fiction

BOOK REVIEW: Into the Water, by Paula Hawkins

- Meg
BOOK REVIEW: Into the Water, by Paula HawkinsTitle: Into the Water by Paula Hawkins
Published by Riverhead Books
Published: May 2nd 2017
Genres: Fiction
Pages: 386
Format: Trade Paper
Source: Publisher
Goodreads

A single mother turns up dead at the bottom of the river that runs through town. Earlier in the summer, a vulnerable teenage girl met the same fate. They are not the first women lost to these dark waters, but their deaths disturb the river and its history, dredging up secrets long submerged.
Left behind is a lonely fifteen-year-old girl. Parentless and friendless, she now finds herself in the care of her mother's sister, a fearful stranger who has been dragged back to the place she deliberately ran from—a place to which she vowed she'd never return.
With the same propulsive writing and acute understanding of human instincts that captivated millions of readers around the world in her explosive debut thriller, The Girl on the Train, Paula Hawkins delivers an urgent, twisting, deeply satisfying read that hinges on the deceptiveness of emotion and memory, as well as the devastating ways that the past can reach a long arm into the present.
Beware a calm surface—you never know what lies beneath.

 Some say the women left something of themselves in the water; some say it retains some of their power, for ever since then it has drawn to its shores the unlucky, the desperate, the unhappy, the lost. They come here to swim with their sisters.

This summer I am participating in Book Sparks‘s Summer Reading Challenge, and the first book of the summer is Paula Hawkins’s Into the Water. I have been eagerly waiting to read this after reading The Girl on the Train last year, and I feel like she met my expectations with her sophomore novel. Into the Water is a slower-paced novel compared to the runaway feeling that I got while reading The Girl on the Train, and I think that the pace and atmosphere of each book fits the title. Into the Water unfolds slowly through multiple perspectives and all of the details float around until the final few chapters when everything comes together.

Into the Water‘s strength lies not in the driving force of the plot but in its undercurrent. The main plot revolves around the death of a single mother in a pool of water in which other women throughout the town’s history have also died. To me, the most interesting aspect of this novel is the history of that pool and the stories of the women who died there. I would have loved for the novel to revolve more around the histories of those women because their stories were nuanced, engaging, and compelling. I wanted to know more about the lives of those women and what led to their downfalls.

The major drawback for me in this novel are the narrators. I felt like there were too many narrators (eleven! I wrote the names down to keep track of them, and I’ve never felt like I’ve had to do that before), and that many narrators lead to a jumpy, sometimes jarring plot. I like stories with multiple perspectives, and I think eleven narrators can work if it’s a longer book or a longer series, but when a book is less than four-hundred pages, I find that eleven narrators eventually blur and lose their distinctions.

Overall, this is a solid read for me, and I breezed through it on a lovely spring day with my cat on my lap on our deck.

An advance reader’s copy was sent to me on behalf of Riverhead Books and Book Sparks for my honest opinion.

BOOK REVIEW: Moby-Dick, by Herman Melville

- Meg

BOOK REVIEW: Moby-Dick, by Herman MelvilleTitle: Moby-Dick; or, The Whale by Herman Melville
Published by Modern Library
Published: October 18th 1851
Genres: Classics, Fiction
Pages: 896
Format: Trade Paper
Source: Purchased
Goodreads

First published in 1851, Melville's masterpiece is, in Elizabeth Hardwick's words, "the greatest novel in American literature." The saga of Captain Ahab and his monomaniacal pursuit of the white whale remains a peerless adventure story but one full of mythic grandeur, poetic majesty, and symbolic power. Filtered through the consciousness of the novel's narrator, Ishmael, Moby-Dick draws us into a universe full of fascinating characters and stories, from the noble cannibal Queequeg to the natural history of whales, while reaching existential depths that excite debate and contemplation to this day.
The Modern Library Classics edition contains original illustrations by Rockwell Kent.
Introduction by Elizabeth Hardwick.

 There are certain queer times and occasions in this strange mixed affair we call life when a man takes this whole universe for a vast practical joke, though the wit thereof he but dimly discerns, and more than suspects that the joke is at nobody’s expense but his own.

What can I say about Moby-Dick that hasn’t been said already? If you would have told me several years ago that I’d read this book out of pure curiosity rather than out of obligation for an assignment or something, I probably wouldn’t have believed you. It’s been on the peripheral to-read list forever simply because it’s considered one of the greatest American novels, and I probably would have read it just for that alone, but after discovering some of the history behind the novel and about the author, I had to read it for myself.

From the beginning, I was drawn into Ishmael’s recount of his adventures in pursuit of the great white whale, drawn into Ishmael’s deep friendship with Queequeg (to the point of me asking myself is this actually happening several times, especially when Ishmael and Queequeg lounged in bed with legs thrown over each other’s), and drawn into Captain Ahab’s nautical quest to dominate a perceivably indomitable whale.

