Title: Death by Shakespeare: Snakebites, Stabbings and Broken Hearts by Kathryn Harkup
Published by Bloomsbury SIGMA
Published: May 5, 2020
Genres: Non-Fiction, History, Science
Buy: Bookshop(afflilate link)
An in-depth look at the science behind the creative methods Shakespeare used to kill off his characters.
In Death By Shakespeare, Kathryn Harkup, best-selling author of A is for Arsenic and expert on the more gruesome side of science, turns her expertise to Shakespeare and the creative methods he used to kill off his characters. Is death by snakebite really as serene as Cleopatra made it seem? How did Juliet appear dead for 72 hours only to be revived in perfect health? Can you really kill someone by pouring poison in their ear? How long would it take before Lady Macbeth died from lack of sleep? Readers will find out exactly how all the iconic death scenes that have thrilled audiences for centuries would play out in real life.
In the Bard's day death was a part of everyday life. Plague, pestilence and public executions were a common occurrence, and the chances of seeing a dead or dying body on the way home from the theater was a fairly likely scenario. Death is one of the major themes that reoccurs constantly throughout Shakespeare's canon, and he certainly didn't shy away from portraying the bloody reality of death on the stage. He didn't have to invent gruesome or novel ways to kill off his characters when everyday experience provided plenty of inspiration.
Shakespeare's era was also a time of huge scientific advance. The human body, its construction and how it was affected by disease came under scrutiny, overturning more than a thousand years of received Greek wisdom, and Shakespeare himself hinted at these new scientific discoveries and medical advances in his writing, such as circulation of the blood and treatments for syphilis.
Shakespeare found 74 different ways to kill off his characters, and audiences today still enjoy the same reactions--shock, sadness, fear--that they did over 400 years ago when these plays were first performed. But how realistic are these deaths, and did Shakespeare have the science to back them up?
I love reading books that provide some kind of external context about other books or works — whether it’s historical context, criticism, and, in the case of Kathryn Harkup’s Death by Shakespeare
, scientific context. Death by Shakespeare
explores the many deaths in Shakespeare’s plays and provides insightful looks into how contemporaries handled disease and death, and Harkup explores these topics with clarity, empathy, and humor. Shakespeare’s body of work can be daunting and difficult for modern readers, but Harkup presents her research in an engaging way that is entertaining and in reach.
I loved the intersections of contemporary and modern medicine, as well as the examinations of how the deaths in the plays were (or weren’t) performed on stage. Death today seems so far removed from our society, yet in Shakespeare’s day, death was actively part of every day life. This was also something weird to read at this present time with the coronavirus pandemic because I’m confronted by death daily and still so far removed from it because no one I know has contracted it, but Shakespeare and his contemporaries confronted death in all its causes in such close proximity that it was difficult to ignore, even in his own work. The thing I loved most about Death by Shakespeare is the connection of the historical and everyday life with the science because it made everything feel so much more real. Like death, history seems something so far removed from us that we sometimes forget that history is populated by people living lives with emotional scope and depth as people live today, so in a way, putting Shakespeare’s plays into context like, along with any contextual criticism, this brings the humanity of these plays to the surface.
This is something that would be beneficial to anyone reading and studying Shakespeare as it provides an engaging and accessible look into the reasons why Shakespeare likely used certain kinds of poisons, murders, and avenues of death in his work. Personally, I know having this historical/literary/scientific context when I was taking my Shakespeare course in undergrad would have added so much to my enjoyment and understanding of the plays, but I’m glad to have read it now!
Many thanks to Bloomsbury Publishing for sending me an early copy to review! All opinions are my own.
I have finally finished the graphics for the new blog style, and I’m really happy with them! It’s been since 2018 since I really updated anything on here, and I’m going to be focusing more on content pages here in the upcoming weeks. Sometimes a small refresh is all you need to get some blogging inspiration!
Today’s Little List of Reviews features three reads I checked out from my new-to-me library, two of which I didn’t particularly like, and one that I did!
