TOP TEN TUESDAY: Books That Surprised Me

Top Ten Tuesday is a weekly discussion hosted by That Artsy Reader Girl (and formerly hosted by The Broke and the Bookish), and this week’s topic is the top ten books that surprised you (in a good way or a bad way), and I’m going to go with the more positive route, because usually if books are surprisingly bad, I just stop reading them or choose to forget about them (unless they’re legitimately awful. And that’s pretty rare).

My list will focus on the top ten books that surprised me in 2017, so it’s functioning sort of as a recap for last year’s reading as well, since I was a little lazy and perturbed by the lack of functioning keyboard to have any desire to write anything. Anyway, this list is not in ranking order, but in order from when I read it in the year, from the beginning of 2017 to the end of the year.

  • The Left Hand of Darkness, by Ursula K. Le Guin. I think I read this many, many years ago when I was much younger and much less aware of what science fiction could do in terms of exploring humanity and culture instead of merely exploring space. Ai, the main character of this book, is at first unsettled by the sense of duality and ambisexuality on Gethen, and this unsettled feeling is a direct exploration of how gender functions in our own society (granted, in 1969, the much-broadcast definitions were a little different than the conversations we’re having today, so some of it feels outdated). However, a lot of it feels so relevant, and it made me think and it made me wonder, and I think that’s what some of the best science fiction should do. “It is yin and yang. Light is the left hand of darkness… how did it go? Light, dark. Fear, courage. Cold, warmth. Female, male. It is yourself, Therem. Both and one. A shadow on snow.”
  • The Hate U Give, by Angie Thomas. Ever since I got my hands on an ARC from the table at work, I’ve been telling everyone I know to read this book. It’s relevant, it’s nuanced, it’s heart-wrenching. Though often hilarious and heartwarming at times, Thomas’s novel further reveals to us the consistent, prevalent institutional racism and broken criminal justice system in America in which so many people (without consequence!) continue to violate the civil rights of thousands because of the color of their skin. It will break your heart; it will make you angry. Read it. “Sometimes you can do everything right and things will still go wrong. The key is to never stop doing right.”
  • The Stars are Legion, by Kameron Hurley. I read this book a year ago, and I haven’t been able to stop thinking about it since. It’s sci-fi just how I like it. It’s gross, it’s visceral, and it’s an angry yell into the void of space. I mean, don’t you want to read about asexual ships that give birth to whatever the ship needs, cannibalistic women who eat their deformed young, and womb/uterus/placenta references (with all of the associated fluids) all over the place? Yes, you do. I don’t want to reveal too much about the plot or the characters because half of the enjoyment of this is getting to discover that for yourself. Just read it. ASAP. “When you understand what the world is, you have two choices: Become a part of that world and perpetuate that system forever and ever, unto the next generation. Or fight it, and break it, and build something new. The former is safer, and easier. The latter is scarier, because who is to say what you build will be any better?”
  • The Paper Menagerie, by Ken Liu. The thing I liked most about this collection of stories, aside from Liu’s deft skill at writing and blending several different genres, is that so many of the stories focus on the idea of storytelling and what that means for us as people and as a society. In the collection, you’ll read about the ways in which species across the universe record their stories for the present and the future (“The Bookmaking Habits of Select Species”), the ways in which society tells us stories to keep us controlled and how difficult it is to break the illusions (“Perfect Match”), the literal power of words (“The Literomancer”), and the literal preservation of memory to be “read” and its upsides and pitfalls (“Simulacrum”).  “Time’s arrow is the loss of fidelity in compression. A sketch, not a photograph. A memory is a re-creation, precious because it is both more and less than the original.”
  • Moby-Dick, by Herman Melville. Moby-Dick functions best for you, dear reader, when you are familiar with the history of the novel. I think I read this at a pertinent time in my life. Had I read it before I learned the history of the narrative, the novel, the American novel, religion and its function in the American novel, the personal life of Melville (and by extension Hawthorne), and postmodernism (and one can argue whether or not this novel is considered postmodern, but it’s different than anything else I’ve read from the time period and knowing how postmodernism works in a literary setting adds to my own consumption and enjoyment of the novel on some level because its lucidity is very much like James Joyce’s style), I probably wouldn’t have appreciated it as much as I do now. It’s a hefty novel, a undertaking, but it’s so incredibly worth it. It’s a love story, and you will wonder whether or not you are chasing your own white whale. “There are certain queer times and occasions in this strange mixed affair we call life when a man takes this whole universe for a vast practical joke, though the wit thereof he but dimly discerns, and more than suspects that the joke is at nobody’s expense but his own.”
