BOOK REVIEW: The Tea Planter’s Wife, by Dinah Jefferies

BOOK REVIEW: The Tea Planter’s Wife, by Dinah JefferiesTitle: The Tea Planter's Wife by Dinah Jefferies
Published by Broadway Books
Published: June 20th 2017
Genres: Fiction, Historical
Pages: 448
Format: Trade Paper
Source: Blogging for Books

#1 International bestselling novel set in 1920s Ceylon, about a young Englishwoman who marries a charming tea plantation owner and widower, only to discover he's keeping terrible secrets about his past, including what happened to his first wife, that lead to devastating consequences

Dinah Jefferies’s The Tea Planter’s Wife begins with nineteen-year old Gwen arriving from London to join her new husband Laurence at his tea plantations in Ceylon. In her struggles to adjust to being a wife and to her new surroundings, Laurence begins behaving oddly toward Gwen and the two have a strained relationship throughout the book, both typical of the time period and for other reasons that I won’t spoil. After she becomes pregnant with twins and gives birth, Gwen harbors a weighty secret for years until she no longer can hide the truth.

Jefferies’s prose is vivid and descriptive, and she crafts an engaging cast of characters. We feel for Gwen’s struggle to adjust to her new life and role as mother and wife, we are charmed by Mr. Ravasinghe, and we are irritated by Laurence and his sister Verity, especially their attitudes and behavior toward Gwen throughout the novel. Each character seems well-developed and suited for the narrative, and I wanted to know more about Mr. Ravasinghe and Gwen’s friend, Fran, and their relationship, but alas. Perhaps in a future/companion novel?

The Tea Planter’s Wife highlights the racial divide, and the subject of race threads through each character’s story. It makes the reader consider the effects of prejudice and how often day-to-day struggles could be lessened if one let go of that prejudice. The book itself has those Gothic undertones that I enjoy, and while some of the events are predictable, I enjoyed the book from beginning to end. It’s the perfect book for those late summer rainy days when you can almost imagine being in one of those plantation houses in Ceylon listening to the rain.

A copy of this book was provided to me for review by Blogging for Books! All opinions are my own.

BOOK REVIEW: Artemis, by Andy Weir

BOOK REVIEW: Artemis, by Andy WeirTitle: Artemis by Andy Weir
Published by Crown Publishing
Published: November 14th 2017
Genres: Science Fiction
Pages: 384
Format: eBook
Source: Netgalley

Jazz Bashara is a criminal.

Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent.

Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down. But pulling off the impossible is just the start of her problems, as she learns that she's stepped square into a conspiracy for control of Artemis itself—and that now, her only chance at survival lies in a gambit even riskier than the first.

I’m really torn on this review, because a lot of Artemis fell flat to me to the point where I wasn’t enjoying reading it sometimes. I flew through The Martian. I loved Mark Watney as a character. He was funny, flawed, and real. I felt connected with his perilous stranding on Mars, I rooted for his success, and I felt whatever emotions Watney felt during his highs and lows and in-betweens. The Martian, for me, is a solid, traditional science fiction story. Artemis felt, at times, like an experiment with how many boxes can I check off, how many science-y things can I put my characters through, and how many near-death experiences can I put Jazz through…

Jazz Bashara is a twenty-six year old Arabic woman who is incredibly talented at science-ing her way through life and smuggling stuff. I liked that she was Arabic, and I liked some of the references to her heritage, but some of her heritage seemed superficial and not relative to her character at all. I kept thinking she was in her teens by the way she spoke about herself and everyone else around her. Some of her most cringe-worthy lines sounded like she was a girl trying to impress a lot of boys with her cool-girl attitude with the “Oh, I made a double-entendre, get your mind out of the gutter” sort of humor.

Jazz’s type of humor and attitude toward life would be more believable for me if she had a foil, a character who contrasts with her to highlight her nuances, maybe a best friend who is incredibly feminine, but there isn’t one. For all the touting of diversity and what-not, Jazz is really the only female character in the book (aside from someone at the end, but this other character really only acts as a plot device). The other main characters in the book are the stereotypical geek who doesn’t know how to talk to women, the tough-love grunt, and the boyfriend-stealing charming gay guy.

