BOOK REVIEW: Grayling’s Song, by Karen Cushman

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BOOK REVIEW: Grayling’s Song, by Karen CushmanTitle: Grayling's Song by Karen Cushman
Published by Clarion Books
Published: June 7th 2016
Genres: Middle Grade, Fantasy
Pages: 224
Format: eBook
Source: Netgalley
Buy: Bookshop(afflilate link)
Goodreads

It's time for Grayling to be a hero. Her mother, a wise woman has been turned into a tree by evil forces. Tangles and toadstools! Lacking confidence after years of being called "Feeble Wits" by her mother, Grayling heads off dubiously into the world in search of help, where she finds a weather witch, an aromatic enchantress, a cheese soothsayer, a slyly foolish apprentice, and a shape-shifting mouse named Pook! A fast-paced and funny coming-of-age odyssey from a Newbery medalist.

Grayling’s Song is a cute, light fantasy novel for middle grade readers. It reads like something you’d find in the children’s section years ago. The language is a little stiff sometimes and sounds old-fashioned, but I think it adds to the world Cushman creates. This book might not appeal to all readers because younger ones might not like or understand the phrasing and sentence structure, but it will appeal to readers who enjoy fantasy. It’s a great introduction to that high fantasy as it has a wide range of odd characters with magic and strange personalities.

Grayling doesn’t have very high self-esteem thanks to her mother constantly calling her “Feeble Wits.” When she goes on a quest to find her mother’s grimoire to free her from the curse of turning into a tree, Grayling doesn’t have much confidence in herself at all. As her journey progresses, she worries about being in charge, making mistakes, and taking responsibility for her actions and the fates of others because of her actions. As the days pass and she faces more and more of her fears, Grayling becomes stronger, both physically and emotionally.

This is a spoiler free review, so I won’t spoil the ending for you, but it’s clear by the end that this a story of learning to value your own strengths, learning to value the people with whom you surround yourself, and learning to accept when it is time to move on with your life, away from your parents and away from the people with whom you’ve grown, and embark on your own adventure.

I loved the cast of characters, especially Pook, the shapeshifting mouse. There is a lot of humor in this book that will appeal to younger readers, and there is a lot of insight into what a young person faces when growing up and leaving the nest. I also learned that cheese divination is called tyromancy!

I received a copy of this book from Netgalley in exchange for an honest review!

BOOK REVIEW: Eleanor, by Jason Gurley

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BOOK REVIEW: Eleanor, by Jason GurleyTitle: Eleanor by Jason Gurley
Published by Crown
Published: January 12th 2016
Genres: Magical Realism
Pages: 384
Format: Hardcover
Source: Library
Buy: Bookshop(afflilate link)
Goodreads

Eleanor and Esmerelda are identical twins with a secret language all their own, inseparable until a terrible accident claims Esme’s life. Eleanor’s family is left in tatters: her mother retreats inward, seeking comfort in bottles; her father reluctantly abandons ship. Eleanor is forced to grow up more quickly than a child should, and becomes the target of her mother’s growing rage.   Years pass, and Eleanor’s painful reality begins to unravel in strange ways. The first time it happens, she walks through a school doorway, and finds herself in a cornfield, beneath wide blue skies. When she stumbles back into her own world, time has flown by without her. Again and again, against her will, she falls out of her world and into other, stranger ones, leaving behind empty rooms and worried loved ones.    One fateful day, Eleanor leaps from a cliff and is torn from her world altogether. She meets a mysterious stranger, Mea, who reveals to Eleanor the weight of her family’s loss. To save her broken parents, and rescue herself, Eleanor must learn how deep the well of her mother’s grief and her father’s heartbreak truly goes. Esmerelda’s death was not the only tragic loss in her family’s fragmented history, and unless Eleanor can master her strange new abilities, it may not be the last.

