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BOOK REVIEW: Norse Mythology, by Neil Gaiman

- Meg

BOOK REVIEW: Norse Mythology, by Neil GaimanTitle: Norse Mythology by Neil Gaiman
Published by W. W. Norton & Company
Published: February 7th 2017
Genres: Fiction, Mythology
Pages: 304
Format: eBook
Source: Netgalley
Goodreads

In their huge bedroom that night, Tyr said to Thor, “I hope you know what you are doing.”

“Of course I do,” said Thor. But he didn’t. He was just doing whatever he felt like doing. That was what Thor did best.

In the introduction to Norse Mythology, Neil Gaiman writes that he went straight to the sources for his retellings of these myths, the Prose Edda and the Poetic Edda. He interjects his own style of writing into retelling the old myths and brings new life into the stories. Norse Mythology is a great introduction as well as being an invigorating new look into tales for those who are already familiar with them. The stories are also perfect for reading aloud, and you don’t have to read them in order to really get full enjoyment out of them. I’m certainly going to be borrowing the audio book from the library so I can listen to Gaiman read them to me.

I was, however, expecting some kind of Gaiman-esque twist or one of his signature dives into the weird, so if that’s something you’re expecting out of this, be aware that it’s exactly what it says on the tin. It’s Norse mythology told to us by one of our greatest storytellers. The stories themselves are dark and gruesome and at times very funny, and I couldn’t think of a more popular writer to make these tales accessible to everyone.

Reading this was a perfect start to a new year. It feels both old and new at the same time, a talent Gaiman possesses and shows in many of his works. It’s ethereal, dangerous, and so much fun. It was sometimes difficult not to imagine Thor and Loki’s dialogue in their Marvel counterparts and that made me giggle out loud sometimes.

My favorite part was probably the introduction. While reading it, I could thoroughly understand that Neil Gaiman loves Norse mythology (it’s seen in many of his other works like Sandman and American Gods). As he writes in his introduction:

… the Norse gods came with their own doomsday: Ragnarok, the twilight of the gods, the end of it all. The gods were going to battle the frost giants, and they were all going to die.

Had Ragnarok happened yet? Was it still to happen? I did not know then. I am not certain now.

It was the fact that the world and the story ends, and the way that it ends and is reborn, that made the gods and the frost giants and the rest of them tragic heroes, tragic villains. Ragnarok made the Norse world linger for me, seem strangely present and current, while other, better-documented systems of belief felt as if they were part of the past, old things.

Norse mythology, and stories of Vikings and the like, always felt atmospheric to me. Of chilly and foggy springs and autumns, endless and gorgeous summer days, snowy winters; of gatherings of people in long halls with endless feasts and drinking; of stories and songs told and sung around fires, the passing on of knowledge through the rhythm of words. Neil Gaiman brings that to life in Norse Mythology, and I’m hoping he’ll do more like this or even write an extended tale of Norse inspiration like his fairy tale Stardust.

Thank you to Netgalley and W.W. Norton for a review copy! All quotes are from an uncorrected proof, and all opinions are my own.

BOOK REVIEW: To Capture What We Cannot Keep, by Beatrice Colin

- Meg

BOOK REVIEW: To Capture What We Cannot Keep, by Beatrice ColinTitle: To Capture What We Cannot Keep by Beatrice Colin
Published by Flatiron Books
Published: November 29th 2016
Genres: Fiction, Historical
Pages: 304
Format: eBook
Source: Netgalley
Goodreads

Set against the backdrop of Paris during la belle époque, Beatrice Colin’s To Capture What We Cannot Keep explores the intertwining lives of two Scottish siblings and their chaperone with Émile Nouguier and Gustave Eiffel during the construction of the Eiffel Tower. This novel is a perfect winter read. It’s a bit sad and melancholy, but it’s got a lot of heart and warmth throughout. Caitriona and Émile’s relationship develops against all odds due to their differences in social status. Émile is expected to marry well and into money, but he falls in love with a woman who is beneath his status and invisible in polite society. Caitriona is a widow who takes the job of chaperoning Alice Arrol and, effectively, Alice’s brother Jamie as they finish themselves in a Grand Tour. Caitriona and Émile meet briefly in a hot air balloon and cannot stop thinking about each other after Caitriona leaves Paris.

While Alice and Jamie seemed underdeveloped (and Jamie seemed to be referred to by his last name that led to some confusion for awhile), Caitriona and Émile captured me from the beginning, and I couldn’t wait to see where the story took them. Alice and Jamie return to Paris to partake in secret relationships of their own while Caitriona’s relationship develops with Émile.

