BOOK REVIEW: Moth and Spark by Anne Leonard

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BOOK REVIEW: Moth and Spark by Anne LeonardTitle: Moth and Spark by Anne Leonard
Published by Penguin
Published: December 30th 2014
Genres: Fiction, Fantasy
Pages: 384
Format: Trade Paper
Source: Purchased
Goodreads

A prince with a quest, a beautiful commoner with mysterious powers, and dragons who demand to be freed—at any cost. Filled with the potent mix of the supernatural and romance that made A Discovery of Witches a runaway success, Moth and Spark introduces readers to a vibrant world—and a love story they won’t soon forget.

Prince Corin has been chosen to free the dragons from their bondage to the power Mycenean Empire, but dragons aren’t big on directions. They have given him some of their power, but none of their knowledge. No one, not the dragons nor their riders, is even sure what keeps the dragons in the Empire’s control. Tam, sensible daughter of a well-respected doctor, had no idea before she arrived in Caithenor that she is a Seer, gifted with visions. When the two run into each other (quite literally) in the library, sparks fly and Corin impulsively asks Tam to dinner. But it’s not all happily ever after. Never mind that the prince isn’t allowed to marry a commoner: war is coming. Torn between his quest to free the dragons and his duty to his country, Tam and Corin must both figure out how to master their powers in order to save Caithen. With a little help from a village of secret wizards and rogue dragonrider, they just might pull it off.

He burned for her, and she for him, and it was as unstoppable as rain in spring.

I expected more dragons. There weren’t enough dragons. As described in the back cover summary, Prince Corin is summoned and entrusted to free the dragons from a powerful neighboring country. He meets a young woman, Tam, who discovers her ability to see beyond while staying with the court at the royal castle. Ok, that seems perfectly fantasy enough. Some snippets from reviews in the first few pages also name the styles of Jane Austen’s novels and William Golding’s The Princess Bride. Awesome, right? Because I do enjoy those.

Ehhh. I wish this novel had some more advertising about the romance. It’s definitely a fantasy romance. It’s got fantastical elements in it, but it’s mostly about the instant romance between Corin and Tam. I don’t find instant romances in books all that believable, and I find it difficult to believe those romances will last longer than the span of time in whatever book in which it happens. With the references to dragons and politics, I was hoping for more of that. Not so dramatic as A Song of Ice and Fire, but something with a little more heft at least. Moth and Spark reads like endless court gossip.

However, once I realized I was in for a romance, it ended up being a pretty decent standalone novel. It’s light, it’s fluffy, it’s an escape from everything else, which is what some novels are excellent for. I think I liked it more for it being a standalone because I don’t think I’d read the rest in the series just because it isn’t something I expected. Anne Leonard’s a solid writer, and she can capture dialogue and romance well without it being too cheesy (although I will admit there are several moments of cheese that I rolled my eyes at). I just wanted more dragons, because I thought her dragon construction was incredibly interesting!

Truthwitch, by Susan Dennard

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Truthwitch, by Susan DennardTitle: Truthwitch by Susan Dennard
Series: The Witchlands #1
Published by Tor Teen
Published: January 5th 2016
Genres: Young Adult, Fantasy
Pages: 416
Format: Hardcover
Source: Library
Goodreads

On a continent ruled by three empires, some are born with a “witchery,” a magical skill that sets them apart from others.
In the Witchlands, there are almost as many types of magic as there are ways to get in trouble—as two desperate young women know all too well.

Safiya is a Truthwitch, able to discern truth from lie. It’s a powerful magic that many would kill to have on their side, especially amongst the nobility to which Safi was born. So Safi must keep her gift hidden, lest she be used as a pawn in the struggle between empires.
Iseult, a Threadwitch, can see the invisible ties that bind and entangle the lives around her—but she cannot see the bonds that touch her own heart. Her unlikely friendship with Safi has taken her from life as an outcast into one of reckless adventure, where she is a cool, wary balance to Safi’s hotheaded impulsiveness.

Safi and Iseult just want to be free to live their own lives, but war is coming to the Witchlands. With the help of the cunning Prince Merik (a Windwitch and ship’s captain) and the hindrance of a Bloodwitch bent on revenge, the friends must fight emperors, princes, and mercenaries alike, who will stop at nothing to get their hands on a Truthwitch.