I can just imagine Ishmael scribbling this narrative out on the ship by oil lamp, during the drudgeries of the day-to-day ship life. Technically, he probably didn’t, if you really want to get into semantics, but the idea of a man in that white-hot writing groove writing about whales and ship life and Ahab’s history and all of the things one does on a ship in the middle of a vast ocean is more thrilling than I could have ever imagined it to be.

And, honestly, I think I read it at a pertinent time in my life. Had I read it before I learned the history of the narrative, the novel, the American novel, religion and its function in the American novel, the personal lives of Melville (and by extension Hawthorne), and postmodernism (and one can argue whether or not this novel is considered postmodern, but it’s different than anything else I’ve read from the time period and knowing how postmodernism works in a literary setting adds to my own consumption and enjoyment of the novel on some level because its lucidity is very much like James Joyce’s style), I probably wouldn’t have appreciated it as much as I do now. It’s a hefty novel, a undertaking, but it’s so incredibly worth it.

BOOK REVIEW: A Darker Shade of Magic, by V.E. Schwab

- Meg

BOOK REVIEW: A Darker Shade of Magic, by V.E. SchwabTitle: A Darker Shade of Magic by V.E. Schwab
Series: Shades of Magic #1
Published by Tor Books
Published: February 24th 2015
Genres: Fantasy
Pages: 400
Format: Hardcover
Source: Purchased
Goodreads

Kell is one of the last travelers--magicians with a rare, coveted ability to travel between parallel universes connected by one magical city.
There's Grey London, dirty and boring, without any magic, and with one mad King--George III. Red London, where life and magic are revered--and where Kell was raised alongside Rhy Maresh, the roguish heir to a flourishing empire. White London--a place where people fight to control magic and the magic fights back, draining the city to its very bones. And once upon a time, there was Black London. But no one speaks of that now.
Officially, Kell is the Red traveler, ambassador of the Maresh empire, carrying the monthly correspondences between the royals of each London. Unofficially, Kell is a smuggler, servicing people willing to pay for even the smallest glimpses of a world they'll never see. It's a defiant hobby with dangerous consequences, which Kell is now seeing firsthand.
Fleeing into Grey London, Kell runs into Delilah Bard, a cut-purse with lofty aspirations. She robs him, saves him from a deadly enemy, and finally forces Kell to spirit her to another world for a proper adventure.
Now perilous magic is afoot, and treachery lurks at every turn. To save all of the worlds, they'll first need to stay alive.

 Some thought magic came from the mind, others the soul, or the heart, or the will. But Kell knew it came from the blood.

Blood was magic made manifest. There it thrived. And there it poisoned. Kell had seen what happened when power warred with the body, watched it darken in the veins of corrupted men, turning their blood from crimson to black. If red was the color of magic in balance—of harmony between power and humanity—then black was the color of magic without balance, without order, without restraint.

As an Antari, Kell was made of both, balance and chaos; the blood in his veins, like the Isle of Red London, ran a shimmering, healthy crimson, while his right eye was the color of spilled ink, a glistening black.

I feel like there are so many reviews and praise of this book everywhere that I am going to make a list of all the things I like about this book.

  1. The writing. It’s concise, sharp, witty, and engaging. Sometimes I feel like I’m reading a book word for word, but Schwab manages to make reading absolutely effortless and a heck of a lot of fun.
  2. LONDON. Like I mentioned in my last post, if there’s a book set in London, I’m sold, please give it to me to read, and this series has FOUR LONDONS. FOUR!!! The world building never seemed confusing to me, didn’t seem forced, and I found it one of the most effortlessly magical worlds built in my recent reading experiences!
  3. Kell’s magical coat. I want a coat with that many sides and that many pockets. Just think of the snacks and books I could carry with me if I had a coat like that??
  4. Lila’s lifelong dream of being a pirate. Who doesn’t want to be a pirate?! And her missing eye? Is she possibly an Antari?? omg
  5. It’s violent and stabby and bloody.
  6. The magic. It seems simple and not very complex on the surface, but by the end of this, I feel like so much more can be explored in the scope of the magic, and I hope it is in the rest of the trilogy!
  7. The characters. They’re so varied and engaging and sassy and everything I like to find in a cast of characters.

I waited to read the second until the third one was released, and now that I have all three, I’m reading the rest of the trilogy this year! It’s an incredibly hyped trilogy, but I find it’s well deserving of the hype it receives.