The background details shone and helped illustrate the emotions and thoughts of the characters. It’s good to know about this era before reading it, or to know about the customs and secret languages of men and women during the mid- to late- 1800s, because there is so much telling in the details. In the last quarter of the book, Caitriona’s chaperoning took a different turn as she seemed to stop chaperoning entirely, even when not actively engaged with Émile. Without giving away spoilers, Jamie was left to do his own thing with little to know consequence, and even Alice’s stumble had a neat resolution that usually does not end up so well for women. I think we learn a little too late about Caitriona’s history with her husband, and some of the more disturbing details seemed to be another thing to take me out of the story for a moment to think about why those details were revealed so late in the novel.

All in all, this is a lovely novel that would read well with a cup of hot cocoa and a snowfall in the depth of winter. If you enjoy reading historical fiction about women in Paris with a little bit of romance sprinkled in, add this to your reading list.

BOOK REVIEW: Slipping, by Lauren Beukes

- Meg

BOOK REVIEW: Slipping, by Lauren BeukesTitle: Slipping: Stories, Essays, & Other Writing by Lauren Beukes
Published by Tachyon Publications
Published: November 29th 2016
Genres: Fiction, Science Fiction
Pages: 288
Format: eBook
Source: Netgalley
Goodreads

In her edgy, satiric debut collection, award-winning South African journalist and author Lauren Beukes (The Shining Girls, Moxyland) never holds back. Nothing is simple and everything is perilous when humans are involved: corruption, greed, and even love (of a sort).
A permanent corporate branding gives a young woman enhanced physical abilities and a nearly-constant highRecruits lifted out of poverty find a far worse fate collecting biohazardous plants on an inhospitable worldThe only adult survivor of the apocalypse decides he will be the savior of teenagers; the teenagers are not amused.
From Johannesburg to outer space, these previously uncollected tales are a compelling, dark, and slippery ride.

 You might think of a city as a map, all knotted up in the bondage of grid lines by town planners. But really, it’s a language—alive, untidy, ungrammatical. The meaning of things rearranges, so the scramble of the docks turns hipster cool while the faded glamor of the inner city gives way to tenement blocks rotting from the inside. It develops its own accent, its own slang. And sometimes it drops a sentence. Sometimes the sentence finds you. And won’t shut up. – from “Ghost Girl”

I’ve had Beukes’s The Shining Girls on my shelf forever. It was on a lot of lists the year it was released, and I found a paperback of that book in a used bookstore, I bought it… and haven’t gotten around to reading it yet. Story of my life. Anyhow, when given the opportunity to read Beukes’s short works, I jumped at the chance. I love short story collections because I feel that short story collections allow the reader to see the wide range of an author’s talent.

Beukes’s writing is acerbic, sharp, and intuitive, and I was drawn in immediately to many of her stories. Slipping is a collection of stories written over about ten years for various other publications, and I would have really liked to have some background information before or after the stories to know when and why each of these stories were written.

My favorite stories were “Princess,” “Exhibitionist,” “Ghost Girl,” and “Dial Tone.” Each of these stories made me whisper what after I finished reading them. Beukes’s writing is at the same time subtle and straightforward. She does not shy away from difficult or terrifying imagery, and she makes you think about why she uses that imagery to explore some weird aspect of human life. Many of her stories cross the genre line between fiction and science fiction, and while a lot of it seems weird at times, it’s also so eerily recognizable. Beukes’s writing asks us why we consider “commonplace” and “everyday” as commonplace and ordinary, because isn’t life weird?

Thank you to Netgalley and Tachyon Publications for a review copy!

BOOK REVIEW: Children of the New World, by Alexander Weinstein

- Meg

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BOOK REVIEW: Children of the New World, by Alexander WeinsteinTitle: Children of the New World: Stories by Alexander Weinstein
Published by Picador
Published: September 13th 2016
Genres: Fiction
Pages: 229
Format: eBook
Source: Netgalley
Goodreads

AN EXTRAORDINARILY RESONANT AND PROPHETIC COLLECTION OF SPECULATIVE SHORT FICTION FOR OUR TECH-SAVVY ERA BY DEBUT AUTHOR ALEXANDER WEINSTEINChildren of the New World introduces readers to a near-future world of social media implants, memory manufacturers, dangerously immersive virtual reality games, and alarmingly intuitive robots. Many of these characters live in a utopian future of instant connection and technological gratification that belies an unbridgeable human distance, while others inhabit a post-collapse landscape made primitive by disaster, which they must work to rebuild as we once did millennia ago.
In “The Cartographers,” the main character works for a company that creates and sells virtual memories, while struggling to maintain a real-world relationship sabotaged by an addiction to his own creations. In “Saying Goodbye to Yang,” the robotic brother of an adopted Chinese child malfunctions, and only in his absence does the family realize how real a son he has become.
Children of the New World grapples with our unease in this modern world and how our ever-growing dependence on new technologies has changed the shape of our society. Alexander Weinstein is a visionary new voice in speculative fiction for all of us who are fascinated by and terrified of what we might find on the horizon.