  • The Whole Art of Detection, by Lyndsay Faye. I am so particular about my Sherlock Holmes pastiches. It’s so difficult to capture the essence of Doyle’s original stories while simultaneously making it new, and Faye does this with exemplary flair. All of these stories feel at once rooted in time and timeless, and Faye manages this with her effortless, captivating writing. If you’re a fan of Sherlock Holmes in any capacity and love a good historical mystery, read this right away. Dust and Shadow, a mystery in which Holmes and Watson discover the true identity of Jack the Ripper, is just as engaging. “In the broad light of day, I could not give his tale nearly so much credence as I had granted it when sitting rapt before a midnight fireplace whilst the tempest without erased the natural world.”
  • Borne, by Jeff VanderMeer. This is one of those cerebral post-apocalyptic dystopian novels that will linger with you long after you finish it. This standalone novel from the author of the Southern Reach trilogy explores how humans abuse science and nature for technological or monetary gain, and Borne shows us the aftermath of that greed. The novel also explores what it means to be a person, what it means to love and then to let go of love, what it means to live and then to die, and what it means when one finds beauty in the midst of so much chaos. VanderMeer manages to pack so much description, emotion, and longing into such a short novel, and it’s a novel that will make you reread passages and sentences again and again because of their beauty and complexity. The companion novella, The Strange Bird, is just as compelling. “He was born, but I had borne him.”
  • Wake of Vultures, by Lila Bowen. This is a supernatural Western, and it’s AMAZING. This follows Nettie Lonesome, a half-black half-Comanche young woman, who sets out to discover herself, her identity, and her place in the world only to discover that there are monsters lurking everywhere. This is steeped in Native American folklore with a hefty dash of that Old West mythology. Nettie is resilient, disguises herself up as a man and takes on a new name or two in order to get what she wants out of life, and begins to use her skills for the betterment of herself and others once she realizes she has the capacity to do so. It’s also a fantastic story with so many twists and turns, and you won’t be able to put it down, because I certainly couldn’t. I can’t wait to read the rest of this series. “Your heart is not a rock that stands unchanging. It’s like water. It flows, it moves, it allows neither boulders nor canyons to stand in its way. It hardens and softens and expands to fill new spaces. You are still becoming yourself. And you have a lot to learn.”
  • The Seven Husbands of Evelyn Hugo, by Taylor Jenkins Reid. I really didn’t know what to expect from this when I received it as part of BookSparks’s summer reading challenge, but I didn’t expect to read a heartfelt story of a woman of color navigating that man’s world called Hollywood. It was such a breezy, gossipy (but deep) read, and it’s about Evelyn Hugo coming clean about her life and owning up to her flaws and essentially wanting to become real after being put on a pedestal her entire life. It’s about coming to terms with the reality that behind someone’s “perfect life” is a person who struggles with themselves and their daily lives just as much as the rest of us. I don’t really cry at books, but this one got me teary-eyed more than once, and that’s saying something. “They are just husbands. I am Evelyn Hugo. And anyway, I think once people know the truth, they will be much more interested in my wife.”
  • The Black Tides of Heaven, by JY Yang. I have so many feelings about this book (and this series), and all of them are good. SO GOOD. If you like -punk genres, you need to read this. If you like stories exploring identity and gender and what it means to be a person, you need to read this. If you just like engaging fantasy, you need to read this. In Yang’s Protectorate, gender is chosen (or not) by the person and sexuality is fluid, and it’s such an amazing exploration on those subjects. It made me feel less alone on the subject of presentation, and I think it’s one of those books that will make other people feel less alone on so many fronts. The second part is just as moving, and I am eagerly awaiting the third. “The saying goes, ‘The black tides of heaven direct the courses of human lives’. To which a wise teacher said, ‘But as with all the waters, one can swim against the tide.'”

After compiling this, a majority of the books have a similar theme: identity, discovery, and what it means to be yourself, and for me, 2017 was a lot of that, so it’s interesting to note that the books I read last year that have stuck with me reflect that theme as well.

