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BOOK REVIEW: Human Acts, by Han Kang

- Meg

BOOK REVIEW: Human Acts, by Han KangTitle: Human Acts by Han Kang, Deborah Smith
Published by Hogarth Press
Published: January 17th 2017
Genres: Fiction
Pages: 218
Format: Hardcover
Source: Blogging for Books
Goodreads

From the internationally bestselling author of The Vegetarian, a rare and astonishing (The Observer) portrait of political unrest and the universal struggle for justice.
In the midst of a violent student uprising in South Korea, a young boy named Dong-ho is shockingly killed.
The story of this tragic episode unfolds in a sequence of interconnected chapters as the victims and the bereaved encounter suppression, denial, and the echoing agony of the massacre. From Dong-ho's best friend who meets his own fateful end; to an editor struggling against censorship; to a prisoner and a factory worker, each suffering from traumatic memories; and to Dong-ho's own grief-stricken mother; and through their collective heartbreak and acts of hope is the tale of a brutalized people in search of a voice.
An award-winning, controversial bestseller, Human Acts is a timeless, pointillist portrait of an historic event with reverberations still being felt today, by turns tracing the harsh reality of oppression and the resounding, extraordinary poetry of humanity.

 How long do souls linger by the side of their bodies?
Do they really flutter away like some kind of bird? Is that what trembles the edges of the candle flame?

In such a small volume and through interconnected chapters, Human Acts recounts the violent Gwangju Uprising in South Korea in the 1980s. Each of the chapters has a different voice telling his or her version of the events, and the effect is haunting. Human Acts is just over 200 pages long, but it seemed so much more than that. I had to set it aside sometimes because the emotions and events told by the very human voices was too much to bear. I’m not usually emotionally overwhelmed by books, but Human Acts illustrates some of the very worst acts a human being could do to another being.

Each chapter follows the perspective of someone involved in the uprising from the time it happened in 1980 to the present time in 2013. I think what I liked most about it is Han Kang’s own perspective of the events in the epilogue. Compared to her previous novel, Han Kang’s Human Acts seems more real, visceral, and grounded, and somehow that made everything about the lengths humanity will go to prove their point that much more terrifying.

I don’t want to give too much away, but it’s a necessary read. Han Kang has a way with words that digs at your very core and I’ve not stopped thinking about this book since I’ve finished it. It’s a timely read, especially in today’s political climate.

Thanks to Crown Publishing/Blogging for Books for a review copy!

BOOK REVIEW: Norse Mythology, by Neil Gaiman

- Meg

BOOK REVIEW: Norse Mythology, by Neil GaimanTitle: Norse Mythology by Neil Gaiman
Published by W. W. Norton & Company
Published: February 7th 2017
Genres: Fiction, Mythology
Pages: 304
Format: eBook
Source: Netgalley
Goodreads

In their huge bedroom that night, Tyr said to Thor, “I hope you know what you are doing.”

“Of course I do,” said Thor. But he didn’t. He was just doing whatever he felt like doing. That was what Thor did best.

In the introduction to Norse Mythology, Neil Gaiman writes that he went straight to the sources for his retellings of these myths, the Prose Edda and the Poetic Edda. He interjects his own style of writing into retelling the old myths and brings new life into the stories. Norse Mythology is a great introduction as well as being an invigorating new look into tales for those who are already familiar with them. The stories are also perfect for reading aloud, and you don’t have to read them in order to really get full enjoyment out of them. I’m certainly going to be borrowing the audio book from the library so I can listen to Gaiman read them to me.

I was, however, expecting some kind of Gaiman-esque twist or one of his signature dives into the weird, so if that’s something you’re expecting out of this, be aware that it’s exactly what it says on the tin. It’s Norse mythology told to us by one of our greatest storytellers. The stories themselves are dark and gruesome and at times very funny, and I couldn’t think of a more popular writer to make these tales accessible to everyone.

Reading this was a perfect start to a new year. It feels both old and new at the same time, a talent Gaiman possesses and shows in many of his works. It’s ethereal, dangerous, and so much fun. It was sometimes difficult not to imagine Thor and Loki’s dialogue in their Marvel counterparts and that made me giggle out loud sometimes.

My favorite part was probably the introduction. While reading it, I could thoroughly understand that Neil Gaiman loves Norse mythology (it’s seen in many of his other works like Sandman and American Gods). As he writes in his introduction:

… the Norse gods came with their own doomsday: Ragnarok, the twilight of the gods, the end of it all. The gods were going to battle the frost giants, and they were all going to die.

Had Ragnarok happened yet? Was it still to happen? I did not know then. I am not certain now.

