Eleanor West’s Home for Wayward Children No Solicitations No Visitors No Quests
Children have always disappeared under the right conditions; slipping through the shadows under a bed or at the back of a wardrobe, tumbling down rabbit holes and into old wells, and emerging somewhere... else.
But magical lands have little need for used-up miracle children.
Nancy tumbled once, but now she’s back. The things she’s experienced... they change a person. The children under Miss West’s care understand all too well. And each of them is seeking a way back to their own fantasy world.
But Nancy’s arrival marks a change at the Home. There’s a darkness just around each corner, and when tragedy strikes, it’s up to Nancy and her new-found schoolmates to get to the heart of the matter.
No matter the cost.
For us, the places we went were home. We didn’t care if they were good or evil or neutral or what. We cared about the fact that for the first time we didn’t have to pretend to be something we weren’t. We just got to be. That made all the difference in the world.
Seanan McGuire’s Every Heart a Doorway is a fairy tale homage. McGuire weaves in a lot of fairy tale and childhood fantasy references that make this a joy to read to try to connect all of those threads. Eleanor West’s Home for Wayward Children is a place where parents send their troubled, “uncontrollable” children. The children who have been sent there are those who have said that they’ve visited other worlds, other places, through actual doors or through other means that are probably immediately identifiable to those who read a lot (a wardrobe, a rabbit hole, etc).
This story really resonated with me because of the quote above. For me, so much of growing up and becoming myself meant learning how to shed the masks I wore, and sometimes still wear. When you find that place in life where you feel like you can be completely yourself without shame or fear is like nothing else. Sometimes it’s as simple as aging, sometimes it’s the people you meet and become friends/family with, and sometimes it’s the actual place in which you live that helps shape everything. And then, when you’re taken away or removed from that place, even if you only visited for a moment, all you can really think about is getting back to that place. Longing and nostalgia can be as powerful a drug as any others, and sometimes the only salve is finding people who have shared experiences and feel the same way as you. Realizing you’re not alone is such a healing thing.
If you like reworked fairy tales or stories about belonging and loss, you really need to read this. I can’t wait to read the others in this series.
Follows two fiercely independent young women, centuries apart, who hold the power to save their world...or doom it.
When assassins ambush her best friend, the crown prince, Rielle Dardenne risks everything to save him, exposing her ability to perform all seven kinds of elemental magic. The only people who should possess this extraordinary power are a pair of prophesied queens: a queen of light and salvation and a queen of blood and destruction. To prove she is the Sun Queen, Rielle must endure seven trials to test her magic. If she fails, she will be executed...unless the trials kill her first.
A thousand years later, the legend of Queen Rielle is a mere fairy tale to bounty hunter Eliana Ferracora. When the Undying Empire conquered her kingdom, she embraced violence to keep her family alive. Now, she believes herself untouchable--until her mother vanishes without a trace, along with countless other women in their city. To find her, Eliana joins a rebel captain on a dangerous mission and discovers that the evil at the heart of the empire is more terrible than she ever imagined.
As Rielle and Eliana fight in a cosmic war that spans millennia, their stories intersect, and the shocking connections between them ultimately determine the fate of their world--and of each other.
I think Claire Legrand’s Furyborn is going to be one of the biggest YA fantasy books of the summer. It’s full of magic, strong-willed young women, and nearly impossible challenges for each of them to overcome. The two main characters are connected to each other (and no spoilers!), but each of them live over a thousand years apart. For me, the idea behind this series is exciting, but I found that the execution of it is a little overwhelming. Connecting two characters across a span of a thousand years brings together two completely different stories told in alternating chapters.
Legend has it that two queens will possess extraordinary power. The Blood Queen will bring catastrophe and destruction to her reign; the Sun Queen will bring light and and salvation to her reign. Rielle, the prophesied powerful queen of a thousand years ago, is merely a legend to the bounty hunter Eliana. However, Eliana knows that she possesses extraordinary powers and struggles to keep her powers a secret from everyone else.
The things I loved most about this and hope will be explored more in the future books are the magic system and the history of what happened between Rielle and Eliana. I thought the initial world-building of the magic system and country engaging; I just wanted more! Rielle and Eliana are fairly well-developed, though sometimes I felt that their voices sounded too similar and had to remember which chapter I was reading (but considering their connection, I shouldn’t have been so thrown off by this!). The secondary characters really added to this story. I loved Simon and Ludivine the most, and loved the twists and connections they brought to the story.
Overall, this is an ambitious fantasy novel that will appeal to fans of Sarah J. Maas and Erika Johansen! I gave it four stars for the pacing and the scope, but it’s almost a little too much. I think maybe this could have worked better if two books of the trilogy focused each Rielle and Eliana separately and the final book bringing their stories together, because this novel felt like a very long and divided set-up for the rest of the series.
