The highly anticipated sequel to New York Times bestseller, Everless!
Jules Ember was raised hearing legends of the ancient magic of the wicked Alchemist and the good Sorceress. But she has just learned the truth: not only are the stories true, but she herself is the Alchemist, and Caro—a woman who single-handedly murdered the Queen and Jules’s first love, Roan, in cold blood—is the Sorceress.
The whole kingdom believes that Jules is responsible for the murders, and a hefty bounty has been placed on her head. And Caro is intent on destroying Jules, who stole her heart twelve lifetimes ago. Jules must delve into the stories that she now recognizes are accounts of her own past. For it is only by piecing together the mysteries of her lives that Jules will be able to save the person who has captured her own heart in this one.
Evermore picks up not long after Everless ends, and while I read the first over a year ago, it wasn’t difficult to get back into Sara Holland’s world not having reread the first. I loved how the world building, magic system, and mythology were expanded upon and built to be so much more in the second, and it honestly made me wish there was at least one more book in this series just to flesh out the world that much more. The writing was just as lyrical and compelling in the sequel as it was in the first, and I absolutely enjoyed the twists and turns the sequel took after book one left off. Jules is fully fleshed out, having moments of brilliance and airheadedness throughout, and I thought that made her real to me and added a lot of dimension to the story. She is a young woman, after all, and I like it when writers choose to add that ‘young’ feeling to their characters without having them be ‘the best at everything.’
Evermore took a different turn than I was expecting, and I found myself completely enjoying the ride. In Everless, Liam is believed to be the villain throughout most of the book, and in Evermore we get to see a lot more of him. The romance in this duology is appropriate for the genre, and sometimes I found it a little too instalove, but overall, I like where Holland went with the character development with Jules and Liam, showing us as readers that there is often a lot more than meets the eye. Besides, I have a little soft spot for those fantasy antiheroes, and I always want more of them.
Overall, if you read Everless and enjoyed it, definitely finish out the duology. I thought it was a fitting ending even though I was left wanting more!
Thank you to the publisher and Glasstown Entertainment for sending me an e-galley to review! All opinions are my own.
Follows two fiercely independent young women, centuries apart, who hold the power to save their world...or doom it.
When assassins ambush her best friend, the crown prince, Rielle Dardenne risks everything to save him, exposing her ability to perform all seven kinds of elemental magic. The only people who should possess this extraordinary power are a pair of prophesied queens: a queen of light and salvation and a queen of blood and destruction. To prove she is the Sun Queen, Rielle must endure seven trials to test her magic. If she fails, she will be executed...unless the trials kill her first.
A thousand years later, the legend of Queen Rielle is a mere fairy tale to bounty hunter Eliana Ferracora. When the Undying Empire conquered her kingdom, she embraced violence to keep her family alive. Now, she believes herself untouchable--until her mother vanishes without a trace, along with countless other women in their city. To find her, Eliana joins a rebel captain on a dangerous mission and discovers that the evil at the heart of the empire is more terrible than she ever imagined.
As Rielle and Eliana fight in a cosmic war that spans millennia, their stories intersect, and the shocking connections between them ultimately determine the fate of their world--and of each other.
I think Claire Legrand’s Furyborn is going to be one of the biggest YA fantasy books of the summer. It’s full of magic, strong-willed young women, and nearly impossible challenges for each of them to overcome. The two main characters are connected to each other (and no spoilers!), but each of them live over a thousand years apart. For me, the idea behind this series is exciting, but I found that the execution of it is a little overwhelming. Connecting two characters across a span of a thousand years brings together two completely different stories told in alternating chapters.
Legend has it that two queens will possess extraordinary power. The Blood Queen will bring catastrophe and destruction to her reign; the Sun Queen will bring light and and salvation to her reign. Rielle, the prophesied powerful queen of a thousand years ago, is merely a legend to the bounty hunter Eliana. However, Eliana knows that she possesses extraordinary powers and struggles to keep her powers a secret from everyone else.
The things I loved most about this and hope will be explored more in the future books are the magic system and the history of what happened between Rielle and Eliana. I thought the initial world-building of the magic system and country engaging; I just wanted more! Rielle and Eliana are fairly well-developed, though sometimes I felt that their voices sounded too similar and had to remember which chapter I was reading (but considering their connection, I shouldn’t have been so thrown off by this!). The secondary characters really added to this story. I loved Simon and Ludivine the most, and loved the twists and connections they brought to the story.
Overall, this is an ambitious fantasy novel that will appeal to fans of Sarah J. Maas and Erika Johansen! I gave it four stars for the pacing and the scope, but it’s almost a little too much. I think maybe this could have worked better if two books of the trilogy focused each Rielle and Eliana separately and the final book bringing their stories together, because this novel felt like a very long and divided set-up for the rest of the series.
A copy of this book was provided for review by Netgalley and Sourcebooks Fire; all opinions are my own.
In the kingdom of Sempera, time is currency—extracted from blood, bound to iron, and consumed to add time to one’s own lifespan. The rich aristocracy, like the Gerlings, tax the poor to the hilt, extending their own lives by centuries.
No one resents the Gerlings more than Jules Ember. A decade ago, she and her father were servants at Everless, the Gerlings’ palatial estate, until a fateful accident forced them to flee in the dead of night. When Jules discovers that her father is dying, she knows that she must return to Everless to earn more time for him before she loses him forever.