Eleanor opens with a woman named Eleanor, trapped in her home life as a mother and desiring to go swim in the ocean. At the end of the prologue, Eleanor, stripped to nakedness, walks into the ocean and never returns. Agnes, her daughter, feels the loss of her mother for the rest of her life. When she has twins, Agnes names one of her daughters Esmeralda while her husband names the second daughter Eleanor. It becomes obvious as the novel progresses that the children each parent names are their individual favorites. The young Eleanor beings to realize this after a horrific accident kills her twin sister. After her parents’ divorce, Eleanor stays with Agnes. Agnes, in her grief, falls into an alcoholic spiral as she cannot handle seeing Eleanor everyday because her surviving daughter is the exact image of Esmeralda and a reminder of her own mother’s death and disappearance.

Eleanor cannot live up to her mother’s expectations, and that knowledge affects her relationship with her mother and her father. As she ages, strange things begin happening to her. Eleanor falls out of time, disappearing into the space beyond time. Sometimes she is gone for seconds or minutes, sometimes she is gone for much longer. When she is in this space beyond (or between??) time, Eleanor meets an entity that we as readers know has been watching Eleanor for a long time. Eleanor is given the option to change everything, a decision with which she struggles but eventually accepts.

I won’t spoil it, but the option of a resent and the whispery, time-free monsters that human language cannot define is so similar atmospherically to Neil Gaiman’s The Ocean at the End of the Lane. If you liked that novel, I totally recommend this one, and if you enjoy magical realism, I wholeheartedly recommend this one. It’s lyrical, magical, and a little bit heartbreaking. It’s a read that will keep you thinking about what happens and what could happen long after you read the final page.

Top Ten Tuesday; Spring 2016 TBR

Top Ten Tuesday

This week’s Top Ten Tuesday (hosted by The Broke and the Bookish) features our Spring 2016 TBR! I chose the five books I have left to read from Netgalley and five books I chose out of my TBR tin! The first five are from my Netgalley dashboard. I want to get to that 80% threshold, and I’m going to do it this spring!

  1. The Swans of Fifth Avenue – Melanie Benjamin
  2. Love, Lies and Spies – Cindy Anstey
  3. Once Upon a Dream – Liz Braswell
  4. Grayling’s Song – Karen Cushman
  5. A Stolen Kiss – Kelsey Keating
  6. The Great Mortality – John Kelly
  7. Jane Eyre – Charlotte Bronte
  8. Blameless – Gail Carriger
  9. A Secret Atlas – Michael A. Stackpole
  10. Flappers – Judith MacKrell

I’m actually really pleased with the five I picked from my TBR tin! I have the Penguin Drop Caps copy of Jane Eyre to read (even if I’ve already read it, it’s time to read it again!), and I’m in the planning stages of writing something involving a young girl from the Twenties, so Flappers will fall into some of my research! I tried reading the first in Disney’s Twisted Tale series but didn’t like it, so I’m hoping I like Once Upon a Dream based on Sleeping Beauty!

What’s on your Spring 2016 TBR? Have you read any of these?

Monthly Rewind: February

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February was so quick and so full of activities! I did manage to read quite a bit and I’m now in the process of writing and adding the reviews. I’m using a new plug in that makes it so easy to add in all of the information! I’m working on updating the older posts with the new system, so if you see any weirdness, please let me know!


GENERAL BLOG UPDATES

I’m working on incorporating all of the old reviews into the new plug in, and it’s already keeping things incredibly organized. Some of the pages might look wonky in the process of it all, and I’m going to be working on some of the information pages as well to get it even more organized!

BOOKS READ 

DNF

BOOKS ACQUIRED

I am trying to curb my acquisitions, spend less, use my library more, and read what I own, so I’m pleased with this list. I’m still waiting on the two giveaways I won from Goodreads, so if those don’t arrive by this weekend, I’m going to drop both a line!

  • Stars Above – Marissa Meyer (purchased)
  • The Lady of the Camillas – Alexandre Dumas fils (purchased)
  • After Alice – Gregory Maguire (library, Edelweiss)
  • The Diviners – Libba Bray (library, audiobook)
  • War and Peace – Leo Tolstoy (purchased)
  • Moby-Dick – Herman Melville (purchased)
  • The New York Stories of Edith Wharton – Edith Wharton (purchased)
  • Shylock is My Name – Howard Jacobson (Blogging for Books)
  • The Aeronaut’s Windlass (The Cinder Spires #1) – Jim Butcher (library)
  • Passenger – Alexandra Bracken (library, Netgalley)
  • Uprooted – Naomi Novik (library)
  • Assassin’s Apprentice (Farseer Trilogy #1) – Robin Hobb (purchased)
  • The Quick – Lauren Owen (purchased)
  • The Song of Achilles – Madeline Miller (purchased)

March’s review will be posted at the beginning of April! This month has already flown by too!

