Book Reviews

BOOK REVIEW: Woman No. 17, by Edan Lepucki

- Meg

BOOK REVIEW: Woman No. 17, by Edan LepuckiTitle: Woman No. 17 by Edan Lepucki
Published by Hogarth Press
Published: May 9th 2017
Genres: Fiction
Pages: 320
Format: Hardcover
Source: Book Sparks
Goodreads

A sinister, sexy noir about art, motherhood, and the intensity of female friendships, set in the posh hills above Los Angeles, from the New York Times bestselling author of California.

High in the Hollywood Hills, writer Lady Daniels has decided to take a break from her husband. She’s going to need a hand with her young son if she’s ever going to finish her memoir. In comes S., a magnetic young artist, who will live in the secluded guest house out back, care for Lady’s young toddler son, and keep a watchful eye on her older, teenage, one. S. performs her day job beautifully, quickly drawing the entire family into her orbit, and becoming a confidante for Lady. But as the summer wears on, S.’s connection to Lady’s older son takes a disturbing, and possibly destructive, turn. Lady and S. will move closer to one another as they both threaten to harm the things they hold most dear. Darkly comic, twisty and tense, this mesmerizing new novel defies expectation and proves Edan Lepucki to be one of the most talented and exciting voices of her generation.

 “You think you know how a story begins, or how it’s going to turn out, especially when it’s your own. You don’t.”

I’m participating in Book Sparks’s Summer Reading Challenge this year, and Edan Lepucki’s Woman No. 17 is one of the books I read as part of the challenge that I couldn’t put down. I’m branching out of my reading comfort zones by participating in this challenge, and I think it’s helping me figure out why it is I gravitate toward certain genres and styles of fiction and it’s also showing me that branching out every now and then is an amazing palate cleanser.

Woman No. 17 explores the upsides and pitfalls of self-expression in the name of art, and I liked that S was not that likable of a character from the beginning, but she’s also a character a reader can empathize with because I feel like so many of us go through all of those loops and twists to try to understand our parents without actually going to the source because that’s awkward and uncool. It seems more interesting to our weird brains to do the roundabout thing and figure things out for ourselves when a lot of the time, our answers can be easily gained with time and the right questions. Anyway, I digress.

S, following in her mother’s footsteps, becomes a nanny to Lady, a woman living in southern California, and her youngest son. S finds out that Lady has an adult son, Seth, who is mute, and it’s revealed throughout the novel that Lady has a difficult time letting Seth go and grow up. The dynamic between S’s projection of her vision of her mother’s self, Lady, and Seth becomes pretty predictable by the middle of the novel when Seth and S begin communicating with each other without Lady’s knowledge. I think this is where the novel ultimately lost me because it was so predictable, especially in the connection between S and Seth by the end, and I felt that just one more twist in the whole thing might have made me enjoy this book that much more.

There’s a lot of drinking and a scene of animal abuse that caught me off guard (I’m not generally disturbed by these things, but it is worth mentioning for those who might be), but the writing itself is sharp, well-paced, and kept me reading even though I found myself rolling my eyes at S’s behavior. Lepucki shows her familiarity with the southern California landscape and the sorts of people who inhabit it and the people it attracts, and I really enjoyed that aspect of it. The characters, while ridiculous to me at times, seemed realistic within the setting and I didn’t feel as if it was completely unbelievable. Woman No. 17 is an enjoyable summer read that will take you away from the world for a few hours and leave you feeling quite entertained.

I received a copy of this book from Book Sparks and the publisher for review! All opinions are my own.