The conspiracy behind the heist isn’t entirely believable to me, so the action and the science needed to resolve the arising problems ultimately fell flat. And, minor spoilers, but. Am I really supposed to believe that whoever designed Artemis didn’t have backup plans in case the entire colony got flooded with some awful unbreathable stuff? That’s just bad science. Any good developer/engineer/architect would probably consider this possibility, and I find it difficult to believe that this scenario didn’t pop up in the theoretical models during planning.

What we were promised in Artemis: a high-octane heist, bad-ass female main character, diverse cast of characters, humor, science, moon stuff. What we got: a sorta cool heist, one stereotypical female main character, a cast of stereotypically diverse characters, humor, science, moon stuff.

Overall, Artemis is a pretty fun, fast read. Aside from those issues I wrote about above, Weir’s writing style makes it difficult to put the book down once the action really gets going. I really enjoyed the concept of colonies on the moon and the details Weir interjects into the concepts and science of moon colonies. This will be one that a lot of people will be divided about in its reception, but it’s a decent follow-up to his first.

Thank you to Netgalley and Crown Publishing for an ARC; all opinions are my own.

BOOK REVIEW: The Address, by Fiona Davis

BOOK REVIEW: The Address, by Fiona DavisTitle: The Address by Fiona Davis
Published by Dutton Books
Published: August 1st 2017
Genres: Historical, Fiction
Pages: 368
Format: eBook
Source: Netgalley

Fiona Davis, author of The Dollhouse, returns with a compelling novel about the thin lines between love and loss, success and ruin, passion and madness, all hidden behind the walls of The Dakota, New York City's most famous residence.

After a failed apprenticeship, working her way up to head housekeeper of a posh London hotel is more than Sara Smythe ever thought she'd make of herself. But when a chance encounter with Theodore Camden, one of the architects of the grand New York apartment house The Dakota, leads to a job offer, her world is suddenly awash in possibility--no mean feat for a servant in 1884. The opportunity to move to America, where a person can rise above one's station. The opportunity to be the female manager of The Dakota, which promises to be the greatest apartment house in the world. And the opportunity to see more of Theo, who understands Sara like no one else . . . and is living in The Dakota with his wife and three young children.

In 1985, Bailey Camden is desperate for new opportunities. Fresh out of rehab, the former party girl and interior designer is homeless, jobless, and penniless. Two generations ago, Bailey's grandfather was the ward of famed architect Theodore Camden. But the absence of a genetic connection means Bailey won't see a dime of the Camden family's substantial estate. Instead, her -cousin- Melinda--Camden's biological great-granddaughter--will inherit almost everything. So when Melinda offers to let Bailey oversee the renovation of her lavish Dakota apartment, Bailey jumps at the chance, despite her dislike of Melinda's vision. The renovation will take away all the character and history of the apartment Theodore Camden himself lived in . . . and died in, after suffering multiple stab wounds by a madwoman named Sara Smythe, a former Dakota employee who had previously spent seven months in an insane asylum on Blackwell's Island.

One hundred years apart, Sara and Bailey are both tempted by and struggle against the golden excess of their respective ages--for Sara, the opulence of a world ruled by the Astors and Vanderbilts; for Bailey, the free-flowing drinks and cocaine in the nightclubs of New York City--and take refuge and solace in the Upper West Side's gilded fortress. But a building with a history as rich--and often tragic--as The Dakota's can't hold its secrets forever, and what Bailey discovers in its basement could turn everything she thought she knew about Theodore Camden--and the woman who killed him--on its head.

With rich historical detail, nuanced characters, and gorgeous prose, Fiona Davis once again delivers a compulsively readable novel that peels back the layers of not only a famed institution, but the lives --and lies--of the beating hearts within.

After reading her second novel, Fiona Davis has become one of my new favorite historical fiction writers. In The Address, Davis expertly weaves two women’s lives and the history of a landmark residence, The Dakota, in New York City. The lives of two women from the 1880s and the 1980s are woven together as the mystery behind The Dakota unfolds. The Address begins in 1985 when Bailey Camden, heir without genetic proof to The Dakota’s architect, is released from rehab and reenters the world, ready to make something of herself. The famed residential hotel, The Dakota, has fallen into disrepair, and Bailey, who is trying to reestablish herself as an interior designer, wants to learn more about the history behind the building. The narrative weaves in and out of Bailey Camden’s discovery of the history of The Dakota while exploring Sara Smythe’s connection with the residence.