A copy of this book was provided for review by Netgalley and Sourcebooks Fire; all opinions are my own.
Top Ten Tuesday is a weekly discussion hosted by That Artsy Reader Girl (and formerly hosted by The Broke and the Bookish), and this week’s topic is the top ten books that surprised you (in a good way or a bad way), and I’m going to go with the more positive route, because usually if books are surprisingly bad, I just stop reading them or choose to forget about them (unless they’re legitimately awful. And that’s pretty rare).
My list will focus on the top ten books that surprised me in 2017, so it’s functioning sort of as a recap for last year’s reading as well, since I was a little lazy and perturbed by the lack of functioning keyboard to have any desire to write anything. Anyway, this list is not in ranking order, but in order from when I read it in the year, from the beginning of 2017 to the end of the year.
The Left Hand of Darkness, by Ursula K. Le Guin. I think I read this many, many years ago when I was much younger and much less aware of what science fiction could do in terms of exploring humanity and culture instead of merely exploring space. Ai, the main character of this book, is at first unsettled by the sense of duality and ambisexuality on Gethen, and this unsettled feeling is a direct exploration of how gender functions in our own society (granted, in 1969, the much-broadcast definitions were a little different than the conversations we’re having today, so some of it feels outdated). However, a lot of it feels so relevant, and it made me think and it made me wonder, and I think that’s what some of the best science fiction should do. “It is yin and yang. Light is the left hand of darkness… how did it go? Light, dark. Fear, courage. Cold, warmth. Female, male. It is yourself, Therem. Both and one. A shadow on snow.”
The Hate U Give, by Angie Thomas. Ever since I got my hands on an ARC from the table at work, I’ve been telling everyone I know to read this book. It’s relevant, it’s nuanced, it’s heart-wrenching. Though often hilarious and heartwarming at times, Thomas’s novel further reveals to us the consistent, prevalent institutional racism and broken criminal justice system in America in which so many people (without consequence!) continue to violate the civil rights of thousands because of the color of their skin. It will break your heart; it will make you angry. Read it. “Sometimes you can do everything right and things will still go wrong. The key is to never stop doing right.”
The Stars are Legion, by Kameron Hurley. I read this book a year ago, and I haven’t been able to stop thinking about it since. It’s sci-fi just how I like it. It’s gross, it’s visceral, and it’s an angry yell into the void of space. I mean, don’t you want to read about asexual ships that give birth to whatever the ship needs, cannibalistic women who eat their deformed young, and womb/uterus/placenta references (with all of the associated fluids) all over the place? Yes, you do. I don’t want to reveal too much about the plot or the characters because half of the enjoyment of this is getting to discover that for yourself. Just read it. ASAP. “When you understand what the world is, you have two choices: Become a part of that world and perpetuate that system forever and ever, unto the next generation. Or fight it, and break it, and build something new. The former is safer, and easier. The latter is scarier, because who is to say what you build will be any better?”
The Paper Menagerie, by Ken Liu. The thing I liked most about this collection of stories, aside from Liu’s deft skill at writing and blending several different genres, is that so many of the stories focus on the idea of storytelling and what that means for us as people and as a society. In the collection, you’ll read about the ways in which species across the universe record their stories for the present and the future (“The Bookmaking Habits of Select Species”), the ways in which society tells us stories to keep us controlled and how difficult it is to break the illusions (“Perfect Match”), the literal power of words (“The Literomancer”), and the literal preservation of memory to be “read” and its upsides and pitfalls (“Simulacrum”). “Time’s arrow is the loss of fidelity in compression. A sketch, not a photograph. A memory is a re-creation, precious because it is both more and less than the original.”
Moby-Dick, by Herman Melville. Moby-Dick functions best for you, dear reader, when you are familiar with the history of the novel. I think I read this at a pertinent time in my life. Had I read it before I learned the history of the narrative, the novel, the American novel, religion and its function in the American novel, the personal life of Melville (and by extension Hawthorne), and postmodernism (and one can argue whether or not this novel is considered postmodern, but it’s different than anything else I’ve read from the time period and knowing how postmodernism works in a literary setting adds to my own consumption and enjoyment of the novel on some level because its lucidity is very much like James Joyce’s style), I probably wouldn’t have appreciated it as much as I do now. It’s a hefty novel, a undertaking, but it’s so incredibly worth it. It’s a love story, and you will wonder whether or not you are chasing your own white whale. “There are certain queer times and occasions in this strange mixed affair we call life when a man takes this whole universe for a vast practical joke, though the wit thereof he but dimly discerns, and more than suspects that the joke is at nobody’s expense but his own.”
