FIRST CHAPTER, FIRST PARAGRAPH: The Gentleman, by Forrest Leo

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First Chapter, First Paragraph Tuesday is hosted by Bibliophile By the Sea!

I received Forrest Leo’s The Gentleman in a Muse Monthly box a few months ago, and I still haven’t gotten around to reading it. Oops. The Gentleman is Leo’s debut novel, and is about a Lionel Savage, a popular poet in Victorian London, who has discovered he has no money, marries a woman for her money, and realizes he does not love his wife because his muse has left him. The description on the inside cover says that Lionel believes he meets the dark lord/devil at a party, and once Lionel’s wife disappears he believes he accidentally sold her to the devil himself. After his wife’s disappearance, Lionel, with some help along the way, plans a rescue mission to Hell to rescue her.

One: In Which I Find Myself Destitute & Rectify Matters in a Drastic Way

My name is Lionel Savage, I am twenty-two years old, I am a poet, and I do not love my wife. I loved her once, not without cause – but I do not anymore. She is a vapid, timid, querulous creature, and I find after six months of married life that my position has become quite intolerable and I am resolved upon killing myself.

After flipping through several pages after the introduction, this looks like a very well-paced, humorous novel, and I’m excited to start it after I finish up a few of my current reads.

BOOK REVIEW: Lolly Willowes, by Sylvia Townsend Warner

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BOOK REVIEW: Lolly Willowes, by Sylvia Townsend WarnerTitle: Lolly Willowes by Sylvia Townsend Warner, Alison Lurie
Published by New York Review Books Classics
Published: January 1st 1970
Genres: Fiction
Pages: 222
Format: Trade Paper
Source: Purchased
Goodreads

In Lolly Willowes, an ageing spinster rebels against her role as the universal aunt, at everybody's beck and call. How she escapes all that "—to have a life of one's own, not an existence doled out to you by others", is the theme of this story.

 “One doesn’t become a witch to run around being harmful, or to run around being helpful either, a district visitor on a broomstick. It’s to escape all that – to have a life of one’s own, not an existence doled out to by others.”

I don’t remember how I came across this book. I probably came across it in one of my Goodreads TBR adding phases when I look through lists and recommendations and add things. Published by the NYRB, Lolly Willowes follows the story of a young unmarried woman’s life before the Great War until she is older. She’s a spinster who never really wants for more because for so much of her young life she harbors a duty to her father even after his death. It isn’t until many years later that she even attempts to overcome this duty to her father and duty to what she should be like as an unmarried woman in that upper class British society, and even when she does attempt to be herself, she’s still held back for the longest time because in some way, she finds that failing in her sense of duty is somehow failing herself.  She finds freedom, eventually, in a small country town in which she becomes a witch and is befriended by a black cat.

Lolly thinks, late in her life, how important it is to have a room of one’s own in which to be oneself, an idea that comes several years before Virginia Woolf’s famous book. In Lolly Willowes, the idea of witches and paganism are not only a dive into the supernatural but a rebelling against the white, heterosexual, Christian British aristocracy. It was a way in which Lolly could figure herself out without the caging shackles of her old life (as it’s seen when family of Lolly’s come to visit and she’s feeling cagey, even in her old age and even after being free for many years). Lolly’s exploration into witchcraft and the varying levels of it goes against the status quo.

Lolly’s singleness and the singleness of many other women after the Great Wars is due to the fact that there was a shortage of men after World War I. It’s a gruesome thought to realize that so many young, able-bodied men died in a catastrophic war and were a rare sight afterwards. What was society to do with such a surplus of eligible women? Many of these women simply had no place to neatly fit into society because jobs were limited for single women, and not many families could afford to keep those surplus women in their households. So what could one do? Lolly organized her own life, fought for the remainder of her inheritance that her uncle recklessly invested without consent, and sought out a new life for herself among other surplus people (including the elderly, the insinuated homosexual men and women, widows, widowers, and other single people).

lolly willowes - sylvia townsend warner (ph: fairy.bookmother @ instagram)

The novel spoke to me so deeply because I identified so much with Lolly in her growing up years, and the novel has become a reminder to me that I’m not the only one who’s felt this way and that I’ve got it in me to be myself. I’m thankful for an education and supportive people to help me realize that my sense of duty is only to myself (because no one else is responsible for me but me) much earlier than Lolly realizes. We’re sort of raised to believe that women should be wives and mothers and have no other higher aspirations because that “should be” the highest aspiration, but the women who do otherwise are thought of differently.

It’s not to say that there is anything wrong with a sense of duty. A sense of duty is what drives most of us to do what we do, no matter what it is. It is, however, a good idea to examine every now and then where that sense of duty comes from and what it means in conjunction with your own happiness. Lolly Willowes made me think about it more, and I hope, if you’re interested in feminist literature, it might do the same for you.

