Author: Meg

REWIND: Summer 2019

- Meg

Even though the header says “Monthly Rewind,” this installment will cover June, July, and August’s reading! I want to get in the habit of writing more than just review posts to add some variety and hopefully keep me out of a blogging slump. Now that I’m settled in my new place, I have plans in place to organize myself better, and I already have a Monthly Rewind for September in the drafts! I’ll be adding to it throughout the month so I don’t feel like I have to catch up at everything in the last minute.

Over the summer, I read thirty books! I read nine books in June, and in July, I didn’t read for the first half of the month, but I managed to read and finish twelve books. I read nine in August. Ten books is a month is my average, and I do try to shoot for at least that many. However, if I’m busy or just not feeling reading, I’ve been letting myself not read. I’ve been doing the same with social media over the summer as I realized it’s hard to read, want to read, post, and want to post when there’s a lot going on IRL. I needed to give myself space to adjust to the changes. I’m still adjusting, but I’m finding myself in a better frame of mind to get back in the swing of things with my blog and Instagram!

In June, I read:

  • The Very Best of Caitlin R. Kiernan – Caitlin R. Kiernan 3.5/5
  • The Earl Next Door – Amelia Grey 3/5
  • Rouge – Richard Kirshenbaum 3/5
  • Sky in the Deep – Adrienne Young 4/5
  • The Templars – Dan Jones 3.5/5
  • Jane, Unlimited – Kristin Cashore 3/5
  • Not One of Us: Stories of Aliens on Earth – Neil Clarke 4/5
  • The Mere Wife – Maria Dahvana Headley 5/5
  • Of Mice and Men – John Steinbeck 4/5

In July, I read:

  • Off the Grid – Robert B. McCaw 3/5
  • Chaucer’s Tale: 1386 and the Road to Canterbury – Paul Strohm 4/5
  • The Beast’s Heart – Leife Shallcross 4/5
  • Crime and Punishment – Fyodor Dostoyevsky 4.5/5
  • The Dragon Lady – Louisa Treger 4/5
  • The Flatshare – Beth O’Leary 4/5
  • Neuromancer – William Gibson 4/5
  • Cold-Hearted Rake – Lisa Kleypas 3.5/5
  • A Memory Called Empire – Arkady Martine 5/5
  • Annihilation – Jeff VanderMeer 5/5
  • A Conspiracy of Truths – Alexandra Rowland 4.5/5
  • Seafire – Natalie C. Parker 4/5

In August, I read:

  • The Duke is But a Dream – Anna Bennett 3/5
  • We Are All Good People Here – Susan Rebecca White 4/5
  • Love at First Like – Hannah Orenstein 4/5
  • To Kill a Kingdom – Alexandra Christo 4/5
  • Authority – Jeff VanderMeer 5/5
  • Meet Me in the Future: Stories – Kameron Hurley 5/5
  • An Enchantment of Ravens – Margaret Rogerson 5/5
  • Savage Appetites – Rachel Monroe 3/5
  • Rogue Most Wanted – Janna MacGregor 3/5

Overall, I’m really pleased with what I read and the variety of what I read. I’ve been really into medieval history lately and I’ve been picking at a few history books over the summer. Reading historical romance has been one of my personal challenges this year because I dismissed the romance genre as a whole without really understanding what it was about, so I’m learning a lot about the history of the genre and what place it has, and honestly, I’m enjoying it! This year I challenged myself to read more classic SF, which I’m failing at because I had a whole challenge set up and then my life kind of did a whole whirlwind change and that fell to the wayside, and more YA because I keep buying it but not reading enough even to marginally keep up with what I’m buying.

What were some of your favorite books you read this summer?

BOOK REVIEW: Savage Appetites, by Rachel Monroe

- Meg

BOOK REVIEW: Savage Appetites, by Rachel MonroeTitle: Savage Appetites: Four True Stories of Women, Crime, and Obsession by Rachel Monroe
Published by Scribner
Published: August 20th 2019
Genres: Cultural Studies
Pages: 272
Format: ARC
Source: Publisher
Goodreads

A provocative and original investigation of our cultural fascination with crime, linking four archetypes—Detective, Victim, Attorney, Killer—to four true stories about women driven by obsession.