But going back to Everless brings more danger—and temptation—than Jules could have ever imagined. Soon she’s caught in a tangle of violent secrets and finds her heart torn between two people she thought she’d never see again. Her decisions have the power to change her fate—and the fate of time itself.
How much time, I think, must there be among us? Centuries and centuries. Ten thousand years or more. And yet every single Gerling has as much as ten of the rest of us.
I went into Sara Holland’s Everless with a little bit of hesitation because it feels like a lot of YA fantasy in the recent years (at least stuff that gets a lot of traction) is just recycled bits of previous works, but Everless caught my attention because it involves a magical use of time. Anything to do with time, time manipulation, or time travel is right up my alley, especially if done well, and my friends, Everless surprised me! I love the concept of time as something to be traded and consumed, used as a bartering tool, and wielded as a power.
Jules once lived at the Everless estate, but she and her father had to escape the estate ten years prior to the main events of the story. She returns to the estate to find work when her father is dying in an effort to save him, and she doesn’t heed any of her father’s warnings about the place. But as she spends more time at Everless and as she reacquaints herself with the surroundings, Jules begins to remember and discover things about her past and her future that she never thought possible.
Sara Holland plays around with the common tropes found in YA fantasy and subverts them. I only guessed at one of the twists, but the others surprised me! Holland’s writing felt effortlessly engaging, and I didn’t want to put the book down while I read it. The only major issue I had with the book was the immense “info dump” at the beginning that took a while to uncoil and understand. Other than that, I felt that the tension was just right, the suspense just right, and the cliffhanger!!! just right. Everless is entirely refreshing, and if you enjoy reading YA fantasy, I think you’ll enjoy this!
Many thanks to BookSparks and HarperTeen for sending me a copy to review! All opinions are my own.
The buzz for Stephanie Garber’s Caraval said it’s perfect for those who like Erin Morgenstern’s The Night Circus and Neil Gaiman in general, but you know, for teen audiences. While it lacks the complexities found in Morgenstern’s and Gaiman’s works, I can see why other people made the connection. It’s magical, and it’s that kind of YA fantasy that’s like candy, all sweet, a little sour, not much by way of depth, so if you’re expecting the kind of depth and complexity that The Night Circus offered, you’ll be disappointed. This is the kind of book I can see myself reading again while at the beach or outside in the summer with a cold drink. I really enjoyed reading this. I struggled for the first fifty or so pages because I think I was expecting a similar kind of world-building that came with The Night Circus or the ominous, lingering darkness found in Gaiman’s works, but once the story really started picking up speed, I couldn’t put this down.
Caraval follows two sisters, Scarlett and Tella, who live with their overbearing, abusive father. They’ve never left their homeland, and Scarlett has especially dreamed of visiting the mythical, traveling Caraval. The invitations are exclusive, but Tella and a mysterious sailor whisk Scarlett away to the oft-dreamed about place. Once there, Scarlett realizes that there is so much more to Caraval that she could imagine and danger is always within reach, that all sorts of risks are involved with games.
The romance and everything seemed to be a whirlwind ride and almost a little too fast-paced, but then I remembered what it was like to have a crush on someone when I was younger, and the rise and fall of that crush seemed to only take a week with a burst of intense emotion between the beginning and the end. In that sense, it almost seems like a warning to the younger crowd – be mindful of your heart, your desires, and your hope, because it might be destructive if you don’t think it through.
I received an advance copy of this book through my work. All opinions are my own.
There’s no such thing as safe.
Kate Harker wants to be as ruthless as her father. After five years and six boarding schools, she’s finally going home to prove that she can be.
August Flynn wants to be human. But he isn’t. He’s a monster, one that can steal souls with a song. He’s one of the three most powerful monsters in a city overrun with them. His own father’s secret weapon.
Their city is divided.
Their city is crumbling.
Kate and August are the only two who see both sides, the only two who could do something.
But how do you decide to be a hero or a villain when it’s hard to tell which is which?
You wanted to feel alive, right? It doesn’t matter if you’re monster or human. Living hurts.
I really enjoyed this book. Victoria Schwab has quickly risen to be one of those authors that I’ll auto-buy anything she writes. This Savage Song is set in a post-apocalyptic North America in which humans and monsters are separated by a literal divide. August and his siblings are monsters who use musical abilities to wreak havoc against their enemies, and Kate and her father are humans who are on the opposing side of monsters. August is sent across the border to get to know Kate, and instead of becoming enemies, the two become friends.
There are things I didn’t really enjoy but I know, in the end, are acceptable and understandable in the grand scheme of the narrative. The first fifth of this book was a little slow for me (and I wondered if I was going to even like it, but then it got unputdownable) and Kate is very similar to other main female characters in Schwab’s other novels (her snark seems almost forced and goes against her character for a bit of the novel). I think for a world that’s unfamiliar it’s good to have a little bit of a build-up with a slower beginning, and it’s perfectly understandable to have a signature sort of character.
The idea of August’s weapon music through his violin is amazing, and I can’t wait to see how that develops in the sequel. I also really enjoyed that the two main characters weren’t romantic in any way. I find that refreshing in the sense that so many books geared for YA audiences seem overly focused on romance instead of friendship, and friendship is a very important aspect of anyone’s life. The horror aspect of the monsters gave me the shivers and added a depth to the terror rising throughout.
It’s not an entirely new type of story in the world of YA fantasy, but it bends expectations and thrilled me while reading it, and it earns a solid recommendation from me.