It was the fact that the world and the story ends, and the way that it ends and is reborn, that made the gods and the frost giants and the rest of them tragic heroes, tragic villains. Ragnarok made the Norse world linger for me, seem strangely present and current, while other, better-documented systems of belief felt as if they were part of the past, old things.

Norse mythology, and stories of Vikings and the like, always felt atmospheric to me. Of chilly and foggy springs and autumns, endless and gorgeous summer days, snowy winters; of gatherings of people in long halls with endless feasts and drinking; of stories and songs told and sung around fires, the passing on of knowledge through the rhythm of words. Neil Gaiman brings that to life in Norse Mythology, and I’m hoping he’ll do more like this or even write an extended tale of Norse inspiration like his fairy tale Stardust.

Thank you to Netgalley and W.W. Norton for a review copy! All quotes are from an uncorrected proof, and all opinions are my own.

BOOK REVIEW: To Capture What We Cannot Keep, by Beatrice Colin

- Meg

BOOK REVIEW: To Capture What We Cannot Keep, by Beatrice ColinTitle: To Capture What We Cannot Keep by Beatrice Colin
Published by Flatiron Books
Published: November 29th 2016
Genres: Fiction, Historical
Pages: 304
Format: eBook
Source: Netgalley
Goodreads

Set against the backdrop of Paris during la belle époque, Beatrice Colin’s To Capture What We Cannot Keep explores the intertwining lives of two Scottish siblings and their chaperone with Émile Nouguier and Gustave Eiffel during the construction of the Eiffel Tower. This novel is a perfect winter read. It’s a bit sad and melancholy, but it’s got a lot of heart and warmth throughout. Caitriona and Émile’s relationship develops against all odds due to their differences in social status. Émile is expected to marry well and into money, but he falls in love with a woman who is beneath his status and invisible in polite society. Caitriona is a widow who takes the job of chaperoning Alice Arrol and, effectively, Alice’s brother Jamie as they finish themselves in a Grand Tour. Caitriona and Émile meet briefly in a hot air balloon and cannot stop thinking about each other after Caitriona leaves Paris.

While Alice and Jamie seemed underdeveloped (and Jamie seemed to be referred to by his last name that led to some confusion for awhile), Caitriona and Émile captured me from the beginning, and I couldn’t wait to see where the story took them. Alice and Jamie return to Paris to partake in secret relationships of their own while Caitriona’s relationship develops with Émile.

The background details shone and helped illustrate the emotions and thoughts of the characters. It’s good to know about this era before reading it, or to know about the customs and secret languages of men and women during the mid- to late- 1800s, because there is so much telling in the details. In the last quarter of the book, Caitriona’s chaperoning took a different turn as she seemed to stop chaperoning entirely, even when not actively engaged with Émile. Without giving away spoilers, Jamie was left to do his own thing with little to know consequence, and even Alice’s stumble had a neat resolution that usually does not end up so well for women. I think we learn a little too late about Caitriona’s history with her husband, and some of the more disturbing details seemed to be another thing to take me out of the story for a moment to think about why those details were revealed so late in the novel.

All in all, this is a lovely novel that would read well with a cup of hot cocoa and a snowfall in the depth of winter. If you enjoy reading historical fiction about women in Paris with a little bit of romance sprinkled in, add this to your reading list.

BOOK REVIEW: Slipping, by Lauren Beukes

- Meg

BOOK REVIEW: Slipping, by Lauren BeukesTitle: Slipping: Stories, Essays, & Other Writing by Lauren Beukes
Published by Tachyon Publications
Published: November 29th 2016
Genres: Fiction, Science Fiction
Pages: 288
Format: eBook
Source: Netgalley
Goodreads

In her edgy, satiric debut collection, award-winning South African journalist and author Lauren Beukes (The Shining Girls, Moxyland) never holds back. Nothing is simple and everything is perilous when humans are involved: corruption, greed, and even love (of a sort).
A permanent corporate branding gives a young woman enhanced physical abilities and a nearly-constant highRecruits lifted out of poverty find a far worse fate collecting biohazardous plants on an inhospitable worldThe only adult survivor of the apocalypse decides he will be the savior of teenagers; the teenagers are not amused.
From Johannesburg to outer space, these previously uncollected tales are a compelling, dark, and slippery ride.

 You might think of a city as a map, all knotted up in the bondage of grid lines by town planners. But really, it’s a language—alive, untidy, ungrammatical. The meaning of things rearranges, so the scramble of the docks turns hipster cool while the faded glamor of the inner city gives way to tenement blocks rotting from the inside. It develops its own accent, its own slang. And sometimes it drops a sentence. Sometimes the sentence finds you. And won’t shut up. – from “Ghost Girl”

I’ve had Beukes’s The Shining Girls on my shelf forever. It was on a lot of lists the year it was released, and I found a paperback of that book in a used bookstore, I bought it… and haven’t gotten around to reading it yet. Story of my life. Anyhow, when given the opportunity to read Beukes’s short works, I jumped at the chance. I love short story collections because I feel that short story collections allow the reader to see the wide range of an author’s talent.

