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BOOK REVIEW: Woman No. 17, by Edan Lepucki

Title: Woman No. 17 by Edan Lepucki
Published by Hogarth Press
Published: May 9th 2017
Genres: Fiction
Pages: 320
Format: Hardcover
Source: Book Sparks
Goodreads

A sinister, sexy noir about art, motherhood, and the intensity of female friendships, set in the posh hills above Los Angeles, from the New York Times bestselling author of California.

High in the Hollywood Hills, writer Lady Daniels has decided to take a break from her husband. She’s going to need a hand with her young son if she’s ever going to finish her memoir. In comes S., a magnetic young artist, who will live in the secluded guest house out back, care for Lady’s young toddler son, and keep a watchful eye on her older, teenage, one. S. performs her day job beautifully, quickly drawing the entire family into her orbit, and becoming a confidante for Lady. But as the summer wears on, S.’s connection to Lady’s older son takes a disturbing, and possibly destructive, turn. Lady and S. will move closer to one another as they both threaten to harm the things they hold most dear. Darkly comic, twisty and tense, this mesmerizing new novel defies expectation and proves Edan Lepucki to be one of the most talented and exciting voices of her generation.

“You think you know how a story begins, or how it’s going to turn out, especially when it’s your own. You don’t.”

I’m participating in Book Sparks’s Summer Reading Challenge this year, and Edan Lepucki’s Woman No. 17 is one of the books I read as part of the challenge that I couldn’t put down. I’m branching out of my reading comfort zones by participating in this challenge, and I think it’s helping me figure out why it is I gravitate toward certain genres and styles of fiction and it’s also showing me that branching out every now and then is an amazing palate cleanser.

Woman No. 17 explores the upsides and pitfalls of self-expression in the name of art, and I liked that S was not that likable of a character from the beginning, but she’s also a character a reader can empathize with because I feel like so many of us go through all of those loops and twists to try to understand our parents without actually going to the source because that’s awkward and uncool. It seems more interesting to our weird brains to do the roundabout thing and figure things out for ourselves when a lot of the time, our answers can be easily gained with time and the right questions. Anyway, I digress.

S, following in her mother’s footsteps, becomes a nanny to Lady, a woman living in southern California, and her youngest son. S finds out that Lady has an adult son, Seth, who is mute, and it’s revealed throughout the novel that Lady has a difficult time letting Seth go and grow up. The dynamic between S’s projection of her vision of her mother’s self, Lady, and Seth becomes pretty predictable by the middle of the novel when Seth and S begin communicating with each other without Lady’s knowledge. I think this is where the novel ultimately lost me because it was so predictable, especially in the connection between S and Seth by the end, and I felt that just one more twist in the whole thing might have made me enjoy this book that much more.

There’s a lot of drinking and a scene of animal abuse that caught me off guard (I’m not generally disturbed by these things, but it is worth mentioning for those who might be), but the writing itself is sharp, well-paced, and kept me reading even though I found myself rolling my eyes at S’s behavior. Lepucki shows her familiarity with the southern California landscape and the sorts of people who inhabit it and the people it attracts, and I really enjoyed that aspect of it. The characters, while ridiculous to me at times, seemed realistic within the setting and I didn’t feel as if it was completely unbelievable. Woman No. 17 is an enjoyable summer read that will take you away from the world for a few hours and leave you feeling quite entertained.

I received a copy of this book from Book Sparks and the publisher for review! All opinions are my own.

BOOK REVIEW: Into the Water, by Paula Hawkins

Title: Into the Water by Paula Hawkins
Published by Riverhead Books
Published: May 2nd 2017
Genres: Fiction
Pages: 386
Format: Trade Paper
Source: Publisher
Goodreads

A single mother turns up dead at the bottom of the river that runs through town. Earlier in the summer, a vulnerable teenage girl met the same fate. They are not the first women lost to these dark waters, but their deaths disturb the river and its history, dredging up secrets long submerged.
Left behind is a lonely fifteen-year-old girl. Parentless and friendless, she now finds herself in the care of her mother's sister, a fearful stranger who has been dragged back to the place she deliberately ran from—a place to which she vowed she'd never return.
With the same propulsive writing and acute understanding of human instincts that captivated millions of readers around the world in her explosive debut thriller, The Girl on the Train, Paula Hawkins delivers an urgent, twisting, deeply satisfying read that hinges on the deceptiveness of emotion and memory, as well as the devastating ways that the past can reach a long arm into the present.
Beware a calm surface—you never know what lies beneath.

Some say the women left something of themselves in the water; some say it retains some of their power, for ever since then it has drawn to its shores the unlucky, the desperate, the unhappy, the lost. They come here to swim with their sisters.

This summer I am participating in Book Sparks‘s Summer Reading Challenge, and the first book of the summer is Paula Hawkins’s Into the Water. I have been eagerly waiting to read this after reading The Girl on the Train last year, and I feel like she met my expectations with her sophomore novel. Into the Water is a slower-paced novel compared to the runaway feeling that I got while reading The Girl on the Train, and I think that the pace and atmosphere of each book fits the title. Into the Water unfolds slowly through multiple perspectives and all of the details float around until the final few chapters when everything comes together.

Into the Water‘s strength lies not in the driving force of the plot but in its undercurrent. The main plot revolves around the death of a single mother in a pool of water in which other women throughout the town’s history have also died. To me, the most interesting aspect of this novel is the history of that pool and the stories of the women who died there. I would have loved for the novel to revolve more around the histories of those women because their stories were nuanced, engaging, and compelling. I wanted to know more about the lives of those women and what led to their downfalls.

The major drawback for me in this novel are the narrators. I felt like there were too many narrators (eleven! I wrote the names down to keep track of them, and I’ve never felt like I’ve had to do that before), and that many narrators lead to a jumpy, sometimes jarring plot. I like stories with multiple perspectives, and I think eleven narrators can work if it’s a longer book or a longer series, but when a book is less than four-hundred pages, I find that eleven narrators eventually blur and lose their distinctions.

Overall, this is a solid read for me, and I breezed through it on a lovely spring day with my cat on my lap on our deck.

An advance reader’s copy was sent to me on behalf of Riverhead Books and Book Sparks for my honest opinion.