Another little list of reviews so soon because I have a few digital ARCs that I’d like to chat about! These are either relatively recent releases or will be releasing soon!
Title: The Big Book of Classic Fantasy by Ann VanderMeer, Jeff VanderMeer
Published by Vintage
Published: July 2nd 2019
Genres: Fantasy, Fiction
Unearth the enchanting origins of fantasy fiction with a collection of tales as vast as the tallest tower and as mysterious as the dark depths of the forest. Fantasy stories have always been with us. They illuminate the odd and the uncanny, the wondrous and the fantastic: all the things we know are lurking just out of sight--on the other side of the looking-glass, beyond the music of the impossibly haunting violin, through the twisted trees of the ancient woods. Other worlds, talking animals, fairies, goblins, demons, tricksters, and mystics: these are the elements that populate a rich literary tradition that spans the globe. A work composed both of careful scholarship and fantastic fun, The Big Book of Classic Fantasy is essential reading for anyone who's never forgotten the stories that first inspired feelings of astonishment and wonder.
*Stories by pillars of the genre like the Brothers Grimm, Hans Christian Andersen, Mary Shelley, Christina Rossetti, L. Frank Baum, Robert E. Howard, and J. R. R. Tolkien *Fantastical offerings from literary giants including Edith Wharton, Leo Tolstoy, Willa Cather, Zora Neale Hurston, Vladimir Nabokov, Hermann Hesse, and W.E.B. Du Bois *Rare treasures from Asian, Eastern European, Scandinavian, and Native American traditions *New translations, including fourteen stories never before in English
*Beautifully Bizarre Creatures! *Strange New Worlds Just Beyond the Garden Path! *Fairy Folk and Their Dark Mischief! *Seriously Be Careful--Do Not Trust Those Fairies!
I received an ARC for this via Netgalley and yo, you’re going to want to read this. I only read the intro and about twenty-odd stories and already preordered it so I can savor the rest of it in my hands. This is fantasy at its core, original and weird and more than unsettling. It showcases the history of the fantasy genre and how it’s evolved throughout time. It’s a great companion to their Big Book of Science Fiction. The VanderMeers know what they’re doing, and they’re amazing at it. Also, look at that cover. Once I have the physical copy in my hands, I’ll write a more in depth review regarding the actual stories!
Title: A Beautiful Day in the Neighborhood: The Poetry of Mister Rogers by Fred Rogers, Luke Flowers, Josie Carey
Published by Quirk Books
Published: March 19. 2019
For the first time ever, the beloved songs from Mister Rogers' Neighborhood are collected here in a charmingly-illustrated treasury, sure to be cherished by adults who grew up with Mister Rogers, and a new generation of children alike.
Mister Rogers' Neighborhood had a revolutionary impact on children's television, and on millions of children themselves. Through songs, puppets, and frank conversations, Mister Rogers instilled the values of kindness, patience, and self-esteem in his viewers, and most of all, taught children how loved they were, just by being themselves. A Beautiful Day in the Neighborhood reimagines the songs from the show as poetry, ranging from the iconic ("Won't You Be My Neighbor?") to the forgotten gems. The poem are funny, sweet, silly, and sincere, dealing with topics of difficult feelings, new siblings, everyday routines, imagination, and more. Perfect for bedtime, sing-along, or quiet time, this book of nostalgic and meaningful poetry is the perfect gift for every child--including the child in all of us.
This is a wonderful collection of the poetry and songs from the Mister Rogers’ Neighborhood series. It brought me back to my childhood and all of those memories watching Mister Rogers on TV, and the illustrations inside modernize and bring it to life all over again for old and new audiences alike. This would make an amazing gift for all ages, and the poetry in this book remind us of all the lessons and goodness Mister Rogers taught us over the years.
Many thanks to Quirk Books and Netgalley for a review copy! All opinions are my own.
Title: Dragon Pearl by Yoon Ha Lee
Published by Rick Riordan Presents
Published: January 15th 2019
Genres: Science Fiction, Middle Grade
To keep the family safe, Min’s mother insists that none of them use any fox-magic, such as Charm or shape-shifting. They must appear human at all times. Min feels hemmed in by the household rules and resents the endless chores, the cousins who crowd her, and the aunties who judge her. She would like nothing more than to escape Jinju, her neglected, dust-ridden, and impoverished planet. She’s counting the days until she can follow her older brother, Jun, into the Space Forces and see more of the Thousand Worlds.
