Mad Men meets The Devil Wears Prada as Renée Rosen draws readers into the glamour of 1965 New York City and Cosmopolitan Magazine, where a brazen new Editor-in-Chief--Helen Gurley Brown--shocks America by daring to talk to women about all things off limits...
New York City is filled with opportunities for single girls like Alice Weiss who leaves her small Midwestern town to chase her big city dreams and unexpectedly lands the job of a lifetime working for Helen Gurley Brown, the first female Editor-in-Chief of a then failing Cosmopolitan Magazine.
Nothing could have prepared Alice for the world she enters as editors and writers resign on the spot, refusing to work for the woman who wrote the scandalous bestseller, Sex and the Single Girl. While confidential memos, article ideas, and cover designs keep finding their way into the wrong hands, someone tries to pull Alice into this scheme to sabotage her boss. But Alice remains loyal and becomes all the more determined to help Helen succeed. As pressure mounts at the magazine and Alice struggles to make her way in New York, she quickly learns that in Helen Gurley Brown's world, a woman can demand to have it all.
Any description about a book that begins with Mad Men and The Devil Wears Prada immediately grabs my attention. Renée Rosen’s Park Avenue Summer lived up to all of my expectations and more. Set in 1965, Park Avenue Summer follows the summer of Alice Weiss, a young woman headed to New York City to do good to her mother’s memory and to have a fresh start. Alice lands a job at Cosmopolitan with the help of her aunt on her mother’s side, and working for Helen Gurley Brown, who wrote Sex and the Single Girl, opens a lot of doors personally and professionally.
One of the things I liked most about this was the attention to detail, Rosen’s ability to bring the past to life and make it fresh and modern, and Alice’s growth from a relatively naive Midwestern girl to a confident woman. Helen Gurley Brown’s take-no-shit attitude helped launch Cosmopolitan from the society magazine it was before to the vibrant, in-your-face magazine we still recognize today. I always tend to forget how much the 1960s shifted public perception of a lot of ideas and behaviors we take for granted today, and Rosen’s story of the fictional Alice Weiss and the very real Helen Gurley Brown makes me want to read more about the history of Cosmopolitan and the publishing industry of New York in the 1960s. Rosen thankfully gives a list of recommended reading at the end of this book that will be incredibly helpful in starting my own research.
I also loved the portrait of New York City Rosen painted in her novel. Rosen captures the cutthroat reality of the city while also maintaining that the city is full of dreams just within your reach if you’re willing to make the effort. NYC is a magical place for me, and I love seeing that balance portrayed so well in fiction. I love stories about women coming into their own, stories about the publishing industry in all its forms, and, of course, stories about New York City, and Renée Rosen’s Park Avenue Summer was the perfect blend of all three. Be sure to check this one out at the end of the month!
Thank you Berkley for sending me an advance digital copy to read and review! All opinions are my own.
Everyone knows Daisy Jones & The Six, but nobody knows the reason behind their split at the absolute height of their popularity . . . until now.
Daisy is a girl coming of age in L.A. in the late sixties, sneaking into clubs on the Sunset Strip, sleeping with rock stars, and dreaming of singing at the Whisky a Go Go. The sex and drugs are thrilling, but it’s the rock and roll she loves most. By the time she’s twenty, her voice is getting noticed, and she has the kind of heedless beauty that makes people do crazy things.
Also getting noticed is The Six, a band led by the brooding Billy Dunne. On the eve of their first tour, his girlfriend Camila finds out she’s pregnant, and with the pressure of impending fatherhood and fame, Billy goes a little wild on the road.
Daisy and Billy cross paths when a producer realizes that the key to supercharged success is to put the two together. What happens next will become the stuff of legend.
The making of that legend is chronicled in this riveting and unforgettable novel, written as an oral history of one of the biggest bands of the seventies. Taylor Jenkins Reid is a talented writer who takes her work to a new level with Daisy Jones & The Six, brilliantly capturing a place and time in an utterly distinctive voice.