BOOK REVIEW: Spaceman of Bohemia, by Jaroslav Kalfar

BOOK REVIEW: Spaceman of Bohemia, by Jaroslav KalfarTitle: Spaceman of Bohemia by Jaroslav Kalfar
Published: March 7th 2017
Genres: Fiction, Science Fiction
Pages: 277
Format: eBook
Source: Netgalley
Goodreads

An intergalactic odyssey of love, ambition, and self-discovery

Orphaned as a boy, raised in the Czech countryside by his doting grandparents, Jakub Procházka has risen from small-time scientist to become the country's first astronaut. When a dangerous solo mission to Venus offers him both the chance at heroism he's dreamt of, and a way to atone for his father's sins as a Communist informer, he ventures boldly into the vast unknown. But in so doing, he leaves behind his devoted wife, Lenka, whose love, he realizes too late, he has sacrificed on the altar of his ambitions.

Alone in Deep Space, Jakub discovers a possibly imaginary giant alien spider, who becomes his unlikely companion. Over philosophical conversations about the nature of love, life and death, and the deliciousness of bacon, the pair form an intense and emotional bond. Will it be enough to see Jakub through a clash with secret Russian rivals and return him safely to Earth for a second chance with Lenka?

Rich with warmth and suspense and surprise, Spaceman of Bohemia is an exuberant delight from start to finish. Very seldom has a novel this profound taken readers on a journey of such boundless entertainment and sheer fun.

 Existence runs on energy, a fluid movement forward, yet we never stop seeking the point of origin, the Big Bang that set us upon our inevitable course.

I feel like a lot of the fiction I’ve read this year as a sense of the weird to it. Something is off, something is not quite right. Spaceman of Bohemia is about an orphaned boy raised by his grandparents who grows up to become an astronaut. When the novel begins, he is going on a single-manned mission to a weird particle glow cloud in space near Venus. But this isn’t science fiction in the usual sense. I found this novel to be an exploration on what it means to be a person, what it means to recognize your past as part of your future, and a philosophical meditation on identity.

I didn’t know what to expect when I started reading it, and I’m glad I never read more than the cover flap on the copy that’s been on the shelves at work for a while because I think I might have been disappointed if I thought this was a space adventure story. It reminded me a lot of Foer’s Everything is Illuminated in the way in which the story moved back and forth through time, through flashes of Jakub’s memories and his present experiences.

What I loved most about this novel, surprisingly enough because I am terrified of spiders, is the hallucinatory spider-like alien who loves Nutella. We never really find out whether or not the spider-alien Jakub sees is really there, and it makes me wonder if the alien manifests itself based on the fears of the person it senses. The alien tells Jakub that it has been observing Earth for a while, absorbing everything humanity has to offer, but it’s Jakub who brings that “humanry” to the alien on a personal level. The end is both heartbreaking and triumphant, and it left me wanting to read more about Jakub and more by Jaroslav Kalfar.

A copy of this book was provided to me for review by the publisher and Netgalley; all opinions are my own.

BOOK REVIEW: Borne and The Strange Bird, by Jeff VanderMeer

BOOK REVIEW: Borne and The Strange Bird, by Jeff VanderMeerTitle: Borne by Jeff VanderMeer
Published: April 25th 2017
Genres: Science Fiction
Pages: 323
Format: Hardcover
Source: Work
Goodreads

"Am I a person?" Borne asked me.

"Yes, you are a person," I told him. "But like a person, you can be a weapon, too." In Borne, a young woman named Rachel survives as a scavenger in a ruined city half destroyed by drought and conflict. The city is dangerous, littered with discarded experiments from the Company—a biotech firm now derelict—and punished by the unpredictable predations of a giant bear. Rachel ekes out an existence in the shelter of a run-down sanctuary she shares with her partner, Wick, who deals his own homegrown psychoactive biotech.

One day, Rachel finds Borne during a scavenging mission and takes him home. Borne as salvage is little more than a green lump—plant or animal?—but exudes a strange charisma. Borne reminds Rachel of the marine life from the island nation of her birth, now lost to rising seas. There is an attachment she resents: in this world any weakness can kill you. Yet, against her instincts—and definitely against Wick’s wishes—Rachel keeps Borne. She cannot help herself. Borne, learning to speak, learning about the world, is fun to be with, and in a world so broken that innocence is a precious thing. For Borne makes Rachel see beauty in the desolation around her. She begins to feel a protectiveness she can ill afford. 

"He was born, but I had borne him."