Title: On Nineteen Eighty-Four: The Story of George Orwell’s Masterpiece by D.J. Taylor
Published by Harry N. Abrams
Published: October 22nd 2019
From the author of the definitive biography of George Orwell, a captivating account of the origin and enduring power of his landmark dystopian novel
Since its publication nearly 70 years ago, George Orwell’s 1984 has been regarded as one of the most influential novels of the modern age. Politicians have testified to its influence on their intellectual identities, rock musicians have made records about it, TV viewers watch a reality show named for it, and a White House spokesperson tells of “alternative facts.” The world we live in is often described as an Orwellian one, awash in inescapable surveillance and invasions of privacy.
On 1984 dives deep into Orwell’s life to chart his earlier writings and key moments in his youth, such as his years at a boarding school, whose strict and charismatic headmaster shaped the idea of Big Brother. Taylor tells the story of the writing of the book, taking readers to the Scottish island of Jura, where Orwell, newly famous thanks to Animal Farm but coping with personal tragedy and rapidly declining health, struggled to finish 1984. Published during the cold war—a term Orwell coined—Taylor elucidates the environmental influences on the book. Then he examines 1984’s post-publication life, including its role as a tool to understand our language, politics, and government.
In a current climate where truth, surveillance, censorship, and critical thinking are contentious, Orwell’s work is necessary. Written with resonant and reflective analysis, On 1984 is both brilliant and remarkably timely.
D.J. Taylor’s On Nineteen Eighty-Four
is a short look at the history surrounding George Orwell’s Nineteen Eighty-Four
. While I initially found the premise interesting, the content of it actually fell irritatingly short, refusing to address or acknowledge Wikileaks, Snowden, Assange, a lot of the current surveillance issues, and choose instead to focus on the current president/administration and literally no one else? Yes, the current administration is frustrating and obviously a driving factor behind this book, but you have to include what comes before it that also contributed to the environment in which we exist.
Title: How to Watch a Movie by David Thomson
Published by Knopf
Published: November 3rd 2015
From one of the most admired critics of our time, brilliant insights into the act of watching movies and an enlightening discussion about how to derive more from any film experience.
Since first publishing his landmark Biographical Dictionary of Film in 1975 (recently released in its sixth edition), David Thomson has been one of our most trusted authorities on all things cinema. Now, he offers his most inventive exploration of the medium yet: guiding us through each element of the viewing experience, considering the significance of everything from what we see and hear on screen--actors, shots, cuts, dialogue, music--to the specifics of how, where, and with whom we do the viewing. With customary candor and wit, Thomson delivers keen analyses of a range of films from classics such as Psychoand Citizen Kane to contemporary fare such as 12 Years a Slave and All Is Lost, revealing how to more deeply appreciate both the artistry and (yes) manipulation of film, and how watching movies approaches something like watching life itself. Discerning, funny, and utterly unique, How to Watch a Movie is a welcome twist of the classic proverb: Give a movie fan a film, she'll be entertained for an hour or two; teach a movie fan to watch, his experience will be enriched forever.
From the Hardcover edition.
I have been more and more interested in film as a medium due to a friend of mine, so lately I’ve been doing a little research into books I can get my hands on, and How To Watch a Movie
caught my eye with the description and promises of revealing “how to watch a movie.” However, what’s on the tin doesn’t describe the actual contents of the book: a long, meandering blabbering of some guy’s experiences with movies he watched as a kid with little to nothing else? It read like some old guy’s self-important film subreddit posts.
Title: Astro Poets: Your Guides to the Zodiac by Alex Dimitrov, Dorothea Lasky
Published by Flatiron Books
Published: October 29th 2019
From the online phenomenons the Astro Poets comes the first great astrology primer of the 21st century.
Full of insight, advice and humor for every sign in the zodiac, the Astro Poets' unique brand of astrological flavor has made them Twitter sensations. Their long-awaited first book is in the grand tradition of Linda Goodman's Sun Signs, but made for the world we live in today.
In these pages the Astro Poets help you see what's written in the stars and use it to navigate your friendships, your career, and your very complicated love life. If you've ever wondered why your Gemini friend won't let you get a word in edge-wise at drinks, you've come to the right place. When will that Scorpio texting "u up?" at 2AM finally take the next step in your relationship? (Hint: they won't). Both the perfect introduction to the twelve signs for the astrological novice, and a resource to return to for those who already know why their Cancer boyfriend cries during commercials but need help with their new whacky Libra boss, this is the astrology book must-have for the twenty-first century and beyond.