When word arrives that Jun is suspected of leaving his post to go in search of the Dragon Pearl, Min knows that something is wrong. Jun would never desert his battle cruiser, even for a mystical object rumored to have tremendous power. She decides to run away to find him and clear his name.
Min’s quest will have her meeting gamblers, pirates, and vengeful ghosts. It will involve deception, lies, and sabotage. She will be forced to use more fox-magic than ever before, and to rely on all of her cleverness and bravery. The outcome may not be what she had hoped, but it has the potential to exceed her wildest dreams.
was everything I had hoped for in a middle grade science fiction book, and it made me want to read more middle grade science fiction. I feel like I haven’t seen much mainstream middle grade science fiction as a lot of it tends to skew to the fantasy and the weird, but I think I need to dig a little deeper (or start writing it myself!). Dragon Pearl
captured my attention immediately, and I didn’t want it to end. It’s a great story about family and what one must do for yourself in order to survive, especially in a cold, harsh environment like space
. Definitely check this out if you’re looking for a fun sci-fi summer read.
Title: The Whale: A Love Story by Mark Beauregard
Published by Viking
Published: June 14th 2016
A rich and captivating novel set amid the witty, high-spirited literary society of 1850s New England, offering a new window on Herman Melville’s emotionally charged relationship with Nathaniel Hawthorne and how it transformed his masterpiece, Moby-Dick In the summer of 1850, Herman Melville finds himself hounded by creditors and afraid his writing career might be coming to an end—his last three novels have been commercial failures and the critics have turned against him. In despair, Melville takes his family for a vacation to his cousin’s farm in the Berkshires, where he meets Nathaniel Hawthorne at a picnic—and his life turns upside down. The Whale chronicles the fervent love affair that grows out of that serendipitous afternoon. Already in debt, Melville recklessly borrows money to purchase a local farm in order to remain near Hawthorne, his newfound muse. The two develop a deep connection marked by tensions and estrangements, and feelings both shared and suppressed. Melville dedicated Moby-Dick to Hawthorne, and Mark Beauregard’s novel fills in the story behind that dedication with historical accuracy and exquisite emotional precision, reflecting his nuanced reading of the real letters and journals of Melville, Hawthorne, Oliver Wendell Holmes, and others. An exuberant tale of longing and passion, The Whale captures not only a transformative relationship—long the subject of speculation—between two of our most enduring authors, but also their exhilarating moment in history, when a community of high-spirited and ambitious writers was creating truly American literature for the first time.
I love reading fictional works about author’s lives, I can’t help it. It’s like literary gossip magazines, and I eat it like candy. Aside from knowing a little bit about Nathaniel Hawthorne’s life due to early American literature courses and my own delving for the science fiction course I taught this semester, I had basically no clue about Hawthorne’s relationship with Herman Melville. Mallory’s review
at Goodreads pretty much sums up my reaction to the novel in the end: “Never in my WHOLE LIFE did I expect to be breathlessly swept along like if they don’t kiss I am going to die
over Herman Melville and Nathaniel Hawthorne, but here we are.”
The most incredible thing about the novel is that in the novel Herman Melville’s letters to Hawthorne are like 98% real. Obviously with historical fiction, liberties are taken and there are about two letters that have been added to or fabricated, but the rest of Melville’s passion in any capacity for Hawthorne is clearly evident. Most, if not all, of Hawthorne’s letters to Melville don’t exist anymore, but Beauregard does an excellent job of filling in the gaps.
Until this novel, I thought of Hawthorne and Melville as part of those stuffy early American authors that lead stuffy lives and wrote convoluted, dense novels, but now more than ever I want to read Moby Dick and Hawthorne’s major novels that he wrote before, during, and after this brief period of their lives. It’s magical, and sometimes historical context means everything.
Title: The Girl in the Castle by Santa Montefiore
Published by William Morrow Paperbacks
Published: September 27th 2016
Genres: Fiction, Historical
Format: Trade Paper
The Girl in the Castle
International sensation Santa Montefiore presents the first book in a trilogy that follows three Irish women through the decades of the twentieth century—perfect for fans of Kate Morton and Hazel Gaynor.