BOOK REVIEW: The Last Days of Magic, by Mark Tompkins

- Meg

BOOK REVIEW: The Last Days of Magic, by Mark TompkinsTitle: The Last Days of Magic by Mark Tompkins
Published by Viking
Published: March 1st 2016
Genres: Fantasy
Pages: 400
Format: Trade Paper
Source: Goodreads
Goodreads

An epic novel of magic and mysticism, Celts and faeries, mad kings and druids, and the goddess struggling to reign over magic’s last outpost on the Earth
What became of magic in the world? Who needed to do away with it, and for what reasons? Drawing on myth, legend, fairy tales, and Biblical mysteries,
The Last Days of Magic
 brilliantly imagines answers to these questions, sweeping us back to a world where humans and magical beings co-exist as they had for centuries.
Aisling, a goddess in human form, was born to rule both domains and—with her twin, Anya—unite the Celts with the powerful faeries of the Middle Kingdom. But within medieval Ireland interests are divided, and far from its shores greater forces are mustering. Both England and Rome have a stake in driving magic from the Emerald Isle. Jordan, the Vatican commander tasked with vanquishing the remnants of otherworldly creatures from a disenchanted Europe, has built a career on such plots. But increasingly he finds himself torn between duty and his desire to understand the magic that has been forbidden.
As kings prepare, exorcists gather, and divisions widen between the warring clans of Ireland, Aisling and Jordan must come to terms with powers given and withheld, while a world that can still foster magic hangs in the balance. Loyalties are tested, betrayals sown, and the coming war will have repercussions that ripple centuries later, in today’s world—and in particular for a young graduate student named Sara Hill.

The Last Days of Magic
 introduces us to unforgettable characters who grapple with quests for power, human frailty, and the longing for knowledge that has been made taboo. Mark Tompkins has crafted a remarkable tale—a feat of world-building that poses astonishing and resonant answers to epic questions.

 Mark Tompkins’ The Last Days of Magic is about the Celts and the old days of magic before it supposedly disappeared from the world. Aisling and Anya, twin girls, were born to unite the Celts with the faeries of the Middle Kingdom. And while the clans of Ireland fight against each other, England and Rome want to drive the magic out of the Emerald Isle. War looms on the horizon, and political tensions twist and stretch among allies and enemies.

I really liked the concept of this book. I expected a story full of history of the Emerald Isle, the warring clans of Ireland, the threats of invasion from Rome and England, and I feel like I got that, for the most part. Sometimes I felt like the history was explained and told to me rather than shown throughout the narrative, and sometimes I felt like it helped me understand the story a little bit better.

However, the thing that bothered me the most about this story was actually the prologue and the epilogue. In the prologue and epilogue, we find out that a young woman named Sara Hill has some family secrets that she is just discovering from her grandmother, and while en route to escaping with some documents that important people have been after for centuries, something happens to her (I don’t want to spoil it too much). I felt like none of that truly tied in with the story at hand until the very end when I realized that most of this book is just a prelude to a potential, as-of-yet unannounced sequel. I feel like this story could have easily stood on its own without the prologue and epilogue or could have incorporated more of Sara’s story through alternating chapters of the past and Sara’s present.

I did enjoy reading it, and I’ve always loved stories set in old Ireland, old England, and old Scotland because I find those histories so amazing and complex, so I was very pleased to see such a well-researched concept explored in this book. I think it’ll be great for anyone who has either a passing interest in the magical history of Ireland and anyone who enjoys historical fiction infused with magic. The mythology is entwined with history so well that this story about the last days of magic is very believable.

Thank you to Viking and Goodreads for an advance copy of this book! All opinions are my own.

BOOK REVIEW: The Devourers, by Indra Das

- Meg

BOOK REVIEW: The Devourers, by Indra DasTitle: The Devourers by Indra Das
Published by Del Rey Books
Published: July 12 2016
Genres: Fantasy
Pages: 306
Format: Trade Paper
Source: Goodreads
Goodreads

 Yes, you looked at me and I wished you were not human, that I could cleave your soul in two and watch your second self emerge, a beast as lovely as your first.

I received this book last year as part of a Goodreads giveaway, and am just now getting around to reading it and reviewing it. I’m making a serious effort to reading and reviewing those review copies I get, and I feel like I read this at just the right time. I started it last year when I received it but couldn’t get into it the way I had hoped. Sometimes we just have to wait for the right moment to read something!

Anyway, I was initially interested in this book because The Devourers draws comparisons to Margaret Atwood and Neil Gaiman, two of my favorite authors, and I can see why it does. The Devourers is a violent, fantasy-infused exploration into India’s shapeshifting mythology. If you are turned off by graphic mentions of violence and rape, then this might not be the read for you, but if you can stomach that sort of thing, then this might be something to consider picking up! Das explores concepts of gender identity and expression in The Devourers, and this exploration becomes really apparent in the last third of the book.

The thing that bothered me the most was the rape and then the constant referral later on to the act. It felt like a third of the book just kept constantly referring to it in a very weird way, as if it affected the shapeshifter who did the act more rather than the woman who experienced it. I did like, however, that the woman brought up her assault every time the man who attacked her tried to dismiss his behavior. It’s difficult to talk about, in real life and in books, and I think once I got to the end, I liked how Das wove it into the story.

It’s a very interesting story, very much a fairytale that explores the deepest, darkest parts of humanity, and once it’s done sweeping you away, it leaves you with a lot to think about.

Thank you to Del Rey and Goodreads for a copy of this book to read and review! All opinions are my own.