The Whole Art of Detection, by Lyndsay Faye. I am so particular about my Sherlock Holmes pastiches. It’s so difficult to capture the essence of Doyle’s original stories while simultaneously making it new, and Faye does this with exemplary flair. All of these stories feel at once rooted in time and timeless, and Faye manages this with her effortless, captivating writing. If you’re a fan of Sherlock Holmes in any capacity and love a good historical mystery, read this right away. Dust and Shadow, a mystery in which Holmes and Watson discover the true identity of Jack the Ripper, is just as engaging. “In the broad light of day, I could not give his tale nearly so much credence as I had granted it when sitting rapt before a midnight fireplace whilst the tempest without erased the natural world.”
Borne, by Jeff VanderMeer. This is one of those cerebral post-apocalyptic dystopian novels that will linger with you long after you finish it. This standalone novel from the author of the Southern Reach trilogy explores how humans abuse science and nature for technological or monetary gain, and Borne shows us the aftermath of that greed. The novel also explores what it means to be a person, what it means to love and then to let go of love, what it means to live and then to die, and what it means when one finds beauty in the midst of so much chaos. VanderMeer manages to pack so much description, emotion, and longing into such a short novel, and it’s a novel that will make you reread passages and sentences again and again because of their beauty and complexity. The companion novella, The Strange Bird, is just as compelling. “He was born, but I had borne him.”
Wake of Vultures, by Lila Bowen. This is a supernatural Western, and it’s AMAZING. This follows Nettie Lonesome, a half-black half-Comanche young woman, who sets out to discover herself, her identity, and her place in the world only to discover that there are monsters lurking everywhere. This is steeped in Native American folklore with a hefty dash of that Old West mythology. Nettie is resilient, disguises herself up as a man and takes on a new name or two in order to get what she wants out of life, and begins to use her skills for the betterment of herself and others once she realizes she has the capacity to do so. It’s also a fantastic story with so many twists and turns, and you won’t be able to put it down, because I certainly couldn’t. I can’t wait to read the rest of this series. “Your heart is not a rock that stands unchanging. It’s like water. It flows, it moves, it allows neither boulders nor canyons to stand in its way. It hardens and softens and expands to fill new spaces. You are still becoming yourself. And you have a lot to learn.”
The Seven Husbands of Evelyn Hugo, by Taylor Jenkins Reid. I really didn’t know what to expect from this when I received it as part of BookSparks’s summer reading challenge, but I didn’t expect to read a heartfelt story of a woman of color navigating that man’s world called Hollywood. It was such a breezy, gossipy (but deep) read, and it’s about Evelyn Hugo coming clean about her life and owning up to her flaws and essentially wanting to become real after being put on a pedestal her entire life. It’s about coming to terms with the reality that behind someone’s “perfect life” is a person who struggles with themselves and their daily lives just as much as the rest of us. I don’t really cry at books, but this one got me teary-eyed more than once, and that’s saying something. “They are just husbands. I am Evelyn Hugo. And anyway, I think once people know the truth, they will be much more interested in my wife.”
The Black Tides of Heaven, by JY Yang. I have so many feelings about this book (and this series), and all of them are good. SO GOOD. If you like -punk genres, you need to read this. If you like stories exploring identity and gender and what it means to be a person, you need to read this. If you just like engaging fantasy, you need to read this. In Yang’s Protectorate, gender is chosen (or not) by the person and sexuality is fluid, and it’s such an amazing exploration on those subjects. It made me feel less alone on the subject of presentation, and I think it’s one of those books that will make other people feel less alone on so many fronts. The second part is just as moving, and I am eagerly awaiting the third. “The saying goes, ‘The black tides of heaven direct the courses of human lives’. To which a wise teacher said, ‘But as with all the waters, one can swim against the tide.'”
After compiling this, a majority of the books have a similar theme: identity, discovery, and what it means to be yourself, and for me, 2017 was a lot of that, so it’s interesting to note that the books I read last year that have stuck with me reflect that theme as well.
Catherine Helstone's brother, Laon, has disappeared in Arcadia, legendary land of the magical fae. Desperate for news of him, she makes the perilous journey, but once there, she finds herself alone and isolated in the sinister house of Gethsemane. At last there comes news: her beloved brother is riding to be reunited with her soon - but the Queen of the Fae and her insane court are hard on his heels.
It has been as long as it takes to tell a tale, neither long nor short.
If you found yourself wanting something more in the same vein as Guillermo del Toro’s Crimson Peak, wait no more. Jeannette Ng’s Under the Pendulum Sun expertly weaves fantasy, the Gothic, academia, and religion in this compelling novel about missionaries to Arcadia, the land of the Fae.
