Waiting on Wednesday is a weekly meme originally hosted by Jill at Breaking the Spine (though it seems as though it’s been a while since she updated that particular blog, so if you know of the current host, if there is one, please let me know) that highlights upcoming releases that we’re impatiently waiting for. This week I’m featuring January-March 2020 review copies that I have either in physical form or digital form that I can’t wait to dive into! And now that it’s the middle of December, I need to get started on some of those January ones! The release dates are listed but are always subject to change.
A Beginning at the End – Mike Chen :: The tagline for this is “How Do You Start Over After the End of the World?” and I’m all for something that supposedly calls back to Station Eleven with post-apocalyptic pandemics and how society picks up the pieces and returns to normalcy after a catastrophe. Releases January 14, 2020
Followers– MeganAngelo :: A book about social media and what happens when good intentions go horribly wrong?? YES. Releases January 14, 2020.
A Queen in Hiding – Sarah Kozloff :: This is the start of a four-book fantasy series and we don’t have to wait long for the sequels! Each of the sequels will be released in subsequent months (January, February, March, and April), so I’m excited for that first off because I always hate the wait for a series I really like. This is a coming of age story with a twist, and so far the early reviews have been looking great! Releases January 21, 2020.
Show Them a Good Time – Nicole Flattery :: A collection of stories by a debut writer that I heard some good buzz about on Twitter, and when I saw it was available for download on Netgalley, I snapped it up! Releases January 28, 2020.
Things in Jars – Jess Kidd :: Victorian London, female sleuths, anatomists, fairy tales? Give me all of those things, please. Releases February 4, 2020.
Daughter from the Dark – Marina & Sergey Dyachenko :: I downloaded Vita Nostra last month as a Kindle deal because I keep seeing it in various places, so when I saw this on the ARC shelf at work, I grabbed it because this is also a stand-alone and seems really interesting. It’s about music and companionship with a magical twist. Releases February 11, 2020.
Foul is Fair – Hannah Capin :: This is described as a Macbeth retelling with hints of Kill Bill and Heathers and all of those things are right up my alley?? This came in my inbox as a one-day download from Netgalley, and I’m so excited to see what this will bring. Releases February 18, 2020.
The Hidden Girl and Other Stories – Ken Liu :: Anything Ken Liu writes is a gift, and this latest collection is sure to be another favorite of mine. Releases Feburary 25, 2020.
The Girl in White Gloves – Kerri Maher :: This is historical fiction about Grace Kelly and her life behind the scenes, and I love Hollywood stories. The cover for this is also GORGEOUS. Releases February 25, 2020.
Beheld – TaraShea Nesbit :: This is about the first murder in Plymouth, Massachusetts not long after the Mayflower landed in the 1600s. Some of the reviews and buzz I’ve seen have said it evokes that period very well. I love a good historical mystery, and I don’t think I’ve seen many set in this era.
Are any of these on your to-read list? What one would you read first?
There is nothing in the world as magical and terrifying as a girl.
Princess Guinevere has come to Camelot to wed a stranger: the charismatic King Arthur. With magic clawing at the kingdom's borders, the great wizard Merlin conjured a solution -- send in Guinevere to be Arthur's wife... and his protector from those who want to see the young king's idyllic city fail. The catch? Guinevere's real name -- and her true identity -- is a secret. She is a changeling, a girl who has given up everything to protect Camelot.
To keep Arthur safe, Guinevere must navigate a court in which the old -- including Arthur's own family -- demand things continue as they have been, and the new -- those drawn by the dream of Camelot -- fight for a better way to live. And always, in the green hearts of forests and the black depths of lakes, magic lies in wait to reclaim the land. Arthur's knights believe they are strong enough to face any threat, but Guinevere knows it will take more than swords to keep Camelot free.
Deadly jousts, duplicitous knights, and forbidden romances are nothing compared to the greatest threat of all: the girl with the long black hair, riding on horseback through the dark woods toward Arthur. Because when your whole existence is a lie, how can you trust even yourself?
From New York Times bestselling author Kiersten White comes a new fantasy series reimagining the Arthurian legend, set in the magical world of Camelot.
I’ve always loved King Arthur, it’s mythologies, and all of the various takes on the lore, but Kiersten White’s The Guinevere Deception blew me away. It had been so long since I’ve read anything King Arthur, and I was really excited when I got approved for this ARC from Netgalley.