I love the Astro Poets twitter and find their day-to-day tweets hilarious and their weekly predictions interesting and heart-felt. The book is a great companion to their twitter and filled with much of the same insight and humor that I had hoped for. I borrowed this from the library and I’m glad I did, because it is one of those read & flip through once sort of books.
Title: The English Wife by Lauren Willig
Published by St. Martin's Press
Published: January 9th 2018
Genres: Fiction, Historical
Format: Hardcover, ARC
Source: Purchased, Netgalley
From the New York Times bestselling author, Lauren Willig, comes this scandalous New York Gilded Age novel full of family secrets, affairs, and even murder.
Annabelle and Bayard Van Duyvil live a charmed life: he’s the scion of an old Knickerbocker family, she grew up in a Tudor manor in England, they had a whirlwind romance in London, they have three year old twins on whom they dote, and he’s recreated her family home on the banks of the Hudson and renamed it Illyria. Yes, there are rumors that she’s having an affair with the architect, but rumors are rumors and people will gossip. But then Bayard is found dead with a knife in his chest on the night of their Twelfth Night Ball, Annabelle goes missing, presumed drowned, and the papers go mad. Bay’s sister, Janie, forms an unlikely alliance with a reporter to uncover the truth, convinced that Bay would never have killed his wife, that it must be a third party, but the more she learns about her brother and his wife, the more everything she thought she knew about them starts to unravel. Who were her brother and his wife, really? And why did her brother die with the name George on his lips?
I was looking through my Netgalley queue deciding on my next read, and Lauren Willig’s The English Wife
caught my eye. It was one of those I started reading a long time ago, set it aside for whatever reason, and ended up purchasing a copy of the book for myself because look at that cover? It’s gorgeous. So with it being October and with me being in the mood for some historical fiction, I decided to pick this up again. This took a little bit of time to get into, but by the time I got through the first quarter of the book, I was hooked and I needed to know how the story got to its end. There’s nothing entirely new about the plot or the types of characters and once I was clued into a certain character’s behaviors, I did begin to put together the pieces of the narrative and very nearly guess whodunit
, and that’s completely fine
. It felt both familiar and new, I was entertained, and I loved the insights to and development of each of the four main characters.
One of the things I loved the most about The English Wife was the Gilded Age setting. I’m such a sucker for it, especially when it’s done well, and this novel felt incredibly atmospheric in just the right ways. I don’t think I’ve ever read anything by Willig before, but this certainly makes me want to go back and see what I’ve missed! After being in a reading slump for a while, Willig’s novel was exactly what I needed. Something a little familiar, something a little new, something that reminded me how fun reading could be. I absolutely devoured this within a twenty-four hour period, and it felt like it had been a while since a book was able to captivate me like that from the get-go.
This was a perfect mid-October read, and I’m glad I finally picked it up. If you like historical fiction with a heavier lean on romance, do look into this!
Thank you to Netgalley and St. Martin’s Press for the digital galley! All opinions are my own.
Title: To Kill a Kingdom by Alexandra Christo
Published by Feiwel & Friends
Published: March 6th 2018
Genres: Fantasy, Young Adult
Alexandra Christo’s To Kill a Kingdom scratched the itch I had for sea stories focusing on mermaids and sirens and pirates and ships, and I loved it! Sometimes the banter felt a little cheesy, but in the scope of the novel, the dialogue helped maintain a balance with the murderous aspect of the sirens because without the banter, this would be a pretty gruesome book!
Princess Lira is siren royalty and the most lethal of them all. With the hearts of seventeen princes in her collection, she is revered across the sea. Until a twist of fate forces her to kill one of her own. To punish her daughter, the Sea Queen transforms Lira into the one thing they loathe most—a human. Robbed of her song, Lira has until the winter solstice to deliver Prince Elian’s heart to the Sea Queen or remain a human forever.
The ocean is the only place Prince Elian calls home, even though he is heir to the most powerful kingdom in the world. Hunting sirens is more than an unsavory hobby—it’s his calling. When he rescues a drowning woman in the ocean, she’s more than what she appears. She promises to help him find the key to destroying all of sirenkind for good—But can he trust her? And just how many deals will Elian have to barter to eliminate mankind’s greatest enemy?