BOOK REVIEW: Dust and Shadow, by Lyndsay Faye

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BOOK REVIEW: Dust and Shadow, by Lyndsay FayeTitle: Dust and Shadow: An Account of the Ripper Killings by Dr. John H. Watson by Lyndsay Faye
Published by Simon & Schuster
Published: April 2nd 2015
Genres: Fiction, Historical, Retellings
Pages: 336
Format: Trade Paper
Source: Purchased
Goodreads

From the gritty streets of nineteenth century London, the loyal and courageous Dr. Watson offers a tale unearthed after generations of lore: the harrowing story of Sherlock Holmes’s attempt to hunt down Jack the Ripper.
As England’s greatest specialist in criminal detection, Sherlock Holmes is unwavering in his quest to capture the killer responsible for terrifying London’s East End. He hires an “unfortunate” known as Mary Ann Monk, the friend of a fellow streetwalker who was one of the Ripper’s earliest victims; and he relies heavily on the steadfast and devoted Dr. John H. Watson. When Holmes himself is wounded in Whitechapel during an attempt to catch the savage monster, the popular press launches an investigation of its own, questioning the great detective’s role in the very crimes he is so fervently struggling to prevent. Stripped of his credibility, Holmes is left with no choice but to break every rule in the desperate race to find the madman known as “the Knife” before it is too late.
A masterly re-creation of history’s most diabolical villain, Lyndsay Faye’s debut brings unparalleled authenticity to the atmosphere of Whitechapel and London in the fledgling days of tabloid journalism and recalls the ideals evinced by Sir Arthur Conan Doyle’s most beloved and world-renowned characters. Jack the Ripper’s identity, still hotly debated around the world more than a century after his crimes were committed, remains a mystery ripe for speculation. Dust and Shadow explores the terrifying prospect of tracking a serial killer without the advantage of modern forensics, and the result is a lightning-paced novel brimming with historical detail that will keep you on the edge of your seat.

 As he passed a hand over his eyes, I recalled the he could not have slept more than twenty hours in the last seven days. For the first time since I had known him, Sherlock Holmes appeared to be exhausted by work rather than inaction.

“Because if I am right,” he murmured, “I haven’t the first idea what to do.”

Lyndsay Faye’s debut novel Dust and Shadow imagines what it might be like if Sherlock Holmes and John Watson investigated and solved the Jack the Ripper murders. While she tackles some of the more sensitive issues regarding women and people who are not well-off white men, Faye brings to life that Holmesian Victorian London as if Doyle himself might have imagined. The details of day-to-day life are so vivid and believable that there were times while I was reading this that I forgot it was a pastiche.

This novel is a bit slow at first and really takes about a third of the novel to get to the really interesting bits, but once you’ve hit that mark, the story sweeps you away. Holmes is our cynical, cold, cerebral detective, and Watson is our devoted and daring narrator. Faye’s Watson illuminates the humanity of every character in the novel and develops them well. The addition of Mary Ann Monk, a prostitute who proves herself to Holmes and Watson to be “a woman of extraordinary fortitude. Compared to Doyle’s historically sexist and racist writing, Faye’s Victorian England and the characters intertwined are presented in a more modern and humanist light that I found refreshing, daring, and forward.

While I have read many historical documents and fictional narratives surrounding the Jack the Ripper murders, I found Faye’s (and Holmes’s and Watson’s) deductions and conclusions regarding the murderer to be enlightening, engaging, and well-researched.

As usual, we readers are seeing the story unfold through Watson’s eyes and Watson’s pen, so there are times when we should question Watson and his presentation. Did things happen so neatly as Watson writes them out to be? Watson, when writing these narratives, already knows the end and the resolution, so are any of the details exaggerated or changed to fit a narrative? And there are times when Watson and ourselves as readers have no clue what Holmes is about to do, and that’s what I think really drives this story (and any good Sherlock Holmes story).  Holmes already knows the answers, but we need to know them, even if “on occasion his dictatorial glibness grated upon [our] nerves.” But that’s what keeps us reading until the very end.

If you enjoy Sherlock Holmes in any form, find Jack the Ripper fascinating, or just like a good murder mystery, pick Faye’s novel up immediately.

Faye has a collection of Sherlock Holmes short stories coming out in early 2017, so I’m looking forward to reading more of her Holmesian mysteries.

BOOK REVIEW: This Savage Song, by Victoria Schwab

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BOOK REVIEW: This Savage Song, by Victoria SchwabTitle: This Savage Song by Victoria Schwab
Series: Monsters of Verity #1
Published by Greenwillow Books
Published: July 5th 2016
Genres: Young Adult, Fantasy
Pages: 427
Format: Hardcover
Source: Purchased
Goodreads

There’s no such thing as safe.
Kate Harker wants to be as ruthless as her father. After five years and six boarding schools, she’s finally going home to prove that she can be.
August Flynn wants to be human. But he isn’t. He’s a monster, one that can steal souls with a song. He’s one of the three most powerful monsters in a city overrun with them. His own father’s secret weapon.
Their city is divided.
Their city is crumbling.
Kate and August are the only two who see both sides, the only two who could do something.
But how do you decide to be a hero or a villain when it’s hard to tell which is which?