It wasn’t freedom she wanted. It was belief in something—a prize big enough to run for and to fight for and to keep on reaching toward no matter what.

I rarely seem to see fantasy geared toward younger female readers that focuses on the friendship between the female protagonists rather than focusing mostly or entirely on the relationships with boys that the girls have. Sure, there are elements of romance in this book, but I feel as if that romance is overshadowed by the importance of a strong bond of friendship.

Each of the girls, Safiya and Iseult, possess a supernatural skill set, a “witchery,” that allows them to do specific things at a heightened level. Safiya, a Truthwitch, can sense the truth in another’s words. Iseult, a Threadwitch, can see threads that bind and connect the lives around her. Iseult’s power doesn’t work as it should, though, so that adds a level of complexity in her self discovery. Safiya’s story seemed to be more conventional, following tropes of the genre, but I found Iseult’s story fascinating, fresh, and exciting. Both of the girls do rely on each other a lot as the book progresses, and in some ways they can’t live without each other. I think that’s where a lot of the real magic is for me.

In reading this, I was hoping for a spark of a lesbian relationship, because I think it certainly has the power to go there, but I am really thankful for the strength of their friendship. Their friendship never seems forced or contrived, and it never turns catty, jealous, or superficial (something I seem to see a lot with two female leads in books marketed toward young women). Safiya and Iseult are Threadsisters, which means they are bound together and closer than family. I was also hoping for more world building. I ran into this with Cinder, too. It’s as if we got a flavor of the world in which they live, but not enough to fully visualize it. We, as readers, are thrown into the beginning of the story with the barest glances at the history behind it. I was also hoping for a romance that didn’t seem to happen instantly like the one between Safiya and Merik because it didn’t seem to solidify itself and seemed less realistic to me. I’m hoping that with the next novel we get more world building and development all around!

Even so, I really enjoyed this one, and I can’t wait for the next one to come out. I try not to fall for the hype, but I found that this one certainly lives up to many of the accolades it has received.

BOOK REVIEW: Shylock Is My Name, by Howard Jacobson

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BOOK REVIEW: Shylock Is My Name, by Howard JacobsonTitle: Shylock Is My Name by Howard Jacobson
Series: Hogarth Shakespeare #2
Published by Hogarth
Published: February 9th 2016
Genres: Fiction, Retellings
Pages: 288
Format: Hardcover
Source: Blogging for Books
Goodreads

Man Booker Prize-winner Howard Jacobson brings his singular brilliance to this modern re-imagining of one of Shakespeare’s most unforgettable characters: Shylock
Winter, a cemetery, Shylock. In this provocative and profound interpretation of “The Merchant of Venice,” Shylock is juxtaposed against his present-day counterpart in the character of art dealer and conflicted father Simon Strulovitch. With characteristic irony, Jacobson presents Shylock as a man of incisive wit and passion, concerned still with questions of identity, parenthood, anti-Semitism and revenge. While Strulovich struggles to reconcile himself to his daughter Beatrice's “betrayal” of her family and heritage – as she is carried away by the excitement of Manchester high society, and into the arms of a footballer notorious for giving a Nazi salute on the field – Shylock alternates grief for his beloved wife with rage against his own daughter's rejection of her Jewish upbringing. Culminating in a shocking twist on Shylock’s demand for the infamous pound of flesh, Jacobson’s insightful retelling examines contemporary, acutely relevant questions of Jewish identity while maintaining a poignant sympathy for its characters and a genuine spiritual kinship with its antecedent—a drama which Jacobson himself considers to be “the most troubling of Shakespeare’s plays for anyone, but, for an English novelist who happens to be Jewish, also the most challenging.”

A daughter doesn’t have to have an education to be taught how to hate her father. She can learn rebellion through an open window. It’s in the nature of a daughter.

Shylock Is My Name is Howard Jacobson’s addition to the Hogarth Shakespeare series, and I felt it to be such a let down after reading Jeanette Winterson’s The Gap of Time. I read Jacobson’s J last year and was disappointed in it in similar ways as I am disappointed in this one. While he can write, Jacobson is very disjointed in his writing, as if he is showing off to us plebs how smart, how intelligent, how verbose, how white, how upper class, and (in this case) how Jewish he is and therefore how much better he is than the rest of us. I can’t help but wonder if this is one of those books that are written for men, about men, and by men that us helpless females are too different fundamentally to understand what it’s all about.