Beukes’s writing is acerbic, sharp, and intuitive, and I was drawn in immediately to many of her stories. Slipping is a collection of stories written over about ten years for various other publications, and I would have really liked to have some background information before or after the stories to know when and why each of these stories were written.

My favorite stories were “Princess,” “Exhibitionist,” “Ghost Girl,” and “Dial Tone.” Each of these stories made me whisper what after I finished reading them. Beukes’s writing is at the same time subtle and straightforward. She does not shy away from difficult or terrifying imagery, and she makes you think about why she uses that imagery to explore some weird aspect of human life. Many of her stories cross the genre line between fiction and science fiction, and while a lot of it seems weird at times, it’s also so eerily recognizable. Beukes’s writing asks us why we consider “commonplace” and “everyday” as commonplace and ordinary, because isn’t life weird?

Thank you to Netgalley and Tachyon Publications for a review copy!

BOOK REVIEW: The Mortifications, by Derek Palacio

- Meg

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BOOK REVIEW: The Mortifications, by Derek PalacioTitle: The Mortifications by Derek Palacio
Published by Tim Duggan Books
Published: October 4th 2016
Genres: Fiction
Pages: 320
Format: Hardcover
Source: Blogging for Books
Goodreads

Derek Palacio’s stunning, mythic novel marks the arrival of a fresh voice and a new chapter in the history of 21st century Cuban-American literature.
In 1980, a rural Cuban family is torn apart during the Mariel Boatlift. Uxbal Encarnación—father, husband, political insurgent—refuses to leave behind the revolutionary ideals and lush tomato farms of his sun-soaked homeland. His wife Soledad takes young Isabel and Ulises hostage and flees with them to America, leaving behind Uxbal for the promise of a better life. But instead of settling with fellow Cuban immigrants in Miami’s familiar heat, Soledad pushes further north into the stark, wintry landscape of Hartford, Connecticut. There, in the long shadow of their estranged patriarch, now just a distant memory, the exiled mother and her children begin a process of growth and transformation.
Each struggles and flourishes in their own way: Isabel, spiritually hungry and desperate for higher purpose, finds herself tethered to death and the dying in uncanny ways. Ulises is bookish and awkwardly tall, like his father, whose memory haunts and shapes the boy's thoughts and desires. Presiding over them both is Soledad. Once consumed by her love for her husband, she begins a tempestuous new relationship with a Dutch tobacco farmer. But just as the Encarnacións begin to cultivate their strange new way of life, Cuba calls them back. Uxbal is alive, and waiting.
Breathtaking, soulful, and profound, The Mortifications is an intoxicating family saga and a timely, urgent expression of longing for one's true homeland.

 The sin is in the knowing. The sin Christ confronts in the desert is the knowledge that his body is useless and, dangerously, how easily he can dismiss it. He will see how tiny a thing he is doing. He will know how small he is as a human being, how little he can change the world as a lump of flesh. The moment he knows, he can and will and should let it all fall away. He will enact the right of a God on Earth; he will make food from stone. He will shake water from the clouds. He will walk into a city and take it.

Derek Palacio’s debut novel The Mortifications follows a Cuban family in the 1980s. Soledad Encarnación and her two children, twins Ulises and Isabel, leave behind a husband and father to escape the revolutions of Fidel Castro’s Cuba. Like many novels of families, this one has its share of interesting characters who all represent some aspect of humanity. Soledad is a mother trying to do the best thing for her children, Isabel finds solace and meaning in religion, Ulises finds himself through the classics and agriculture, and Henri becomes the stand-in father figure.

While I found the first half of the book incredibly engaging, I found the last half stretching for believability and substance. Palacio is a talented writer. However, I found some of the metaphors and similes and symbolism reaching a little too far at times. When I see a character named Ulises, I almost expect a Cuban expression of something resembling Homer’s The Odyssey. At first, the novel did feel like it would go in that direction, and it did, a little bit, with Ulises becoming fascinated by classics during a recovery period. I almost wonder, as I’ve seen similar things before in post-MBA debut novels, if this is a rite of passage, a stuffing of everything you’ve learned into one novel whether or not it actually works. I felt that there were also too many characters for how short this is. I think following one or two of the characters and their immigration experience (and even their return home) would have made for a richer novel.

However, I did enjoy reading this, and I will recommend it to people interested in immigrant experiences and Cuban-American experiences.

Thank you to Crown Publishing/Blogging for Books for providing me with a copy in exchange for a review. All opinions are my own.