Guides to the Zodiac, by Alex Dimitrov and Dorothea Lasky (4/5 stars)
  • How to Watch a Movie, by David Thomson (1.5/5 stars)
  • What a Difference a Duke Makes, by Lenora Bell (3/5 stars)
  • The Map of Knowledge, by Violet Moller (5/5 stars)

I also finally acknowledged that I am 1000% a mood reader and I don’t think I’ll be setting myself monthly TBRs much anymore, unless I do have obligations or definite reads I want to get to. I’ve also been a little better about writing reviews and getting posts ready. I want to try to post at least four days a week, with reviews and other things, and I think I have a few ideas for consistent posts that will help be sure I do hit that four posts a week mark.

How was your January?

BOOK REVIEW: The Contact Paradox, by Keith Cooper

BOOK REVIEW: The Contact Paradox, by Keith CooperTitle: The Contact Paradox: Challenging our Assumptions in the Search for Extraterrestrial Intelligence by Keith Cooper
Published by Bloomsbury SIGMA
Published: January 21st 2020
Genres: Science
Pages: 336
Format: ARC
Source: Netgalley
Goodreads

Inside the difficult questions about humanity's search for extraterrestrial intelligence.
What will happen if humanity makes contact with another civilization on a different planet? In The Contact Paradox, space journalist Keith Cooper tackles some of the myths and assumptions that underlie SETI--the Search for Extraterrestrial Intelligence.
In 1974 a message was beamed towards the stars by the giant Arecibo telescope in Puerto Rico, a brief blast of radio waves designed to alert extraterrestrial civilizations to our existence. Of course, we don't know if such civilizations really exist. But for the past six decades a small cadre of researchers have been on a quest to find out, as part of SETI, the search for extraterrestrial intelligence.
The silence from the stars is prompting some researchers, inspired by the Arecibo transmission, to transmit more messages into space, in an effort to provoke a response from any civilizations out there that might otherwise be staying quiet. However, the act of transmitting raises troubling questions about the process of contact. We look for qualities such as altruism and intelligence in extraterrestrial life, but what do these mean to humankind? Can we learn something about our own history when we explore what happens when two civilizations come into contact? Finally, do the answers tell us that it is safe to transmit, even though we know nothing about extraterrestrial life, or as Stephen Hawking argued, are we placing humanity in jeopardy by doing so?
In The Contact Paradox, author Keith Cooper looks at how far SETI has come since its modest beginnings, and where it is going, by speaking to the leading names in the field and beyond. SETI forces us to confront our nature in a way that we seldom have before--where did we come from, where are we going, and who are we in the cosmic context of things? This book considers the assumptions that we make in our search for extraterrestrial life, and explores how those assumptions can teach us about ourselves.

I am not a science-minded person and a lot of upper-level math boggles my mind, but I do love reading about science, especially space and astrophysics and what lies beyond our atmosphere. When I had the opportunity to read The Contact Paradox by Keith Cooper, I jumped on it, because I love the idea of examining what it means to achieve contact with extraterrestrials.

I really loved how Cooper presented his argument, circled back around to clarify and reiterate, and also used pop culture and science fiction references to illustrate some of the ideas about which he wrote. It’s not an easy book to read, but it is accessible and is not full of unexplained jargon so that a casual science reader like myself could pick it up, understand the concepts about which he wrote, and enjoy it. I think writing about a very specialized, specific field in a way that makes it accessible to people on the other side of the field is a difficult task, and I thoroughly enjoyed this from beginning to end.

Two quotes (taken from an unfinished copy, so they may be different in the final versions) really stuck to me that I ended up writing them down in my notebook illustrate the concept of the Contact Paradox:

… maybe the civilisations that last are the ones that keep their heads down and out of trouble. On the other hand […], maybe what other civilisations are looking for as evidence that we are stepping up and becoming a good galactic civilisation is a willingness to reach out, and maybe there are implications if we choose not to. This is the dichotomy at the heart of the Contact Paradox. It is a maze of assumptions, cherished beliefs and few facts.