After reading The Seven Husbands of Evelyn Hugo, Evidence of the Affair, and now Daisy Jones & the Six, I’m convinced that Taylor Jenkins Reid’s writing is absolutely magic, and I found myself wishing that there really was a real Evelyn Hugo and a real Daisy Jones & the Six. I think in 2019 I’m going to read the rest of her backlist titles, because I think TJR is deserving of the buzz that’s surrounded her over the last several years!
Daisy Jones & the Six is structured in the form of interview responses, broken up in sections of the band’s history, and at first I thought this was a little slow at the start, but once the story started developing beyond introductions, I loved the different perspectives of everyone in the band happening all at once as the story is pieced together through snippets of interviews given by the band members. It’s a little confusing at first, but then the story really finds its rhythm.
What do you do when you find a creative soulmate that might actually be more? How do you reconcile that creative spark with someone who drives you crazy? Daisy and Billy’s connection throughout this entire story is an electric charge that eventually becomes undeniable and unavoidable, and through these interviews and eras of the band’s existence, we get to see how it affects them and everyone around them until the band’s split at the height of their career.
One thing I’ve loved about Taylor Jenkins Reid’s writing in the two books I’ve read by her is that it makes you feel something, creates a world in which her characters exist that feels absolutely real, and makes you care about the characters she writes. I wished Evelyn Hugo was real while reading The Seven Husbands of Evelyn Hugo, and I wished Daisy and Billy and the band and their tumultuous relationships with each other were real.
Daisy Jones & the Six comes out March 5, 2019, and you’re definitely going to want to add this to your TBRs! A complimentary copy was sent to me by BookSparks and Ballantine Books for review; all opinions are my own.
Top Ten Tuesday is a weekly discussion hosted by That Artsy Reader Girl (and formerly hosted by The Broke and the Bookish), and this week’s topic is the top ten books that surprised you (in a good way or a bad way), and I’m going to go with the more positive route, because usually if books are surprisingly bad, I just stop reading them or choose to forget about them (unless they’re legitimately awful. And that’s pretty rare).
My list will focus on the top ten books that surprised me in 2017, so it’s functioning sort of as a recap for last year’s reading as well, since I was a little lazy and perturbed by the lack of functioning keyboard to have any desire to write anything. Anyway, this list is not in ranking order, but in order from when I read it in the year, from the beginning of 2017 to the end of the year.
The Left Hand of Darkness, by Ursula K. Le Guin. I think I read this many, many years ago when I was much younger and much less aware of what science fiction could do in terms of exploring humanity and culture instead of merely exploring space. Ai, the main character of this book, is at first unsettled by the sense of duality and ambisexuality on Gethen, and this unsettled feeling is a direct exploration of how gender functions in our own society (granted, in 1969, the much-broadcast definitions were a little different than the conversations we’re having today, so some of it feels outdated). However, a lot of it feels so relevant, and it made me think and it made me wonder, and I think that’s what some of the best science fiction should do. “It is yin and yang. Light is the left hand of darkness… how did it go? Light, dark. Fear, courage. Cold, warmth. Female, male. It is yourself, Therem. Both and one. A shadow on snow.”
The Hate U Give, by Angie Thomas. Ever since I got my hands on an ARC from the table at work, I’ve been telling everyone I know to read this book. It’s relevant, it’s nuanced, it’s heart-wrenching. Though often hilarious and heartwarming at times, Thomas’s novel further reveals to us the consistent, prevalent institutional racism and broken criminal justice system in America in which so many people (without consequence!) continue to violate the civil rights of thousands because of the color of their skin. It will break your heart; it will make you angry. Read it. “Sometimes you can do everything right and things will still go wrong. The key is to never stop doing right.”