For me, Sara Smythe’s part of the story was the most interesting. I have a soft spot for stories about women who rise from the bottom to become more than they ever dreamed of becoming. Sara, when we first meet her, is a hotel manager in England who saves the life of an architect’s daughter. Theodore Camden, the architect, offers her a position at the residential hotel he has built in New York City. The attraction between Sara and Theodore is immediate right from the start, and that relationship develops over the course of the novel. The twists and turns at the end of her story were a little unexpected and thrilled me. It’s revealed at the beginning of the novel that Sara stabbed Theodore, but the true thrill are all of those little events that lead up to that event. However, I felt like Bailey’s desire for a fresh start and her refusal to compromise herself tied the lives of both women and tied the story together, because no matter the hundred years between them and no matter the different social structures, both women faced similar struggles and strove to overcome them.

Overall, this is an enjoyable historical fiction novel. For the first third of it, I felt like the story was weighed down by the amount of research and detail in the set up, but that detail redeems itself when the story does pick up and become difficult to put down. I’ve already hand-sold this and her previous novel, The Dollhouse, to some of my customers looking for new historical fiction recommendations, so if you enjoy fiction about women who overcome their struggles and enjoy historical fiction set in New York City, The Address comes highly recommended!

Thanks to Netgalley and Dutton/Penguin for a review copy! All opinions are my own.

BOOK REVIEW: The Good People, by Hannah Kent

BOOK REVIEW: The Good People, by Hannah KentTitle: The Good People by Hannah Kent
Published: September 19th 2017
Genres: Historical
Pages: 464
Format: eBook
Source: Netgalley

Shorlisted for theWalter Scott Prize for Historical Fiction
From the author of Burial Rites, "a literary novel with the pace and tension of a thriller [that] takes us on a frightening journey towards an unspeakable tragedy" (Paula Hawkins, bestselling author of The Girl on the Train)
Hedged in by gossip and joined by their desperation, three women in nineteenth-century Ireland are drawn together in the hope of rescuing a child from a superstitious community, determined to rid itself of the strange and unknowable. Bereft after the loss of her husband, Nora finds herself alone and caring for her young grandson Micheal--a boy whom she recalls as having been a happy and healthy infant but now, in the wake of both his mother's and grandfather's deaths, can neither speak nor walk. Mary, a servant girl from more rural parts, comes to the valley to help Nora just as the rumors are spreading: the talk of unexplained misfortunes and illnesses, and the theory that deformed Micheal is a changeling, a fairy child to blame for the bad luck the valley has endured since his arrival.
Determined to banish the evil in Micheal, Nora and Mary enlist the help of the elderly Nance, a recluse and wanderer once revered by her neighbors for her healing powers, but now condemned as a fraud and a threat by the new priest in town.
As the trio's situation grows more dire, their folkloric practices become increasingly daring--culminating, at last, in a stunning and irreversible act that will put all their lives in danger. Terrifying, thrilling, and wholly original, THE GOOD PEOPLE is a startling examination of absolute belief and superstition taken to their extremes, of the universal yearning to belong, and of love, both tender and harsh.

 Some folk are forced to the edges by their difference. … But ’tis at the edges that they find their power.

I really, really loved Hannah Kent’s Burial Rites, and I read that when it was Waterstones’s pick of the month. I was swept away by the atmospheric writing and the compelling story, so when I head that Hannah Kent was releasing a new book, I requested it and moved that book to the next spot in my reading list. The Good People is a stellar sophomore novel that weaves together the stories of three women who are involved in the horrific treatment of a child whom the women believe is a fairy changeling in a tiny village in Ireland in 1825.

In the beginning of the novel, Nora’s husband Martin dies, leaving her with her daughter’s four year old son Michael who has an unnamed disability in which he cannot speak and cannot fend for himself. Nora finds it difficult to care for the child and her household as a widow with no family on which she can rely, so she hires a girl named Mary to help with the work. When she can’t handle Michael even with Mary’s help, Nora enlists the help of Nance, the local woman trained in the art of natural healing. With the arrival of the new priest in the village, Nance is beginning to be considered a witch and evil and as a result an outcast, but she attempts to cure Michael to prove her skills to herself and to the village. Each “cure” that these women try become increasingly more dangerous until the final act is horrifically devastating.