But as Borne grows, he begins to threaten the balance of power in the city and to put the security of her sanctuary with Wick at risk. For the Company, it seems, may not be truly dead, and new enemies are creeping in. What Borne will lay bare to Rachel as he changes is how precarious her existence has been, and how dependent on subterfuge and secrets. In the aftermath, nothing may ever be the same.  

“He was born, but I had borne him.”

Jeff VanderMeer’s Borne evokes a sense of the weird and the unsettling in a probable near-future reminiscent of Margaret Atwood’s Maddaddam trilogy. In the novel, a young woman named Rachel scavenges and survives in a city ravaged by an unnamed ecological disaster. The city’s grounds are littered with the remnants of the now-defunct Company’s biotech, and the city is not-so-subtly governed by the actions of Mord, a giant flying bear. During one of her scavenging missions, Rachel finds a little lump of something not quite plant and not quite animal named Borne. Borne disrupts Rachel’s life little by little until his very existence threatens to upheave everything in Rachel’s life and in the strange ecosystem of Mord’s territory.

This standalone novel from the author of the Southern Reach trilogy explores how humans abuse science and nature for technological or monetary gain, and Borne shows us the aftermath of that greed. The novel also explores what it means to be a person, what it means to love and then to let go of love, what it means to live and then to die, and what it means when one finds beauty in the midst of so much chaos. VanderMeer manages to pack so much description, emotion, and longing into such a short novel, and it’s a novel that will make you reread passages and sentences again and again because of their beauty and complexity.

BOOK REVIEW: Borne and The Strange Bird, by Jeff VanderMeerTitle: The Strange Bird: A Borne Story by Jeff VanderMeer
Published: August 1st 2017
Genres: Science Fiction
Pages: 96
Format: eBook
Source: Netgalley
Goodreads

 The Strange Bird is a companion story to VanderMeer’s Borne, and the novella adds even more depth to the world in which VanderMeer has created in Borne. The Strange Bird is part human, part bird, and she is rejected from the world in which she lives, because she is not wholly human nor wholly animal. The timeline of this novella occurs before, during, and after the events of Borne and offers an outside view of those events. While Borne explored in its complexity what it means to be a personThe Strange Bird explores what it means to be free and know oneself when the world seems to “naturally” conspire against your very existence. It’s a highly recommended follow-up if you’ve read Borne and wanted more.

BOOK REVIEW: Artemis, by Andy Weir

BOOK REVIEW: Artemis, by Andy WeirTitle: Artemis by Andy Weir
Published by Crown Publishing
Published: November 14th 2017
Genres: Science Fiction
Pages: 384
Format: eBook
Source: Netgalley
Goodreads

Jazz Bashara is a criminal.

Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent.

Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down. But pulling off the impossible is just the start of her problems, as she learns that she's stepped square into a conspiracy for control of Artemis itself—and that now, her only chance at survival lies in a gambit even riskier than the first.

I’m really torn on this review, because a lot of Artemis fell flat to me to the point where I wasn’t enjoying reading it sometimes. I flew through The Martian. I loved Mark Watney as a character. He was funny, flawed, and real. I felt connected with his perilous stranding on Mars, I rooted for his success, and I felt whatever emotions Watney felt during his highs and lows and in-betweens. The Martian, for me, is a solid, traditional science fiction story. Artemis felt, at times, like an experiment with how many boxes can I check off, how many science-y things can I put my characters through, and how many near-death experiences can I put Jazz through…

Jazz Bashara is a twenty-six year old Arabic woman who is incredibly talented at science-ing her way through life and smuggling stuff. I liked that she was Arabic, and I liked some of the references to her heritage, but some of her heritage seemed superficial and not relative to her character at all. I kept thinking she was in her teens by the way she spoke about herself and everyone else around her. Some of her most cringe-worthy lines sounded like she was a girl trying to impress a lot of boys with her cool-girl attitude with the “Oh, I made a double-entendre, get your mind out of the gutter” sort of humor.

Jazz’s type of humor and attitude toward life would be more believable for me if she had a foil, a character who contrasts with her to highlight her nuances, maybe a best friend who is incredibly feminine, but there isn’t one. For all the touting of diversity and what-not, Jazz is really the only female character in the book (aside from someone at the end, but this other character really only acts as a plot device). The other main characters in the book are the stereotypical geek who doesn’t know how to talk to women, the tough-love grunt, and the boyfriend-stealing charming gay guy.