 You wanted to feel alive, right? It doesn’t matter if you’re monster or human. Living hurts.

I really enjoyed this book. Victoria Schwab has quickly risen to be one of those authors that I’ll auto-buy anything she writes. This Savage Song is set in a post-apocalyptic North America in which humans and monsters are separated by a literal divide. August and his siblings are monsters who use musical abilities to wreak havoc against their enemies, and Kate and her father are humans who are on the opposing side of monsters. August is sent across the border to get to know Kate, and instead of becoming enemies, the two become friends.

There are things I didn’t really enjoy but I know, in the end, are acceptable and understandable in the grand scheme of the narrative. The first fifth of this book was a little slow for me (and I wondered if I was going to even like it, but then it got unputdownable) and Kate is very similar to other main female characters in Schwab’s other novels (her snark seems almost forced and goes against her character for a bit of the novel). I think for a world that’s unfamiliar it’s good to have a little bit of a build-up with a slower beginning, and it’s perfectly understandable to have a signature sort of character.

The idea of August’s weapon music through his violin is amazing, and I can’t wait to see how that develops in the sequel. I also really enjoyed that the two main characters weren’t romantic in any way. I find that refreshing in the sense that so many books geared for YA audiences seem overly focused on romance instead of friendship, and friendship is a very important aspect of anyone’s life. The horror aspect of the monsters gave me the shivers and added a depth to the terror rising throughout.

It’s not an entirely new type of story in the world of YA fantasy, but it bends expectations and thrilled me while reading it, and it earns a solid recommendation from me.

BOOK REVIEW: The Whale: A Love Story, by Mark Beauregard

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BOOK REVIEW: The Whale: A Love Story, by Mark BeauregardTitle: The Whale: A Love Story by Mark Beauregard
Published by Viking
Published: June 14th 2016
Genres: Fiction
Pages: 288
Format: Hardcover
Source: Library
Goodreads

A rich and captivating novel set amid the witty, high-spirited literary society of 1850s New England, offering a new window on Herman Melville’s emotionally charged relationship with Nathaniel Hawthorne and how it transformed his masterpiece, Moby-Dick   In the summer of 1850, Herman Melville finds himself hounded by creditors and afraid his writing career might be coming to an end—his last three novels have been commercial failures and the critics have turned against him. In despair, Melville takes his family for a vacation to his cousin’s farm in the Berkshires, where he meets Nathaniel Hawthorne at a picnic—and his life turns upside down.  The Whale chronicles the fervent love affair that grows out of that serendipitous afternoon. Already in debt, Melville recklessly borrows money to purchase a local farm in order to remain near Hawthorne, his newfound muse. The two develop a deep connection marked by tensions and estrangements, and feelings both shared and suppressed.   Melville dedicated Moby-Dick to Hawthorne, and Mark Beauregard’s novel fills in the story behind that dedication with historical accuracy and exquisite emotional precision, reflecting his nuanced reading of the real letters and journals of Melville, Hawthorne, Oliver Wendell Holmes, and others. An exuberant tale of longing and passion, The Whale captures not only a transformative relationship—long the subject of speculation—between two of our most enduring authors, but also their exhilarating moment in history, when a community of high-spirited and ambitious writers was creating truly American literature for the first time.

I love reading fictional works about author’s lives, I can’t help it. It’s like literary gossip magazines, and I eat it like candy. Aside from knowing a little bit about Nathaniel Hawthorne’s life due to early American literature courses and my own delving for the science fiction course I taught this semester, I had basically no clue about Hawthorne’s relationship with Herman Melville. Mallory’s review at Goodreads pretty much sums up my reaction to the novel in the end: “Never in my WHOLE LIFE did I expect to be breathlessly swept along like if they don’t kiss I am going to die over Herman Melville and Nathaniel Hawthorne, but here we are.”

The most incredible thing about the novel is that in the novel Herman Melville’s letters to Hawthorne are like 98% real. Obviously with historical fiction, liberties are taken and there are about two letters that have been added to or fabricated, but the rest of Melville’s passion in any capacity for Hawthorne is clearly evident. Most, if not all, of Hawthorne’s letters to Melville don’t exist anymore, but Beauregard does an excellent job of filling in the gaps.

Until this novel, I thought of Hawthorne and Melville as part of those stuffy early American authors that lead stuffy lives and wrote convoluted, dense novels, but now more than ever I want to read Moby Dick and Hawthorne’s major novels that he wrote before, during, and after this brief period of their lives. It’s magical, and sometimes historical context means everything.