In this case, this is Jacobson’s rendition of Shakespeare’s The Merchant of Venice. I have vague recollections of reading this play and finding Shylock interesting, but this novel didn’t seem to capture the Shakespeare “essence” as I felt Winterson’s retelling did.

What I disliked about this novel is the consistent and sexually charged current of a father obsessed with what enters his daughter’s vagina. Yes. Literally. I don’t recall that interpretation made of Shakespeare’s play, so it caught me off guard.

In chapter eight, Strulovitch comments on his daughter, Beatrice:

It had been going on a long time. She was thirteen when it started. Thirteen in fact, twenty-three in appearance. Luscious. A Levantine princess. A pomegranate. She was luscious to herself, too. He had caught her looking at her reflection in the mirror once, pouting her lips and laughing at her own fullness, smoothing her thighs, pushing out her breasts, amused by the too-muchness but overwhelmed by it at the same time. As though it imposed a responsibility on her. Was this really her? Was this really hers to do with as she chose? […] Of course she had to deploy herself. Of course she had to feel her beauty had a purpose beyond her own gaze and, yes – because she knew he tailed her, knew he followed her into her own bedroom even – beyond his.

It continues throughout the novel with Strulovitch thinking about whether or not he should find his daughter attractive. He also, through the entire length of the novel, considers the utmost importance of his existence was to make sure that the penis that enters her vagina is circumcised and importantly Jewish so that Beatrice is not banished from her family. Strulovitch is incredibly abusive in all ways to his young daughter in the way that many fanatic religious believers are. As her father, he believes he controls her entirely, from her day-to-day life to her private, sexual life. When she doesn’t listen to him, he goes off and throws a tantrum, demanding that pivotal pound of flesh.

In all, I think because I am not both “male” and Jewish, I miss the point of this self-reflexive novel. It brings to the forefront questions of Jewish morality in the modern age and whether or not the honest Jew should bend to the modern ways or be rigid as tradition dictates. And where The Merchant of Venice is argue as anti-semitic, I wonder if Jacobson’s novel is meant to be a mirror to it of sorts as it is constantly questioning the role of Jewishness in society where Merchant did not.

And where the play is unsympathetic toward Jewish people, this novel is unsympathetic toward women. It’s incredibly misogynistic in a way that’s uncomfortable and anger-inducing. Men do not own women and should absolutely never control the expression of a woman’s sexuality, no matter what age or relation. But alas. I don’t think Jacobson works for me, and I don’t think I’ll read anything of his in the future.

This book was provided to me for my honest review by Blogging for Books.

The Delicate Art of No; Pride and Prejudice by Jane Austen

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The Delicate Art of No; Pride and Prejudice by Jane AustenTitle: Pride and Prejudice by Jane Austen
Published by Penguin, Penguin Drop Caps
Published: December 12th 2012
Genres: Fiction, Classics
Pages: 416
Format: Hardcover
Source: Purchased
Goodreads

A is for Austen. Few have failed to be charmed by the witty and independent spirit of Elizabeth Bennet in Austen’s beloved classic Pride and Prejudice. Elizabeth’s early determination to dislike Mr. Darcy is a prejudice only matched by the folly of his arrogant pride. Their first impressions give way to true feelings in a comedy profoundly concerned with happiness and how it might be achieved.

You must give me leave to judge for myself, and pay me the compliment of believing what I say.

As a forewarning, this review of Pride and Prejudice will be entirely personal in nature, meaning I’ll be referencing the book’s plot and its parallels to something that recently happened to me.

This is one of my favorite books of all time, and I tend to reread it once every year or so because reading it makes me happy. This year, I read it right in the midst of all of the Valentine’s Day marketing and goopy, lovey stuff. I don’t particularly read much in the “romance” genre, and Jane Austen is about as traditionally romance-y as I get. Every time I’ve reread Pride and Prejudice, it resonates so much more with me because Austen can paint with such skill these true-to-life renditions in her cast of characters, and because two hundred years later, people like Jane Bennet, Caroline Bingley, Fitzwilliam Darcy, Elizabeth Bennet, and Mr. Collins still exist.

