BOOK REVIEW: The Mortifications, by Derek Palacio

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BOOK REVIEW: The Mortifications, by Derek PalacioTitle: The Mortifications by Derek Palacio
Published by Tim Duggan Books
Published: October 4th 2016
Genres: Fiction
Pages: 320
Format: Hardcover
Source: Blogging for Books
Goodreads

Derek Palacio’s stunning, mythic novel marks the arrival of a fresh voice and a new chapter in the history of 21st century Cuban-American literature.
In 1980, a rural Cuban family is torn apart during the Mariel Boatlift. Uxbal Encarnación—father, husband, political insurgent—refuses to leave behind the revolutionary ideals and lush tomato farms of his sun-soaked homeland. His wife Soledad takes young Isabel and Ulises hostage and flees with them to America, leaving behind Uxbal for the promise of a better life. But instead of settling with fellow Cuban immigrants in Miami’s familiar heat, Soledad pushes further north into the stark, wintry landscape of Hartford, Connecticut. There, in the long shadow of their estranged patriarch, now just a distant memory, the exiled mother and her children begin a process of growth and transformation.
Each struggles and flourishes in their own way: Isabel, spiritually hungry and desperate for higher purpose, finds herself tethered to death and the dying in uncanny ways. Ulises is bookish and awkwardly tall, like his father, whose memory haunts and shapes the boy's thoughts and desires. Presiding over them both is Soledad. Once consumed by her love for her husband, she begins a tempestuous new relationship with a Dutch tobacco farmer. But just as the Encarnacións begin to cultivate their strange new way of life, Cuba calls them back. Uxbal is alive, and waiting.
Breathtaking, soulful, and profound, The Mortifications is an intoxicating family saga and a timely, urgent expression of longing for one's true homeland.

 The sin is in the knowing. The sin Christ confronts in the desert is the knowledge that his body is useless and, dangerously, how easily he can dismiss it. He will see how tiny a thing he is doing. He will know how small he is as a human being, how little he can change the world as a lump of flesh. The moment he knows, he can and will and should let it all fall away. He will enact the right of a God on Earth; he will make food from stone. He will shake water from the clouds. He will walk into a city and take it.

Derek Palacio’s debut novel The Mortifications follows a Cuban family in the 1980s. Soledad Encarnación and her two children, twins Ulises and Isabel, leave behind a husband and father to escape the revolutions of Fidel Castro’s Cuba. Like many novels of families, this one has its share of interesting characters who all represent some aspect of humanity. Soledad is a mother trying to do the best thing for her children, Isabel finds solace and meaning in religion, Ulises finds himself through the classics and agriculture, and Henri becomes the stand-in father figure.

While I found the first half of the book incredibly engaging, I found the last half stretching for believability and substance. Palacio is a talented writer. However, I found some of the metaphors and similes and symbolism reaching a little too far at times. When I see a character named Ulises, I almost expect a Cuban expression of something resembling Homer’s The Odyssey. At first, the novel did feel like it would go in that direction, and it did, a little bit, with Ulises becoming fascinated by classics during a recovery period. I almost wonder, as I’ve seen similar things before in post-MBA debut novels, if this is a rite of passage, a stuffing of everything you’ve learned into one novel whether or not it actually works. I felt that there were also too many characters for how short this is. I think following one or two of the characters and their immigration experience (and even their return home) would have made for a richer novel.

However, I did enjoy reading this, and I will recommend it to people interested in immigrant experiences and Cuban-American experiences.

Thank you to Crown Publishing/Blogging for Books for providing me with a copy in exchange for a review. All opinions are my own.