The conspiracy behind the heist isn’t entirely believable to me, so the action and the science needed to resolve the arising problems ultimately fell flat. And, minor spoilers, but. Am I really supposed to believe that whoever designed Artemis didn’t have backup plans in case the entire colony got flooded with some awful unbreathable stuff? That’s just bad science. Any good developer/engineer/architect would probably consider this possibility, and I find it difficult to believe that this scenario didn’t pop up in the theoretical models during planning.

What we were promised in Artemis: a high-octane heist, bad-ass female main character, diverse cast of characters, humor, science, moon stuff. What we got: a sorta cool heist, one stereotypical female main character, a cast of stereotypically diverse characters, humor, science, moon stuff.

Overall, Artemis is a pretty fun, fast read. Aside from those issues I wrote about above, Weir’s writing style makes it difficult to put the book down once the action really gets going. I really enjoyed the concept of colonies on the moon and the details Weir interjects into the concepts and science of moon colonies. This will be one that a lot of people will be divided about in its reception, but it’s a decent follow-up to his first.

Thank you to Netgalley and Crown Publishing for an ARC; all opinions are my own.

BOOK REVIEW: Sleeping Giants, by Sylvain Neuvel

BOOK REVIEW: Sleeping Giants, by Sylvain NeuvelTitle: Sleeping Giants by Sylvain Neuvel
Series: Themis Files #1
Published by Del Rey
Published: April 26th 2016
Genres: Science Fiction
Pages: 304
Format: Hardcover
Source: Purchased
Goodreads

A girl named Rose is riding her new bike near her home in Deadwood, South Dakota, when she falls through the earth. She wakes up at the bottom of a square hole, its walls glowing with intricate carvings. But the firemen who come to save her peer down upon something even stranger: a little girl in the palm of a giant metal hand.

Seventeen years later, the mystery of the bizarre artifact remains unsolved—its origins, architects, and purpose unknown. Its carbon dating defies belief; military reports are redacted; theories are floated, then rejected.

But some can never stop searching for answers.

Rose Franklin is now a highly trained physicist leading a top secret team to crack the hand’s code. And along with her colleagues, she is being interviewed by a nameless interrogator whose power and purview are as enigmatic as the provenance of the relic. What’s clear is that Rose and her compatriots are on the edge of unraveling history’s most perplexing discovery—and figuring out what it portends for humanity. But once the pieces of the puzzle are in place, will the result prove to be an instrument of lasting peace or a weapon of mass destruction?

An inventive debut in the tradition of World War Z and The Martian, told in interviews, journal entries, transcripts, and news articles, Sleeping Giants is a thriller fueled by a quest for truth—and a fight for control of earthshaking power.

 If you fall in love with someone, there’s a good chance the person won’t love you back. Hatred, though, is usually mutual. If you despise someone, it’s pretty much a given they’re also not your biggest fan.

Sylvain Neuvel’s Sleeping Giants is the story of a girl named Rose who falls into a pit in the middle of the earth in South Dakota, and when she wakes up, she discovers a piece that’s part of a very large robot. Told through a series of interviews, we see from different perspectives the discovery of more of those robot parts and the dawning realization that there is no possible way that humans built this thing. The question remains – who did? Where did this robot’s creators originate? Why was Earth chosen as a destination point for this machine? Are there more?

I enjoyed the style of this book. It reads quickly, and I was constantly turning the pages to see what happened next. The biggest frustration, and it seems relatively minor in the grand scheme of things, in reading stories through the eyes of interviews, articles, and detached narratives are that we’re forced to piece together what happens behind the scenes and who these characters are in relation to the story at hand. When the interviews jump ahead in time by months or years or whatever, I was left wanting to know more about the in-between times, which isn’t a bad thing in the end, because the jumps kept the story moving forward and I don’t think anyone wants a 700+ book of interviews detailing every exact thing. I just enjoyed Neuvel’s world-building so much that I wanted that extra stuff. I’ve got the sequel ready to go, so I’m hoping for more greatness!

It’s billed as something for fans of The Martian, but I think it’s more in line with Pacific Rim and any other machina science fiction. For a debut novel, I was impressed with Neuvel’s scope in his world-building, detail, and character development. It’s a solid novel that feels like it’s been written by someone who has been doing this sort of writing for a long time. I really enjoyed it, and I think it’s a thrilling read for people who love science fiction and for people who love a good thriller.