Born on the ninth day of the ninth month in the year 1900, Kitty Deverill is special as her grandmother has always told her. Built on the stunning green hills of West Cork, Ireland, Castle Deverill is Kitty’s beloved home, where many generations of Deverills have also resided. Although she’s Anglo-Irish, Kitty’s heart completely belongs to the wild countryside of the Emerald Isle, and her devotion to her Irish-Catholic friends Bridie Doyle, the daughter of the castle’s cook, and Jack O’Leary, the vet’s son, is unmatched—even if Jack is always reminding her that she isn’t fully Irish. Still, Jack and Kitty can’t help falling in love although they both know their union faces the greatest obstacles since they are from different worlds.
Bridie cherishes her friendship with Kitty, who makes her feel more like her equal than a servant. Yet she can’t help dreaming of someday having all the wealth and glamour Kitty’s station in life affords her. But when she discovers a secret that Kitty has been keeping from her, Bridie finds herself growing resentful toward the girl in the castle who seems to have it all.
When the Irish revolt to throw over British rule in Southern Ireland, Jack enlists to fight. Worried for her safety, Jack warns Kitty to keep her distance, but she refuses and throws herself into the cause for Irish liberty, running messages and ammunition between the rebels. But as Kitty soon discovers, her allegiance to her family and her friends will be tested—and when Castle Deverill comes under attack, the only home and life she’s ever known are threatened.
A powerful story of love, loyalty, and friendship, The Girl in the Castle is an exquisitely written novel set against the magical, captivating landscape of Ireland.
is about the lives of women around an estate in Ireland. It’s the first in a trilogy that spans before, during, and just after World War I and the Irish War of Independence. It’s expansive and well-detailed historical fiction, but I found it typical of the genre. There’s romance, war, and rape. I am so incredibly tired of rape being used as a plot device to make us feel pity for that character. While I understand it can be used as a plot device to explore certain aspects of how women and men are treated in society, I really hate when it’s used to just add “flavor” to a narrative as I feel like it’s used here.
Aside from that, it’s a well-structured historical novel that kept me interested. It has a wide variety of characters from all backgrounds, and Montefiore explores nearly all aspects of the characters and compels you to care for the protagonists in some way. Montefiore also weaves historical significance of both the Irish War for Independence and World War I throughout the narrative, showing how both wars affect each of the characters and the fate of the estate.
Sometimes I felt as if there were too many characters to follow, and I hope there are fewer in the second and third novel. Often times what happens with several characters to follow in any series is that the storylines blur and individual voices are hard to differentiate.
It’s a novel that was reminiscent of Downton Abbey, and if you’re in the mood for something more after finishing that show, this is the start of an expansive trilogy. I am looking forward to reading the next one!
Title: Jane Steele by Lyndsay Faye
Published by G.P. Putnam's Sons
Published: March 22nd 2016
Reader, I murdered him
A reimagining of Jane Eyre as a gutsy, heroic serial killer, from the author whose work The New York Times described as “riveting” and The Wall Street Journal called “thrilling.” “Young Jane Steele’s favorite book, Charlotte Bronte’s Jane Eyre, mirrors her life both too little and too much…In an arresting tale of dark humor and sometimes gory imagination, Faye has produced a heroine worthy of the gothic literature canon but reminiscent of detective fiction.”—Library Journal, Starred Review
“Reader, I murdered him.” A sensitive orphan, Jane Steele suffers first at the hands of her spiteful aunt and predatory cousin, then at a grim school where she fights for her very life until escaping to London, leaving the corpses of her tormentors behind her. After years of hiding from the law while penning macabre “last confessions” of the recently hanged, Jane thrills at discovering an advertisement. Her aunt has died and her childhood home has a new master: Mr. Charles Thornfield, who seeks a governess. Burning to know whether she is in fact the rightful heir, Jane takes the position incognito, and learns that Highgate House is full of marvelously strange new residents—the fascinating but caustic Mr. Thornfield, an army doctor returned from the Sikh Wars, and the gracious Sikh butler Mr. Sardar Singh, whose history with Mr. Thornfield appears far deeper and darker than they pretend. As Jane catches ominous glimpses of the pair’s violent history and falls in love with the gruffly tragic Mr. Thornfield, she faces a terrible dilemma: can she possess him—body, soul, and secrets—without revealing her own murderous past? A satirical romance about identity, guilt, goodness, and the nature of lies, by a writer who Matthew Pearl calls “superstar-caliber” and whose previous works Gillian Flynn declared “spectacular,” Jane Steele is a brilliant and deeply absorbing book inspired by Charlotte Brontë’s classic Jane Eyre.