The Stars are Legion, by Kameron Hurley. I read this book a year ago, and I haven’t been able to stop thinking about it since. It’s sci-fi just how I like it. It’s gross, it’s visceral, and it’s an angry yell into the void of space. I mean, don’t you want to read about asexual ships that give birth to whatever the ship needs, cannibalistic women who eat their deformed young, and womb/uterus/placenta references (with all of the associated fluids) all over the place? Yes, you do. I don’t want to reveal too much about the plot or the characters because half of the enjoyment of this is getting to discover that for yourself. Just read it. ASAP. “When you understand what the world is, you have two choices: Become a part of that world and perpetuate that system forever and ever, unto the next generation. Or fight it, and break it, and build something new. The former is safer, and easier. The latter is scarier, because who is to say what you build will be any better?”
The Paper Menagerie, by Ken Liu. The thing I liked most about this collection of stories, aside from Liu’s deft skill at writing and blending several different genres, is that so many of the stories focus on the idea of storytelling and what that means for us as people and as a society. In the collection, you’ll read about the ways in which species across the universe record their stories for the present and the future (“The Bookmaking Habits of Select Species”), the ways in which society tells us stories to keep us controlled and how difficult it is to break the illusions (“Perfect Match”), the literal power of words (“The Literomancer”), and the literal preservation of memory to be “read” and its upsides and pitfalls (“Simulacrum”). “Time’s arrow is the loss of fidelity in compression. A sketch, not a photograph. A memory is a re-creation, precious because it is both more and less than the original.”
Moby-Dick, by Herman Melville. Moby-Dick functions best for you, dear reader, when you are familiar with the history of the novel. I think I read this at a pertinent time in my life. Had I read it before I learned the history of the narrative, the novel, the American novel, religion and its function in the American novel, the personal life of Melville (and by extension Hawthorne), and postmodernism (and one can argue whether or not this novel is considered postmodern, but it’s different than anything else I’ve read from the time period and knowing how postmodernism works in a literary setting adds to my own consumption and enjoyment of the novel on some level because its lucidity is very much like James Joyce’s style), I probably wouldn’t have appreciated it as much as I do now. It’s a hefty novel, a undertaking, but it’s so incredibly worth it. It’s a love story, and you will wonder whether or not you are chasing your own white whale. “There are certain queer times and occasions in this strange mixed affair we call life when a man takes this whole universe for a vast practical joke, though the wit thereof he but dimly discerns, and more than suspects that the joke is at nobody’s expense but his own.”
The Whole Art of Detection, by Lyndsay Faye. I am so particular about my Sherlock Holmes pastiches. It’s so difficult to capture the essence of Doyle’s original stories while simultaneously making it new, and Faye does this with exemplary flair. All of these stories feel at once rooted in time and timeless, and Faye manages this with her effortless, captivating writing. If you’re a fan of Sherlock Holmes in any capacity and love a good historical mystery, read this right away. Dust and Shadow, a mystery in which Holmes and Watson discover the true identity of Jack the Ripper, is just as engaging. “In the broad light of day, I could not give his tale nearly so much credence as I had granted it when sitting rapt before a midnight fireplace whilst the tempest without erased the natural world.”
Borne, by Jeff VanderMeer. This is one of those cerebral post-apocalyptic dystopian novels that will linger with you long after you finish it. This standalone novel from the author of the Southern Reach trilogy explores how humans abuse science and nature for technological or monetary gain, and Borne shows us the aftermath of that greed. The novel also explores what it means to be a person, what it means to love and then to let go of love, what it means to live and then to die, and what it means when one finds beauty in the midst of so much chaos. VanderMeer manages to pack so much description, emotion, and longing into such a short novel, and it’s a novel that will make you reread passages and sentences again and again because of their beauty and complexity. The companion novella, The Strange Bird, is just as compelling. “He was born, but I had borne him.”
Wake of Vultures, by Lila Bowen. This is a supernatural Western, and it’s AMAZING. This follows Nettie Lonesome, a half-black half-Comanche young woman, who sets out to discover herself, her identity, and her place in the world only to discover that there are monsters lurking everywhere. This is steeped in Native American folklore with a hefty dash of that Old West mythology. Nettie is resilient, disguises herself up as a man and takes on a new name or two in order to get what she wants out of life, and begins to use her skills for the betterment of herself and others once she realizes she has the capacity to do so. It’s also a fantastic story with so many twists and turns, and you won’t be able to put it down, because I certainly couldn’t. I can’t wait to read the rest of this series. “Your heart is not a rock that stands unchanging. It’s like water. It flows, it moves, it allows neither boulders nor canyons to stand in its way. It hardens and softens and expands to fill new spaces. You are still becoming yourself. And you have a lot to learn.”
