Month: November 2016

FIRST CHAPTER, FIRST PARAGRAPH: Giovanni’s Room, by James Baldwin

- Meg 1 Comment

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First Chapter, First Paragraph Tuesday is hosted by Bibliophile By the Sea!

James Baldwin’s Giovanni’s Room is part of the classics challenge I am doing this year (and spectacularly failing at, but I still have time to catch up). The edition I have is part of Penguin’s Great Loves series that contains twenty volumes of love. The back cover of this says “Love can be dishonest.” In Giovanni’s Room, when David meets the sensual Giovanni in a bohemian bar, he is swept into a passionate love affair. But his girlfriend’s return to Paris destroys everything. Unable to admit to the truth, David pretends the liaison never happened – while Giovanni’s life descends into tragedy.

I stand at the window of this great house in the south of France as night falls, the night which is leading me to the most terrible morning of my life. I have a drink in my hands, there is a bottle at my elbow. I watch my reflection in the darkening gleam of the window pane. My reflection is tall, perhaps rather like an arrow, my blond hair gleams. My face is like a face you have seen many times. My ancestors conquered a continent, pushing across death-laden plains, until they came to an ocean which faced away from Europe into a darker past.

Have you read this? What did you think?

BOOK REVIEW: Tales from the Dead of Night, edited by Cecily Gayford

- Meg

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BOOK REVIEW: Tales from the Dead of Night, edited by Cecily GayfordTitle: Tales from the Dead of Night: Thirteen Classic Ghost Stories by Cecily Gayford
Published by Profile Books
Published: November 25th 2014
Genres: Fiction
Pages: 288
Format: Hardcover
Source: Purchased
Goodreads

"These classic chillers will certainly make you look under the bed at night."—Daily Mail
From rural England to colonial India, in murky haunted mansions and under modern electric lighting, these master storytellers—some of the best writers in the English language—unfold spine-tinglers that pull back the veil of everyday life to reveal the nightmares that lurk just out of sight.
Contains ghost stories by Ruth Rendell, M. R. James, Rudyard Kipling, Edith Wharton, E. F. Benson, E. Nesbit, Saki, W. W. Jacobs, W. F. Harvey, Hugh Walpole, Chico Kidd, and LP Hartley.

 Two travellers sat alone in a train carriage.

‘Do you believe in ghosts?’ asked one, by way of conversation.

‘Yes,’ said the other, and vanished.

Tales From the Dead of Night: Thirteen Classic Ghost Stories is a collection of ghost stories by still-known and lesser-known authors. Over half of the names I didn’t recognize, and those unknown half to me had the more mediocre stories in the collection. My favorites of the collection are “The Shadow,” by E. Nesbit, “The Cotillon,” by L.P. Hartley, “Pomegranate Seed,” by Edith Wharton, and “The Black Veil,” by A.F. Kidd.

I will admit that I purchased this title mostly because the cover is absolutely gorgeous. I’ve held on to the book for several years because I kept putting off reading it, but during October, I made an effort to read more ghost stories and more “Halloween” things, and this was at the top of my list. I love reading Gothic fiction and older ghost stories written and set in times before the advancement of technology because things seem a bit more eerie then, but this collection to me failed to be a cohesive collection. A few stories gave me the shivers, but the rest plodded on and didn’t entice me in the slightest, even while taking into account the styles and techniques of Victorian and Gothic literature.

Below are the stories in this collection I think are worth reading and thinking about in the context of society and in the context of literary ghost stories:

Edith Wharton’s “Pomegranate Seed” focuses on a haunting of an upper class marriage in New York City and examines a woman’s fear.

L.P. Hartley’s “The Cotillon” explores an extra guest at an extravagant party.

E. Nesbit’s “The Shadow” uses a frame story to tell the ghost story (and honestly the frame story is more exciting than the story inside the story).

A.F. Kidd’s “The Black Veil” is probably one of the scariest stories I’ve ever read.

tales from the dead of night, posted on fairy.bookmother on IG

BOOK REVIEW: Fahrenheit 451, by Ray Bradbury

- Meg

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BOOK REVIEW: Fahrenheit 451, by Ray BradburyTitle: Fahrenheit 451 by Ray Bradbury
Published by Del Rey Books
Published: October 1st 1953
Genres: Science Fiction
Pages: 190
Format: Mass Market
Source: Purchased
Goodreads

The terrifyingly prophetic novel of a post-literate future.
Guy Montag is a fireman. His job is to burn books, which are forbidden, being the source of all discord and unhappiness. Even so, Montag is unhappy; there is discord in his marriage. Are books hidden in his house? The Mechanical Hound of the Fire Department, armed with a lethal hypodermic, escorted by helicopters, is ready to track down those dissidents who defy society to preserve and read books.
The classic dystopian novel of a post-literate future, Fahrenheit 451 stands alongside Orwell’s 1984 and Huxley’s Brave New World as a prophetic account of Western civilization’s enslavement by the media, drugs and conformity.
Bradbury’s powerful and poetic prose combines with uncanny insight into the potential of technology to create a novel which, decades on from first publication, still has the power to dazzle and shock.

 I reread Fahrenheit 451 this year for a discussion with students at my school, and what struck me most this time was the reliance of so many of us on technology and the media that some of us forget (or don’t think) to think about the world around us. Ray Bradbury’s novel deals with the dissolution of literacy and the saturation of media in the future. In the 1950s when it was first published, the novel deals with a future imagined by Bradbury, and through the years, the warnings the novel shows its readers still remain relevant.

I gave a little talk to incoming freshmen about the novel as it was a campus-wide reading requirement for all incoming freshmen, and I spoke a little bit about the Cold War, a little bit about Bradbury writing it, and then I contrasted it with media and literacy today. I talked about how things are different now than they were in the 1950s, especially with the rise of technology, and I compared the walls of TV in the novel to the constant companion of our phone familiars. In Bradbury’s novel, the characters sit in literal rooms of screens and are fed an endless stream of entertainment and information. Today, we sit with phones in our hands and are fed an endless stream of entertainment and information. I asked them to consider where the information is coming from, I asked them to consider a bias, and I asked them to continually seek out answers to any questions they have and to use whatever is available to them to get those answers.

After the election results, I’m astounded at how culturally relevant this book still is. Our society is so dependent upon the media for information and does not seem to value using one’s own mind and abilities to read, to research, to question what’s put before us. Our society has devalued education, and I feel as if so many students are no longer taught how to think but what to think, and this is reflected in the constant, consistent bombardment of information through our televisions, through our computers, and through our phones.

How and why are we moving away from a culture that values literacy and knowledge to a culture that places more importance on inciting fear and hatred based on superficial, bigoted information? I’ve been thinking about this for a long while now, and I’m going to continue thinking about it and writing about it and talking about it.

Let this time in America’s history be a reminder to never stop thinking, never stop questioning, because if we stop, we’re going to live in a world in which thinking about ideas rather than merely absorbing them will become a way of the past.