In this illuminating exploration of women, violence, and obsession, Rachel Monroe interrogates the appeal of true crime through four narratives of fixation. In the 1940s, a bored heiress began creating dollhouse crime scenes depicting murders, suicides, and accidental deaths. Known as the “Mother of Forensic Science,” she revolutionized the field of what was then called legal medicine. In the aftermath of the Manson Family murders, a young woman moved into Sharon Tate’s guesthouse and, over the next two decades, entwined herself with the Tate family. In the mid-nineties, a landscape architect in Brooklyn fell in love with a convicted murderer, the supposed ringleader of the West Memphis Three, through an intense series of letters. After they married, she devoted her life to getting him freed from death row. And in 2015, a teenager deeply involved in the online fandom for the Columbine killers planned a mass shooting of her own.

Each woman, Monroe argues, represents and identifies with a particular archetype that provides an entryway into true crime. Through these four cases, she traces the history of American crime through the growth of forensic science, the evolving role of victims, the Satanic Panic, the rise of online detectives, and the long shadow of the Columbine shooting. In a combination of personal narrative, reportage, and a sociological examination of violence and media in the twentieth and twenty-first century, Savage Appetites scrupulously explores empathy, justice, and the persistent appeal of violence.

 Rachel Monroe’s Savage Appetites explores the cultural phenomenon of true crime and how women tend to be drawn to the “genre” even though women are more likely to be victims in true crime “stories.” This was an examination of our society’s fascination with true crime and how that fascination has grown over the years through four case studies. In Savage Appetites, Monroe takes those fascinations of women with true crime and separates them into four general archetypes – detective, victim, attorney, killer.

Through each of these archetypes, Monroe combines thorough research with her own anecdotes to explore what exactly it is that makes true crime so fascinating not only for women but for all of us. While her writing flowed easily and I enjoyed learning what she tied in with her archetypes, I felt that it all fell flat because some of the attitudes were a little negatively skewed toward the women featured in the archetypes. It’s uncomfortable to read unnecessary criticism against women in a book about women, but because I’m not well-read in true crime, maybe that’s something delved into a little more? I’m not sure. For me, when someone is offering cultural insight and criticism, I do want there to be more about what we as a society could do to be better or how it ultimately affects our society to be so interested in an ultimately violent “genre.” What happens when true crime begins being viewed as fiction rather than something that happened to real people? Do we become more desensitized to the violence because we’re beginning to assume it’s fiction and therefore can’t happen to us?

Even though true crime has certainly morphed into a genre, I was hoping for more in Savage Appetites about the implications of calling true crime a genre and ultimately why we’re becoming more and more fascinated with true crime. One more chapter tying the four archetypes together and exploring a result or conclusion would have made me like this a little bit more!

Thank you to Scribner for sending me a complimentary copy to review. All opinions are my own.

BOOK REVIEW: Three Flames, by Alan Lightman

- Meg

BOOK REVIEW: Three Flames, by Alan LightmanTitle: Three Flames by Alan Lightman
Published by Counterpoint LLC
Published: September 3rd 2019
Genres: Fiction
Pages: 205
Format: ARC
Source: Publisher
Goodreads

From the international bestselling author of Einstein’s Dreams comes a deeply compelling story about the lives of a Cambodian family—set between 1973, just before the Cambodian Genocide by the Khmer Rouge—to 2015.

The stories of one Cambodian family are intricately braided together in Alan Lightman’s haunting Three Flames, his first work of fiction in six years.