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Little List of Reviews #1

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Little List of Reviews #1Title: The Good Luck of Right Now by Matthew Quick
Published by Harper
Published: February 11th 2014
Genres: Fiction
Pages: 304
Format: Trade Paper
Source: Library
Goodreads

I liked the premise of it, but like I mentioned in my Goodreads review, I thought the narrator made Bartholomew a bit slower than I probably would have imagined the character if I had read it instead of listened to it. It can be discerned from the story sometimes that the social awkwardness and social anxiety may place Bartholomew on the autism scale, but sometimes people who care for their overbearing, needy mothers in the way he did do end up being more socially reserved than others and not on the autism scale at all. I felt a lot of the story was too trite and stereotypical in a way that didn’t sit well with me. I don’t mind language, but one of the characters cannot speak two words before interjecting “fuck,” and the overuse of the word “retard” by the main character to describe himself got old and frustrating by the second time he used it. By about a quarter of the way through, I kept asking myself why I was still listening to it, and realized it was sort of like watching a train wreck. You don’t want to stop watching in case something better happens. Halfway through, I realized nothing better would happen and let it go.

Little List of Reviews #1Title: The Dressmaker by Rosalie Ham
Published: August 11th 2015
Pages: 288
Format: Trade Paper
Source: Library
Goodreads

The premise sounded so interesting! It’s going to be made into a movie! I don’t read many books about Australia! Unfortunately for me, the characters fell flat, there wasn’t any connection among all of the characters introduced by the time I was halfway through the novel, and I didn’t feel like I cared about any of the characters or what happened to them. I might give the movie a go if it ever comes to Netflix because sometimes these kinds of stories work better on film.

Little List of Reviews #1Title: The Bad Beginning by Lemony Snicket
Published: September 30th 1999
Pages: 162
Format: Hardcover
Source: Purchased
Goodreads

I can’t believe this was released in 1999. I remember when it first came out, and it makes me feel a little bit old. I read this last year in hopes of reading all thirteen by the end of 2015, but that didn’t happen. With the announcement of Neil Patrick Harris’ casting in the role as Count Olaf in the new Netflix series, I decided that in 2016 I am going to read all of them. For whatever reason, I’ve never read the last three, so I’m excited to discover how this story ends. These are great books for everyone who likes a good deal of dark humor, word play, and shenanigans that play on popular tropes, so if you haven’t read them, do give them a go!

Little List of Reviews #1Title: The Apple: New Crimson Petal Stories by Michel Faber
Published: September 7th 2006
Pages: 199
Format: Hardcover
Source: Library
Goodreads

Faber apparently wrote these to appease himself and his fans who wanted to know what happened after The Crimson Petal and the White ended. To me, they read as deleted scenes of sorts. Good in their own right, but not good enough in the context of the novel. I liked the story with Sophie the most because it offered a peek into a relationship arrangement that would be considered scandalous even today by some people, but it didn’t offer the sense of completion I was hoping for. C’est la vie.

Little List of Reviews #1Title: The Night Manager by John le Carré
Published: November 7th 2013
Pages: 473
Format: Trade Paper
Source: Purchased
Goodreads

The things I do for Tom Hiddleston? I liked Tinker, Sailor, Solider, Spy, which admittedly I read after seeing the film and enjoying Gary Oldman’s and Benedict Cumberbatch’s roles in the film. I really don’t know why I took so long to read this (literally from March 2015 to February 2016), but I think I attribute it to the fact that I read it before I went to bed/fell asleep, so my brain got in the habit of wanting to fall asleep soon after picking it up again. It got really good in the last quarter of it, and the amount of building up that it took to get to that point might be why I let it linger for so long. I’m looking forward to the BBC/AMC mini-series, and I think it will translate nicely to screen as le Carré’s works tend to do.

I think I might make this a regular feature. Here’s a little list of reviews for books I’ve read up until now. Some of them are rereads, some of them are books that I didn’t devote enough time outside of reading to devote a whole review post (like write down my favorite parts, keep notes in a notebook, etc.), some of them are books I didn’t finish. I’m going to start with the ones I didn’t finish, just because I’d rather get the not-so-great out of the way.