BOOK REVIEW: The Garden Party and Other Stories, by Katherine Mansfield

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BOOK REVIEW: The Garden Party and Other Stories, by Katherine MansfieldTitle: The Garden Party and Other Stories by Katherine Mansfield
Published by Penguin, Penguin Classics
Published: 1922
Genres: Fiction, Classics
Pages: 159
Format: Trade Paper
Source: Purchased
Buy: Bookshop(afflilate link)
Goodreads

Innovative, startlingly perceptive and aglow with colour, these fifteen stories were written towards the end of Katherine Mansfield's tragically short life. Many are set in the author's native New Zealand, others in England and the French Riviera. All are revelations of the unspoken, half-understood emotions that make up everyday experience - from the blackly comic 'The Daughters of the Late Colonel', and the short, sharp sketch 'Miss Brill', in which a lonely woman's precarious sense of self is brutally destroyed, to the vivid impressionistic evocation of family life in 'At the Bay'. 'All that I write,' Mansfield said, 'all that I am - is on the borders of the sea. It is a kind of playing.'

I am trying to be better at reading short stories, and I saw a blurb about Katherine Mansfield’s short stories on Alice’s blog, so I checked it out and thought I’d be interested too! I enjoyed all of the stories. Some stories fell flat for me, but I thought this was a very well-rounded collection. My favorites were “The Garden Party,” “The Daughters of the Late Colonel,” and “The Singing Lesson.”

Mansfield’s short stories read like impressionist paintings. I think they need to be looked at, examined, and mulled over for a bit before the meaning settles in. I finished the book about a couple weeks ago, and I’m still thinking about the stories.

In “The Garden Party,” the Sheridan family is in the midst of preparing for the titular garden party. During the set up of the party, the family finds out that their working class neighbor, Mr. Scott, has died. Laura, the daughter in charge of setting up the party, wonders if the party should be canceled out of respect for the death of their neighbor, but none of her family agrees and the party goes on. The story explores the differences between class and the awareness of class differences, the illusion created by the upper class to avoid dealing with certain realities, and the roles of life and death in day-to-day activities.

In “The Daughters of the Late Colonel,” two sisters are figuring out what to do with their lives after their father’s death. He was their only real relation as their mother died many years ago, and he was possibly one of the only stable men in their lives. The sisters have very little grasp on reality and how to exist in day-to-day life. This is shown through their inability to tell the cook how they want their fish cooked because they’re so used to decisions being made for them and their lives dictated by others. They are both so far removed from reality that when they try to think about what to do with their future, they forget what they are even speaking about in the middle of the conversation. It’s a terrible, haunting look at what happens when women aren’t allowed any agency over their own lives.

“The Singing Lesson” is about a teacher, Miss Meadows, who is engaged to a man five years younger than her. Basil, her fiancé, has written to her before the story begins calling off their engagement, and Miss Meadows enters the school that morning incredibly upset. Basil writes that their “marriage would be a mistake” and that he “love[s] her as much as it is possible for [him] to love any woman” because he is “not a marrying man.” The language in this convinces me that Basil is homosexual or confused about his sexuality and that he is doubting his convictions because he later sends Miss Meadows a telegram saying to disregard his letter and that he has “bought [a] hatstand,” again using language that symbolizes phallic imagery. It’s clear that Miss Meadows is unaware of her future husband’s sexuality, and her mood changes significantly when she receives that telegram because her future is secure again. The title itself evokes the symbolism of a bird in a cage, that women are pretty things to be caged and possessed, and that men ultimately control a woman’s fate and can change their minds at will with no repercussions to themselves. Both Basil and Miss Meadows are trapped by society’s expectations and both are forced to “sing out” what they’ve been taught.

I really enjoyed this collection, and I’m looking forward to reading more by her and by Modernist writers. If you enjoy Modernist and feminist writings, I think you’ll enjoy her work!