The Seven Husbands of Evelyn Hugo, by Taylor Jenkins Reid. I really didn’t know what to expect from this when I received it as part of BookSparks’s summer reading challenge, but I didn’t expect to read a heartfelt story of a woman of color navigating that man’s world called Hollywood. It was such a breezy, gossipy (but deep) read, and it’s about Evelyn Hugo coming clean about her life and owning up to her flaws and essentially wanting to become real after being put on a pedestal her entire life. It’s about coming to terms with the reality that behind someone’s “perfect life” is a person who struggles with themselves and their daily lives just as much as the rest of us. I don’t really cry at books, but this one got me teary-eyed more than once, and that’s saying something. “They are just husbands. I am Evelyn Hugo. And anyway, I think once people know the truth, they will be much more interested in my wife.”
The Black Tides of Heaven, by JY Yang. I have so many feelings about this book (and this series), and all of them are good. SO GOOD. If you like -punk genres, you need to read this. If you like stories exploring identity and gender and what it means to be a person, you need to read this. If you just like engaging fantasy, you need to read this. In Yang’s Protectorate, gender is chosen (or not) by the person and sexuality is fluid, and it’s such an amazing exploration on those subjects. It made me feel less alone on the subject of presentation, and I think it’s one of those books that will make other people feel less alone on so many fronts. The second part is just as moving, and I am eagerly awaiting the third. “The saying goes, ‘The black tides of heaven direct the courses of human lives’. To which a wise teacher said, ‘But as with all the waters, one can swim against the tide.'”
After compiling this, a majority of the books have a similar theme: identity, discovery, and what it means to be yourself, and for me, 2017 was a lot of that, so it’s interesting to note that the books I read last year that have stuck with me reflect that theme as well.
An intergalactic odyssey of love, ambition, and self-discovery
Orphaned as a boy, raised in the Czech countryside by his doting grandparents, Jakub Procházka has risen from small-time scientist to become the country's first astronaut. When a dangerous solo mission to Venus offers him both the chance at heroism he's dreamt of, and a way to atone for his father's sins as a Communist informer, he ventures boldly into the vast unknown. But in so doing, he leaves behind his devoted wife, Lenka, whose love, he realizes too late, he has sacrificed on the altar of his ambitions.
Alone in Deep Space, Jakub discovers a possibly imaginary giant alien spider, who becomes his unlikely companion. Over philosophical conversations about the nature of love, life and death, and the deliciousness of bacon, the pair form an intense and emotional bond. Will it be enough to see Jakub through a clash with secret Russian rivals and return him safely to Earth for a second chance with Lenka?
Rich with warmth and suspense and surprise, Spaceman of Bohemia is an exuberant delight from start to finish. Very seldom has a novel this profound taken readers on a journey of such boundless entertainment and sheer fun.
Existence runs on energy, a fluid movement forward, yet we never stop seeking the point of origin, the Big Bang that set us upon our inevitable course.
I feel like a lot of the fiction I’ve read this year as a sense of the weird to it. Something is off, something is not quite right. Spaceman of Bohemia is about an orphaned boy raised by his grandparents who grows up to become an astronaut. When the novel begins, he is going on a single-manned mission to a weird particle glow cloud in space near Venus. But this isn’t science fiction in the usual sense. I found this novel to be an exploration on what it means to be a person, what it means to recognize your past as part of your future, and a philosophical meditation on identity.
I didn’t know what to expect when I started reading it, and I’m glad I never read more than the cover flap on the copy that’s been on the shelves at work for a while because I think I might have been disappointed if I thought this was a space adventure story. It reminded me a lot of Foer’s Everything is Illuminated in the way in which the story moved back and forth through time, through flashes of Jakub’s memories and his present experiences.