BOOK REVIEW: The Bone Witch, by Rin Chupeco

- Meg

BOOK REVIEW: The Bone Witch, by Rin ChupecoTitle: The Bone Witch by Rin Chupeco
Series: The Bone Witch #1
Published by Sourcebooks Fire
Published: March 7th 2017
Genres: Fantasy, Young Adult
Pages: 400
Format: eBook
Source: Netgalley
Goodreads

The beast raged; it punctured the air with its spite. But the girl was fiercer.
Tea is different from the other witches in her family. Her gift for necromancy makes her a bone witch, who are feared and ostracized in the kingdom. For theirs is a powerful, elemental magic that can reach beyond the boundaries of the living—and of the human.
Great power comes at a price, forcing Tea to leave her homeland to train under the guidance of an older, wiser bone witch. There, Tea puts all of her energy into becoming an asha, learning to control her elemental magic and those beasts who will submit by no other force. And Tea must be strong—stronger than she even believes possible. Because war is brewing in the eight kingdoms, war that will threaten the sovereignty of her homeland…and threaten the very survival of those she loves.

 Rin Chupeco’s The Bone Witch is a fantasy about a girl who accidentally discovers her powers when she brings her brother back to life. She is taken in by a bone witch for training, and her brother, Fox, becomes her zombie familiar of sorts. The story follows Tea’s instruction from age twelve to about age fifteen? We get to see the “coven” in which she is raised and trained, the day-to-day life, the details of the clothes she and the other people wear, glimpses of the food, and all of the minute details that comprise Tea’s education. In a way, this works, but it also drags the story out and often feels like nothing is happening. Most of the action happens in the first quarter of the book and the last quarter of the book, and the rest is mostly world building filler with a few minor conflicts that Tea has while learning how to utilize her powers.

The world building in this story draws heavily from Chinese influences, and this makes it different for me from any of the recent YA fantasy I’ve read. The atmosphere and setting are richly detailed, and everything is described so vividly, and I enjoyed that a lot. I also like that the main character’s magical powers are necromancy. It’s dark, and it’s different from the soft and beautiful magic often reserved for female characters. I like that, and I want to see how that power grows and manifests itself as she ages. Fox is probably my favorite character, because who doesn’t love a sidekick named Fox who is also a zombie and who also has an interesting personality?

After finishing this, I found myself wanting more, more to have happened and more to have been done with the story. The intertwining parts of a bard recounting his experiences with an asha (who is most likely Tea) in the future with the story of Tea in the past is very reminiscent of Rothfuss’s Kvothe in The Name of the Wind, and I feel like this is like the younger end of the spectrum YA sibling to The Kingkiller Chronicles. The world Chupeco created is so grand and so vivid that I just wanted to see more of Tea’s interaction with that world and within that world rather than descriptions of it, and I’m hoping that’s what we’ll get to read in the sequel.

A copy of this book was provided to me by Sourcebooks Fire and Netgalley for review; all opinions are my own.

BOOK REVIEW: Into the Water, by Paula Hawkins

- Meg
BOOK REVIEW: Into the Water, by Paula HawkinsTitle: Into the Water by Paula Hawkins
Published by Riverhead Books
Published: May 2nd 2017
Genres: Fiction
Pages: 386
Format: Trade Paper
Source: Publisher
Goodreads

A single mother turns up dead at the bottom of the river that runs through town. Earlier in the summer, a vulnerable teenage girl met the same fate. They are not the first women lost to these dark waters, but their deaths disturb the river and its history, dredging up secrets long submerged.
Left behind is a lonely fifteen-year-old girl. Parentless and friendless, she now finds herself in the care of her mother's sister, a fearful stranger who has been dragged back to the place she deliberately ran from—a place to which she vowed she'd never return.
With the same propulsive writing and acute understanding of human instincts that captivated millions of readers around the world in her explosive debut thriller, The Girl on the Train, Paula Hawkins delivers an urgent, twisting, deeply satisfying read that hinges on the deceptiveness of emotion and memory, as well as the devastating ways that the past can reach a long arm into the present.
Beware a calm surface—you never know what lies beneath.

 Some say the women left something of themselves in the water; some say it retains some of their power, for ever since then it has drawn to its shores the unlucky, the desperate, the unhappy, the lost. They come here to swim with their sisters.

