Hello, Friday! First Lines Friday is a feature on my blog in which I post the first lines from a book I am interested in reading, either a new release or a backlist title! For the rest of the year, I’m going to feature books by non-white writers, partially because I just did a whole list of classics by a majority of white writers and partially because I am continually focusing on purchasing and reading books by non-white writers for a whole list of reasons. The books featured will range from “classics” to adult fiction to YA/middle grade fiction, and these are all I’ve had on my shelf for a bit that I want to read by the end of this year or within the first few months of 2021! I can’t believe it’s basically the middle of November already, but time flies when you’re in the middle of a stress-bomb called COVID-19. Stay safe, stay home, wear a mask!
History is fucking wild.
Last fall, on a night when my ass was getting well acquainted with the uncomfortable guest chair in Mommy’s hospital room, I’d numbly tapped and swiped my way to an article about a place called Black America. Not the label politicians use to place our concerns into a neat box full of worries they don’t have to attend to immediately or ever, but an actual, tangible place — a slavery theme park that’d opened in Brooklyn at the end of the nineteenth century.
Slavery. Fucking. Theme park.
Black America, the theme park, was billed as “an opportunity to become familiar with plantation life for those of the North who belong to a generation to which the word slavery has but an indefinite and hazy meaning.” This was, like, twenty years after slavery ended, mind you. I mean, I too get nostalgic when an eighties jam starts playing on the radio, but these motherfuckers really needed to reminisce about owning humans?
I am so excited to read this. The back blurb says it’s Rear Window meets Get Out, and I’m so excited to read a thriller by Alyssa Cole because I’ve loved all of the romances I’ve read by her so far. In the last year and a half she’s become one of my autobuy authors with her romance books, and I can’t wait to see what she does with thrillers.
Title: The Girl on the Train by Paula Hawkins
Published by Riverhead Books
Published: January 13th 2015
Genres: Fiction, Thriller
Format: Trade Paper
I once read a book by a former alcoholic where she described giving oral sex to two different men, men she’d just met in a restaurant on a busy London high street. I read it and I thought, I’m not that bad. This is where the bar is set.
The debut psychological thriller that will forever change the way you look at other people's lives.
EVERY DAY THE SAMERachel takes the same commuter train every morning and night. Every day she rattles down the track, flashes past a stretch of cozy suburban homes, and stops at the signal that allows her to daily watch the same couple breakfasting on their deck. She’s even started to feel like she knows them. Jess and Jason, she calls them. Their life—as she sees it—is perfect. Not unlike the life she recently lost.
UNTIL TODAYAnd then she sees something shocking. It’s only a minute until the train moves on, but it’s enough. Now everything’s changed. Unable to keep it to herself, Rachel goes to the police. But is she really as unreliable as they say? Soon she is deeply entangled not only in the investigation but in the lives of everyone involved. Has she done more harm than good?
I’ve had an ARC of this thanks to one of my jobs for almost two years, and I decided to finally get around to reading it before the film was released. I still haven’t seen the film yet, but I will eventually once it’s released on DVD as it’s not currently showing in any local theaters. This thriller doesn’t bring anything new or revolutionary to the genre as it follows a similar “Girl” novel twist following the rise in popularity of Gone Girl, but it is a heck of a page-turner.
The Girl on the Train follows the life of Rachel, a divorced and unemployed woman who takes the same train every day. Rachel sees the same couple almost every day and imagines a life for them. This imaginary life becomes another one of her escapes until something terrible happens and she gets herself involved.
Hawkins’s The Girl on the Train follows the lives of three women during a criminal investigation and the intertwining of those three lives with each of the other women. Each of three women are varied and complex and that adds a dimension to the novel that I didn’t expect.
The story is rather predictable in the end, especially as it’s called the “next Gone Girl,” but Hawkins’s writing style is engaging and I couldn’t put it down until I finished it!
(This book was provided for reading consideration as a perk of my job, and the freebie does not impact or influence my review in any way.)