I love mermaid/siren stories, and I especially love when the familiar stories are reinvented and reinvented well. Each of the places explored seemed incredibly real and memorable, and Lira’s adjustment from living in the cold sea waters as the Princes’ Bane to living above the sea in the care of the prince known to kill sirens was masterfully explored. The worldbuilding felt believable, and I never once felt overwhelmed or underwhelmed by the level of detail. If anything, I found myself wanting to read more of the characters, especially Lila and Elian. They were vicious and violent with soft sides that came out as they got to know each other.
Lila and Elian’s rivalry that turns into something more by the end kept me turning pages. The barbs they threw at each other that eventually developed into something deeper is part of the enemies-to-lovers slow burn trope I live for. Sometimes a physical transformation can lead to emotional realizations that you don’t consider in your previous form. Especially when it comes to your past life, your past self, and the ideals you held before circumstances showed you a different way of life. And Elian’s compass of truth? I want to see more of that.
All in all, this was a fantastic YA fantasy that fulfilled all of my expectations and then some.
After a week of spotty internet and moving house with my mom, I’m finally in a place where I can update my blog more regularly! Woohoo! All summer, I’ve been wanting to focus more on my blog, but between my move and all of the stress and busy-ness associated with it, it’s been difficult to find time to sit down and write. Reading is easy when you’re in bed at night and in the morning, but for me, writing requires a little more “me” time. Now that everything is out of the old house and into the new, I’m ready to get back on track and work out a posting schedule that works for me! What would you like to see more of?
Title: Rouge by Richard Kirshenbaum
Published by St. Martin's Press
Published: June 25th 2019
Like Swans of Fifth Avenue and Truman Capote’s Answered Prayers, Richard Kirshenbaum's Rouge gives readers a rare front row seat into the world of high society and business through the rivalry of two beauty industry icons (think Helena Rubenstein and Elizabeth Arden), by the master marketer and chronicler of the over-moneyed. Rouge is a sexy, glamorous journey into the rivalry of the pioneers of powder, mascara and rouge.
This fast-paced novel examines the lives, loves, and sacrifices of the visionaries who invented the modern cosmetics industry: Josiah Herzenstein, born in a Polish Jewish Shtlel, the entrepreneur who transforms herself into a global style icon and the richest woman in the world, Josephine Herz; Constance Gardiner, her rival, the ultimate society woman who invents the door-to-door business and its female workforce but whose deepest secret threatens everything; CeeCee Lopez, the bi-racial beauty and founder of the first African American woman’s hair relaxer business, who overcomes prejudice and heartbreak to become her community’s first female millionaire. The cast of characters is rounded out by Mickey Heron, a dashing, sexy ladies' man whose cosmetics business is founded in a Hollywood brothel. All are bound in a struggle to be number one, doing anything to get there…including murder.
follows the fictional lives of Josiah Herzenstein, who reinvents herself as Josephine Herz, and Constance Gardiner who are vying for the limelight in the booming cosmetics industry in the 1920s,1930s, and beyond. In chapters of alternating perspectives, we get glimpses into the lives of Herz, Gardiner, Cee Cee, and Mickey. Kirshenbaum’s knowledge of business and the ruthless behind-the-scenes behavior between Herz and Gardiner are spot on and engaging. I liked the history woven into the story, illuminating the financial and personal struggles of the women and their businesses and showing how they persevered through the ups and downs of life.
Rouge is a fast-paced read that carries you along from start to finish. I read it in a single day, and lately it’s been rare that I’ve been compelled to start and finish something within the same day. The novel covers a lot of ground and manages to tie the lives of these two rivals together in a breezy narrative perfect for a summer beach read.
Because the novel covered so much history of the women and the business empires they created, I felt like I wanted more of the women’s personal spheres: how they felt wearing their creations, how they felt when they noticed other women wearing their creations, their private moments, and something a bit more grounded in the day-to-day. I think having more of those personal, intimate moments of some gravity would have added a lot more enjoyable weight to the story.
If you are interested in the intersection of business and creativity, especially in the beauty industry, definitely look into this book!
Thank you to St. Martin’s Press for sending me a review copy! All opinions are my own.