The Good People is an atmospheric novel that balances the struggles these three women face in a changing society and the risks they must take in order to survive, no matter how dubious those risks are. It is interesting how Kent uses the tropes of the three women (the crone, the mother, and the virgin) to explore the actions and reactions of these women and the actions and reactions of others to these women. Kent also explores how the ideas of poverty and the lack of education in rural areas and ignite a fiery fear toward anyone who is different or toward the unexplainable. The best part of the novel is the last third, when everything culminates in an emotionally charged trial that showcases the growing rift between the old ways of thinking (believing in fairies, believing in changelings, and a reliance on old folklore, old pagan traditions, and old wives’ tales) and the new (following the Christian tradition and following new medical practices).

The only drawback I found to The Good People is the long set up to get to the more thrilling parts of the story. I felt like a third of the novel focuses on the slow development of Nora and Mary’s experiences with Michael, and a third of the novel focuses on Nance and a fairly long account of her life. At the end, I found this knowledge of their lives enriching to the heartrending trial, but before that, I found myself getting a little bit bored and wondering when the story would ever pick up. If you are turned off by a long build up, this might not be the novel for you. But if you are interested in novels about the experiences of women in certain periods of history, the collision between the old ways and the new, and compelling trials, this is one you you’ll want to add to your reading lists as soon as possible.

An advance readers copy was provided to me for review by Little, Brown & Co. and Netgalley. All opinions are my own.

BOOK REVIEW: Sleeping Giants, by Sylvain Neuvel

BOOK REVIEW: Sleeping Giants, by Sylvain NeuvelTitle: Sleeping Giants by Sylvain Neuvel
Series: Themis Files #1
Published by Del Rey
Published: April 26th 2016
Genres: Science Fiction
Pages: 304
Format: Hardcover
Source: Purchased

A girl named Rose is riding her new bike near her home in Deadwood, South Dakota, when she falls through the earth. She wakes up at the bottom of a square hole, its walls glowing with intricate carvings. But the firemen who come to save her peer down upon something even stranger: a little girl in the palm of a giant metal hand.

Seventeen years later, the mystery of the bizarre artifact remains unsolved—its origins, architects, and purpose unknown. Its carbon dating defies belief; military reports are redacted; theories are floated, then rejected.

But some can never stop searching for answers.

Rose Franklin is now a highly trained physicist leading a top secret team to crack the hand’s code. And along with her colleagues, she is being interviewed by a nameless interrogator whose power and purview are as enigmatic as the provenance of the relic. What’s clear is that Rose and her compatriots are on the edge of unraveling history’s most perplexing discovery—and figuring out what it portends for humanity. But once the pieces of the puzzle are in place, will the result prove to be an instrument of lasting peace or a weapon of mass destruction?

An inventive debut in the tradition of World War Z and The Martian, told in interviews, journal entries, transcripts, and news articles, Sleeping Giants is a thriller fueled by a quest for truth—and a fight for control of earthshaking power.

 If you fall in love with someone, there’s a good chance the person won’t love you back. Hatred, though, is usually mutual. If you despise someone, it’s pretty much a given they’re also not your biggest fan.

Sylvain Neuvel’s Sleeping Giants is the story of a girl named Rose who falls into a pit in the middle of the earth in South Dakota, and when she wakes up, she discovers a piece that’s part of a very large robot. Told through a series of interviews, we see from different perspectives the discovery of more of those robot parts and the dawning realization that there is no possible way that humans built this thing. The question remains – who did? Where did this robot’s creators originate? Why was Earth chosen as a destination point for this machine? Are there more?

I enjoyed the style of this book. It reads quickly, and I was constantly turning the pages to see what happened next. The biggest frustration, and it seems relatively minor in the grand scheme of things, in reading stories through the eyes of interviews, articles, and detached narratives are that we’re forced to piece together what happens behind the scenes and who these characters are in relation to the story at hand. When the interviews jump ahead in time by months or years or whatever, I was left wanting to know more about the in-between times, which isn’t a bad thing in the end, because the jumps kept the story moving forward and I don’t think anyone wants a 700+ book of interviews detailing every exact thing. I just enjoyed Neuvel’s world-building so much that I wanted that extra stuff. I’ve got the sequel ready to go, so I’m hoping for more greatness!

It’s billed as something for fans of The Martian, but I think it’s more in line with Pacific Rim and any other machina science fiction. For a debut novel, I was impressed with Neuvel’s scope in his world-building, detail, and character development. It’s a solid novel that feels like it’s been written by someone who has been doing this sort of writing for a long time. I really enjoyed it, and I think it’s a thrilling read for people who love science fiction and for people who love a good thriller.