BOOK REVIEW: The Book of Esther, by Emily Barton

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BOOK REVIEW: The Book of Esther, by Emily BartonTitle: The Book of Esther by Emily Barton
Published by Tim Duggan Books
Published: June 14th 2016
Genres: Fiction, Magical Realism
Pages: 432
Format: Hardcover
Source: Blogging for Books
Goodreads

What if an empire of Jewish warriors that really existed in the Middle Ages had never fallen—and was the only thing standing between Hitler and his conquest of Russia? 
Eastern Europe, August 1942. The Khazar kaganate, an isolated nation of Turkic warrior Jews, lies between the Pontus Euxinus (the Black Sea) and the Khazar Sea (the Caspian). It also happens to lie between a belligerent nation to the west that the Khazars call Germania—and a city the rest of the world calls Stalingrad.
After years of Jewish refugees streaming across the border from Europa, fleeing the war, Germania launches its siege of Khazaria. Only Esther, the daughter of the nation’s chief policy adviser, sees the ominous implications of Germania's disregard for Jewish lives. Only she realizes that this isn’t just another war but an existential threat. After witnessing the enemy warplanes’ first foray into sovereign Khazar territory, Esther knows she must fight for her country. But as the elder daughter in a traditional home, her urgent question is how.
Before daybreak one fateful morning, she embarks on a perilous journey across the open steppe. She seeks a fabled village of Kabbalists who may hold the key to her destiny: their rumored ability to change her into a man so that she may convince her entire nation to join in the fight for its very existence against an enemy like none Khazaria has ever faced before.The Book of Esther is a profound saga of war, technology, mysticism, power, and faith. This novel—simultaneously a steampunk Joan of Arc and a genre-bending tale of a counterfactual Jewish state by a writer who invents worlds “out of Calvino or Borges” (The New Yorker)—is a stunning achievement. Reminiscent of Michael Chabon’s The Yiddish Policemen’s Union and Philip Roth’s The Plot Against America, The Book of Esther reaffirms Barton’s place as one of her generation’s most gifted storytellers.

I am Esther, and like my namesake before me, I will save the Jewish people.

Emily Barton’s The Book of Esther is an anomaly. Take Joan of Arc, dieselpunk, magical realism, let it simmer with Judaism, and you’ve got a very distilled essence of what this book contains. It doesn’t fit neatly into a genre, and it’s a little chaotic, but it’s worth reading for so many reasons.

The Book of Esther follows the journey of a young Jewish woman named Esther, who takes it upon herself to follow her calling even though she is initially hesitant, even though she faces opposition from her family and her village, and even though she knows her journey will be a difficult one. This novel explores the roles of women in Jewish society, and it shows the strength it takes to overcome the captivity women sometimes face in traditional roles. Barton also challenges the divide of male and female roles in Jewish/traditional society by having Esther go on a journey to transform herself into a male, because she knows that only in a male form will she be accepted and taken seriously by her society. Esther also meets a scholar who has transitioned from female to male by faith in the Hashem (in effort to keep this review as spoiler free as possible, I won’t name names!), and I loved how Barton weaves this into the story and celebrates his identity, especially his identity in his faith. Barton allows Esther to be naive regarding this scholar, and both characters grow and learn about identity and what it means to be oneself through each other. However, Esther learns along the way that no matter what the mystics have whispered, she cannot be anyone but herself. By the end of the novel, instead of encouraging every woman to follow her radical lead, Esther quietly encourages those she meets to be themselves, whoever and whatever they are and choose to be.

There are some things to keep in mind about the novel that might deter or confuse some readers. This novel requires some sort of knowledge of Judaism and Jewish history to fully appreciate because it explores the magical parts of creation and Jewish and Kabbalist mysticism. Having prior knowledge will help in the beginning of the novel when some ideas and concepts are glossed over because it is presumed the reader has prior knowledge. This novel is religious, but it’s not out to convert the reader to a particular belief or reinforce in readers that a particular belief is “correct.” This novel has a love triangle, but it’s not key or essential to Esther’s story.

All in all, The Book of Esther is a must read if you enjoy magical realism infused with a Jewish Joan of Arc, dieselpunk with mechanical horses, and a feminist journey of identity. I enjoyed it immensely, and I still think about it frequently because Esther has inspired me to keep questioning everything because she questions everything. Through that questioning, Esther learns a lot about herself and her identity. She told throughout the entire novel that she can’t do this or that because she’s a girl. Instead of giving up, she follows her heart and does it anyway. And you know what? People listen.

I received a free review copy from Blogging for Books. All opinions are my own.