  “If it’s any consolation,” says tech support, “they won’t feel a thing; they’re just data.”

Alexander Weinstein’s Children of the New World is a fantastic collection of speculative fiction stories. Each of the stories is incredibly engaging and explores different aspects of our future and technology’s integration with our future. Each of the stories also explores the human relationship with technology and the positive or negative effects technology has on our hearts and our society. I rarely read short story collections in which I enjoy every story, and in this case, I enjoyed every single one and am left thinking about each one long after I’ve read it. I’m looking forward to reading more of Weinstein’s work.

My favorite stories are “The Cartographers,” “Children of the New World,” and “Rocket Night,” because they’re immediate and more than once made me think what the fuck, this is going to happen in our immediate future.

The stories are both a nostalgic trip (because it feels like we’ve done this before and will do it again, and there’s a pervading sense of longing) and a warning (because this is our future if we’re not careful, and our future doesn’t look so welcoming).

If you enjoyed Anthony Marra’s The Tsar of Love and Techno, I think you’ll enjoy reading these.

Thank you to Netgalley and Picador for a review copy!

BOOK REVIEW: The Dollhouse, by Fiona Davis

- Meg

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BOOK REVIEW: The Dollhouse, by Fiona DavisTitle: The Dollhouse by Fiona Davis
Published by Dutton
Published: August 23rd 2016
Genres: Fiction
Pages: 304
Format: eBook
Source: Netgalley
Goodreads


"The Dollhouse. . . . That's what we boys like to call it. . . . The Barbizon Hotel for Women, packed to the rafters with pretty little dolls. Just like you."
  Fiona Davis's stunning debut novel pulls readers into the lush world of New York City's glamorous Barbizon Hotel for Women, where a generation of aspiring models, secretaries, and editors lived side-by-side while attempting to claw their way to fairy-tale success in the 1950s, and where a present-day journalist becomes consumed with uncovering a dark secret buried deep within the Barbizon's glitzy past.   When she arrives at the famed Barbizon Hotel in 1952, secretarial school enrollment in hand, Darby McLaughlin is everything her modeling agency hall mates aren't: plain, self-conscious, homesick, and utterly convinced she doesn't belong—a notion the models do nothing to disabuse. Yet when Darby befriends Esme, a Barbizon maid, she's introduced to an entirely new side of New York City: seedy downtown jazz clubs where the music is as addictive as the heroin that's used there, the startling sounds of bebop, and even the possibility of romance.   Over half a century later, the Barbizon's gone condo and most of its long-ago guests are forgotten. But rumors of Darby's involvement in a deadly skirmish with a hotel maid back in 1952 haunt the halls of the building as surely as the melancholy music that floats from the elderly woman's rent-controlled apartment. It's a combination too intoxicating for journalist Rose Lewin, Darby's upstairs neighbor, to resist—not to mention the perfect distraction from her own imploding personal life. Yet as Rose's obsession deepens, the ethics of her investigation become increasingly murky, and neither woman will remain unchanged when the shocking truth is finally revealed.

 Fiona Davis’s The Dollhouse explores two women who live in the famous Barbizon hotel in alternating viewpoints from the 1950s to modern day New York City. When Darby McLaughlin arrives at the Barbizon in 1952, she is nothing like the other girls who live on her floor. The other girls model and are gorgeous and compared to them, Darby is plain and soft-spoken. When she meets Esme, a maid at the hotel, Darby becomes involved in a world she’s only heard about and eventually is involved in a deadly accident. Years later when the hotel has been converted into condos, Rose Lewin, after hearing about the accident involving Darby and Esme, sets out to uncover the history and the secrets between the two women to write an article and she ends up discovering so much more.

I really enjoyed this novel. It’s a breezy read that kept me entertained and left me wanting to know how Darby’s story and Rose’s story intermingled with one another. Davis’s writing explores women who are left to the side in society because they “aren’t enough” to the men in their lives, and each of the women discover who they are through the course of the novel and become stronger for it.

One of my favorite parts of the novel is the contrast between what was expected of women in the 1950s versus what is expected of women in the 2010s. I particularly liked the attention to detail in clothing and attire that women were supposed to wear in the 1950s, like the clothing, the gloves and the hats; and I liked the contrast in the restrictions women had in that time, especially at the Barbizon, to today’s current social climate regarding the freedom of women. I thought it realistically portrayed each woman’s struggle in finding the right job, her purpose in life, and even the right partner, and I loved the similarities in those struggles each woman faced contrasting with the differences in society.

This is an excellent read if you enjoy historical fiction about women in their discovery of self, no matter what time in which they live. I’m looking forward to reading more by Fiona Davis!

Thank you to Netgalley and Dutton Books for the review copy!