Title: The Stars Are Legion by Kameron Hurley
Published by Saga Press
Published: February 7th 2017
Genres: Science Fiction
When you understand what the world is, you have two choices: Become a part of that world and perpetuate that system forever and ever, unto the next generation. Or fight it, and break it, and build something new. The former is safer, and easier. The latter is scarier, because who is to say what you build will be any better?
Set within a system of decaying world-ships travelling through deep space, this breakout novel of epic science fiction follows a pair of sisters who must wrest control of their war-torn legion of worlds—and may have to destroy everything they know in order to survive.
On the outer rim of the universe, a galactic war has been waged for centuries upon hundreds of world-ships. But these worlds will continue to die through decay and constant war unless a desperate plan succeeds.
Anat, leader of the Katazyrna world-ship and the most fearsome raiding force on the Outer Rim, wants peace. To do so she offers the hand of her daughter, Jayd, to her rival. Jayd has dreamed about leading her mother’s armies to victory her whole life—but she has a unique ability, and that makes her leverage, not a leader. As Anat convinces her to spend the rest of her life wed to her family’s greatest enemy, it is up to Jayd’s sister Zan—with no stomach for war—to lead the cast off warriors she has banded together to victory and rescue Jayd. But the war does not go at all as planned…
In the tradition of The Fall of Hyperion and Dune, The Stars are Legion is an epic and thrilling tale about familial love, revenge, and war as imagined by one of the genre’s most imaginative new writers.
I read this book in March, and I haven’t been able to stop thinking about it or recommending it since. Kameron Hurley’s The Stars are Legion is on its way to becoming (if it’s not already there) one of those must-read science fiction books if you’re into even the barest sliver of science fiction. Science fiction often explores that question of “what if” and reflects on current aspects of life that are problematic in some way. Today, women’s bodies are policed. They are often told they cannot choose for themselves when and how to reproduce, and if a woman is control of her sexuality, she is seen as a threat. I sell this as a “politically charged womb-punk space opera that will thrill you and make you rage, oh, and there are no male characters in this at all.” Most of the time, I get a look like “… what?” My roommate even thinks that me liking this book so much is weird, but this book, at least for me, speaks of certain aspects of an experience that is difficult to convey to someone who doesn’t have a body part that has been consistently policed by men in positions of power.
Aside from this being an amazing space opera, The Stars are Legion has a cast of brutally unlikable characters, blood and gore up the wazoo, and feels like it could have come right out of that wave of sff that was written in the late 1960s and early 1970s. The characters are unlikable and cruel and you can’t trust anyone, but you’ll be rooting for them in the end. The Stars are Legion is a an angry, visceral yell into the void of space, and the world within the covers is just an expanse waiting for you to live in it for a while, get pumped up, and want to go kick some ass in the real world.
I mean, don’t you want to read about asexual ships that give birth to whatever the ship needs, cannibalistic women who eat their deformed young, and womb/uterus/placenta references (with all of the associated fluids) all over the place? Yes, you do. I don’t want to reveal too much about the plot or the characters because half of the enjoyment of this is getting to discover that for yourself. Just read it. ASAP. The hardcover is out now, the ebook is h*ckin cheap, and the paperback is out in November.
Title: The Devourers by Indra Das
Published by Del Rey Books
Published: July 12 2016
Format: Trade Paper
Yes, you looked at me and I wished you were not human, that I could cleave your soul in two and watch your second self emerge, a beast as lovely as your first.
I received this book last year as part of a Goodreads giveaway, and am just now getting around to reading it and reviewing it. I’m making a serious effort to reading and reviewing those review copies I get, and I feel like I read this at just the right time. I started it last year when I received it but couldn’t get into it the way I had hoped. Sometimes we just have to wait for the right moment to read something!
Anyway, I was initially interested in this book because The Devourers draws comparisons to Margaret Atwood and Neil Gaiman, two of my favorite authors, and I can see why it does. The Devourers is a violent, fantasy-infused exploration into India’s shapeshifting mythology. If you are turned off by graphic mentions of violence and rape, then this might not be the read for you, but if you can stomach that sort of thing, then this might be something to consider picking up! Das explores concepts of gender identity and expression in The Devourers, and this exploration becomes really apparent in the last third of the book.
The thing that bothered me the most was the rape and then the constant referral later on to the act. It felt like a third of the book just kept constantly referring to it in a very weird way, as if it affected the shapeshifter who did the act more rather than the woman who experienced it. I did like, however, that the woman brought up her assault every time the man who attacked her tried to dismiss his behavior. It’s difficult to talk about, in real life and in books, and I think once I got to the end, I liked how Das wove it into the story.
It’s a very interesting story, very much a fairytale that explores the deepest, darkest parts of humanity, and once it’s done sweeping you away, it leaves you with a lot to think about.
Thank you to Del Rey and Goodreads for a copy of this book to read and review! All opinions are my own.
First Chapter, First Paragraph Tuesday is hosted by Bibliophile By the Sea!