The story opens with Guinevere arriving to Camelot before her marriage, unsure of herself and her future position in King Arthur’s court, and it’s soon revealed that Guinevere is not who she seems, not even to herself. She has been sent to protect King Arthur rather than merely be a bride sent from a royal family. Throughout the course of the story, Guinevere balances learning about her past and her realities while also getting to know the court in which she lives and the people with whom she is surrounded.
I absolutely love the duality of Guinevere’s character and thought that the struggles she faced while in the midst of all sorts of discovery were true to herself. The supporting case of characters were well-developed, had incredible range and depth, and delighted and surprised me at every turn. The first part of the book did feel a little slow, but since this is the set-up to what I hope is at least a trilogy, I did find it necessary. There’s a lot of ground to cover when reinventing a familiar story, and by the last half of the book, I was completely hooked and didn’t want this to end. I don’t want to spoil anything, but of all the supporting characters, I think Lancelot is my favorite and I’m so excited to see what White does with this character in the context of the familiar stories.
This is one of my favorite reads of the year, and not just YA reads, just because it was so much fun and so inventive on so many levels. I’ve never read White before, but I’ve had the physical ARC for her Frankenstein retelling and the first of another series on my kindle for a while, so I’m definitely bumping those up on my TBR because I enjoyed this so much.
Read this if you enjoy fantasy and/or King Arthur revisits, because this checked off so many boxes for me and I’ve not been able to stop thinking about it since I read it.
Thank you to Netgalley and Delacorte for the review copy! All opinions are my own.
From the New York Times bestselling author, Lauren Willig, comes this scandalous New York Gilded Age novel full of family secrets, affairs, and even murder.
Annabelle and Bayard Van Duyvil live a charmed life: he’s the scion of an old Knickerbocker family, she grew up in a Tudor manor in England, they had a whirlwind romance in London, they have three year old twins on whom they dote, and he’s recreated her family home on the banks of the Hudson and renamed it Illyria. Yes, there are rumors that she’s having an affair with the architect, but rumors are rumors and people will gossip. But then Bayard is found dead with a knife in his chest on the night of their Twelfth Night Ball, Annabelle goes missing, presumed drowned, and the papers go mad. Bay’s sister, Janie, forms an unlikely alliance with a reporter to uncover the truth, convinced that Bay would never have killed his wife, that it must be a third party, but the more she learns about her brother and his wife, the more everything she thought she knew about them starts to unravel. Who were her brother and his wife, really? And why did her brother die with the name George on his lips?
I was looking through my Netgalley queue deciding on my next read, and Lauren Willig’s The English Wife caught my eye. It was one of those I started reading a long time ago, set it aside for whatever reason, and ended up purchasing a copy of the book for myself because look at that cover? It’s gorgeous. So with it being October and with me being in the mood for some historical fiction, I decided to pick this up again. This took a little bit of time to get into, but by the time I got through the first quarter of the book, I was hooked and I needed to know how the story got to its end. There’s nothing entirely new about the plot or the types of characters and once I was clued into a certain character’s behaviors, I did begin to put together the pieces of the narrative and very nearly guess whodunit, and that’s completely fine. It felt both familiar and new, I was entertained, and I loved the insights to and development of each of the four main characters.
One of the things I loved the most about The English Wife was the Gilded Age setting. I’m such a sucker for it, especially when it’s done well, and this novel felt incredibly atmospheric in just the right ways. I don’t think I’ve ever read anything by Willig before, but this certainly makes me want to go back and see what I’ve missed! After being in a reading slump for a while, Willig’s novel was exactly what I needed. Something a little familiar, something a little new, something that reminded me how fun reading could be. I absolutely devoured this within a twenty-four hour period, and it felt like it had been a while since a book was able to captivate me like that from the get-go.
This was a perfect mid-October read, and I’m glad I finally picked it up. If you like historical fiction with a heavier lean on romance, do look into this!
Thank you to Netgalley and St. Martin’s Press for the digital galley! All opinions are my own.
What would you do if your collective of tiny bots suddenly decide to mutiny? Would you find bioprinted steak delicious, even after it was signed by the artist? Is an 11 second attention-span long enough to bond with a cryogenically-revived tourist? Would you sell your native language to send your daughter to college?