This summer I am participating in Book Sparks‘s Summer Reading Challenge, and the first book of the summer is Paula Hawkins’s Into the Water. I have been eagerly waiting to read this after reading The Girl on the Train last year, and I feel like she met my expectations with her sophomore novel. Into the Water is a slower-paced novel compared to the runaway feeling that I got while reading The Girl on the Train, and I think that the pace and atmosphere of each book fits the title. Into the Water unfolds slowly through multiple perspectives and all of the details float around until the final few chapters when everything comes together.

Into the Water‘s strength lies not in the driving force of the plot but in its undercurrent. The main plot revolves around the death of a single mother in a pool of water in which other women throughout the town’s history have also died. To me, the most interesting aspect of this novel is the history of that pool and the stories of the women who died there. I would have loved for the novel to revolve more around the histories of those women because their stories were nuanced, engaging, and compelling. I wanted to know more about the lives of those women and what led to their downfalls.

The major drawback for me in this novel are the narrators. I felt like there were too many narrators (eleven! I wrote the names down to keep track of them, and I’ve never felt like I’ve had to do that before), and that many narrators lead to a jumpy, sometimes jarring plot. I like stories with multiple perspectives, and I think eleven narrators can work if it’s a longer book or a longer series, but when a book is less than four-hundred pages, I find that eleven narrators eventually blur and lose their distinctions.

Overall, this is a solid read for me, and I breezed through it on a lovely spring day with my cat on my lap on our deck.

An advance reader’s copy was sent to me on behalf of Riverhead Books and Book Sparks for my honest opinion.

BOOK REVIEW: The Paper Menagerie, by Ken Liu

- Meg
BOOK REVIEW: The Paper Menagerie, by Ken LiuTitle: The Paper Menagerie and Other Stories by Ken Liu
Published by Saga Press
Published: October 4th 2016
Genres: Science Fiction, Fantasy
Pages: 450
Format: Trade Paper
Source: Purchased
Goodreads

Bestselling author Ken Liu selects his multiple award-winning stories for a groundbreaking collection—including a brand-new piece exclusive to this volume.
With his debut novel, The Grace of Kings, taking the literary world by storm, Ken Liu now shares his finest short fiction in The Paper Menagerie and Other Stories. This mesmerizing collection features many of Ken’s award-winning and award-finalist stories, including: “The Man Who Ended History: A Documentary” (Finalist for the Hugo, Nebula, and Theodore Sturgeon Awards), “Mono No Aware” (Hugo Award winner), “The Waves” (Nebula Award finalist), “The Bookmaking Habits of Select Species” (Nebula and Sturgeon Award finalists), “All the Flavors” (Nebula Award finalist), “The Litigation Master and the Monkey King” (Nebula Award finalist), and the most awarded story in the genre’s history, “The Paper Menagerie” (The only story to win the Hugo, Nebula, and World Fantasy awards).
Insightful and stunning stories that plumb the struggle against history and betrayal of relationships in pivotal moments, this collection showcases one of our greatest and original voices.

 Time’s arrow is the loss of fidelity in compression. A sketch, not a photograph. A memory is a re-creation, precious because it is both more and less than the original.

Ken Liu’s The Paper Menagerie is one of the best short story collections I’ve ever read, period. It’s rare for me to read a short story collection and find something to enjoy and marvel over in each story, but I did with this one. I think the only other one that matches that ‘I love every story in this’ is Ted Chiang’s Stories of Your Life and Others. After finishing The Paper Menagerie, I just wanted so much more, and I’m so looking forward to reading his Dandelion Dynasty series.