Three Flames portrays the struggles of a Cambodian farming family against the extreme patriarchal attitudes of their society and the cruel and dictatorial father, set against a rural community that is slowly being exposed to the modern world and its values. A mother must fight against memories of her father’s death at the hands of the Khmer Rouge, and her powerful desire for revenge. A daughter is married off at sixteen to a wandering husband and his domineering aunt; another daughter is sent to the city to work in the factories to settle her father’s gambling debt. A son dreams of marrying the most beautiful girl of the village and escaping the life of a farmer. And the youngest daughter bravely challenges her father so she can stay in school and strive for a better future.

A vivid story of revenge and forgiveness, of a culture smothering the dreams of freedom, and of tradition against courage, Three Flames grows directly from Lightman’s work as the founder of the Harpswell Foundation, a nonprofit organization whose mission is to advance a new generation of female leaders in Cambodia and all of Southeast Asia.

 Alan Lightman’s Three Flames follows the story of a Cambodian family throughout the years told through interwoven chapters from each family member’s point of view. I love family stories that are told throughout the decades, illuminating the secret pains and joys each member of the family harbors. Even though it’s a short book, I found myself thoroughly engaged and involved with the story, and I couldn’t put it down. It’s easy to read in a single sitting or two, and the lives of the characters and the struggles they faced will stick with you and make you think as they did for me.

Three Flames explores the costs and consequences of living in a deeply patriarchal society and the affects that has on both men and women and the roles each are expected to perform. It’s difficult sometimes to reconcile that some of this story is set in the last decade because I, as a white woman living in America, am incredibly privileged and have many more freedoms than the women have in Cambodia today. Lightman’s work and passion with his foundation to assist women in Cambodia shines in this novel, giving a voice to people that many may not have heard about or thought of without having read this. It’s a reminder to us all that oppression against women and others thought of as “lesser” still exists to such extremes (and what we might call outdated ways) today.

Lightman’s use of language and theme is precise, rich, compassionate, and fitting for a novel that delves into difficult realities. It’s well worth looking into, and I haven’t stopped thinking about it since I finished it.

Many thanks to Counterpoint LLC for sending me a complimentary copy to review! All opinions are my own.

BOOK REVIEW: Meet Me in the Future, by Kameron Hurley

- Meg 1 Comment

BOOK REVIEW: Meet Me in the Future, by Kameron HurleyTitle: Meet Me in the Future: Stories by Kameron Hurley
Published by Tachyon Publications
Published: August 20th 2019
Genres: Science Fiction
Pages: 288
Format: ARC
Source: Netgalley
Goodreads

“One of the best story collections of the past few years.” —Booklist, starred review“16 hard-edged pieces that gleam like gems in a mosaic.” —Publishers Weekly, starred review“Kameron Hurley is a badass.” —Annalee Newitz, author of Autonomous

When renegade author Kameron Hurley (The Light Brigade; The Stars Are Legion) takes you to the future, be prepared for the unexpected. Yes, it will be dangerous, frequently brutal, and often devastating. But it’s also savagely funny, deliriously strange, and absolutely brimming with adventure.

In these edgy, unexpected tales, a body-hopping mercenary avenges his pet elephant, and an orphan falls in love with a sentient starship. Fighters ally to power a reality-bending engine, and a swamp-dwelling introvert tries to save the world—from her plague-casting former wife.

So come meet Kameron Hurley in the future. The version she's created here is weirder—and far more hopeful—than you could ever imagine.

 Any time I can get my hands on new Kameron Hurley, I’m all over it. Ever since I read The Stars are Legion, Hurley has quickly become one of my favorite authors. Her view of the world in which we live is calculating, messy, and true, and the stories she writes hit me right in the feels and make me want to help lead the revolution.

What I’ve liked most about Hurley’s writing is that her women are allowed to be messy, morally grey, and emotional without feeling like these women are losing their “worth” or “humanity” for being any of those things. The themes of war and resistance she explores in her stories are heavy, unrelenting, and often gruesome, but there always manages to be some threads of hope winding their ways through the stories. War is central to the story in the sense that it informs the trajectory of the characters. War has either happened, is happening, or will happen, but it’s the individual themselves who really tend to make a difference in the grand scheme of war’s grandiose effects.