The avant garde of science fiction has appeared, arriving via time machines and portals that may (or may not) work properly. In this space-age sequel to award-winning anthology, The New Voices of Fantasy, The New Voices of Science Fiction has launched the rising stars of the last five years of science fiction, including Rebecca Roanhorse, Amal El-Mohtar, Alice Sola Kim, Sam J. Miller, E. Lily Yu, Rich Larson, Vina Jie-Min Prasad, Sarah Pinsker, Darcie Little Badger, S. Qiouyi Lu, Kelly Robson, Suzanne Palmer, Nino Cipri, and more. Their wide-ranging tales were hand-selected by cutting-edge author Hannu Rajaniemi (The Quantum Thief) and genre expert Jacob Weisman (Invaders).
So go ahead, join the starship revolution. The new kids hotwired the AI.
The New Voices of Science Fiction is an excellent companion to The New Voices of Fantasy published by Tachyon in 2017. So often genre is lumped together, especially science fiction and fantasy, but, just like me, if you enjoyed The New Voices of Fantasy, you will almost certainly enjoy The New Voices of Science Fiction. All of the stories included in this anthology were originally published or written within the last five or so years? Some of the names are unfamiliar to me, but a lot of these names have come to critical acclaim within those last five years, so it’s an excellent introduction if you’re also wondering where to begin with the genre. Yes, the entire SF genre. A lot of the older “classic” science fiction feels dated in tone, terminology, and technology and can at times feel intimidating for someone who may be unfamiliar with the genre, and this anthology elevates the newer voices we should be paying attention to. And yes, there are foundational genre works that act as cornerstones, but sometimes we have to smash the past and build something new.
My favorite stories in this anthology were Rebecca Roanhorse’s “Welcome to Your Authentic Indian Experience,” Amal El-Mohtar’s “Madeleine,” and Suzanne Palmer’s “Madeleine,” but all of them have something to consider and were all enjoyable to read. One of the things I loved most about this was that the writers included in this collection are so diverse, elevating a lot of different cultures, ideas, ways of looking at the world, and storytelling styles, and that is exactly what I hope for when I read any anthology, and this one ticked all of the boxes for me. This collection also made me want to go read the longer works by the authors included, and I realized I’ve had several books on my shelves already!
Thank you to Tachyon Publications and Netgalley for a complimentary review copy! All opinions are my own.
“One of the best story collections of the past few years.” —Booklist, starred review“16 hard-edged pieces that gleam like gems in a mosaic.” —Publishers Weekly, starred review“Kameron Hurley is a badass.” —Annalee Newitz, author of Autonomous
When renegade author Kameron Hurley (The Light Brigade; The Stars Are Legion) takes you to the future, be prepared for the unexpected. Yes, it will be dangerous, frequently brutal, and often devastating. But it’s also savagely funny, deliriously strange, and absolutely brimming with adventure.
In these edgy, unexpected tales, a body-hopping mercenary avenges his pet elephant, and an orphan falls in love with a sentient starship. Fighters ally to power a reality-bending engine, and a swamp-dwelling introvert tries to save the world—from her plague-casting former wife.
So come meet Kameron Hurley in the future. The version she's created here is weirder—and far more hopeful—than you could ever imagine.
Any time I can get my hands on new Kameron Hurley, I’m all over it. Ever since I read The Stars are Legion, Hurley has quickly become one of my favorite authors. Her view of the world in which we live is calculating, messy, and true, and the stories she writes hit me right in the feels and make me want to help lead the revolution.
What I’ve liked most about Hurley’s writing is that her women are allowed to be messy, morally grey, and emotional without feeling like these women are losing their “worth” or “humanity” for being any of those things. The themes of war and resistance she explores in her stories are heavy, unrelenting, and often gruesome, but there always manages to be some threads of hope winding their ways through the stories. War is central to the story in the sense that it informs the trajectory of the characters. War has either happened, is happening, or will happen, but it’s the individual themselves who really tend to make a difference in the grand scheme of war’s grandiose effects.
The stories that I enjoyed the most were “Elephants and Corpses,” “When We Fall,” and “The Corpse Archives;” but all of them were so good, and I couldn’t wait to read the next one. Her introduction is sublime in exploring what drives her to write the stories she writes as well, so don’t skip that. Sometimes I feel as if it’s very rare for a single author’s collection of stories to be so cohesive and yet so diverse, but Kameron Hurley knocks it out of the park with this one.
Whether or not you’ve read Hurley before, if you’re a sci-fi reader and want to read something that will leave you thinking about the what-ifs, definitely check this out.
Thank you to Tachyon Pub for a digital review copy! All opinions are my own.