What I loved most about this novel, surprisingly enough because I am terrified of spiders, is the hallucinatory spider-like alien who loves Nutella. We never really find out whether or not the spider-alien Jakub sees is really there, and it makes me wonder if the alien manifests itself based on the fears of the person it senses. The alien tells Jakub that it has been observing Earth for a while, absorbing everything humanity has to offer, but it’s Jakub who brings that “humanry” to the alien on a personal level. The end is both heartbreaking and triumphant, and it left me wanting to read more about Jakub and more by Jaroslav Kalfar.
A copy of this book was provided to me for review by the publisher and Netgalley; all opinions are my own.
"Yes, you are a person," I told him. "But like a person, you can be a weapon, too." In Borne, a young woman named Rachel survives as a scavenger in a ruined city half destroyed by drought and conflict. The city is dangerous, littered with discarded experiments from the Company—a biotech firm now derelict—and punished by the unpredictable predations of a giant bear. Rachel ekes out an existence in the shelter of a run-down sanctuary she shares with her partner, Wick, who deals his own homegrown psychoactive biotech.
One day, Rachel finds Borne during a scavenging mission and takes him home. Borne as salvage is little more than a green lump—plant or animal?—but exudes a strange charisma. Borne reminds Rachel of the marine life from the island nation of her birth, now lost to rising seas. There is an attachment she resents: in this world any weakness can kill you. Yet, against her instincts—and definitely against Wick’s wishes—Rachel keeps Borne. She cannot help herself. Borne, learning to speak, learning about the world, is fun to be with, and in a world so broken that innocence is a precious thing. For Borne makes Rachel see beauty in the desolation around her. She begins to feel a protectiveness she can ill afford.
"He was born, but I had borne him."
But as Borne grows, he begins to threaten the balance of power in the city and to put the security of her sanctuary with Wick at risk. For the Company, it seems, may not be truly dead, and new enemies are creeping in. What Borne will lay bare to Rachel as he changes is how precarious her existence has been, and how dependent on subterfuge and secrets. In the aftermath, nothing may ever be the same.
“He was born, but I had borne him.”
Jeff VanderMeer’s Borne evokes a sense of the weird and the unsettling in a probable near-future reminiscent of Margaret Atwood’s Maddaddam trilogy. In the novel, a young woman named Rachel scavenges and survives in a city ravaged by an unnamed ecological disaster. The city’s grounds are littered with the remnants of the now-defunct Company’s biotech, and the city is not-so-subtly governed by the actions of Mord, a giant flying bear. During one of her scavenging missions, Rachel finds a little lump of something not quite plant and not quite animal named Borne. Borne disrupts Rachel’s life little by little until his very existence threatens to upheave everything in Rachel’s life and in the strange ecosystem of Mord’s territory.
This standalone novel from the author of the Southern Reach trilogy explores how humans abuse science and nature for technological or monetary gain, and Borne shows us the aftermath of that greed. The novel also explores what it means to be a person, what it means to love and then to let go of love, what it means to live and then to die, and what it means when one finds beauty in the midst of so much chaos. VanderMeer manages to pack so much description, emotion, and longing into such a short novel, and it’s a novel that will make you reread passages and sentences again and again because of their beauty and complexity.
Title:The Strange Bird: A Borne Story by Jeff VanderMeer Published: August 1st 2017 Genres:Science Fiction Pages: 96 Format:eBook Source:Netgalley Goodreads The Strange Bird is a companion story to VanderMeer’s Borne, and the novella adds even more depth to the world in which VanderMeer has created in Borne. The Strange Bird is part human, part bird, and she is rejected from the world in which she lives, because she is not wholly human nor wholly animal. The timeline of this novella occurs before, during, and after the events of Borne and offers an outside view of those events. While Borne explored in its complexity what it means to be a person, The Strange Bird explores what it means to be free and know oneself when the world seems to “naturally” conspire against your very existence. It’s a highly recommended follow-up if you’ve read Borne and wanted more.