I think the thing I liked most about this collection of stories, aside from Liu’s deft skill at writing in and blending several different genres, is that so many of the stories focus on the idea of storytelling and what that means for us as people and as a society. In the collection, you’ll read about the ways in which species across the universe record their stories for the present and the future (“The Bookmaking Habits of Select Species”), the ways in which society tells us stories to keep us controlled and how difficult it is to break the illusions (“Perfect Match”), the literal power of words (“The Literomancer”), and the literal preservation of memory to be “read” and its upsides and pitfalls (“Simulacrum”).

This solid collection has fiction in all genres, and one of the heaviest stories to read was “The Literomancer,” because while it’s got a flavor of magic and magical realism, it’s firmly rooted in history, and it’s difficult to read about and stomach the atrocities people can do to one another, and it adds another layer of heaviness when the story is mostly from a child’s, an innocent’s, perspective, because we’re watching that loss of innocence unfold before us. I also really liked “The Waves,” and I found it one of the strongest recent science fiction stories I’ve read in a while.

Part of the joy of short story collections is the discovery within the covers, so I don’t want to go into too much detail about the stories themselves. But I will recommend this to you and everyone you know because it’s just that good.

BOOK REVIEW: Moby-Dick, by Herman Melville

- Meg

BOOK REVIEW: Moby-Dick, by Herman MelvilleTitle: Moby-Dick; or, The Whale by Herman Melville
Published by Modern Library
Published: October 18th 1851
Genres: Classics, Fiction
Pages: 896
Format: Trade Paper
Source: Purchased
Goodreads

First published in 1851, Melville's masterpiece is, in Elizabeth Hardwick's words, "the greatest novel in American literature." The saga of Captain Ahab and his monomaniacal pursuit of the white whale remains a peerless adventure story but one full of mythic grandeur, poetic majesty, and symbolic power. Filtered through the consciousness of the novel's narrator, Ishmael, Moby-Dick draws us into a universe full of fascinating characters and stories, from the noble cannibal Queequeg to the natural history of whales, while reaching existential depths that excite debate and contemplation to this day.
The Modern Library Classics edition contains original illustrations by Rockwell Kent.
Introduction by Elizabeth Hardwick.

 There are certain queer times and occasions in this strange mixed affair we call life when a man takes this whole universe for a vast practical joke, though the wit thereof he but dimly discerns, and more than suspects that the joke is at nobody’s expense but his own.

What can I say about Moby-Dick that hasn’t been said already? If you would have told me several years ago that I’d read this book out of pure curiosity rather than out of obligation for an assignment or something, I probably wouldn’t have believed you. It’s been on the peripheral to-read list forever simply because it’s considered one of the greatest American novels, and I probably would have read it just for that alone, but after discovering some of the history behind the novel and about the author, I had to read it for myself.

From the beginning, I was drawn into Ishmael’s recount of his adventures in pursuit of the great white whale, drawn into Ishmael’s deep friendship with Queequeg (to the point of me asking myself is this actually happening several times, especially when Ishmael and Queequeg lounged in bed with legs thrown over each other’s), and drawn into Captain Ahab’s nautical quest to dominate a perceivably indomitable whale.

I can just imagine Ishmael scribbling this narrative out on the ship by oil lamp, during the drudgeries of the day-to-day ship life. Technically, he probably didn’t, if you really want to get into semantics, but the idea of a man in that white-hot writing groove writing about whales and ship life and Ahab’s history and all of the things one does on a ship in the middle of a vast ocean is more thrilling than I could have ever imagined it to be.

And, honestly, I think I read it at a pertinent time in my life. Had I read it before I learned the history of the narrative, the novel, the American novel, religion and its function in the American novel, the personal lives of Melville (and by extension Hawthorne), and postmodernism (and one can argue whether or not this novel is considered postmodern, but it’s different than anything else I’ve read from the time period and knowing how postmodernism works in a literary setting adds to my own consumption and enjoyment of the novel on some level because its lucidity is very much like James Joyce’s style), I probably wouldn’t have appreciated it as much as I do now. It’s a hefty novel, a undertaking, but it’s so incredibly worth it.