Derek Palacio’s The Mortifications follows a rural Cuban family in the 1980s torn apart during the Mariel Boatlift. Uxbal Encarnación—father, husband, political insurgent—refuses to leave behind the revolutionary ideals and lush tomato farms of his sun-soaked homeland. His wife Soledad takes young Isabel and Ulises hostage and flees with them to America, leaving behind Uxbal for the promise of a better life. But instead of settling with fellow Cuban immigrants in Miami’s familiar heat, Soledad pushes further north into the stark, wintry landscape of Hartford, Connecticut. There, in the long shadow of their estranged patriarch, now just a distant memory, the exiled mother and her children begin a process of growth and transformation.
Ulises Encarnación did not believe in fate. This may have been a by-product of the sailor’s name of his father, Uxbal, had given him and the fact that Ulises detested ocean horizons – they were impermanent and appeared like waterfalls over which one could cascade into death. More likely his disbelief was a consequence of how Ulises was taken from Cuba as a young boy by his mother, Soledad, as a member of the now-infamous 1980 Mariel Boatlift. Uxbal had wanted the family to stay despite their poverty. They did have a sturdy house with a garden, tomatoes when others didn’t, but Soledad saw in Ulises a mind for school, and she worried about the state of young, pensive boys in Cuba. Bookworms were considered faggots, and though she did not think her son a homosexual, the state might, and she cringed at the thought of him in prison, or worse, at a rehabilitation camp.
Have you read this? What did you think about it?
Title: Giovanni's Room by James Baldwin
Published by Penguin Books
Genres: Fiction, Classics
Format: Mass Market
People who remember court madness through pain, the pain of the perpetually recurring death of their innocence; people who forget court another kind of madness, the madness of the denial of pain and the hatred of innocence; and the world is mostly divided between madmen who remember and madmen forget.
Baldwin's haunting and controversial second novel is his most sustained treatment of sexuality, and a classic of gay literature. In a 1950s Paris swarming with expatriates and characterized by dangerous liaisons and hidden violence, an American finds himself unable to repress his impulses, despite his determination to live the conventional life he envisions for himself. After meeting and proposing to a young woman, he falls into a lengthy affair with an Italian bartender and is confounded and tortured by his sexual identity as he oscillates between the two.
Examining the mystery of love and passion in an intensely imagined narrative, Baldwin creates a moving and complex story of death and desire that is revelatory in its insight.
Giovanni’s Room, by James Baldwin, follows a brief episode of David, an American living in Paris who is desperately trying to figure out who he is, to himself and to the world. David meets Giovanni through an old man’s acquaintance, and he goes home with Giovanni. In poetic, lyrical language, Baldwin explores the nature of love juxtaposed with David’s idea of love. David’s idea of love clashes with his expression and exploration of love, which eventually culminates in an emotionally heart-wrenching separation.
I’ve often seen this book on lists of best gay novels, but this novel goes beyond a stark black-and-white view of homosexuality. Baldwin explores bisexuality in both David and Giovanni and how each of the two men come to terms with their emotions. David is presented as rather cool and logical, succumbing to his emotions but logically pilfering through them after. Giovanni’s behavior appears to be purely emotional and irrational at times, contrasting against David’s eventual cool behavior to Giovanni. Giovanni is that character who wants to live life to its fullest, no matter the cost to himself or anyone else. David is the sort of character that will risk it, but not too much, because David, in the end, is one who preserves himself above all else, even if it means giving up love.
David, unlike Giovanni, has a plan, knows his role back home in American society, and cannot deal with something so “extra” as a male lover. His fiancée Hella is off traveling in Spain, presumably with her own lovers, and her return to David is his savior on the horizon, a means by which he can escape back into a comfortable, unquestioning existence.
This novel not only about gay/bisexual love, but about the complexities of the emotion all together.
This short novel is heartbreakingly beautiful and tragic and should be on your reading list if you’ve not yet read it.
First Chapter, First Paragraph Tuesday is hosted by Bibliophile By the Sea!
James Baldwin’s Giovanni’s Room is part of the classics challenge I am doing this year (and spectacularly failing at, but I still have time to catch up). The edition I have is part of Penguin’s Great Loves series that contains twenty volumes of love. The back cover of this says “Love can be dishonest.” In Giovanni’s Room, when David meets the sensual Giovanni in a bohemian bar, he is swept into a passionate love affair. But his girlfriend’s return to Paris destroys everything. Unable to admit to the truth, David pretends the liaison never happened – while Giovanni’s life descends into tragedy.
I stand at the window of this great house in the south of France as night falls, the night which is leading me to the most terrible morning of my life. I have a drink in my hands, there is a bottle at my elbow. I watch my reflection in the darkening gleam of the window pane. My reflection is tall, perhaps rather like an arrow, my blond hair gleams. My face is like a face you have seen many times. My ancestors conquered a continent, pushing across death-laden plains, until they came to an ocean which faced away from Europe into a darker past.
Have you read this? What did you think?