I’ve never read Faye’s work before, and I was going to put off reading Jane Steele until I’d read a few of her others, but when I saw the book on the library shelves, I grabbed it, sat down, and read it in a day. I wouldn’t necessarily call this a Jane Eyre retelling, but it’s certainly Jane Eyre-inspired, as evidenced from Jane Steele’s fondness for the Charlotte Brontë novel.
Jane Steele’s life follows a similar trajectory as the character Jane Eyre, and she finds comfort in her fictional counterpart. The major difference between Steele and Eyre is that while Eyre merely struggles and sometimes voices her discontent against the female imprisonment and injustice in society by men, Steele actually does something about it. And by doing something about it, she murders the offending men. She isn’t a serial killer. She murders in self-defense, as a way to protect her life and the lives of others.
It’s well-paced, vicious, atmospheric, and a little predictable if you’re familiar with Jane Eyre’s story. The way in which Faye writes makes you feel as if you’re in the dirty heart of Victorian London. The biggest, most frustrating aspect of the entire thing was how forced Steele’s relationship felt with Thornfield most of the time, almost as if Steele expected and forced her life to follow in Eyre’s footsteps because that’s what she was familiar with and that’s where she found comfort. But there’s a scene with Clarke that made me gasp and sigh and long for so much more development in that direction. That would have been the twist that earned that fifth star.
If you enjoy Jane Eyre and its many incarnations; Victoriana; and historical fiction with strong, deviant women, you’ll surely find something to enjoy in Jane Steele.
Title: Eleanor by Jason Gurley
Published by Crown
Published: January 12th 2016
Genres: Magical Realism
Eleanor and Esmerelda are identical twins with a secret language all their own, inseparable until a terrible accident claims Esme’s life. Eleanor’s family is left in tatters: her mother retreats inward, seeking comfort in bottles; her father reluctantly abandons ship. Eleanor is forced to grow up more quickly than a child should, and becomes the target of her mother’s growing rage. Years pass, and Eleanor’s painful reality begins to unravel in strange ways. The first time it happens, she walks through a school doorway, and finds herself in a cornfield, beneath wide blue skies. When she stumbles back into her own world, time has flown by without her. Again and again, against her will, she falls out of her world and into other, stranger ones, leaving behind empty rooms and worried loved ones. One fateful day, Eleanor leaps from a cliff and is torn from her world altogether. She meets a mysterious stranger, Mea, who reveals to Eleanor the weight of her family’s loss. To save her broken parents, and rescue herself, Eleanor must learn how deep the well of her mother’s grief and her father’s heartbreak truly goes. Esmerelda’s death was not the only tragic loss in her family’s fragmented history, and unless Eleanor can master her strange new abilities, it may not be the last.
Eleanor opens with a woman named Eleanor, trapped in her home life as a mother and desiring to go swim in the ocean. At the end of the prologue, Eleanor, stripped to nakedness, walks into the ocean and never returns. Agnes, her daughter, feels the loss of her mother for the rest of her life. When she has twins, Agnes names one of her daughters Esmeralda while her husband names the second daughter Eleanor. It becomes obvious as the novel progresses that the children each parent names are their individual favorites. The young Eleanor beings to realize this after a horrific accident kills her twin sister. After her parents’ divorce, Eleanor stays with Agnes. Agnes, in her grief, falls into an alcoholic spiral as she cannot handle seeing Eleanor everyday because her surviving daughter is the exact image of Esmeralda and a reminder of her own mother’s death and disappearance.
Eleanor cannot live up to her mother’s expectations, and that knowledge affects her relationship with her mother and her father. As she ages, strange things begin happening to her. Eleanor falls out of time, disappearing into the space beyond time. Sometimes she is gone for seconds or minutes, sometimes she is gone for much longer. When she is in this space beyond (or between??) time, Eleanor meets an entity that we as readers know has been watching Eleanor for a long time. Eleanor is given the option to change everything, a decision with which she struggles but eventually accepts.
I won’t spoil it, but the option of a resent and the whispery, time-free monsters that human language cannot define is so similar atmospherically to Neil Gaiman’s The Ocean at the End of the Lane. If you liked that novel, I totally recommend this one, and if you enjoy magical realism, I wholeheartedly recommend this one. It’s lyrical, magical, and a little bit heartbreaking. It’s a read that will keep you thinking about what happens and what could happen long after you read the final page.