The stories that I enjoyed the most were “Elephants and Corpses,” “When We Fall,” and “The Corpse Archives;” but all of them were so good, and I couldn’t wait to read the next one. Her introduction is sublime in exploring what drives her to write the stories she writes as well, so don’t skip that. Sometimes I feel as if it’s very rare for a single author’s collection of stories to be so cohesive and yet so diverse, but Kameron Hurley knocks it out of the park with this one.

Whether or not you’ve read Hurley before, if you’re a sci-fi reader and want to read something that will leave you thinking about the what-ifs, definitely check this out.

Thank you to Tachyon Pub for a digital review copy! All opinions are my own.

BOOK REVIEW: Rogue Most Wanted, by Janna MacGregor

- Meg

BOOK REVIEW: Rogue Most Wanted, by Janna MacGregorTitle: Rogue Most Wanted by Janna MacGregor
Series: The Cavensham Heiresses #5
Published by St. Martin's Paperbacks
Published: June 25th 2019
Genres: Romance
Pages: 371
Format: ARC
Source: Netgalley
Goodreads

There’s one creed all Cavensham men subscribe to: they fall in love completely and decidedly. But what happens when the woman you fall in love with swears she'll only marry you as a last resort? Rogue Most Wanted is the next book in the sparkling, romantic Cavensham Heiress series by Janna MacGregor.

SHE NEEDS TO MARRY SOMEONE

Lady Theodora Worth needs to marry fast in order to keep her estate. It’s been her heart and home for years, and she’ll not lose it to anyone. There’s just one problem—as a woman who was raised in isolation by her grandfather, she’s completely incapable of pouring a cup of tea, never mind wooing a man. She’ll need a little matchmaking help from her sprightly next-door neighbor in order to find a convenient husband…

IT’S JUST NOT GOING TO BE HIM

Lord William Cavensham’s heart was broken years ago, and since that day he vowed to never love again. But his spirited Great Aunt Stella is determined he’ll marry or not inherit a single penny from her. And she’s got just the woman in mind—her beautiful and completely hapless next-door neighbor, Thea…

Thea and Will agree there’s no sense in marrying each other. Will wholeheartedly believes he’s incapable of love, and Thea refuses to marry the first man she’s practically met. But Will may be the rogue Thea wants the most after all…

 When I started reading Rogue Most Wanted, I hadn’t realized it was the fifth in the series, but I ultimately think that it didn’t detract too much from the story. Once I got near the end, I realized that a lot of the other characters and couples mentioned in the book were probably from previous works in the series and my Goodreads perusal proved me right. Anyway, MacGregor’s Rogue Most Wanted continues my adventure in historical romance, and this one fell a little more flat for me than the others. I didn’t feel as if Will was much of a rogue. That little bit of his history in the frame chapter that may have proved otherwise didn’t seem to carry to the present. He was a total romantic through and through, even as much as he fought it.

The second half dragged a bit more for me than the first, and it felt as if some of the plot devices were being forced to work rather than them feeling effortless in the course of the narrative, like the extended family member who tried to lay claim to the title. He just seemed to show up when it was convenient for the storyline rather than to actually cause some mischief. The consistent misuse of the word “jilted” bothered me. I know the standard meaning of the word is to abruptly leave someone, but for all I’ve been familiar with the word, it’s been associated with someone literally in the act of getting married being suddenly left at the altar with no explanation necessary. Will’s previous lover that scorned him has a better feeling in the context of the story. But that’s just me being picky over semantics.

What I did love about this book was that all of the women were strong, independent, and real. They had depth to them, even the side characters, which was palpable and believable. It showcased the struggle of women having a place in a man’s world, possessing land and title, and what it meant to be a woman who possessed such things. I also liked that it showed the deeply personal struggle one undertakes when caring for someone with dementia. It’s never easy watching someone you love fall into disarray and no longer know themselves or anyone else around them.

Many thanks to St. Martin’s Paperbacks and Netgalley for a complimentary e-ARC to read and review!