The story explores a lot of the conventions and repressions of the times and of Gothic tropes (it’s got that weird castle with hidden passage ways, clever uses of light, and the madwoman down below); delves into folklore, fairy tales, and the Fae; and manages to make you think about how we view those ideas, concepts, and social constructs if you’re familiar with them. The story also manages to twist and invert all of that and make it very new, something that I think can be difficult to do well and Ng makes it look effortless.
I loved the inclusion of documents at the beginning of each chapter and spread throughout to ground the story in its own reality and explore the beliefs of Catherine and Leon. The narrative moves in such a way that you, as a reader, begin to question everything, especially once Queen Mab makes her appearance and throws everything for a loop. As we are experiencing all of this through Catherine’s eyes, once the veil is lifted, all we can do is experience the horror and awe as truths come to light.
Under the Pendulum Sun is dark, twisted, and well-executed, and it’s a debut. There was much failing and ahhhhh-ing from me while reading it. If you are already interested in Gothic literature, religion and its functions in society, the taboo, the Fae, you’ll want to read this. You won’t want to put it down once you’ve started, and you’ll be thinking about Arcadia long after you turn the final page.
Thank you to Angry Robot and Netgalley for an advance reader’s copy! All opinions are my own.
Ari lost everything she once loved when the Five Guilds’ resistance fell to the Dragon King. Now, she uses her unparalleled gift for clockwork machinery in tandem with notoriously unscrupulous morals to contribute to a thriving underground organ market. There isn’t a place on Loom that is secure from the engineer turned thief, and her magical talents are sold to the highest bidder as long as the job defies their Dragon oppressors.
Cvareh would do anything to see his sister usurp the Dragon King and sit on the throne. His family’s house has endured the shame of being the lowest rung in the Dragons’ society for far too long. The Alchemist Guild, down on Loom, may just hold the key to putting his kin in power, if Cvareh can get to them before the Dragon King’s assassins.
When Ari stumbles upon a wounded Cvareh, she sees an opportunity to slaughter an enemy and make a profit off his corpse. But the Dragon sees an opportunity to navigate Loom with the best person to get him where he wants to go.
He offers her the one thing Ari can’t refuse: A wish of her greatest desire, if she brings him to the Alchemists of Loom.
Don’t let the shadows of the past smother the possibility for a bright future.
Elise Kova’s The Alchemists of Loom follows Ari after the five guilds fall to the Dragon King. She meets Cvareh, who is wounded, and she thinks she can kill him off as some kind of revenge, but she decides not to when she learns he can grant her the boon she wants if she takes him to the Alchemists of Loom.
Premise of this is amazing and right up my alley, but something about it fell short for me. Most of it has to do with the fact that we’re thrown in media res without much explanation or world building. We’re just supposed to piece it together with the help of a glossary in the back (which one might not know about if one’s reading a digital copy) or through hints made throughout the story. I don’t mind it if a world is built as sort of an unfolding, but this was like opening up a single folded sheet of paper. You open it and it’s all there like glitter and you’re supposed to keep it all together while trying not to let it spill everywhere. It took me to get about halfway through the book until I felt familiar enough with the world and the characters and the rest of the details to start enjoying the book. I kept reading only because I wanted to know what Cvareh would do.
This book falls under the steampunk fantasy variety and features an indistinct world in which everything happens. There are five guilds with distinct practices, a Dragon king (and I was a little bit disappointed to discover they weren’t actually dragons), shady characters, some light romance that felt entirely forced (oh yes the main girl and the main guy argue all the time and clash all the time so of course they’ll automatically like each other).
Ari reminded me a lot of Celaena in Maas’s Throne of Glass series before she became Aelin, and Ari in this novel is a well-known criminal with an intent to restore Loom to its former glory before the Dragons took over. Her motive is unclear though, and I don’t really find a connection or sympathy to a character who has a mission. She is unyielding to that mission, but she has no clear motive for what she does, just that things must be made right. Okay? But why? Her sidekick/lover/girlfriend/??? Florence is more interesting and believable than Ari. Cvareh is the trickster sort of character who seems to flip flop between wanting to save himself, work for the Dragons, or help Ari, and the most interesting twists of the story seem to come from his actions.
The story’s action moves at a brisk pace, and I enjoyed that about the book. I just wish I had a bit more of Ari’s backstory to connect her motive with her actions and reactions because a lot of Ari’s life and relationships read completely unclear. I am going to see what the reviews are for the second one to gauge reactions to what happens next before I pick it up, but I hope it focuses more on Cvareh’s side of things!
Overall, it’s an enjoyable fantasy if someone’s ready to take a step up from “YA” fantasy and try something new.
A review copy of this book was provided to me for review by Netgalley and the publisher. All opinions are my own.