SETI [the Search for Extraterrestrial Intelligence] is not just a search for aliens. It’s also a search for ourselves. We project our hopes and fears, our history and our expectations about the future of humanity onto what we think extraterrestrial civilisations might be like. The stars are a mirror and, when we gaze up at them, if we look closely enough, we see our reflection staring back. Study that reflection and we may learn something about ourselves.

The concept of extraterrestrial life is big in science fiction, and when I taught science fiction, I always liked to include bits like this (not so eloquently put, but I wanted to get my students thinking about what extraterrestrial life in fiction meant). Often times, in fiction, when characters go out exploring within the narrative laid out for them, they’re not always just searching for something else or the other. A lot of the times they’re also searching for themselves and their meaning within the greater context of their world, and the struggle in searching for themselves is that to themselves they must find definition. Who am I? Who are we? Who do I want to be? These and similar questions are also faced in the context of what it means to actually seek out or receive communication and visits from other planets and whether or not that’s possible in our lifetimes or any near-future lifetimes. And if it isn’t possible, then what? Then who are we?

Thank you to Bloomsbury for a gifted digital ARC! All opinions are my own.

BOOK REVIEW: Things in Jars, by Jess Kidd

BOOK REVIEW: Things in Jars, by Jess KiddTitle: Things in Jars by Jess Kidd
Published by Atria Books
Published: February 4, 2020
Genres: Fiction, Historical
Pages: 373
Format: ARC
Source: Publisher
Goodreads

In the dark underbelly of Victorian London, a formidable female sleuth is pulled into the macabre world of fanatical anatomists and crooked surgeons while investigating the kidnapping of an extraordinary child in this gothic mystery—perfect for fans of The Essex Serpent and The Book of Speculation.

Bridie Devine—female detective extraordinaire—is confronted with the most baffling puzzle yet: the kidnapping of Christabel Berwick, secret daughter of Sir Edmund Athelstan Berwick, and a peculiar child whose reputed supernatural powers have captured the unwanted attention of collectors trading curiosities in this age of discovery.

Winding her way through the labyrinthine, sooty streets of Victorian London, Bridie won’t rest until she finds the young girl, even if it means unearthing a past that she’d rather keep buried. Luckily, her search is aided by an enchanting cast of characters, including a seven-foot tall housemaid; a melancholic, tattoo-covered ghost; and an avuncular apothecary. But secrets abound in this foggy underworld where spectacle is king and nothing is quite what it seems.

Blending darkness and light, history and folklore, Things in Jars is a spellbinding Gothic mystery that collapses the boundary between fact and fairy tale to stunning effect and explores what it means to be human in inhumane times.

Here is time held in suspension. Yesterday pickled. Eternity in a jar.

I love a good disturbing, yet still whimsical, historical fiction mystery. Jess Kidd’s Things in Jars is set in the Victorian era, but right away, you notice that something is different. With elements of fairy tales and the obscure, I felt that this world was both familiar and unfamiliar, and I wanted to know more about it. The novel focuses on Bridie Devine, a detective, who is commissioned to find the whereabouts of a strange young girl named Christobel who is not an ordinary child. With the assistance of her extraordinarily tall lady’s maid Cora and a ghost of a prizefighter Ruby, Bridie goes on a trek through the seedy, dirty parts of London to discover the history and whereabouts of Christobel and to discover more about herself.

The narrative shifts back and forth from Bridie’s current time and Bridie’s past interweaving to give us a glimpse of the person she was and how she became the person she is in her present day. Sometimes these narrative shifts can be jarring, but these were seamless, illuminating the current day’s dilemmas and mysteries with the past’s introspection and revelation. The world building was exquisitely described. There were times I felt like I was right there as invisible eyes watching everything unfold. The characters were so fascinating and multifaceted that I wanted to learn more about them in more books, especially Cora. She was such a fantastic character to me at seven feet tall and truly herself. And I was left completely heartbroken at the end with Ruby and his final words to Bridie. I’m not giving anything away, because it’s such a perfect ending for this story, closing off bits and pieces, and opening up the door to more, making me hope for future installments in this world, however they might come along.

If you’re in the mood for a good, dark, entertaining historical mystery, do look into this one. It was one of my favorite reads in January!

Thank you to Atria Books for a gifted ARC! All opinions are my own.